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If you LOVE a political thriller, you always want for more! All of these books are recommended reads, usually set against the backdrop of a political power struggle. Whether that’s national or international scenarios, corruption, terrorism or warfare, these all have one thing in common: they are high impact and you won’t want to put them down!
Smart and smirky as heck, this is a furiously wonderful wow of a crime caper that will no doubt be sitting on my list of favourite books of the year. Ramesh has set himself up with a business sitting exams for the kids of India’s middle classes, it all goes spectacularly wrong when he accidentally scores the highest mark in the country. The opening slapped my attention, in fact from the first sentence I was as hooked as a hooked thing can be! This is Rahul Raina’s debut, and he has created the most extraordinary voice in Ramesh. Ramesh tells his own story, words spill from him in a torrent that feels so incredibly authentic even as my eyebrows reached for the stars. The words ganged together to create the most exhilarating story. The plot alternately sang or punched me in the guts, just when I felt comfortable, bang, my thoughts were swinging in free fall again. There is a political commentary to be found among the whirlwind wit and satire, however it certainly doesn’t preach, it just lays it out you to view, and then consider. How to Kidnap the Rich is a hugely entertaining wild ride, so good it had to be a Liz Pick of the Month and a LoveReading Star Book.
Telling the gripping tale of a Berlin-based writer’s appropriation of a stranger’s story, Chris Power’s A Lonely Man misdirects and seduces with a magician’s sleight of hand. Readers will teeter on the very edge of their seats as they - and the protagonist - are lured into a snare of distrust, with the novel simmering to an entirely unexpected end. Robert has moved from London to Berlin with his wife and two young daughters. While struggling to find his creative mojo, he meets drunk, charismatic, nervy Patrick. Patrick was ghost-writing a no-holds-barred book on behalf of an exiled Russian oligarch who was recently found hanged. Patrick believes it was murder, that he’s now being followed. Robert notes early on that “he had never known when to stop” and, true to form, despite deciding he’d only meet Patrick for one drink, it doesn’t stop there. Beers, whiskeys, and more for the road flow as Patricks explains how he met the mega-rich oligarch and the high-level secrets his book was due to expose. Though Robert he felt “like he had spent the evening walking into some kind of trap” and he’s not sure if it’s true, Patrick’s story has slithered under his skin and he secretly sets about transforming it into a novel. Highly recommend for readers who like their thrillers laced with chilling intrigue, the novel operates as a kind of puzzle, raising questions around the ownership of stories, and uncertainty planted with elegant aplomb.
There are times when reading Do Not Disturb that you have to pinch yourself to remind you that, although a thriller, it is not made up: It is all real. All true. The murders are of real people. The fear and paranoia of friends and families is real. They are living in the presence of real danger. Criticism of President Kagame of Rwanda, once the darling of the West, will do that. It will force you to go into hiding. It will make you a subject of oppressive surveillance. In the case of Paul Rusesabagina, humanitarian hero of the film Hotel Rwanda, it will get you tricked onto a plane, drugged, renditioned, tortured and imprisoned. It can, and often will, get you killed. When the ubiquitous hotel door sign of the title is used to conceal the killing of a former member of Rwanda’s inner circle, the trails of evidence, methodically and minutely tracked by Wrong over many years and countless interviews, lead straight to Kagame. As Wrong strips away the glossy window dressing from the so-called “Singapore of Africa,” she reveals a nation run by brutal thugs; a supposed economic miracle, dependant on western support, which suppresses the true scale of the hunger, poor health and fear of an uncountable number of its inhabitants. Long admired for her fearless reportage, Wrong has written a crisp, insightful - and importantly - honest, account of institutionalised, no… weaponised national lying. In doing so she has exposed an appalling truth: that Rwanda’s elite have manipulated global shame and compassion to run an entire country with mafia-like grip and murderous avarice, immorality and illegality. By laying bare the bones of a brutal, merciless dictator, driven by Imperial grade fear, greed and the insecurity of shallow ego, Wrong has documented despotism in all its appalling hideousness. We should care very deeply, as Rwanda is a member nation of the Commonwealth.