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Hamlet - The Tragedy of Hamlet, Prince of Denmark (Unabridged)
Hamlet by William Shakespeare is a tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play, with 29,551 words. Set in Denmark, the play depicts Prince Hamlet and his attempts to exact revenge against his uncle, Claudius, who has murdered Hamlet's father in order to seize his throne and marry Hamlet's mother. Plot: Prince Hamlet of Denmark is the son of the recently deceased King Hamlet, and nephew of King Claudius, his father's brother and successor. Claudius hastily married King Hamlet's widow, Gertrude, Hamlet's mother, and took the throne for himself. Denmark has a long-standing feud with neighbouring Norway, in which King Hamlet slew King Fortinbras of Norway in a battle some years ago. Although Denmark defeated Norway and the Norwegian throne fell to King Fortinbras's infirm brother, Denmark fears that an invasion led by the dead Norwegian king's son, Prince Fortinbras, is imminent. On a cold night on the ramparts of Elsinore, the Danish royal castle, the sentries Bernardo and Marcellus discuss a ghost resembling the late King Hamlet which they have recently seen, and bring Prince Hamlet's friend Horatio as a witness. After the ghost appears again, the three vow to tell Prince Hamlet what they have witnessed. The court gathers the next day, and King Claudius and Queen Gertrude discuss affairs of state with their elderly adviser Polonius. Claudius grants permission for Polonius's son Laertes to return to school in France, and he sends envoys to inform the King of Norway about Fortinbras. Claudius also questions Hamlet regarding his continuing to grieve for his father, and forbids him to return to his school in Wittenberg. After the court exits, Hamlet despairs of his father's death and his mother's hasty remarriage. Learning of the ghost from Horatio, Hamlet resolves to see it himself. As Polonius's son Laertes prepares to depart for France, Polonius offers him advice that culminates in the maxim 'to thine own self be true.' Polonius's daughter, Ophelia, admits her interest in Hamlet, but Laertes warns her against seeking the prince's attention, and Polonius orders her to reject his advances.
William Shakespeare (Author), Sam Stinson (Narrator)
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Romeo and Juliet by William Shakespeare Audiobook is a tragedy written by William Shakespeare early in his career about two young Italian star-crossed lovers whose deaths ultimately reconcile their feuding families. It was among Shakespeare's most popular plays during his lifetime and, along with Hamlet, is one of his most frequently performed plays. Today, the title characters are regarded as archetypal young lovers. Romeo and Juliet belongs to a tradition of tragic romances stretching back to antiquity. The plot is based on an Italian tale translated into verse as The Tragical History of Romeus and Juliet by Arthur Brooke in 1562 and retold in prose in Palace of Pleasure by William Painter in 1567. Shakespeare borrowed heavily from both but expanded the plot by developing a number of supporting characters, particularly Mercutio and Paris. Believed to have been written between 1591 and 1595, the play was first published in a quarto version in 1597. The text of the first quarto version was of poor quality, however, later editions corrected the text to conform more closely with Shakespeare's original. Shakespeare's use of poetic dramatic structure (including effects such as switching between comedy and tragedy to heighten tension, the expansion of minor characters, and numerous sub-plots to embellish the story) has been praised as an early sign of his dramatic skill. The play ascribes different poetic forms to different characters, sometimes changing the form as the character develops. Romeo, for example, grows more adept at the sonnet over the course of the play.
William Shakespeare (Author), Becky Miller (Narrator)
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Two close friends, Proteus and Valentine, are saying their goodbyes in the streets of Verona. Valentine plans to travel to Milan and discover the world, but Proteus wants to stay with Julia, a woman he loves. While in Milan, Valentine falls in love with the duke's daughter, Sylvia, and plans to elope with her. Antonio, Proteus' father, later orders his son to join Valentine in Milan. Before leaving, Proteus exchanges rings and vows of undying love with Julia. When Proteus enters the aristocratic courts of Milan, he instantly falls in love with Sylia and forgets all about Julia. The love triangle between Sylvia, Proteus, and Valentine will test the loyalty of friendship.
William Shakespeare (Author), Susan Bones, Zacharias Prewett (Narrator)
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First published in 1602 by William Shakespeare, The Merry Wives of Windsor features the popular figure Sir John Falstaff, who first appeared in Henry IV, Part 1 and Part 2. Some speculate that Merry Wives was written at the behest of Queen Elizabeth I, who wanted to see Falstaff in love; and that Shakespeare was forced to rush its creation as a result, and so it remains one of Shakespeare's lesser-regarded plays. The play revolves around two intertwined plots: the adventures of the rogue Falstaff who plans to seduce several local wives, and the story of young Anne Page who is being wooed by prominent citizens while she has her sights set on young Fenton. The wives come together to teach Falstaff a lesson, and in the end love triumphs. The Merry Wives of Windsor is believed to have been first performed in 1597 and was subsequently published in quarto in 1602, in a second quarto in 1619, and then in the 1623 First Folio. Despite holding a lesser place in Shakespeare's canon, it was one of the first Shakespearean plays to be performed in 1660, after the reinstatement of Charles II and theatre once again was permitted to be performed in London.
