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Three of fiction's most beloved writers'nationally best-selling authors all'each contribute a novella to this enchanting work. With the tales focusing on what happens when a character wins the lottery, the collection boasts hard-earned truths about Christian charity, redemption, and the place of the almighty dollar in people's lives. Angela Benson, Marilynn Griffith and Tia McCollors tackle, respectively, an assistant pastor with something to hide, a football player fallen on hard times, and a motorcycle rider with a heart of gold.
Angela Benson, Marilynn Griffith, Tia McCollors, Tian Mccollors (Author), Beresford Bennett, Hazelle Goodman, Karen Pittman (Narrator)
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A Wonderful Guy: Conversations with the Great Men of Musical Theater 1st Edition
Fascinating, never-before-published interviews with Broadway's leading men offer behind-the-scenes looks at the careers of some of the most beloved perfomers today. In A Wonderful Guy, a follow up to Nothing Like a Dame: Conversations with the Great Women of Musical Theater, theatre journalist Eddie Shapiro sits down for intimate, career-encompassing conversations with nineteen of Broadway's most prolific and fascinating leading men. Full of detailed stories and reflections, his conversations with such luminaries as Joel Grey, Ben Vareen, Norm Lewis, Gavin Creel, Cheyenne Jackson, Jonathan Groff and a host of others dig deep into each actor's career; together, these chapters tell the story of what it means to be a leading man on Broadway over the past fifty years. Alan Cumming described Nothing Like a Dame, as 'an encyclopedia of modern musical theatre via a series of tender meetings between a diehard fan and his idols. Because of Eddie Shapiro's utter guilelessness, these women open up and reveal more than they ever have before, and we get to be the third guest at each encounter.' A Wonderful Guy brings more fly-on-the-wall opportunities for fans to savour, students to study, and even the unindoctrinated to understand the life of the performing artist.
Eddie Shapiro (Author), Beresford Bennett, Christopher Salazar, Donald Corren (Narrator)
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Neighborhood tensions reach a breaking point in the finale of New York Times bestselling author Mary Monroe's captivating series that sweeps readers back to 1930's Alabama and into the lives of two neighboring couples whose deceitful friendships and imperfect marriages are just the beginning of their troubles... In this captivating Depression-era set novel by New York Times bestselling author Mary Monroe, two couples find their grudges endangering more than their Alabama small town's deceptive peace . . . When good-time couple Milton and Yvonne Hamilton moved one house over from the respectable-but-restless Odell and Joyce Watson, it was a fast friendship of shared secrets--and secret jealousies and betrayals. Their alliance was bound to crash and burn, but the Hamiltons won't quite let the flame die out, even after scandalous accusations get them arrested... Odell would do anything to be free of his bootlegging, blackmailing, money extorting neighbors and recover the peaceful--and financially prosperous--life he and Joyce once had. But Milton and Yvonne seem to always bounce back from bad luck, and this time they've returned angrier, and greedier, than ever. Determined to get what Odell 'owes' them, the Hamiltons have a big surprise for Joyce too, one that shows how far they will go to get revenge . . . Now pushed past his breaking point, Odell is sure he's got a foolproof plan to end the scheming once and for all. But it soon spirals into lies, shattering violence, and permanent damage that will roil their tranquil community, and alter his and Joyce's world forever . . .
Mary Monroe (Author), Adenrele Ojo, Beresford Bennett, James Shippy, Kentra Lynn (Narrator)
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Ain't No Sunshine: The Smooth Soul and Rough Edges of Bill Withers
The first biography of Bill Withers, the most accidental music supernova, who walked away from fame and never looked back. Bill Withers entered the music fray as hardly an afterthought, rewrote the rules for a decade, earned a fortune, then, unable to square himself with the requisites of the music business, took his leave. When he died in 2019 at eighty-one, he was every bit the mystery he was when he started. Born and raised in Slab Fork, West Virginia—his father a coal miner, his childhood spent in a pit of racism, and a shy kid who was asthmatic and stuttered—Withers had every reason to say, “People ask what are the blues. Hell, I was the blues!” His adulthood was spent running away from Slab Fork as a navy enlistee who worked military-related jobs, including making toilets for 747s. Music was a fantasy, ruled by unscrupulous brokers whom he thought he would never be able to live easily with. When he sang of calling on a “lonely brother” in “Lean on Me,” his biggest hit and an astounding feast for the ears, few knew that he was singing about himself. He was the lonely brother, and the business whose audio rules he refashioned only made him lonelier. His songs were not riling, but easing and caressing the deepest of emotional clefts that bore the weight of the world and the reassurance of a better day on his shoulders—“Ain’t No Sunshine,” “Lean on Me,” “Use Me,” “Lovely Day,” “Just the Two of Us”—as well as album cuts that leaped off the vinyl and helped form a coterie of evergreens among his fans. Yet he ruled in his precious fold of time—eight years in the sun—without as much as an agent, manager, lawyer, accountant, valet, or flunky. He was on his own in every way. This is the craziest success story music has known—a whirlwind that didn’t begin until Withers was in his thirties and carried on as if in neat slow-motion. Now, in this remarkable biography by acclaimed author Mark Ribowsky, Withers is brought to life in vivid detail, told with insights from those who knew him throughout his short but incredibly impactful career.
