Do you prefer to keep your library with you, no matter where you are? Perfect for taking with you on your commute, on holiday or just at home, check out our eBook favourites and see where you can download them today!
“Lemons are precious to me; a symbol of my beloved homeland, they stir up fond memories of my childhood as well as having a wealth of uses. They cleanse, refresh, preserve and are an absolute essential in the home.” So explains celebrated, amiable Gennaro Contaldo in his introduction, setting the vibrant, sunshine-infused tone that streams through this splendid book. After sharing the specific delights of the Amalfi lemon he grew up with, locally known as the Sfusato Amalfitano (“it’s like no other: a huge, elongated-in-shape, knobbly, thick-skinned citrus fruit, but oh-so wonderfully sweet and aromatic”), Contaldo takes us through dozens of inspiring recipes, all accompanied by stunning photography. With chapters covering Small Plates, Vegetables, Fish, Meat, Desserts, Drinks and Preserves, and Sauces and Dressings, it’s as comprehensive as it is refreshing and practical, with no part of the lemon left unused. For example, Contaldo adds a sliver of zest to his breakfast espresso, while lemon pith and skin can be chopped into salads to add extra zing. From a lemon-infused pizza topped with sausage, mozzarella and rocket, to traditional antipasto dishes like scamorza cheese wrapped in lemon leaves, the recipes are truly refreshing. Then there’s the delights of limoncello spritz, and chocolate and lemon truffle. Passionate, personal and practical, this joyous book will delight a huge spectrum of home cooks.
Oh what fun this is, written in diary form, the year in the life of Liz is a cackling, absolute fire-cracker of a read. Liz deals with all that life throws at her, from impossible questions from her two children, through to navigating family, neighbours, friendship, and work. I loved Lucy Mangan’s quick-firing and witty, yet compassionate and inclusive writing. I don’t have children, despite this, I fully participated in the family life on offer here. I could relate to the dilemmas and plights, joy and love, I sympathised, empathised, smirked, and on several occasions even laughed out loud. Although all the characters stand independently proud and fabulous, my favourite just has to be five year old Evie, who rules with an iron fist and is described as a gangster and anarchist. Author and journalist Lucy Mangan’s first novel is an absolute belter. Are We Having Fun Yet is a warm, uplifting, gloriously funny read and comes as highly recommended and a Liz Pick of the Month and LoveReading Star Book.
An unputdownable story of murder, revenge and betrayal from international number one bestseller Jeffrey Archer. THE CLOCK IS TICKING IN THIS ROLLERCOASTER RIDE OF A THRILLER... In London, the Metropolitan Police set up a new Unsolved Murders Unit - a cold case squad - to catch the criminals nobody else can. In Geneva, millionaire art collector Miles Faulkner - convicted of forgery and theft - was pronounced dead two months ago. So why is his unscrupulous lawyer still representing a dead client? On a luxury liner en route to New York, the battle for power within a wealthy dynasty is about to turn to murder. And at the heart of all three investigations are Detective Chief Inspector William Warwick, rising star of the Met, and ex-undercover operative Ross Hogan, brought in from the cold. But can they catch the killers before it's too late?
'Girl A,' she said. 'The girl who escaped. If anyone was going to make it, it was going to be you.' Lex Gracie doesn't want to think about her family. She doesn't want to think about growing up in her parents' House of Horrors. And she doesn't want to think about her identity as Girl A: the girl who escaped. When her mother dies in prison and leaves Lex and her siblings the family home, she can't run from her past any longer. Together with her sister, Evie, Lex intends to turn the House of Horrors into a force for good. But first she must come to terms with her six siblings - and with the childhood they shared. Beautifully written and incredibly powerful, Girl A is a story of redemption, of horror, and of love.
Fabulously inventive, and laced with evocative detail and intrigue, Clio Velentza’s The Piano Room boasts bite and a beautifully crafted plot. Taking inspiration from the timeless tale of Faust, this keenly accomplished debut sees an entitled young man make a deal with the devil in order to forge his own destiny, so intense is his desire to renounce the weight of his family’s musical genius. Sandor Esterhazy comes from a long line of formidably talented pianists. His family are also immensely wealthy - his father, for example, dresses in embroidered slippers, shiny tuxedoes, and soft leather gloves; the opulence and elegance of his background are tangible. Sandor, on the other hand, seems cut from a different cloth - “There was no spirit to his music: instead of rising into the air with warmth and spice, the melody clambered out of the instrument and lay on the floor like a lifeless thing.” And so Sandor decides to summon the devil himself to escape his fate. Relieved when nothing happens (“I’m such an idiot. It was all a joke. It’s all right. It’s over”), he’s overwhelmed when the devil later appears and promises, in return for his soul, that Sandor “will be free to lead the life you choose rather than the one laid out for you.” Sandor is left with a mysterious creature, Ferdi, whom he locks in his basement piano room, for a time at least. Exploring self-determination and what it is to be human with wit, delicious gothic atmosphere and a compelling sense of ennui, The Piano Room is an immersive joy.