William Shakespeare (Author), Susan Bones, Zacharias Prewett (Narrator)
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At a time when violence in America and Europe dominates the daily news, a groundbreaking new book co-authored by James Gilligan, an eminent psychiatrist who has worked with criminals, and David A.J. Richards, a legal scholar of toxic patriarchy, illuminates the ways in which Shakespeare offers unique insights into the causes of violence as well as its prevention. Now a riveting new audio production, Holding a Mirror Up to Nature: Shame, Guilt, and Violence in Shakespeare takes advantage of scenes performed by acclaimed actors to dramatize how much Shakespeare’s tragic heroes exhibit the psychology of those who commit violence in the contemporary world. The voice of British-American actor John Douglas Thompson called “perhaps the greatest Shakespeare interpreter in contemporary theater,” together with women’s parts spoken by Shakespeare & Company’s distinguished Tod Randolph, and narration by award-winning theater star Nigel Gore, orchestrate this tour de force audiobook that belongs in the listening library of everyone who loves Shakespeare and is curious about what causes and what prevents violence.
David A.J. Richards, James Gilligan (Author), James Gilligan, John Douglas Thompson, Nigel Gore, Tod Randolph (Narrator)
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Shipwrecked on the shores of Illyria, Viola assumes the role of a male page to Duke Orsino. The Duke sends Viola, now disguised as 'Cesario' to press his suit with the beautiful Olivia - who promptly falls in love with Cesario. Confusion reigns until the truth is untangled and true love triumphs. Recorded at The Invisible Studios, West Hollywood in July 2022. Adapted and directed by Martin Jarvis Producing Director: Susan Albert Loewenberg An L.A. Theatre Works full-cast recording starring: Rosalind Ayres as Maria Tara Lynne Barr as Olivia Chris Butler as Orsino JD Cullum as Antonio Sarah Drew as Viola Martin Jarvis as Sir Toby Belch Adhir Kalyan as Sir Andrew Aguecheek Stacy Keach as Feste, the Fool André Sogliuzzo as Fabian, Curio, Valentine and others Josh Stamberg as Malvolio Mark Jude Sullivan as Sebastian Senior Producer: Anna Lyse Erikson Recording and Mixing Engineer: Charles Carroll Editing and Sound Design: David Wilson and Charles Carroll Senior Radio Producer: Ronn Lipkin Foley Artist: Jeff Gardner Guitar Accompaniment by JD Cullum
Martin Jarvis, William Shakespeare (Author), Adhir Kalyan, André Sogliuzzo, Chris Butler, Jd Cullum, Josh Stamberg, Mark Jude Sullivan, Martin Jarvis, Rosalind Ayres, Sarah Drew, Stacy Keach, Tara Lynne Barr (Narrator)
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Shakespeare His Life and Works
Unravel the history, themes, and language of Shakespeare's plays, poems, and sonnets with this guide to his life and works. Comedy and romance, history, and tragedy, Shakespeare's canon has it all. Some 400 years after they were written and first performed, his works still remain fresh and relevant today. Shakespeare: his life and works is an accessible and lavishly illustrated celebration of the Bard himself and his 39 plays, great sonnets, and narrative poems. Themes, plots, characters, and language are brought to life with act-by-act plot summaries, resumes of main characters, and in-depth analysis of Shakespeare's use of, and influence on, the English language. Entries also explore Shakespeare's plays, poems, and sonnets in the context of his life and the world of Elizabethan and Jacobean theatre, and reveal his sources and inspirations, further enriching your experience of his work, be it on the page, stage, or screen. Shakespeare: his life and works is the perfect gift for existing Shakespeare fans, and anyone looking to find out more about the work of the world's most celebrated playwright. © 2021 Dorling Kindersley © 2022 DK Audio
Alan Riding, Leslie Dunton-Downer (Author), Charles Armstrong (Narrator)
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The Tempest is a play by English playwright William Shakespeare, probably written in 1610-1611, and thought to be one of the last plays that Shakespeare wrote alone. After the first scene, which takes place on a ship at sea during a tempest, the rest of the story is set on a remote island, where the sorcerer Prospero, a complex and contradictory character, lives with his daughter Miranda, and his two servants: Caliban, a savage monster figure, and Ariel, an airy spirit. The play contains music and songs that evoke the spirit of enchantment on the island. It explores many themes, including magic, betrayal, revenge, and family. In Act IV, a wedding masque serves as a play-within-a-play, and contributes spectacle, allegory, and elevated language. Although The Tempest is listed in the First Folio as the first of Shakespeare's comedies, it deals with both tragic and comic themes, and modern criticism has created a category of romance for this and others of Shakespeare's late plays. The Tempest has been put to varied interpretations, from those that see it as a fable of art and creation, with Prospero representing Shakespeare, and Prospero's renunciation of magic signaling Shakespeare's farewell to the stage, to interpretations that consider it an allegory of Europeans colonizing foreign lands.
