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Wonder Of Women - Ghost Stories
Let’s be clear. We are all equal under the law. However, even in these more modern times that is not an absolute and still remains a distant ambition for many. In the days when Britain ruled the waves and bestrode the world as its policeman and plunderer in chief it also subjugated half of its own people to second class status. Women were chattel and property. There were some exceptions based on wealth and birthright but for the overwhelming majority your lot was to fall in with the rules and do as you were told. Many did.But whilst male society sought to place obstacles in the path to equality, it could not deny their literary talents, which many times they circumvented by using male pseudonyms. However, the soaring sales of magazines and periodicals during the Victorian Age meant they had voracious appetites for literature, whatever the sex of its gender.Dozens of authors appeared to fill the need. Narratives had new ideas. Characters were emboldened by societal changes and the female voice taking responsibility.The women included here are talents that dazzle. Put them up against anyone and they rise to the top. Whether they remain with an avid readership today or faded to obscurity with the passing of the times their quality remains undimmed. 1 - Women of Wonder - Ghost Stories - An Introduction2 - Man Size In Marble by Edith Nesbit3 - The Eyes by Edith Wharton4 - The Story of Salome by Amelia Edwards5 - The Shadows on the Wall by Mary E Wilkins Freeman6 - A Spirit Elopement by Clotilde Graves7 - Since I Died by Elizabeth Stuart Phelps8 - Reality or Delusion by Mrs Ellen Wood9 - Was It An Illusion. A Parson's Story by Amelia Edwards10 - The Truth, the Whole Truth and Nothing But the Truth by Rhoda Broughton11 - The Ghost at the Rath by Rosa Mulholland12 - Christmas Eve at a Cornish Manor House by Clara Venn13 - The Ghost by Catherine Wells14 - The Ghost in the Clock Room by Hesba Stretton15 - The Little Room by Madeline Yale Wynne16 - The Open Door - Part 1 by Margaret Oliphant17 - The Open Door - Part 2 by Margaret Oliphant18 - To Let by B M Croker19 - Let Loose by Mary Cholmondeley.wav20 - The Runaway by Marion Hepworth-Dixon21 - The Phantom Coach by Amelia Edwards22 - The 4 15 Express by Amelia Edwards23 - The Token by May Sinclair24 - The Striding Place by Gertrude Atherton25 - The Readjustment by Mary Austin26 - The Cold Embrace by Mary Elizabeth Braddon27 - The Old Nurse's Story by Elizabeth Gaskell28 - Dionea - Part 1 by Vernon Lee29 - Dionea - Part 2 by Vernon Lee30 - John Charrington's Wedding by Edith Nesbit
Amelia B. Edwards, B M Croker, Catherine Wells, Clara Venn, Clotilde Graves, Edith Nesbit, Edith Wharton, Elizabeth Gaskell, Elizabeth Stuart Phelps, Gertrude Atherton, Hesba Stretton, Madeline Yale Wynne, Margaret Oliphant, Marion Hepworth-Dixon, Mary Austin, Mary Cholmondeley, Mary E Wilkins Freeman, Mary Elizabeth Braddon, May Sinclair, Mrs Ellen Wood, Rhoda Broughton, Rosa Mulholland, Vernon Lee (Author), Elliot Fitzpatrick, Lisa Bowerman, Richard Mitchley (Narrator)
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Wonder Of Women - Victorian Ghost Stories
Let’s be clear. We are all equal under the law. However, even in these more modern times that is not an absolute and still remains a distant ambition for many. In the days when Britain ruled the waves and bestrode the world as its policeman and plunderer in chief it also subjugated half of its own people to second class status. Women were chattel and property. There were some exceptions based on wealth and birthright but for the overwhelming majority your lot was to fall in with the rules and do as you were told. Many did.But whilst male society sought to place obstacles in the path to equality, it could not deny their literary talents, which many times they circumvented by using male pseudonyms. However, the soaring sales of magazines and periodicals during the Victorian Age meant they had voracious appetites for literature, whatever the sex of its gender.Dozens of authors appeared to fill the need. Narratives had new ideas. Characters were emboldened by societal changes and the female voice taking responsibility.The women included here are talents that dazzle. Put them up against anyone and they rise to the top. Whether they remain with an avid readership today or faded to obscurity with the passing of the times their quality remains undimmed. 