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In A Motor Flight through France, Pulitzer Prize–winning author Edith Wharton invites readers on an extraordinary journey through the French countryside at the dawn of the motor age. Based on her 1906 road trip—an ambitious endeavor at a time when automobiles were still a novelty—Wharton’s account captures the thrill of early travel by car and the unparalleled freedom it offered to the adventurous traveler. Accompanied by her husband Teddy and a small group of companions, Wharton set off in a custom-built 1904 Panhard, one of the most advanced motorcars of its time. With a driver at the wheel, she was free to focus on the pleasures of the journey: the texture of the landscapes, the character of remote towns, and above all, the magnificence of French architecture. Her detailed observations of Romanesque, Gothic, and Renaissance churches and cathedrals form the heart of the book. From Chartres to Burgundy, from Normandy to Provence, Wharton’s trained eye captures the spirit and splendor of centuries-old structures that might otherwise be overlooked in modern travel. Written in her trademark elegant prose, the narrative reflects not just Wharton’s appreciation for France’s aesthetic heritage but also her incisive cultural commentary. She laments the encroachment of modernity even as she embraces the automobile’s power to uncover hidden corners of the French countryside. Her reflections remain as engaging today as they were over a century ago—equal parts insightful, witty, and wistful. This edition features an introduction by Lavinia Spalding, acclaimed travel writer and editor of the Best Women’s Travel Writing series. Spalding places Wharton’s journey in historical context and underscores its significance as one of the earliest examples of female-authored road literature. A Motor Flight through France is more than a travelogue—it’s a testament to curiosity, elegance, and the enduring romance of the road.
Edith Wharton (Author), Robin Siegerman (Narrator)
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Rescued from a poverty-stricken mountain life, Charity Royall lives as ward to Lawyer Royall in the New England town of North Dormer. However, Charity is bored by her job at the local library–until a young man Lucius Harney plucks her from the drabness of North Dormer life. A young architect and sophisticated man about town, Herney’s good looks and refinement awaken Charity’s passionate nature. Meanwhile, Charity contends with unwanted matrimonial advances from Lawyer Royall. Summer is a heart-wrenching coming-of-age story regarded by Wharton as one of her best works.
Edith Wharton (Author), Elizabeth Schmidt (Narrator)
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Wonder Of Women - Ghost Stories
Let’s be clear. We are all equal under the law. However, even in these more modern times that is not an absolute and still remains a distant ambition for many. In the days when Britain ruled the waves and bestrode the world as its policeman and plunderer in chief it also subjugated half of its own people to second class status. Women were chattel and property. There were some exceptions based on wealth and birthright but for the overwhelming majority your lot was to fall in with the rules and do as you were told. Many did.But whilst male society sought to place obstacles in the path to equality, it could not deny their literary talents, which many times they circumvented by using male pseudonyms. However, the soaring sales of magazines and periodicals during the Victorian Age meant they had voracious appetites for literature, whatever the sex of its gender.Dozens of authors appeared to fill the need. Narratives had new ideas. Characters were emboldened by societal changes and the female voice taking responsibility.The women included here are talents that dazzle. Put them up against anyone and they rise to the top. Whether they remain with an avid readership today or faded to obscurity with the passing of the times their quality remains undimmed. 1 - Women of Wonder - Ghost Stories - An Introduction2 - Man Size In Marble by Edith Nesbit3 - The Eyes by Edith Wharton4 - The Story of Salome by Amelia Edwards5 - The Shadows on the Wall by Mary E Wilkins Freeman6 - A Spirit Elopement by Clotilde Graves7 - Since I Died by Elizabeth Stuart Phelps8 - Reality or Delusion by Mrs Ellen Wood9 - Was It An Illusion. A Parson's Story by Amelia Edwards10 - The Truth, the Whole Truth and Nothing But the Truth by Rhoda Broughton11 - The Ghost at the Rath by Rosa Mulholland12 - Christmas Eve at a Cornish Manor House by Clara Venn13 - The Ghost by Catherine Wells14 - The Ghost in the Clock Room by Hesba Stretton15 - The Little Room by Madeline Yale Wynne16 - The Open Door - Part 1 by Margaret Oliphant17 - The Open Door - Part 2 by Margaret Oliphant18 - To Let by B M Croker19 - Let Loose by Mary Cholmondeley.wav20 - The Runaway by Marion Hepworth-Dixon21 - The Phantom Coach by Amelia Edwards22 - The 4 15 Express by Amelia Edwards23 - The Token by May Sinclair24 - The Striding Place by Gertrude Atherton25 - The Readjustment by Mary Austin26 - The Cold Embrace by Mary Elizabeth Braddon27 - The Old Nurse's Story by Elizabeth Gaskell28 - Dionea - Part 1 by Vernon Lee29 - Dionea - Part 2 by Vernon Lee30 - John Charrington's Wedding by Edith Nesbit