How I loved this novel, it’s heartbreaking yet warming, beautifully deep yet has a light touch, and is vibrantly colourful yet gentle too. A reading list finds its way to people needing a helping hand. Prepare yourself for a number of emotions, as mental health, grief, fear, and loneliness are written into the pages with huge compassion and empathy. This book truly spoke to me, it is full of love and hope, and highlights inclusivity and kindness. Oh, and that cover, just gorgeous! There are a number of characters waiting to meet you, however the pairing and friendship of Aleisha and Mukesh sits centre stage and creates an inspiring glow. Sara Nisha Adams introduces the books from the reading list with great care and attention, ensuring that while they are discussed by the characters there are no spoilers. So if you haven’t had the pleasure of reading them, you’ll be enticed into finding a copy. One of my favourite sections declares: “When you really like a book, you need to read it again! To relive what you loved and find out what you missed before. Books always change as the person who reads them changes too”. I really can recommend The Reading List with my heart and soul, and I’m glad to declare it a LoveReading Star Book.
Guardian: "A clever debut, with a slow burn of horror, sees the 17th-century witch-hunter Matthew Hopkins confronted by his fictional sister" Don't miss the world premiere of Beth Underdown's The Witchfinder's Sister! Playing at Queen's Theatre Hornchurch until 30 October 2021.
If the pandemic has taught us one thing, it's that people love parks As horizons shrank, we took stock. At first, a sense of panic set in: nowhere to go, nothing to do... Then we all went to the park, and we realized something: we need greenery - we crave it. Whether we're in Colombia or Korea, America or Australia, urban parks are places where we can find calm amid the chaos. They can also (more often than we may realize) conceal intriguing hidden histories, and can tell us something about modern life in our frenzied world, too. With fondness and humour, travel writer Tom Chesshyre recalls 50 of his favourite urban parks from across the world, in a love letter to the green escapes that bring us joy in our cities.
It takes a certain skill to make a novel that’s part of a series feel like a standalone, while also pleasing loyal fans. It’s what Helen Hoang, with her latest release, has managed to pull off – and in style. At the start of The Heart Principle, we are thrown into the life of Anna. She’s a young violinist who’s found fame online. It quickly transpires, though, that she has a few problems on her talented hands. First there’s the professional one about anxiety around performing. And another: her boyfriend wants to sleep with other women. (To, you know, make sure she’s really the one, of course.) Understandably, this throws Anna into a state of chaos – and eventually into the arms of Quan. Pearl clutchers, best not to read much further. This book has all the hallmarks of a contemporary romance, plus the deleted bedroom scenes. It’s steamy, very steamy. Yet it’s incredibly tender, emotive and revealing too. Hoang doesn’t hold back on subjects other writers may shy away from, and she explores sensitive issues with a boldness that’s hard not to admire. The Heart Principle introduces newbies to her work (like me) to her confident and gutsy storytelling, and to characters you’ll want to revisit again.
When his son is brutally murdered, gangland boss Zander Finn leaves the Scottish underworld, goes underground and tries to transform his life with a move to London. When he’s pulled back into his old world to fight the Albanian mobsters threatening his family, it’s an action-packed adventure with thrills aplenty and promises that you’ll be on the edge of your seat every step of the way. Meyrick’s inimitable dark humour threads throughout and peppers Finn’s intense fight for survival.
At once historically evocative and infused with the rapier-sharp universality of basic drives and emotions (love, lust, envy and revenge), Denise Mina’s Rizzio is an immensely engaging novella. Wise, inventive and un-put-down-able, it’s a riveting read-in-one-sitting road-trip through a shadowy episode in Scottish history. It’s 1566 and Mary, Queen of Scots, is six months pregnant, unaware that her Palace of Holyrood is surrounded by an army intent on murdering her private secretary and confidante, handsome, charismatic David Rizzio. And all this was arranged by Mary’s husband, Lord Darnley who, intoxicated, relishes “thinking about how sorry they’ll all be when he is king, they’ll all be sorry then. He’ll see they are". Recounting the events of a fateful, bloody night, Mina’s present tense narrative is delivered with verve, taut dexterity and atmosphere, with a powerfully palpable sense of mounting tension.