Mark Ribowsky (Author), Beresford Bennett (Narrator)
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Come meet a Utopian assassin, an aging UFO contactee, a haunted Mohawk steelworker, a time-traveling prizefighter, a yameating Zombie, and a child who loves a frizzled chicken-not to mention Harry Houdini, Zora Neale Hurston, and all their fellow travelers riding the steamer-trunk imagination of a unique twentyfirst-century fabulist. From the Florida folktales that inspired "Daddy Mention and the Monday Skull" (first published in Mojo: Conjure Stories, edited by Nalo Hopkinson) to the imagined story of boxer and historical bit player Jess Willard in World Fantasy Award winner "The Pottawatomie Giant" to Flannery O'Connor's childhood celebrity in "Unique Chicken Goes in Reverse," Duncan juxtaposes historical figures with marvels and confabulations. This new and selected volume of Duncan's best features two new stories, "Joe Diabo's Farewell"-in which a gang of Native American ironworkers in 1920s New York City go to a show-and the title story where he reveals what really (might have) happened to Thomas More's head.
Andy Duncan (Author), Andy Duncan, Beresford Bennett (Narrator)
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Attacking the Rim: My Journey from NBA Legend to Business Leader to Big-City Mayor to Mentor
A remarkable narrative of both chance and purpose that touches all corners of society to tell the improbable tale of one man looking for something greater A young, Black kid from a hardworking family in one of the poorest sections of Washington, DC, despite being legally blind in one eye, leaps to the pinnacle of his sport: the Hall of Fame. A rookie bank teller rises to become one of the nation's most celebrated Black business leaders. A once-reluctant political neophyte answers the call to become a major of America's most troubled big city, and he establishes a mentoring program for African American boys that serves as a model for the nation. All of these stories belong to Dave Bing. In Attacking the Rim, Bing shares this multifaceted personal saga, with a rare combination of modesty, moxie, and powerful self-belief. Reflecting on his playing days with the Detroit Pistons, Washington Bullets, and Boston Celtics, Bing takes readers inside the exciting world of pro basketball at the moment when sensational athletes were turning a low-budget game into a high-powered, multimillion-dollar entertainment spectacle. From inside the Detroit mayor's office, he offers a firsthand look at the city's monumental challenges, including intractable debt and corruption, massive unemployment, woeful city services and infrastructure, and the daily choices between the lesser of evils. And finally, he takes us through the mentoring foundation he's created, cutting through the red tape of charitable work to achieve fundamental change in the young men of Detroit. Dave Bing's story is one of unbelievable perseverance and success, and in it he shares the lessons for personal growth and excellence he's learned along the way.
Dave Bing (Author), Beresford Bennett (Narrator)
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When Ferron Morgan's father dies in suspicious circumstances, his trauma is exacerbated by the conflict within his family and among his father's friends over whether the death was the result of medical negligence or if it was a political assassination. Ferron grew up in awe of his father's radical political endeavors, but in later years he watched as the resurgence of the political right in the Caribbean in the 1980s robbed the man of his faith. Ferron's response to the death is further complicated by guilt, particularly over his failure to protect his fiancee from a brutal assault. He begins to investigate the direction of his life with great intensity, in particular his instinct to keep moving on and running from trouble. This is a sharply focused portrayal of Jamaica at a tipping point in its recent past, in which the private grief and trauma condenses a whole society's scarcely understood sense of temporariness and dislocation.
Kwame Dawes (Author), Beresford Bennett (Narrator)
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Black Moses: The Hot-Buttered Life and Soul of Isaac Hayes
The first biography of soul pioneer Isaac Hayes, whose groundbreaking music provided the foundation for hip-hop and a new racial paradigm. Within the stoned soul picnic of Black music icons in the ’60s and ’70s, only one could bill himself without a blush as Moses, demanding liberation for Black men with his notions of life and self—Isaac Lee Hayes Jr., the beautifully sheen, shaded, and chain-spangled acolyte of cool, whose high-toned “lounge music” and proto-rap was soul’s highest order—heard on twenty-two albums and selling millions of records. Hayes’s stunning self-portraits, his obsessive pleas about love, sex, and guilt bathed in lush orchestral flights and soul-stirring bass lines, drove other soul men like Barry White to libidinous license. But Hayes, who called himself a “renegade,” was a man of many parts. While he thrived on soulful remakes of pop standards, his biggest coup was writing and producing the epic soundtrack to Shaft, memorializing the “black private dick” as a “complicated man,” as coolly mean and amoral as any white private eye. This new musical and cultural coda delivered Hayes the first Oscar ever won by a Black musician, as well as the Grammy for Best Song. Yet, few know Hayes’s remarkable achievements. In this compelling buffet of sight and sound, acclaimed music biographer Mark Ribowsky—who has authored illuminating portraits of such luminaries as Stevie Wonder, Little Richard, and Otis Redding—gallops through the many stages of Hayes’s daring and daunting life, starting with Hayes’s difficult childhood in which his mother died young and his father abandoned him. Ribowsky then takes readers through Hayes’s rise at Memphis’s legendary soul factory, Stax Records, first as a piano player on Otis Redding sessions then as a songwriter and producer teamed with David Porter. Tuned to the context of soul music history, he created crossover smashes like Sam & Dave’s “Soul Man,” “Hold on I’m Comin’,” and “I Thank You,” making soul a semi-religion of Black pride, imagination, and joyful emotion. Hayes’s subsequent career as a solo artist featured studio methods and out-of-the-box ideas that paved the way for soul to occupy the top of the album charts alongside white rock albums. But his prime years ended prematurely, both as a consequence of Stax’s red ink and his own self-destructive tendencies. In the ’90s he claimed he had finally found himself, as a minion of Scientology. But Scientology would cost him the gig that had revived him—the cartoon voice of the naively cool “Chef” on South Park—after he became embroiled in controversy when South Park’s creators parodied Scientology in an episode that caused the cult’s leaders to order him to quit the show. Although Hayes was honored by the Rock & Roll Hall of Fame in 2002, the brouhaha came as his seemingly perfect body finally broke down. He died in 2008 at age sixty-eight, too soon for a soul titan. But if only greatness can establish permanence in the cellular structure of music, Isaac Hayes long ago qualified. His influence will last for as long as there is music to be heard. And when we hear him in that music, we will by rote say, “We can dig it.”