Amelia B. Edwards, B M Croker, Catherine Wells, Clara Venn, Clotilde Graves, Edith Nesbit, Edith Wharton, Elizabeth Gaskell, Elizabeth Stuart Phelps, Gertrude Atherton, Hesba Stretton, Madeline Yale Wynne, Margaret Oliphant, Marion Hepworth-Dixon, Mary Austin, Mary Cholmondeley, Mary E Wilkins Freeman, Mary Elizabeth Braddon, May Sinclair, Mrs Ellen Wood, Rhoda Broughton, Rosa Mulholland, Vernon Lee (Author), Elliot Fitzpatrick, Lisa Bowerman, Richard Mitchley (Narrator)
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Wonder Of Women - Supernatural Stories
Let’s be clear. We are all equal under the law. However, even in these more modern times that is not an absolute and still remains a distant ambition for many. In the days when Britain ruled the waves and bestrode the world as its policeman and plunderer in chief it also subjugated half of its own people to second class status. Women were chattel and property. There were some exceptions based on wealth and birthright but for the overwhelming majority your lot was to fall in with the rules and do as you were told. Many did.But whilst male society sought to place obstacles in the path to equality, it could not deny their literary talents, which many times they circumvented by using male pseudonyms. However, the soaring sales of magazines and periodicals during the Victorian Age meant they had voracious appetites for literature, whatever the sex of its gender.Dozens of authors appeared to fill the need. Narratives had new ideas. Characters were emboldened by societal changes and the female voice taking responsibility.The women included here are talents that dazzle. Put them up against anyone and they rise to the top. Whether they remain with an avid readership today or faded to obscurity with the passing of the times their quality remains undimmed. 1 - Women of Wonder - Supernatural - An Introduction2 - The Lifted Veil - Part 1 by George Eliot3 - The Lifted Veil - Part 2 by George Eliot4 - The Eyes by Edith Wharton5 - Dionea - Part 1 by Vernon Lee6 - Dionea - Part 2 by Vernon Lee7 - The Ebony Frame by Edith Nesbit8 - The Green Bowl by Sarah Orne Jewett9 - The Operation by Violet Hunt10 - Let Loose by Mary Cholmondeley.wav11 - The First Evening by Catherine Crowe12 - A Wicked Voice - Part 1 by Vernon Lee13 - A Wicked Voice - Part 2 by Vernon Lee14 - Marsyas in Flanders by Vernon Lee15 - Hodge by Elinor Mordaunt16 - A Spirit Elopement by Clotilde Graves17 - The Night of No Weather by Violet Hunt18 - The Mass for the Dead by Edith Nesbit19 - The Telegram by Violet Hunt20 - Amour Dure - Part 1 by Violet Paget writing as Vernon Lee21 - Amour Dure - Part 2 by Violet Paget writing as Vernon Lee
Catherine Crowe, Clotilde Graves, Edith Nesbit, Edith Wharton, Elinor Mordaunt, George Eliot, Mary Cholmondeley, Sarah Orne Jewett, Vernon Lee, Violet Hunt, Violet Paget writing as Vernon Lee (Author), Elliot Fitzpatrick, Laurel Lefkow, Lisa Bowerman (Narrator)
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Wonder Of Women - The Weird Stories - Volume 1
Let’s be clear. We are all equal under the law. However, even in these more modern times that is not an absolute and still remains a distant ambition for many. In the days when Britain ruled the waves and bestrode the world as its policeman and plunderer in chief it also subjugated half of its own people to second class status. Women were chattel and property. There were some exceptions based on wealth and birthright but for the overwhelming majority your lot was to fall in with the rules and do as you were told. Many did.But whilst male society sought to place obstacles in the path to equality, it could not deny their literary talents, which many times they circumvented by using male pseudonyms. However, the soaring sales of magazines and periodicals during the Victorian Age meant they had voracious appetites for literature, whatever the sex of its gender.Dozens of authors appeared to fill the need. Narratives had new ideas. Characters were emboldened by societal changes and the female voice taking responsibility.The women included here are talents that dazzle. Put them up against anyone and they rise to the top. Whether they remain with an avid readership today or faded to obscurity with the passing of the times their quality remains undimmed. 