Graham Hurley Press Reviews
'In all his [Hurley] books, the humanity of his police officers is as important as their ingenuity as detectives, in fact it is their sensitivity that makes this thriller... admirable rather than tasteless... the second in the new series, is as thought-provoking and vivid as his previous writings' LITERARY REVIEW
'Hurley is a giant of British police procedural novels, and with Western Approaches we find an author on top of his game. As good as, if not better than Peter James and Ian Rankin.' -- Mark Timlin CRIME TIME
'Graham Hurley's determination to look the seamy reality full in the face is refreshing because so rare...Hurley's devastating account of Suttle's marriage is one of the best things he has done.' -- Jake Kerridge DAILY TELEGRAPH
'Skillfully combining murder mystery and police procedural drama with a West Country travelogue, this is a satisfying read.' SUNDAY MIRROR
'TOUCHING DISTANCE is a storming read and is yet another fantastic addition to an already addictive series' CRIMESQUAD
About Graham Hurley
Graham Hurley is a documentary maker and a novelist. For the last two decades he's written full-time, penning nearly fifty books. Two made the short list for the Theakston's Old Peculiar Crime Novel of the Year, while Finisterre – the first in the Spoils of War collection – was shortlisted for the Wilbur Smith Adventure Writing Award. Graham lives in East Devon with his lovely wife, Lin.
Author Photo Credit: Laura Muños
Maxim Jakubowski's view on JOE FARADAY...
The investigations of a Portsmouth cop and a fascinating look into crime on the British coast. If you like Ian Rankin’s Rebus, this should be your next step. NO LOVELIER DEATH is the 9th book in the Faraday series.
A Q & A with Graham Hurley
Who’s your favourite author?
The Alan Furst of The Polish Officer and The World at Night.
Where do you live? And why?
Portsmouth. Because so many people ask me why.
What’s the greatest influence on your writing?
Lin Rowden.
What is your philosophy for life?
Check the tide tables and watch for eddies.
Have you had any formal tuition in creative writing? If so, where and what? Did you find it useful?
BA/MA Cambridge University (English – no help at all). No formal tuition in creative writing except a pathological nosiness and a fascination with story. Profound doubts about collective literary endeavour. Why? Because, in the end, writing is a solitary business.
Did you always want to be an author? If not, what did you originally want to be and when and why did you change your mind?
Yes. And like most authors, I’m not sure why. But – emphatically – yes.
Who do you most admire and why?
My mum (seriously). Because she’s never failed to make the very best of an occasionally dodgy hand. Huge fortitude.
What jobs did you have before you started writing?
Ice cream salesman, deckchair attendant, lifeguard, prep school teacher (scripture and cricket), Radio Victory reporter, TV promotion scriptwriter, TV researcher, TV documentary director/producer, Oz TV cop series writer.
If your house was burning down what would you save?
Lin Rowden, the cats, a framed photo of the Otter estuary, me.
What do you do when you are not writing? How do you relax? What are your hobbies?
Sailing, cycling, nosing around, tussling with French, dreaming of the day Tony Blair resigns.
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