1 - Women of Wonder - Victorian Ghost Stories - An Introduction2 - John Charrington's Wedding by Edith Nesbit3 - The Cold Embrace by Mary Elizabeth Braddon4 - Was It An Illusion. A Parson's Story by Amelia Edwards5 - The Old Nurse's Story by Elizabeth Gaskell6 - The Runaway by Marion Hepworth-Dixon7 - The Truth, the Whole Truth and Nothing But the Truth by Rhoda Broughton8 - The Little Room by Madeline Yale Wynne9 - To Let by B M Croker10 - The Open Door - Part 1 by Margaret Oliphant11 - The Open Door - Part 2 by Margaret Oliphant
Amelia B. Edwards, B M Croker, Edith Nesbit, Elizabeth Gaskell, Madeline Yale Wynne, Margaret Oliphant, Marion Hepworth-Dixon, Mary Elizabeth Braddon, Rhoda Broughton (Author), Ghizela Rowe, Janet Fullerlove, Kelly Burke (Narrator)
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Wonder Of Women - Psychological Supernatural Thrillers
Let’s be clear. We are all equal under the law. However, even in these more modern times that is not an absolute and still remains a distant ambition for many. In the days when Britain ruled the waves and bestrode the world as its policeman and plunderer in chief it also subjugated half of its own people to second class status. Women were chattel and property. There were some exceptions based on wealth and birthright but for the overwhelming majority your lot was to fall in with the rules and do as you were told. Many did.But whilst male society sought to place obstacles in the path to equality, it could not deny their literary talents, which many times they circumvented by using male pseudonyms. However, the soaring sales of magazines and periodicals during the Victorian Age meant they had voracious appetites for literature, whatever the sex of its gender.Dozens of authors appeared to fill the need. Narratives had new ideas. Characters were emboldened by societal changes and the female voice taking responsibility.The women included here are talents that dazzle. Put them up against anyone and they rise to the top. Whether they remain with an avid readership today or faded to obscurity with the passing of the times their quality remains undimmed. 1 - Women of Wonder - Psychological Supernatural Thriller - An Introduction2 - Man Size In Marble by Edith Nesbit3 - Mrs Raeburn's Waxwork by Lady Eleanor Smith4 - The Devil's Stone by Beatrice Heron-Maxwell5 - Was It An Illusion. A Parson's Story by Amelia Edwards6 - In the Séance Room by Lettice Galbraith7 - The Truth, the Whole Truth and Nothing But the Truth by Rhoda Broughton8 - The Cold Embrace by Mary Elizabeth Braddon9 - Let Loose by Mary Cholmondeley.wav10 - Dionea - Part 1 by Vernon Lee11 - Dionea - Part 2 by Vernon Lee
Amelia B. Edwards, Beatrice Heron-Maxwell, Edith Nesbit, Lady Eleanor Smith, Lettice Galbraith, Mary Cholmondeley, Mary Elizabeth Braddon, Rhoda Broughton, Vernon Lee (Author), Elliot Fitzpatrick, Ghizela Rowe, Lisa Bowerman (Narrator)
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Wonder Of Women - Suicide Stories
Let’s be clear. We are all equal under the law. However, even in these more modern times that is not an absolute and still remains a distant ambition for many. In the days when Britain ruled the waves and bestrode the world as its policeman and plunderer in chief it also subjugated half of its own people to second class status. Women were chattel and property. There were some exceptions based on wealth and birthright but for the overwhelming majority your lot was to fall in with the rules and do as you were told. Many did.But whilst male society sought to place obstacles in the path to equality, it could not deny their literary talents, which many times they circumvented by using male pseudonyms. However, the soaring sales of magazines and periodicals during the Victorian Age meant they had voracious appetites for literature, whatever the sex of its gender.Dozens of authors appeared to fill the need. Narratives had new ideas. Characters were emboldened by societal changes and the female voice taking responsibility.The women included here are talents that dazzle. Put them up against anyone and they rise to the top. Whether they remain with an avid readership today or faded to obscurity with the passing of the times their quality remains undimmed. 