Audiobooks by Charlotte Riddell

Wonder Of Women - Haunted House Stories Audiobook

Let’s be clear. We are all equal under the law. However, even in these more modern times that is not an absolute and still remains a distant ambition for many. In the days when Britain ruled the waves and bestrode the world as its policeman and plunderer in chief it also subjugated half of its own people to second class status. Women were chattel and property. There were some exceptions based on wealth and birthright but for the overwhelming majority your lot was to fall in with the rules and do as you were told. Many did.But whilst male society sought to place obstacles in the path to equality, it could not deny their literary talents, which many times they circumvented by using male pseudonyms. However, the soaring sales of magazines and periodicals during the Victorian Age meant they had voracious appetites for literature, whatever the sex of its gender.Dozens of authors appeared to fill the need. Narratives had new ideas. Characters were emboldened by societal changes and the female voice taking responsibility.The women included here are talents that dazzle. Put them up against anyone and they rise to the top. Whether they remain with an avid readership today or faded to obscurity with the passing of the times their quality remains undimmed. 1 - Women of Wonder - Haunted House - An Introduction2 - The Yellow Wallpaper by Charlotte Perkins Gilman3 - The Ebony Frame by Edith Nesbit4 - The Open Door - Part 1 by Margaret Oliphant5 - The Open Door - Part 2 by Margaret Oliphant6 - The Shadows on the Wall by Mary E Wilkins Freeman7 - The Ghost in the Clock Room by Hesba Stretton8 - The Ghost at the Rath by Rosa Mulholland9 - The Last of Squire Ennismore by Charlotte Riddell10 - The Villa by Elinor Mordaunt11 - Decay by Marjorie Bowen12 - To Let by B M Croker13 - The Truth, the Whole Truth and Nothing But the Truth by Rhoda Broughton14 - The First Evening by Catherine Crowe15 - Man Size In Marble by Edith Nesbit

B M Croker, Catherine Crowe, Charlotte Perkins Gilman, Charlotte Riddell, Edith Nesbit, Elinor Mordaunt, Hesba Stretton, Margaret Oliphant, Marjorie Bowen, Mary E Wilkins Freeman, Rhoda Broughton, Rosa Mulholland (Author), Janet Fullerlove, Laurel Lefkow, Liza Ross (Narrator)

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Wonder Of Women - The Darker Sex

Let’s be clear. We are all equal under the law. However, even in these more modern times that is not an absolute and still remains a distant ambition for many. In the days when Britain ruled the waves and bestrode the world as its policeman and plunderer in chief it also subjugated half of its own people to second class status. Women were chattel and property. There were some exceptions based on wealth and birthright but for the overwhelming majority your lot was to fall in with the rules and do as you were told. Many did.But whilst male society sought to place obstacles in the path to equality, it could not deny their literary talents, which many times they circumvented by using male pseudonyms. However, the soaring sales of magazines and periodicals during the Victorian Age meant they had voracious appetites for literature, whatever the sex of its gender.Dozens of authors appeared to fill the need. Narratives had new ideas. Characters were emboldened by societal changes and the female voice taking responsibility.The women included here are talents that dazzle. Put them up against anyone and they rise to the top. Whether they remain with an avid readership today or faded to obscurity with the passing of the times their quality remains undimmed. 1 - Women of Wonder - The Darker Sex - An Introduction2 - The Lifted Veil - Part 1 by George Eliot3 - The Lifted Veil - Part 2 by George Eliot4 - John Charrington's Wedding by Edith Nesbit5 - Luz by Elinor Mordaunt6 - Lena Wrace by May Sinclair7 - Tamar by Lady Eleanor Smith8 - Sylvia by Bessie Kyffin Taylor9 - The Old Nurse's Story by Elizabeth Gaskell10 - In the Mist by Mary E Penn11 - In the Séance Room by Lettice Galbraith12 - Behind the Curtain by Gertrude Barrows Bennett writing as Francis Stevens13 - Behind the Wall by Violet Jacob14 - Under The Electrics by Clotilde Graves writing as Richard Dehan15 - The Face in the Glass by Mary Elizabeth Braddon16 - The Strange Looking Man by Fanny Kemble Johnson17 - The Three Kisses by Violet Quirk18 - The Last of Squire Ennismore by Charlotte Riddell19 - Since I Died by Elizabeth Stuart Phelps20 - The Devil's Mother-in-Law by Fernan Caballeron21 - In Dark New England Days by Sarah Orne Jewett