William Shakespeare (Author), Susan Bones, Zacharias Prewett (Narrator)
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The Book of William: How Shakespeare's First Folio Conquered the World
The first popular narrative history of Shakespeare’s First Folio, the world’s most obsessively pursued book One book above all others has transfixed connoisseurs for four centuries—a book sold for shillings in the streets of London, whisked to Manhattan for millions, and stored deep within the vaults of Tokyo. The book: William Shakespeare’s First Folio of 1623. Paul Collins, lover of odd books and author of the national bestseller Sixpence House, takes up the strange quest for this white whale of precious books. Broken down into five acts, each tied to a different location and century, The Book of William’s travelogue follows the trail of the Folio’s curious rise: a dizzying Sotheby’s auction on a pristine copy preserved since the seventeenth century, the Fleet Street machinations of the eighteenth century, the nineteenth-century quests for lost Folios, obsessive acquisitions by twentieth-century oilmen, and the high-tech hoards of twenty-first-century Japan. Finally, Collins speculates on Shakespeare’s cross-cultural future as Asian buyers enter their Folios into the electronic ether, and recounts the book’s remarkable journey as it is found in attics, gets lost in oceans and fires, is bought and sold, and ultimately becomes immortal.
Paul Collins (Author), Tim Getman (Narrator)
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Shakespeare's Greatest Monologues: Volume III
William Shakespeare, long hailed as the history's greatest dramatic writer, has been lauded for his mastery of poetic expression, his insight into the human condition and his deep exploration into the psyche and motivations of his characters. These skills are perhaps best encapsulated in the monologues he gives his various protagonists, villains and bit players. From King Henry V's inspiring speech to his soldiers on the field of Agincourt to the villainous Merchant of Venice Shylock defending his own cruelty, to the shepherdess Phebe from 'As You Like It' grappling with her sudden attraction to a young courtier, to Nick Bottom from 'A Midsummer Night's Dream,' awaking from what he considers the strangest dream in history, Shakespeare's monologues are short distillations of his larger themes - love and loss, fairness and inequity, power and envy, lust and purity. Fort Raphael Publishing is proud to present, in this first volume, some of Shakespeare's greatest monologues, each of which captures a shining, brilliant moment from his plays that gives us a deeper understanding of each character, whether flattering, damning or inspiring.Enjoy this collection of monologues from the greatest theatrical writer in the English language - William Shakespeare.
William Shakespeare (Author), Alan Ball, Barbara Figgins, Catherine Oconnor, Colleen Scallen, Jack Hickey, Joseph Wycoff, Leenya Rideout, Mark Lancaster, Michael Downey, Michael Joseph Mitchell, Robert Koon, Ruth Kaufman, Sean Fortunato, Tony Dobrowolski And Noelle Klyce (Narrator)
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“Sigh no more, ladies, sigh no more,Men were deceivers ever,-One foot in sea and one on shore,To one thing constant never.” Benedick and Beatrice have had a rivalry that spans years, so when she finds out that he is going to be in town for a month, she is happy to resume their ongoing feud immediately. The two mock each other incessantly, always insulting and picking at one another’s insecurities. The people around them concoct a plan to get the two to fall in love by telling each one that the other loves them. This notion amuses the two proud people very much, and they proceed to attempt to right their disagreements for the sake of pursuing what they believe to be secret love. Meanwhile, Claudio and Hero are in love, but everyone in Claudio’s circle is seemingly conspiring to prevent him from marrying her. From sowing discord between the two to deceiving Claudio into thinking that Hero is unfaithful to him, their relationship is torn apart quickly. This leaves Claudio feeling embarrassed, and wishing to retaliate against anyone who had part in humiliating him. These two concurrent relationship entanglements result in chaos and hilarity, as the truths are slowly revealed to both sets of couples. Much Ado About Nothing demonstrates that the power of true love can withstand anything that deceptive and meddling friends can throw at it.
William Shakespeare (Author), Rafe Beckley (Narrator)
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“All the world's a stage,And all the men and women merely players;They have their exits and their entrances;And one man in his time plays many parts,His acts being seven ages.” As You Like It follows the lives of men and women who have been banished from their home after ruler, Duke Senior, was usurped by his younger brother. Duke Senior’s companions begin living in the forest outside of the duchy, where they encounter a man named Orlando, who has been secretly in love with the Duke’s daughter Rosalind. Orlando journeys to win Rosalind’s heart, while not knowing where Rosalind actually is in the aftermath of the usurpation. Rosalind, her best friend (who is also the daughter of the Duke’s younger brother), and the court’s jester have also resigned to the forest, but are fully disguised to keep their identities hidden. They encounter interesting characters of all sorts, such as a melancholy man named Jacques, a shepherdess who accidentally falls in love with Rosalind’s male disguise, and many more. Obviously, this play is centered on a cast that keeps secrets, subtly deceives one another, dons disguises of all sorts, and above all else desires to find true love in the forest. This play is well known for the cast of entertaining characters, as well as being the origin of some of Shakespeare’s most well-known passages.
William Shakespeare (Author), Edward James Beesley (Narrator)
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