1 - Women of Wonder - Suicide - An Introduction2 - The Legacy by Virginia Woolf3 - The Voyage by Katherine Mansfield4 - Paul's Case by Willa Cather5 - Cohen of Trinity by Amy Levy6 - The Mourner by Mary Shelley7 - The Quadroons by Lydia Maria Child8 - An Outcast of the People by Bithia Mary Croker9 - Blessed Are the Meek by Mary Webb10 - When Spirits Steal by Philippa Forest11 - The Cold Embrace by Mary Elizabeth Braddon12 - The Oculist by Catherine Wells13 - Sokratics in the Strand by Amy Levy
Amy Levy, Bithia Mary Croker, Catherine Wells, Katherine Mansfield, Lydia Maria Child, Mary Elizabeth Braddon, Mary Webb, Mary Wollstonecraft Shelley, Philippa Forest, Virginia Woolf, Willa Cather (Author), David Shaw-Parker, Ghizela rowe, Laurel Lefkow (Narrator)
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Wonder Of Women - The Darker Sex
Let’s be clear. We are all equal under the law. However, even in these more modern times that is not an absolute and still remains a distant ambition for many. In the days when Britain ruled the waves and bestrode the world as its policeman and plunderer in chief it also subjugated half of its own people to second class status. Women were chattel and property. There were some exceptions based on wealth and birthright but for the overwhelming majority your lot was to fall in with the rules and do as you were told. Many did.But whilst male society sought to place obstacles in the path to equality, it could not deny their literary talents, which many times they circumvented by using male pseudonyms. However, the soaring sales of magazines and periodicals during the Victorian Age meant they had voracious appetites for literature, whatever the sex of its gender.Dozens of authors appeared to fill the need. Narratives had new ideas. Characters were emboldened by societal changes and the female voice taking responsibility.The women included here are talents that dazzle. Put them up against anyone and they rise to the top. Whether they remain with an avid readership today or faded to obscurity with the passing of the times their quality remains undimmed. 1 - Women of Wonder - The Darker Sex - An Introduction2 - The Lifted Veil - Part 1 by George Eliot3 - The Lifted Veil - Part 2 by George Eliot4 - John Charrington's Wedding by Edith Nesbit5 - Luz by Elinor Mordaunt6 - Lena Wrace by May Sinclair7 - Tamar by Lady Eleanor Smith8 - Sylvia by Bessie Kyffin Taylor9 - The Old Nurse's Story by Elizabeth Gaskell10 - In the Mist by Mary E Penn11 - In the Séance Room by Lettice Galbraith12 - Behind the Curtain by Gertrude Barrows Bennett writing as Francis Stevens13 - Behind the Wall by Violet Jacob14 - Under The Electrics by Clotilde Graves writing as Richard Dehan15 - The Face in the Glass by Mary Elizabeth Braddon16 - The Strange Looking Man by Fanny Kemble Johnson17 - The Three Kisses by Violet Quirk18 - The Last of Squire Ennismore by Charlotte Riddell19 - Since I Died by Elizabeth Stuart Phelps20 - The Devil's Mother-in-Law by Fernan Caballeron21 - In Dark New England Days by Sarah Orne Jewett
Bessie Kyffin Taylor, Charlotte Riddell, Clotilde Graves writing as Richard Dehan, Edith Nesbit, Elinor Mordaunt, Elizabeth Gaskell, Elizabeth Stuart Phelps, Fanny Kemble Johnson, Fernan Caballeron, George Eliot, Gertrude Barrows Bennett writing as Francis Stevens, Lady Eleanor Smith, Lettice Galbraith, Mary E Penn, Mary Elizabeth Braddon, May Sinclair, Sarah Orne Jewett, Violet Jacob, Violet Quirk (Author), Laurel Lefkow, Lisa Bowerman, Robert Maskell (Narrator)
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Wonder Of Women - The Weird Stories - Volume 1