1 - Women of Wonder - The Weird Stories - Volume 1 - An Introduction2 - A Haunted House by Virginia Woolf3 - The Green Bowl by Sarah Orne Jewett4 - The Cold Embrace by Mary Elizabeth Braddon5 - The Eyes by Edith Wharton6 - Hodge by Elinor Mordaunt7 - The Weird of the Walfords by Louisa Baldwin8 - Decay by Marjorie Bowen9 - A Dreamer by Barbara Baynton10 - Let Loose by Mary Cholmondeley.wav11 - Where Their Fire Is Not Quenched by May Sinclair12 - When the Devil Was Well by Gertrude Atherton13 - With & Without Buttons by Mary Butts14 - Couching at the Door by D K Broster15 - The Open Door - Part 1 by Margaret Oliphant16 - The Open Door - Part 2 by Margaret Oliphant
Barbara Baynton, D.K. Broster, Edith Wharton, Elinor Mordaunt, Gertrude Atherton, Louisa Baldwin, Margaret Oliphant, Marjorie Bowen, Mary Butts, Mary Cholmondeley, Mary Elizabeth Braddon, May Sinclair, Sarah Orne Jewett, Virginia Woolf (Author), Elliot Fitzpatrick, Laurel Lefkow, Lisa Bowerman (Narrator)
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Wonder Of Women - Stories About Affairs
Let’s be clear. We are all equal under the law. However, even in these more modern times that is not an absolute and still remains a distant ambition for many. In the days when Britain ruled the waves and bestrode the world as its policeman and plunderer in chief it also subjugated half of its own people to second class status. Women were chattel and property. There were some exceptions based on wealth and birthright but for the overwhelming majority your lot was to fall in with the rules and do as you were told. Many did.But whilst male society sought to place obstacles in the path to equality, it could not deny their literary talents, which many times they circumvented by using male pseudonyms. However, the soaring sales of magazines and periodicals during the Victorian Age meant they had voracious appetites for literature, whatever the sex of its gender.Dozens of authors appeared to fill the need. Narratives had new ideas. Characters were emboldened by societal changes and the female voice taking responsibility.The women included here are talents that dazzle. Put them up against anyone and they rise to the top. Whether they remain with an avid readership today or faded to obscurity with the passing of the times their quality remains undimmed. 1 - Women of Wonder - Affairs - An Introduction2 - The Storm by Kate Chopin3 - From the Dead by Edith Nesbit4 - Souls Belated by Edith Wharton5 - The Legacy by Virginia Woolf6 - The Pleasant Husband by Marjorie Bowen7 - Lucy Wren by Ada Radford8 - Lena Wrace by May Sinclair9 - The Difference by Ellen Glasgow10 - Behind the Curtain by Gertrude Barrows Bennett writing as Francis Stevens11 - The Kiss by Kate Chopin
Ada Radford, Edith Nesbit, Edith Wharton, Ellen Glasgow, Gertrude Barrows Bennett writing as Francis Stevens, Kate Chopin, Marjorie Bowen, May Sinclair, Virginia Woolf (Author), Janet Maw, Liza Ross, Richard Mitchley (Narrator)
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Writers As The Protagonists – Short Stories
The short story in Literature is a few pages of beginning, middle and end peopled by characters who quickly draw themselves into its arc from the minds of their authors. How these authors, including Herman Melville, Fyodor Dostoyevsky, M R James and Violet Hunt imagine their characters journeys is, of course, illuminating, thought-provoking and classic literature.1 - Stories with The Writer as Protagonist - An Introduction2 - Bobok by Fyodor Dostoyevsky3 - The Devil In Manuscript by Nathaniel Hawthorne4 - Cohen of Trinity by Amy Levy5 - The Art of BookMaking by Washington Irving6 - The Fiddler by Herman Melville7 - The Eyes by Edith Wharton8 - Count Magnus by M R James9 - His Wife's Deceased Sister by Frank R Stockton10 - The House of Cobwebs by George Gissing11 - Room For One by Frederick Cowles12 - Couching at the Door by D K Broster13 - The Vampire Maid by Hume Nisbet14 - Truth is Not Sober by Winifred Holtby15 - The Plutonian Fire by O Henry16 - A Sucessful Rehearsal by Anthony Hope17 - The Memoir by Violet Hunt18 - Warning Whispers by A M Burrage
A.M. Burrage, Amy Levy, Anthony Hope, D.K. Broster, Edith Wharton, Frank R Stockton, Frederick Cowles, Fyodor Dostoyevsky, George Gissing, Herman Melville, Hume Nisbet, M.R. James, Nathaniel Hawthorne, O Henry, Violet Hunt, Washington Irving, Winifred Holtby (Author), Eric Meyers, Mark Rice-Oxley, Vincent Marzello (Narrator)
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3 Stories About - Life After Death
There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes.Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.From their pens to your your ears.