Bessie Kyffin Taylor, Charlotte Riddell, Clotilde Graves writing as Richard Dehan, Edith Nesbit, Elinor Mordaunt, Elizabeth Gaskell, Elizabeth Stuart Phelps, Fanny Kemble Johnson, Fernan Caballeron, George Eliot, Gertrude Barrows Bennett writing as Francis Stevens, Lady Eleanor Smith, Lettice Galbraith, Mary E Penn, Mary Elizabeth Braddon, May Sinclair, Sarah Orne Jewett, Violet Jacob, Violet Quirk (Author), Laurel Lefkow, Lisa Bowerman, Robert Maskell (Narrator)

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Wonder Of Women - The Weird Stories - Volume 2

Let’s be clear. We are all equal under the law. However, even in these more modern times that is not an absolute and still remains a distant ambition for many. In the days when Britain ruled the waves and bestrode the world as its policeman and plunderer in chief it also subjugated half of its own people to second class status. Women were chattel and property. There were some exceptions based on wealth and birthright but for the overwhelming majority your lot was to fall in with the rules and do as you were told. Many did.But whilst male society sought to place obstacles in the path to equality, it could not deny their literary talents, which many times they circumvented by using male pseudonyms. However, the soaring sales of magazines and periodicals during the Victorian Age meant they had voracious appetites for literature, whatever the sex of its gender.Dozens of authors appeared to fill the need. Narratives had new ideas. Characters were emboldened by societal changes and the female voice taking responsibility.The women included here are talents that dazzle. Put them up against anyone and they rise to the top. Whether they remain with an avid readership today or faded to obscurity with the passing of the times their quality remains undimmed. 1 - Women of Wonder - The Weird Stories - Volume 2 - An Introduction2 - The Yellow Wallpaper by Charlotte Perkins Gilman3 - Transformation by Mary Shelley4 - The Shadows on the Wall by Mary E Wilkins Freeman5 - The Blue Room by Lettice Galbraith6 - From the Dead by Edith Nesbit7 - The Death Mask by H D Everett writing as Theo Parker8 - The Last of Squire Ennismore by Charlotte Riddell9 - Sylvia by Bessie Kyffin Taylor10 - Whittington's Cat by Lady Eleanor Smith11 - Young Magic by Helen Simpson12 - No 5 Branch Line. The Engineer by Amelia Edwards13 - In Dark New England Days by Sarah Orne Jewett14 - A Wicked Voice - Part 1 by Vernon Lee15 - A Wicked Voice - Part 2 by Vernon Lee

Amelia B. Edwards, Bessie Kyffin Taylor, Charlotte Perkins Gilman, Charlotte Riddell, Edith Nesbit, H D Everett writing as Theo Parker, Helen Simpson, Lady Eleanor Smith, Lettice Galbraith, Mary E Wilkins Freeman, Mary Wollstonecraft Shelley, Sarah Orne Jewett, Vernon Lee (Author), George S. Irving, Laurel Lefkow, Liza Ross (Narrator)

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The Foundations of Fiction - Haunted House

In this series we turn the pages of classic short stories to put together the literary building blocks of how a particular genre or theme began, how it built its foundations to become the well-loved and well-worn genre that it is today.Do authors have the same ideas at more or less the same time? Or can they sniff out an opportunity as to which way the tastes of an audience are moving. Success undoubtedly builds success and in literary terms we can more politely say that imitation is the sincerest form of flattery, and the surest way to reach a hungry readership is to build on the fortune and flair of your literary colleagues. The dark forces of history have a way of settling in houses, usually large and rambling, but also small and nestled in a city, and from there all sorts of uneasy happenings begin. Authors have very playful imaginations, as well as some very disturbing ideas as they escalate the interactions between people and the growing source of terror that is with us and around us.