Let’s be clear. We are all equal under the law. However, even in these more modern times that is not an absolute and still remains a distant ambition for many. In the days when Britain ruled the waves and bestrode the world as its policeman and plunderer in chief it also subjugated half of its own people to second class status. Women were chattel and property. There were some exceptions based on wealth and birthright but for the overwhelming majority your lot was to fall in with the rules and do as you were told. Many did.But whilst male society sought to place obstacles in the path to equality, it could not deny their literary talents, which many times they circumvented by using male pseudonyms. However, the soaring sales of magazines and periodicals during the Victorian Age meant they had voracious appetites for literature, whatever the sex of its gender.Dozens of authors appeared to fill the need. Narratives had new ideas. Characters were emboldened by societal changes and the female voice taking responsibility.The women included here are talents that dazzle. Put them up against anyone and they rise to the top. Whether they remain with an avid readership today or faded to obscurity with the passing of the times their quality remains undimmed. 1 - Women of Wonder - The Weird Stories - Volume 1 - An Introduction2 - A Haunted House by Virginia Woolf3 - The Green Bowl by Sarah Orne Jewett4 - The Cold Embrace by Mary Elizabeth Braddon5 - The Eyes by Edith Wharton6 - Hodge by Elinor Mordaunt7 - The Weird of the Walfords by Louisa Baldwin8 - Decay by Marjorie Bowen9 - A Dreamer by Barbara Baynton10 - Let Loose by Mary Cholmondeley.wav11 - Where Their Fire Is Not Quenched by May Sinclair12 - When the Devil Was Well by Gertrude Atherton13 - With & Without Buttons by Mary Butts14 - Couching at the Door by D K Broster15 - The Open Door - Part 1 by Margaret Oliphant16 - The Open Door - Part 2 by Margaret Oliphant
Barbara Baynton, D.K. Broster, Edith Wharton, Elinor Mordaunt, Gertrude Atherton, Louisa Baldwin, Margaret Oliphant, Marjorie Bowen, Mary Butts, Mary Cholmondeley, Mary Elizabeth Braddon, May Sinclair, Sarah Orne Jewett, Virginia Woolf (Author), Elliot Fitzpatrick, Laurel Lefkow, Lisa Bowerman (Narrator)
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Wonder Of Women - Supernatural Romance Stories
Let’s be clear. We are all equal under the law. However, even in these more modern times that is not an absolute and still remains a distant ambition for many. In the days when Britain ruled the waves and bestrode the world as its policeman and plunderer in chief it also subjugated half of its own people to second class status. Women were chattel and property. There were some exceptions based on wealth and birthright but for the overwhelming majority your lot was to fall in with the rules and do as you were told. Many did.But whilst male society sought to place obstacles in the path to equality, it could not deny their literary talents, which many times they circumvented by using male pseudonyms. However, the soaring sales of magazines and periodicals during the Victorian Age meant they had voracious appetites for literature, whatever the sex of its gender.Dozens of authors appeared to fill the need. Narratives had new ideas. Characters were emboldened by societal changes and the female voice taking responsibility.The women included here are talents that dazzle. Put them up against anyone and they rise to the top. Whether they remain with an avid readership today or faded to obscurity with the passing of the times their quality remains undimmed.
Amelia B. Edwards, Clothilde Graves, Edith Nesbit, Elizabeth Stuart Phelps, Mary Elizabeth Braddon (Author), David Shaw-Parker, Lisa Bowerman, Richard Mitchley (Narrator)
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Gothic Revenge Stories Not by Edgar Allan Poe
In this series we listen to short stories that are NOT by perhaps the most well-known author of this type. But the many other rich talents in the volume may have treated the subject matter a little differently, or were perhaps just overlooked in the stampede to applaud the winner, but these authors are of equal merit. Each of their works is laden with talent, has purpose, and is rich and textured in this gloried niche of literature.1 - Gothic Revenge Stories Not by Edgar Allan Poe - An Introduction2 - The Music on the Hill by Saki3 - The Romance of Certain Old Clothes by Henry James4 - The Ash Tree by M R James5 - The Squaw by Bram Stoker6 - The Spectre Bridegroom by William Hunt7 - Captain Rogers by W W Jacobs8 - The Cold Embrace by Mary Elizabeth Braddon9 - The Middle Toe of the Right Foot by Ambrose Bierce10 - The Beast With Five Fingers by W F Harvey11 - The Man in the Bottle by Gustav Meyrink12 - The Iron Shroud by William Mudford13 - The Miniature by J Y Ackerman