Mark Ribowsky (Author), Beresford Bennett (Narrator)
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Don't Let My Mama Read This: A Southern Fried Memoir
Writer, director, and starring actor in Sundance Grand Jury Prize nominee Somebodies, Hadjii remembers the trials and tribulations of youth in Don't Let My Mama Read This. From the havoc that a boy's crusty underwear can wreak on a family's reputation to the first time getting caught coming home drunk, Hadjii covers all the aspects of a "blessedly normal" childhood.
Hadjii (Author), Beresford Bennett (Narrator)
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Empowering Black Boys to Challenge Rape Culture
Gordon Braxton was in his second year of college before anybody bothered to speak to him about sexual violence, despite the fact that he already knew friends and family members that had survived sexual assault. Unfortunately, this is a common experience as many young men and boys, especially Black boys, do not have an opportunity to discuss their views on sexual violence and what role they might play in preventing it. Empowering Black Boys to Challenge Rape Culture supports the training of a rising generation by providing commentary from an experienced educator, an overview of existing research and preventative techniques, and insight into young men's perspectives on violence. The result is a powerful new perspective on violence prevention-the first to focus on Black boys and to be written by a Black male author. The most critical lesson that boys need to learn is that they have an essential role to play in preventing sexual violence. So many of them accept this violence as beyond their control when they could be valuable agents of change. More and more parents and mentors of boys are coming to address sexual violence as a cultural problem rather than the activities of isolated social deviants. Empowering Black Boys to Challenge Rape Culture adds an important voice to our discussions about sexual violence education and prevention, showing that a rising generation of boys will play a vital part in realizing a non-violent future.
Gordon Braxton (Author), Beresford Bennett (Narrator)
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Unaware of the danger lurking on the periphery of the French Quarter, Drs. Ronald Banks and John Hakola made a tragic decision on the evening of April 29, 1979, to walk several blocks from the historic district to the Hyatt Regency. Inches from the safety of their hotel, they were accosted by two young men-a scuffle ensued, a shot was fired, and Dr. Banks lay dead on the sidewalk. Fighting Time is a tale of two families whose lives became entangled in that moment of trauma. Isaac Knapper, a sixteen-year-old boy from a nearby housing project, was wrongfully convicted of the murder and sentenced to life imprisonment without parole in the Louisiana State Penitentiary. In Maine, the Banks family believed justice had been served by Isaac's conviction, and his exoneration in 1992 unleashed a sea of confusion and grief. In 2015, Dr. Banks' daughter, Amy, a psychiatrist and trauma specialist, realized it was time to unpack her own family trauma. After learning details of the prosecutorial misconduct, Amy and her sister, Nancy, traveled to New Orleans to meet the man wrongfully convicted of killing their father. In Fighting Time Isaac Knapper and Amy Banks narrate the story of their thirty-sixyear journey from murder to meeting with clarity, humility, and vulnerability.
Amy Banks, Isaac Knapper (Author), Beresford Bennett, Christina Moore (Narrator)
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Like all great dreamers and planners, Marcus Garvey dreamed and planned ahead of his time and his peoples' ability to understand the significance of his life's work. A set of circumstances, mostly created by the world colonial powers, crushed this dreamer, but not his dreams. Due to persistence and years of sacrifice of Mrs. Amy Jacques Garvey, widow of Marcus Garvey, a large body of work by and about this great nationalist leader has been preserved and can be made available to a new generation of Black people who have the power to turn his dreams into realities. Written as a participant and confidant, Amy Jacques Garvey's perspective continues to provide an intimate and first-person narrative of the Garvey movement and this important nascent period of Black Nationalism.
Amy Jacques Garvey (Author), Beresford Bennett, Karen Chilton (Narrator)
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