Edith Wharton, Fyodor Dostoyevsky, Gertrude Atherton (Author), Laurel Lefkow, Mark Rice-Oxley, Richard Mitchley (Narrator)
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Haunting American Gothic Stories Not by Edgar Allan Poe
In this series we listen to short stories that are NOT by perhaps the most well-known author of this type. But the many other rich talents in the volume may have treated the subject matter a little differently, or were perhaps just overlooked in the stampede to applaud the winner, but these authors are of equal merit. Each of their works is laden with talent, has purpose, and is rich and textured in this gloried niche of literature.1 - Haunting American Gothic Stories Not by Edgar Allan Poe - An Introduction2 - Rappaccini's Daughter - Part 1 by Nathaniel Hawthorne3 - Rappaccini's Daughter - Part 2 by Nathaniel Hawthorne4 - Herbert West - Reanimator - Part 1 by H P Lovecraft5 - Herbert West - Reanimator - Part 2 by H P Lovecraft6 - The Eyes by Edith Wharton7 - The Legend of Sleepy Hollow by Washington Irving8 - The Birthmark by Nathaniel Hawthorne9 - The Yellow Sign by Robert W Chambers10 - The Yellow Wall Paper by Charlotte Perkins Gilman11 - The Shadows on the Wall by Mary E Wilkins Freeman12 - The Striding Place by Gertrude Atherton13 - In Dark New England Days by Sarah Orne Jewett14 - The Devil and Tom Walker by Washington Irving15 - The Devil In Manuscript By Nathaniel Hawthorne16 - Young Goodman Brown by Nathaniel Hawthorne17 - The Romance of Certain Old Clothes by Henry James18 - A Diagnosis of Death by Ambrose Bierce
Ambrose Bierce, Charlotte Perkins Gilman, Edith Wharton, Gertrude Atherton, H.P. Lovecraft, Henry James, Mary E Wilkins Freeman, Nathaniel Hawthorne, Robert W Chambers, Sarah Orne Jewett, Washington Irving (Author), Laurel Lefkow, Michael Carleton, Vincent Marzello (Narrator)
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Edith Wharton (January 24, 1862 – August 11, 1937) was an American writer and designer. Wharton drew upon her insider's knowledge of the upper-class New York 'aristocracy' to portray, realistically, the lives and morals of the Gilded Age. In 1921, she became the first woman to win the Pulitzer Prize in Fiction, for her novel, The Age of Innocence. She was inducted into the National Women's Hall of Fame, in 1996
Edith Wharton (Author), Elizabeth Klatt, Various (Narrator)
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Mrs. Archer and Janey, in the course of their visits to Europe, had so unflinchingly lived up to this principle, and met the friendly advances of their fellow-travellers with an air of such impenetrable reserve, that they had almost achieved the record of never having exchanged a word with a 'foreigner' other than those employed in hotels and railway-stations. Their own compatriots—save those previously known or properly accredited—they treated with an even more pronounced disdain; so that, unless they ran across a Chivers, a Dagonet or a Mingott, their months abroad were spent in an unbroken tête-à-tête. But the utmost precautions are sometimes unavailing; and one night at Botzen one of the two English ladies in the room across the passage (whose names, dress and social situation were already intimately known to Janey) had knocked on the door and asked if Mrs. Archer had a bottle of liniment. The other lady— the intruder's sister, Mrs. Carfry—had been seized with a sudden attack of bronchitis; and Mrs. Archer, who never travelled without a complete family pharmacy, was fortunately able to produce the required remedy. Mrs. Carfry was very ill, and as she and her sister Miss Harle were travelling alone they were profoundly grateful to the Archer ladies, who supplied them with ingenious comforts and whose efficient maid helped to nurse the invalid back to health.