A C Benson, A.M. Burrage, Algernon Blackwood, Allen Upward, B M Croker, Bram Stoker, Catherine Crowe, Charlotte Perkins Gilman, Charlotte Riddell, D.K. Broster, E F Benson, E T A Hoffman, Edgar Allan Poe, Edith Nesbit, Edward Bulwer Lytton, Elinor Mordaunt, Elizabeth Gaskell, Eric Purves, H D Everett, H.P. Lovecraft, Hesba Stretton, M.R. James, Margaret Oliphant, Marjorie Bowen, Mary E Wilkins Freeman, Oscar Wilde, Rhoda Broughton, Richard Harris Barham, Rosa Mulholland, Rudyard Kipling, Sheridan Le Fanu, W F Harvey, Walter Scott, William Hope Hodgson (Author), David Shaw-Parker, Mark Rice-Oxley, Richard Mitchley (Narrator)

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Haunted House Stories – The Definitive Collection

The Haunted House is a house that rules our minds with fear. Once we think a house is haunted we prove the point to ourselves again and again. Every floorboard creak or window rattle or unexplained happening is proof concrete.In this anthology our authors go to exceptional lengths to unsettle our minds and open them up to all sorts of terrors. 1 - Haunted House - The Definitive Collection - An Introduction2 - The Lurking Fear - Part 1 by H P Lovecraft3 - The Lurking Fear - Part 2 by H P Lovecraft4 - They by Rudyard Kipling5 - The Canterville Ghost - Part 1 by Oscar Wilde6 - The Canterville Ghost - Part 2 by Oscar Wilde7 - Carnacki, The Ghost Finder - No 1 - The Gateway of the Monster by William Hope Hodgson8 - The Ghost in the Clock Room by Hesba Stretton9 - The Ghost and the Bone-Setter by Sheridan Le Fanu10 - The Ghost at the Wrath by Rosa Mulholland11 - The Fall of the House of Usher - Part 1 by Edgar Allan Poe12 - The Fall of the House of Usher - Part 2 by Edgar Allan Poe13 - The House of the Black Evil by Eric Purves14 - The Villa by Elinor Mordaunt15 - The Empty House by Algernon Blackwood16 - The Deserted House by E T A Hoffman17 - Midnight House by W F Harvey18 - The Story of the Green House, Wallington by Allen Upward19 - The Judge's House by Bram Stoker20 - The Open Door - Part 1 by Margaret Oliphant21 - The Open Door - Part 2 by Margaret Oliphant22 - The Tapestried Chamber by Walter Scott23 - The Room in the Tower by E F Benson24 - The Clock by W F Harvey 25 - The Closed Window by A C Benson26 - The Shadows on the Wall by Mary E Wilkins Freeman27 - The Rats in the Walls by H P Lovecraft28 - The Whispering Wall by H D Everett29 - The Yellow Wall Paper by Charlotte Perkins Gilman30 - Lost Hearts by M R James31 - Man Size in Marble by Edith Nesbit32 - An Account of Some Strange Disturbances in Aungier Street by Sheridan Le Fanu33 - To Let by B M Croker34 - The Truth, the Whole Truth and Nothing But the Truth by Rhoda Broughton35 - The First Evening by Catherine Crowe36 - Smee by A M Burrage37 - What Was It by Fitz James O'Brien38 - Decay by Marjorie Bowen39 - The Ankardyne Pew by W F Harvey40 - The Ebony Frame by Edith Nesbit41 - The Spectre of Tappington by Richard Harris Barham42 - The Old Nurse's Story by Elizabeth Gaskell43 - The Last of Squire Ennismore by Charlotte Riddell44 - The Haunted and the Haunters; or, The House and the Brain - Part 1 by Edward Bulwer Lytton45 - The Haunted and the Haunters; or, The House and the Brain - Part 2 by Edward Bulwer Lytton

A C Benson, A.M. Burrage, Algernon Blackwood, Allen Upward, B M Croker, Bram Stoker, Catherine Crowe, Charlotte Perkins Gilman, Charlotte Riddell, E F Benson, E T A Hoffman, Edgar Allan Poe, Edith Nesbit, Edward Bulwer Lytton, Elinor Mordaunt, Elizabeth Gaskell, Eric Purves, Fitz James O'Brien, H D Everett, H.P. Lovecraft, Hesba Stretton, M.R. James, Margaret Oliphant, Marjorie Bowen, Mary E Wilkins Freeman, Oscar Wilde, Rhoda Broughton, Richard Harris Barham, Rosa Mulholland, Rudyard Kipling, Sheridan Le Fanu, W F Harvey, Walter Scott, William Hope Hodgson (Author), Elliot Fitzpatrick, Richard Mitchley, William Dufris (Narrator)