Ambrose Bierce, Bram Stoker, Gustav Meyrink, Henry James, J Y Ackerman, M.R. James, Mary Elizabeth Braddon, Saki, W F Harvey, W W Jacobs, William Hunt, William Mudford (Author), David Shaw-Parker, Mark Rice-Oxley, Richard Mitchley (Narrator)
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The Foundations of Fiction - Psychological Horror
In this series we turn the pages of classic short stories to put together the literary building blocks of how a particular genre or theme began, how it built its foundations to become the well-loved and well-worn genre that it is today.Do authors have the same ideas at more or less the same time? Or can they sniff out an opportunity as to which way the tastes of an audience are moving. Success undoubtedly builds success and in literary terms we can more politely say that imitation is the sincerest form of flattery, and the surest way to reach a hungry readership is to build on the fortune and flair of your literary colleagues. The mind is perhaps our greatest resource. When our heads are working well, feeling positive, the world seems a much easier place to navigate. But in this volume our authors ponder a different question for us. A horror story of the mind that cleverly opens us up to dread and despair that evil can saunter through, causing agony and mayhem as it takes us into the shadows. 01 - Foundations of Fiction - Psychological Horror - An Introduction2 - The Pit and the Pendulum by Edgar Allan Poe3 - The Picture In The House by H P Lovecraft4 - The Yellow Wallpaper by Charlotte Perkins Gilman5 - The Devil In Manuscript by Nathaniel Hawthorne6 - The Tell Tale Heart by Edgar Allan Poe7 - Was It An Illusion. A Parson's Story by Amelia Edwards8 - The Empty House by Algernon Blackwood9 - The Shadows on the Wall by Mary E Wilkins Freeman10 - The Cask of Amontillado by Edgar Allan Poe11 - Cool Air by H P Lovecraft12 - The Cold Embrace by Mary Elizabeth Braddon13 - The Moonlit Road by Ambrose Bierce14 - The Black Cat by Edgar Allan Poe15 - The Call of Cthulhu by H P Lovecraft
Algernon Blackwood, Ambrose Bierce, Amelia B. Edwards, Charlotte Perkins Gilman, Edgar Allan Poe, H.P. Lovecraft, Mary E Wilkins Freeman, Mary Elizabeth Braddon, Nathaniel Hawthorne (Author), David Shaw-Parker, Mark Rice-Oxley, Vincent Marzello (Narrator)
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What we have in front of us here in this volume is a simple premise but an author’s words may say one thing and mean another. With talents such as E T A Hoffman, Katherine Mansfield, Willa Cather, Mikhail Bulgakov and many others our minds are under almost permanent assault with words, characters and narratives that pursue us to the end. 1 - Psychological Stories - An Introduction2 - The Dream of a Ridiculous Man by Fyodor Dostovesky3 - Psychology by Katherine Mansfield4 - Diary of a Madman by Nikolai Gogol5 - The Yellow Wall Paper by Charlotte Perkins Gilman6 - The Bet by Anton Chekhov7 - The Tell Tale Heart by Edgar Allan Poe8 - A Hunger Artist by Franz Kafka9 - A Respectable Woman by Kate Chopin10 - The Other Woman by Sherwood Anderson11 - Morphine by Mikhail Bulgakov12 - Paul's Case by Willa Cather13 - Young Goodman Brown by Nathaniel Hawthorne14 - The Diary of a God by Barry Pain15 - Seeds by Sherwood Anderson16 - Was It An Illusion. A Parson's Story by Amelia Edwards17 - In The Dark by Edith Nesbit18 - The Cold Embrace by Mary Elizabeth Braddon19 - The Mines of Falun - Part 1 by E T A Hoffman20 - The Mines of Falun - Part 2 by E T A Hoffman21 - Shut Out by F Anstey22 - Hands by Sherwood Anderson23 - The Fly by Katherine Mansfield24 - Bobok by Fyodor Dostoyevsky
Amelia B. Edwards, Anton Chekhov, Barry Pain, Charlotte Perkins Gilman, E T A Hoffman, Edgar Allan Poe, Edith Nesbit, F Anstey, Franz Kafka, Fyodor Dostovesky, Kate Chopin, Katherine Mansfield, Mary Elizabeth Braddon, Mikhail Bulgakov, Nathaniel Hawthorne, Nikolai Gogol, Sherwood Anderson, Willa Cather (Author), Bill Wallis, Liza Ross, Richard Mitchley (Narrator)