Edith Wharton (Author), Brenda Dayne (Narrator)
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Gothic Imagination: Dracula, Frankenstein & more: A BBC Radio Drama Collection
A BBC chilling collection of classic gothic horror and ghost stories adapted or written by women In this breathtaking collection of gothic horror and eerie tales, draw the curtains and pull the blankets close for two classic Victorian horror tales in new adaptations, Dracula starring Nicky Henson, Charles Edwards, Don Gilet and Ellie Kendrick and Frankenstein, with Jamie Parker (Harry Potter) as Frankenstein and Shaun Dooley (Gentleman Jack, Broadchurch) as the Monster. Next is a thrilling drama about the scandalous Mary Shelley and Lord Byron in Bloody Poetry. In the sensational psycho-sexual thriller The Mysteries of Udolpho with Robert Glenister (Suspicion, Spooks), a young woman is trapped in a castle of nightmares and villains. But who can she trust? Four spine-chilling dramatised tales follow: The Cold Embrace, where a handsome artist makes a terrible mistake, Man Sized in Marble, in which newly-weds must face a horrifying truth, Afterward sees a couple paying the price for an unexpected windfall, and The Demon Lover, featuring Jenny Howe (Silent Witness, Eastenders) about a woman struggling home through the Blitz. Finally, two of Mary Shelley's finest short stories, The Mortal Immortal - when a young apprentice drinks a potion to cure his heartbreak but discovers a feeling far worse - and Rodger Dodworth: The Reanimated Englishman - where a man is woken after 170 years encased in ice. Cast and credits Dracula Written by Rebecca Lenkiewicz Story written by Bram Stoker Directed by Jessica Dromgoole First broadcast on BBC Radio 4, 14 October 2012 Frankenstein Dramatised by Lucy Catherine Written by Mary Shelley Directed by Marc Beeby First broadcast on BBC Radio 4, 28 October - 4 November 2012 Bloody Poetry Written by Howard Brenton Adapted by Alison Hindell Directed by Alison Hindell First broadcast on BBC Radio 4, 20 October 2012 The Mysteries of Udolpho Written by Ann Radcliffe Dramatised by Catherine Czerkawska Directed by David Blount First broadcast on BBC Radio 4, 13 October - 24 October 1996 The Cold Embrace Written by Mary Braddon Produced by Marion Nancarrow Directed by Christopher Hawes First broadcast on BBC Radio 4, 26 July 1997 Man Sized in Marble Written by Edith Nesbit Produced by Marion Nancarrow Dramatised by Christopher Hawes First broadcast on BBC Radio 4, 17 November 1997 Afterward Written by Edith Wharton Produced by Marion Nancarrow Directed by Christopher Hawes First broadcast on BBC Radio 4, 24 November 1997 The Demon Lover Written by Elizabeth Bowen Produced by Marion Nancarrow Directed by Christopher Hawes First broadcast on BBC Radio 4, 17 July 1997 The Mortal Immortal Written by Mary Shelley Produced by Gemma Jenkins First broadcast on BBC Radio 4, 3 December 2005 Rodger Dodworth: The Reanimated Englishman Written by Mary Shelley Produced by John Cardy First broadcast on BBC Radio 4, 24 May 1982 ©2022 BBC Studios Distribution Ltd (P)2022 BBC Studios Distribution Ltd
Ann Ratcliffe, Bram Stoker, Edith Nesbit, Edith Wharton, Elizabeth Bowen, Howard Brenton, Lucy Catherine, Mary Braddon, Mary Wollstonecraft Shelley, Rebecca Lenkiewicz (Author), Charles Edwards, Don Gilet, Ellie Kendrick, Full Cast, Jamie Parker, Maggie Steed, Robert Glenister, Shaun Dooley, Tracy-Ann Oberman (Narrator)
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