Discover Venice through the vibrant and personal observations of Gore Vidal. Listen as he walks the storied streets, recounting the city’s rich history and exploring his own family ties to the area. Filled with insightful impressions of Venice’s culture, fine art, and architecture, this audiobook is an unforgettable adventure by one of America’s most significant writers.
A novel based on the emotional conflict centered around a son’s urge to sever the psychological umbilical cord which ties him to a selfish and possessive mother. Completely unsympathetic to his young experiences and inclinations, forever critical of his interests and reactions, she nevertheless appeals to his sympathies and attempts to hold him emotionally.
Lost for more than 60 years and overflowing with political and sexual intrigue, Thieves Fall Out provides a delicious glimpse into the mind of Gore Vidal in his formative years. By turns mischievous and deadly serious, Vidal tells the story of a man caught up in events bigger than he is, a down-on-his-luck American hired to smuggle an ancient relic out of Cairo at a time when revolution is brewing and heads are about to roll.
One part Casablanca and one part torn-from-the-headlines tabloid reportage, this novel also offers a startling glimpse of Egypt in turmoil—written over half a century ago, but as current as the news streaming from the streets of Cairo today.
This explosively entertaining memoir abounds in gossip, satire, historical apercus, and trenchant observations. Vidal’s compelling narrative weaves back and forth in time, providing a whole view of the author’s celebrated life, from his birth in 1925 to today, and features a cast of memorable characters—including the Kennedy family, Marlon Brando, Anais Nin, and Eleanor Roosevelt.
Kidnapped and held to ransom by Duke Leopold of Austria after the Third Crusade, Richard the Lion Heart, it is said, was found by his faithful troubadour Blondel de Neel. But how? And what trials did the faithful and long-suffering lyricist have to overcome to find his king?
Gore Vidal paints a broad, colorful, and poignant picture of a man searching for his master; for the symbolic king who is the goal of man’s eternal quest; for the spiritual centre of his life.
Myra caused a second furor when she returned in Myron to battle it out with her eponymous alter ego, a drab little man fallen into marriage and a job in Chinese catering. Theirs is a contest of hormonal roulette, with glorious Myra off on time-travelling missions of mercy back to 1948 to try to change cinema history and to introduce her own radical theories of popuation control. Meanwhile Myron tries desperately to stay in the present as inconspicuously as Myra will allow.
To satisfy a public that longs for a savior, Vidal’s eponymous hero of Kalki, born and bred in America’s Midwest, establishes himself in Nepal, puts out the word that he is the last incarnation of the god Vishnu, and predicts an imminent apocalypse meant to cleanse the planet.
Timothy (later St. Timothy) is in his study in Thessalonika, where he is bishop of Macedonia. It is A.D. 96, and Timothy is under terrific pressure to record his version of the Sacred Story, since, far in the future, a cyberpunk (the Hacker) has been systematically destroying the tapes that describe the Good News, and Timothy’s Gospel is the only one immune to the Hacker’s deadly virus. Meanwhile, thanks to a breakthrough in computer software, an NBC crew is racing into the past to capture—live from the suburb of Golgotha—the Crucifixion, for a TV special guaranteed to boost the network’s ratings in the fall sweeps.
As a stream of visitors from twentieth-century America channel in to the first-century Holy Land—Mary Baker Eddy, Shirley MacLaine, Oral Roberts and family—Timothy struggles to complete his story. But is Timothy’s text really Hacker-proof? And how will he deal with the truth about Jesus’ eating disorder? Above all, will he get the anchor slot for the Big Show at Golgotha without representation by a major agency, like CAA 1,896 years in the future? Tune in.
Messiah traces the collapse of Christianity and the rise of the next great religion of Western civilization: Cavism. Founded by undertaker John Cave, Cavism holds that it is a holy thing to die. Packaged by a marketing genius, the new religion conquers the world more quickly than any prior memeplex, but pockets of resistance remain. Eugene Luther, formerly an apostle of Cavism, now a hunted apostate, writes his memoirs as a last gesture of freedom while the noose of a totalitarian religious state tightens around him.
A blend of satire and secular prophecy first published in 1954, Messiah anticipates the rise of televangelism and engineered religions such as Scientology (Vidal met L. Ron Hubbard in the 1950s), and prefigures the great religio-dystopian novels of the era: Heinlein’s Stranger in a Strange Land and Vonnegut’s Cat’s Cradle.
Master storyteller Gore Vidal’s 1952 classic.
The fast and furious hedonistic world of the jet-set commuting between the glamour centres of Europe is the setting for this famous novel by one of the twentieth century’s most remarkable writers.
Philip Warren is a personable young American who moves amongst the international demi-gods of wealth and status in search of himself and a future, which will satisfy his part cynical, part romantic outlook.
A sweeping novel of politics, war, philosophy, and adventure—in a restored edition, featuring never-before-published material from Gore Vidal’s original manuscript—Creation offers a captivating grand tour of the ancient world.
Cyrus Spitama, grandson of the prophet Zoroaster and lifelong friend of Xerxes, spent most of his life as Persian ambassador for the great king Darius. He traveled to India, where he discussed nirvana with Buddha, and to the warring states of Cathay, where he learned of Tao from Master Li and fished on the riverbank with Confucius. Now blind and aged in Athens—the Athens of Pericles, Sophocles, Thucydides, Herodotus, and Socrates—Cyrus recounts his days as he strives to resolve the fundamental questions that have guided his life’s journeys: how the universe was created, and why evil was created with good. In revisiting the fifth century B.C.—one of the most spectacular periods in history—Gore Vidal illuminates the ideas that have shaped civilizations for millennia.
In the tiny Central American republic of Tenango, a place of orchid-scented jungle, crumbling palaces, and baroque cathedrals, the rainy season is over and the dusty days of winter have begun. It is time for revolution.
In an old plantation house the conspirators meet: General Jorge Alvarez, returned from exile in New Orleans with his hothead of a son and his proud, beautiful daughter; a volatile entourage of disenchanted colonels and rebel priests; and Peter Nelson, an American soldier of fortune with his own reasons for joining the rebels. Yet when the waiting is over and the struggle for power under way, nothing in Tenango turns out to be what it seems, not even the tragedy that awaits them all.