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Haunted Houses: Two Novels from Charlotte Riddell

From the once-popular yet unfairly neglected Victorian writer Charlotte Riddell comes a pair of novels which cleverly upholster the familiar furniture of the haunted house story. In 'An Uninhabited House', the hauntings are seen through the perspective of the solicitors who hold the deed of the property. Here we find a shrewd comedic skewering of this host of scriveners and clerks, as slowly the safer world of commerce and law gives way and an encounter with the supernatural becomes more and more unavoidable. In 'Fairy Water', Riddell again subverts the expectations of the reader, suggesting a complex moral character for her haunting spirit. Her writing style is succinct and witty, rendering the story a spirited and approachable read despite its age.

Charlotte Riddell (Author), David Thorpe (Narrator)

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The British Short Story - Volume 4 - Charlotte Riddell to Lady Gregory

These British Isles, moored across from mainland Europe, are more often seen as a world unto themselves. Restless and creative, they often warred amongst themselves until they began a global push to forge a World Empire of territory, of trade and of language.Here our ambitions are only of the literary kind. These shores have mustered many masters of literature. So this anthology's boundaries includes only those authors who were born in the British Isles - which as a geographical definition is the UK mainland and the island of Ireland - and wrote in a familiar form of English.Whilst Daniel Defoe is the normal starting point we begin a little earlier with Aphra Behn, an equally colourful character as well as an astonishing playwright and poet. And this is how we begin to differentiate our offering; both in scope, in breadth and in depth. These islands have raised and nurtured female authors of the highest order and rank and more often than not they have been sidelined or ignored in favour of that other gender which usually gets the plaudits and the royalties.Way back when it was almost immoral that a woman should write. A few pages of verse might be tolerated but anything else brought ridicule and shame. That seems unfathomable now but centuries ago women really were chattel, with marriage being, as the Victorian author Charlotte Smith boldly stated 'legal prostitution'. Some of course did find a way through - Jane Austen, the Brontes and Virginia Woolf but for many others only by changing their names to that of men was it possible to get their book to publication and into a readers hands. Here we include George Eliot and other examples.We add further depth with many stories by authors who were famed and fawned over in their day. Some wrote only a hidden gem or two before succumbing to poverty and death. There was no second career as a game show guest, reality TV contestant or youtuber. They remain almost forgotten outposts of talent who never prospered despite devoted hours of pen and brain.Keeping to a chronological order helps us to highlight how authors through the ages played around with characters and narrative to achieve distinctive results across many scenarios, many styles and many genres. The short story became a sort of literary laboratory, an early disruptor, of how to present and how to appeal to a growing audience as a reflection of social and societal changes. Was this bound to happen or did a growing population that could read begin to influence rather than just accept?Moving through the centuries we gather a groundswell of authors as we hit the Victorian Age - an age of physical mass communication albeit only on an actual printed page. An audience was offered a multitude of forms: novels (both whole and in serialised form) essays, short stories, poems all in weekly, monthly and quarterly form. Many of these periodicals were founded or edited by literary behemoths from Dickens and Thackeray through to Jerome K Jerome and, even some female editors including Ethel Colburn Mayne, Alice Meynell and Ella D'Arcy.Now authors began to offer a wider, more diverse choice from social activism and justice - and injustice to cutting stories of manners and principles. From many forms of comedy to mental meltdowns, from science fiction to unrequited heartache. If you can imagine it an author probably wrote it. At the end of the 19th Century bestseller lists and then prizes, such as the Nobel and Pulitzer, helped focus an audience's attention to a books literary merit and sales worth. Previously coffeehouses, Imperial trade, unscrupulous overseas printers ignoring copyright restrictions, publishers with their book lists as an appendix and the gossip and interchange of polite society had been the main avenues to secure sales and profits.

Charlotte Riddell, Lady Gregory, Thomas Hardy (Author), Ghizela Rowe, Stephen Hogan (Narrator)

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