Commonly extrapolating elements of current society, dystopian fiction explores the darker side of possible worlds. Discover more than a Brave New World here.
Egan’s finely tuned skill as a storyteller seduces you. Right from the opening chapter he sets up a delicious, nerve-tingling sense of foreboding, with references that range from Game of Thrones and mushroom clouds to Afghanistan, Iraq and the impending end of the world. He doesn’t so much hook you into his imagined world, as gently caress a net around you, coaxing you onto each page after the next. And what a story he tells. Plucky, thoughtful Kyle Halfpenny, year 11, lives with her Dad who is either a mad drunk or prescient seer. She sees bigger pictures and small details and has views, thoughts and fears that all speak of a profound understanding and compassion for the lot of those in her world. She communes with foxes, mourns for a lasagne that had ”shrunk in on itself, like it was trying to hide from it’s own failings” and through the absence of her mother and missing her brother, she cares for her Dad, a lasagne made mortal, who seeks sanctuary with Kyle on a island imbued with history, overrun by rabbits and the home of hope. This is a one hell of a read, for YA readers as much as for the intended adult audience. It is a cautionary tale of the corrosive effect on life of unfettered fear, the acid that eats joy. It is a sad and lyrical hymn to our responsibilities to ourselves and to each other. And, with its exquisite, magical, story-within-a story, it is an enchanting fable about the gritty beauty of life and of all lives. Unless you’re a rabbit.
Dystopia - The opposite of Utopia.
ORIGIN late 18th cent.: from dys-‘bad’ + Utopia. An imagined place or state in which everything is unpleasant or bad, typically a totalitarian or environmentally degraded one.
H.G. Wells was the first popular dystopian writer with the Time Machine (1895) in which the future doesn’t bring continuous improvements in human kind, rather its demise to the baser darker side of our nature. Through Metamorphosis (1915) by Franz Kafka, Brave New World (1932) by Aldous Huxley Nineteen Eighty-Four (1949) by George Orwell and on to The Handmaid's Tale (1985) by Margaret Atwood dystopian fiction continues to probe the darker areas of the human condition.
Perhaps all the end of world prophecies have fueled the demand, never the less the contemporary dystopian offerings are proving popular reading – especially among a younger audience. We hope you enjoy the selection.