This audiobook narrated by Kerry Shale traces the life and times of a uniquely American testament
In his retirement, Thomas Jefferson edited the New Testament with a penknife and glue, removing all mention of miracles and other supernatural events. Inspired by the ideals of the Enlightenment, Jefferson hoped to reconcile Christian tradition with reason by presenting Jesus of Nazareth as a great moral teacher-not a divine one. Peter Manseau tells the story of the Jefferson Bible, exploring how each new generation has reimagined the book in its own image as readers grapple with both the legacy of the man who made it and the place of religion in American life.
Completed in 1820 and rediscovered by chance in the late nineteenth century after being lost for decades, Jefferson's cut-and-paste scripture has meant different things to different people. Some have held it up as evidence that America is a Christian nation founded on the lessons of the Gospels. Others see it as proof of the Founders' intent to root out the stubborn influence of faith. Manseau explains Jefferson's personal religion and philosophy, shedding light on the influences and ideas that inspired him to radically revise the Gospels. He situates the creation of the Jefferson Bible within the broader search for the historical Jesus, and examines the book's role in American religious disputes over the interpretation of scripture. Manseau describes the intrigue surrounding the loss and rediscovery of the Jefferson Bible, and traces its remarkable reception history from its first planned printing in 1904 for members of Congress to its persistent power to provoke and enlighten us today.
A story of faith and fraud in post-Civil War America, told through the lens of a photographer who claimed he could capture images of the dead In the early days of photography, in the death-strewn wake of the Civil War, one man seized America's imagination. A "spirit photographer," William Mumler took portrait photographs that featured the ghostly presence of a lost loved one alongside the living subject. Mumler was a sensation: The affluent and influential came calling, including Mary Todd Lincoln, who arrived at his studio in disguise amidst rumors of seances in the White House. Peter Manseau brilliantly captures a nation wracked with grief and hungry for proof of the existence of ghosts and for contact with their dead husbands and sons. It took a circus-like trial of Mumler on fraud charges, starring P. T. Barnum for the prosecution, to expose a fault line of doubt and manipulation. And even then, the judge sided with the defense-nobody ever solved the mystery of his spirit photography. This forgotten puzzle offers a vivid snapshot of America at a crossroads in its history, a nation in thrall to new technology while clinging desperately to belief
A groundbreaking new look at the story of America
At the heart of the nation's spiritual history are audacious and often violent scenes. But the Puritans and the shining city on the hill give us just one way to understand the United States. Rather than recite American history from a Christian vantage point, Peter Manseau proves that what really happened is worth a close, fresh look.
Thomas Jefferson himself collected books on all religions and required that the brand new Library of Congress take his books, since Americans needed to consider the "twenty gods or no god" he famously noted were revered by his neighbors. Looking at the Americans who believed in these gods, Manseau fills in America's story of itself, from the persecuted "witches" at Salem and who they really were, to the persecuted Buddhists in WWII California, from spirituality and cults in the '60s to the recent presidential election where both candidates were for the first time non-traditional Christians.
One Nation, Under Gods shows how much more there is to the history we tell ourselves, right back to the country's earliest days. Dazzling in its scope and sweep, it is an American history unlike any you've read.
The 1950s was a boom time for the Catholic Church in America, with large families of devout members providing at least one son or daughter for a life of religious service. Boston was at the epicenter of this explosion, and Bill Manseau and Mary Doherty - two eager young parishioners from different towns - became part of a new breed of clergy, eschewing the comforts of homey parishes and choosing instead to minister to the inner-city poor. Peter Manseau's riveting evocation of his parents' parallel childhoods, their similar callings, their experiences in the seminary and convent, and how they met while tending to the homeless of Roxbury during the riot-prone 1960s is a page-turning meditation on the effect that love can have on profound faith.
Once married, the Manseaus continued to fight for Father Bill's right to serve the church as a priest, and it was into this situation that Peter and his siblings were born and raised to be good Catholics while they witnessed their father's personal conflict with the church's hierarchy. A multigenerational tale of spirituality, Vows also charts Peter's own calling, one which he tried to deny even as he felt compelled to consider the monastic life, toying with the idea of continuing a family tradition that stretches back over 300 years of Irish and French Catholic priests and nuns.
It is also in Peter's deft hands that we learn about a culture and a religion that has shaped so much of American life, affected generations of true believers, and withstood great turmoil. Vows is a compelling tale of one family's unshakable faith that to be called is to serve, however high the cost may be.
