If you LOVE a political thriller, you always want for more! All of these books are recommended reads, usually set against the backdrop of a political power struggle. Whether that’s national or international scenarios, corruption, terrorism or warfare, these all have one thing in common: they are high impact and you won’t want to put them down!
Every detail is accurate because one of the authors is President Bill Clinton. The drama and action never stop because the other author is James Patterson. ALL PRESIDENTS HAVE NIGHTMARES. THIS ONE IS ABOUT TO COME TRUE. Matthew Keating, a one-time Navy SEAL and a former US President, has always defended his family as fiercely as he has his country. Now these defences are under attack. And it's personal. Keating's teenage daughter, Melanie, has been abducted, turning every parent's deepest fear into a matter of national security. As the world watches, Keating embarks on a one-man special-ops mission that tests his strengths: as a leader, a warrior, and a father. Because Keating knows that in order to save Melanie's life he will have to put his own on the line . . .
Wowsers. It’s kind-of a cliché to praise quality thrillers for being unpredictable and un-put-down-able, but Chris Pavone’s Two Nights in Lisbon delivers both those qualities with outstanding style. Reeling with smart misdirection, and raising questions around how well we really know people, Two Nights in Lisbon is a twisty rollercoaster of a read. The unnerving scenes of an American woman, Ariel, waking-up in Lisbon to find her husband gone soon veers in a direction you won’t see coming, setting the tone for the rest of the novel. Just when you think you’ve figured out what kind of story this is — bam! A new nugget comes to light and you’re hurtled down an entirely different track. In Lisbon for a vacation around her new husband’s work trip, Ariel reports his disappearance to the local police, and then the US Embassy. Neither are particularly interested at first — he hasn’t been gone that long, maybe he’s off with a mistress. A tonne of everyday explanations could account for his absence. But it’s not long before the stakes are raised — think changed identities, NDAs, and a murky situation in which it seems that no one’s who they claim to be. As Ariel remarks, “We tell ourselves stories about each other, about ourselves too, our pasts. We construct our narratives, we start with the big picture and then add details one by one, like building a house”, ending up with something “that looks like it’s been there forever, even though it’s a brand-new fabrication”. And, having built a new life for herself, Ariel is forced to return to her past if her new husband is to have a future, and all the while she has her son back home to worry about, “one of the reasons that Ariel felt like she’d been living on high alert, waiting for some bad thing to happen”. Diving headlong into male abuses of power, and touching on how we leave digital footprints even if we try our damndest to be digitally invisible, Two Nights in Lisbon is a triumph.
A CRIME BURIED FOR YEARS. AND ONE THAT'S JUST BEGUN... 'An authentic, topical and terrifying thriller: one of Michael Connelly's very best' THE TIMES 'Yet another superb thriller from a writer at the top of his game' SUNDAY EXPRESS 'Consistently excellent' MAIL ON SUNDAY * * * * * A MURDER YEARS IN THE MAKING A murder in the middle of a street party seems a senseless tragedy. But the victim had a dark past which came back to haunt him. THE DEEPER YOU LOOK Detective Renee Ballard connects the killing to an unsolved case last worked by ex-LAPD legend Harry Bosch. But then a new crime shatters the night shift... THE DARKER IT GETS The Midnight Men are a deadly pair of predators who stalk the city during the dark hours and disappear without a trace. Ballard once believed her job was to bring the truth to light. In a police department shaken to the core by protests and pandemic, both cases have the power to save her - or end her... * * * * * CRIME DOESN'T COME BETTER THAN CONNELLY: 'One of the very best writers working today' Sunday Telegraph 'The pre-eminent detective novelist of his generation' Ian Rankin 'The best mystery writer in the world' GQ 'A superb natural storyteller' Lee Child 'A master' Stephen King 'Crime thriller writing of the highest order' Guardian 'America's greatest living crime writer' Daily Express 'A crime writing genius' Independent on Sunday
For readers with an interest in what happens behind the scenes in the newsrooms – of which there are many – The Shot is sure to satisfy their thirst for the next big scoop. Given her first chance in the spotlight, young TV journalist Samira is out to prove her worth. Alongside seasoned photographer Kris, they take a photograph – a shot that has thrown their whole mission and lives in peril. As a former CNN news executive, author Sarah Sultoon packs her novel with the kind of details that only someone who’s been on the frontline of war reporting can – from what life is like in conflict zones, to the petty squabbles in the newsroom. What many readers may be left with is the full effect and exposure of the realities of war reporting. Sultoon’s style never veers into gratuitous violence, but her book is made only more visceral by the current conflict in Ukraine.
Julian Lawndsley has renounced his high-flying job in the City for a simpler life running a bookshop in a small English seaside town. But only a couple of months into his new career, Julian's evening is disrupted by a visitor. Edward, a Polish emigre living in Silverview, the big house on the edge of town, seems to know a lot about Julian's family and is rather too interested in the inner workings of his modest new enterprise. When a letter turns up at the door of a spy chief in London warning him of a dangerous leak, the investigations lead him to this quiet town by the sea . . . Silverview is the mesmerising story of an encounter between innocence and experience and between public duty and private morals. In this last complete masterwork from the greatest chronicler of our age, John le Carre asks what you owe to your country when you no longer recognise it.
This powerful, provocative, intoxicating rush of a read hit me head on and ploughed through my thoughts. Mother, former teacher and now MP Emma Webster is used to the press and public judging her, when a man is found dead in her home it opens the floodgates. Trolling, bullying, the difficulties of being a woman and a powerful one at that, are examined while encased in a plot that accelerates into a thrilling story. Newspaper reports and social media comments lie in wait. The focus on different characters and their points of view ensures each nuanced layer splices to the next. Only Emma is written in the first person, I felt her emotional reaction and found myself positively aching for her. The characters are beautifully flawed, each giving you access yet creating a space to explore their personality and choices made. Sarah Vaughan allows you to see what’s coming, the what but not the how, letting you in while creating tension with the slicing edge of the story. Thoroughly provoking thoughts while being highly entertaining, Reputation is timely, convincing, and exhilarating read.