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Mary Elizabeth Braddon: Lady Audley’s Secret & more: A BBC Radio 4 Gothic Drama Collection
Three classic stories from the 'Queen of Sensation Fiction' - plus bonus documentary Mary Elizabeth Braddon was one of the most important and influential female novelists of the 19th Century, and the founder (alongside Wilkie Collins) of the popular 'sensation fiction' genre. This collection features her best-known novel, Lady Audley's Secret, a thrilling tale of bigamy, murder and arson that outraged Victorian society on its first release - and was an instant bestseller. Also included are two atmospheric short stories and an edition of Sensational Women exploring her life and work. Lady Audley's Secret - Lucy Graham gains all the wealth she desires through her marriage to the devoted Sir Michael Audley. But her newfound security is threatened when young lawyer Robert Audley sets out to uncover the truth about her hidden past. Hattie Morahan, Charlotte Emmerson, Alex Wyndham and Sam Dale star in this electrifying dramatisation. The Cold Embrace - When Josef, a handsome young German artist, betrays his delicate fiancée, her vengeance is eerily appropriate... This chilling adaptation of Mary Elizabeth Braddon's ghostly story stars Stephanie Turner, Jonathan Firth and Alison Pettitt. Samuel Lowgood's Revenge - An impoverished clerk discovers that his rival in love has defrauded their employer. But what should he do with this knowledge? Barbara Flynn reads Braddon's 1861 tale of jealousy and retribution. Sensational Women: Mary Braddon - Sarah Dunant takes a look at the notorious sensation author, who was condemned for rotting the moral fibre of a whole generation of young women. First published 1860 ('The Cold Embrace'), 1861 ('Samuel Lowgood's Revenge'), 1862 (Lady Audley's Secret) Cast and credits Written by Mary Elizabeth Braddon Lady Audley's Secret Mary Braddon - Hattie Morahan Lucy, Lady Audley - Charlotte Emmerson Sir Michael Audley - Sam Dale Phoebe Marks - Lizzy Watts Luke Marks - Benjamin Askew Robert Audley - Alex Wyndham George Talboys - Joseph Kloska Alicia Audley - Perdita Weeks Lieutenant Maldon - Jonathan Tafler Mr Dawson/Landlord - Paul Rider Mrs Vincent - Charlotte West-Oram Tonks - Deborah McAndrew Dramatised by Theresa Heskins Directed by Julie Beckett and Fiona Kelcher First broadcast BBC Radio 4, 20 April-1 May 2009 The Cold Embrace Mary Braddon - Stephanie Turner Josef - Jonathan Firth Gertrude - Alison Pettitt Father - John Hartley Postmaster - Ioan Meredith Passenger - Hugh Dickson Woman - Carolyn Jones Fisherman - Chris Pavlo Parisienne - Tracy-Ann Oberman Dramatised by Christopher Hawes Produced by Marion Nancarrow First broadcast BBC Radio 4, 26 June 1997 Samuel Lowgood's Revenge Read by Barbara Flynn Produced by Rebecca Nicholson First broadcast BBC Radio 4, 18 November 1998 Sensational Women: Mary Braddon Presented by Sarah Dunant Extracts read by Sally Beauman Produced by Lore Windemuth First broadcast BBC Radio 4, 30 October 1996 © 2022 BBC Studios Distribution Ltd. (P) 2022 BBC Studios Distribution Ltd
Mary Elizabeth Braddon (Author), Alison Pettitt, Charlotte Emmerson, Full Cast, Hattie Morahan, Jonathan Firth, Perdita Weeks, Sam Dale, Stephanie Turner, Tracy-Ann Oberman (Narrator)
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El rostro en el espejo y otros relatos góticos
Una colección imprescindibles para los amantes de lo espectral, del misterio gótico, de la cortina que se desplaza sin que haya viento y el susurro de pasos en mitad del pasillo en plena noche. Cuentos escalofriantes de una de las damas del terror victoriano más destacadas, Mary Elizabeth Braddon. Incluye los cuentos: «El rostro en el espejo», «Ella», «La sombra en la esquina», «La buena lady Ducayne», «Su última aparición» y «El visitante de Eveline». Este audiolibro está narrado en castellano. - Mary Elizabeth Braddon fue una autora británica nacida en 1837 y fallecida en 1915. Cultivadora sobre todo de la novela, su obra abarca más de setenta historias de corte victoriano, así como obras de teatro y cuentos que juegan con lo espectral, lo gótico y lo sobrenatural.
Mary Elizabeth Braddon (Author), Olga María García Panadero (Narrator)
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