Charlotte and Sam were partners. In life, and in crime. They never stole from anyone who couldn't afford it. Wealthy clients, luxury cruise ships. It was easy money, and harmless. At least, that's what Charlotte told herself, until the world caved in on her. But now, years after she tried to put that past life behind her, it comes rushing back when her estranged ex-husband Sam suddenly goes missing - and someone threatens to expose what they did. Desperate to escape whoever is tormenting her, Charlotte takes a job as events planner for an engagement party onboard a superyacht in the Caribbean. For a while, her plan seems to have worked, nothing but open ocean and clear skies ahead. Until it becomes clear that she's no longer a thousand miles away from harm. Because whoever is behind it all is onboard too. And now there's nowhere left to run.
It's late 1944. Hitler's rockets are slamming down on London with vicious regularity and it's the coldest winter in living memory. Allied victory is on its way, but it's bloody well dragging its feet. In a large house next to Hampstead Heath, Vee Sedge is just about scraping by, with a herd of lodgers to feed, and her young charge Noel ( almost fifteen ) to clothe and educate. When she witnesses a road accident and finds herself in court, the repercussions are both unexpectedly marvellous and potentially disastrous - disastrous because Vee is not actually the person she's pretending to be, and neither is Noel. The end of the war won't just mean peace, but discovery...
Anthony Veasna So’s Afterparties is a box of fireworks that crackles with characterful portraits of California’s Cambodian immigrant community, and with bittersweet, universally resonant observations and truths. Perfectly-formed, with wham-bam impact, each and every short story in this anthology gets to the heart of what makes us strive to live our version of a good life through its sharp exposition of distinct - and distinctly memorable - characters and circumstances. The stories typically teeter on that heady hi-wire between the absurd and the poignant, as in Superking Son Scores Again in which a grocery store owner and badminton coach experiences a downfall to rival that of any Shakespearean tragicomic hero. Then there are characters grappling with their identities as the children of Cambodian refugees, and with the weighty legacy of the Khmer Rouge genocide. By turns gritty and wildly funny, poignant and thought-provoking (and often all of these at once), Afterparties is an exceptional collection.
If you’re hoping for another nail-biter in Doug Johnstone’s popular Skelfs novels, you won’t be disappointed – and if you’re new here, well there’s much to enjoy. The third instalment in the series doesn’t waste time with back stories or explaining who’s who; we hop right to the action. What we do get, though, an introduction to the Skelfs, three generations of women who run a funeral business in Edinburgh – who also happen to be private investigators. Dorothy, the matriarch, her daughter Jenny and granddaughter Hannah are quickly embroiled in a mystery after a human foot is discovered in a park. From there, the plot expands far and wide into quite dark, even absurdist territories. But the strength of the novel is in the characters, with each chapter following one of the Skelf women. This trio, flawed but fair, elevates the book above your average crime novel. You’ll have to suspend disbelief at times but if you’re looking for a thrilling ride, this won’t leave you short-changed.
Centred on a young woman who strikes free from the misogynistic confines and culture of her small Pakistani village, Awais Kahn’s No Honour tells a brutally honest story of courage, strength and father-daughter bonds in searingly clear style. The novel’s shockingly arresting opening sets the tone and themes in no uncertain terms as it recounts a brutal scene in which an unmarried young woman’s new-born is snatched from her before she’s subjected to public horrors. When it looks like sixteen-year-old Abida might face a similar fate, she’s driven to flee her small village for the city of Lahore, aided by her forward-thinking father, Jamil. When she vanishes, Jamil is compelled to go after her, leading to an entanglement of love, corruption and a lethal conflict between age-old practices and integrity, with a sense of place vividly evoked through the escalating pace. Exposing disparities between rich and poor, and the corruption of people in public office as it also exposes the plight of women, this wends to a tense end, driven by Abida’s indomitable spirit of survival.
Co-written with Mills and Boon historical novelist Marguerite Kaye, Sarah Ferguson’s Her Heart for a Compass is an expansive fictionalised account of the life of the Duchess of York’s great-great-aunt, Lady Margaret Montagu Douglas Scott. Part romantic epic, part energetic exploration of wealthy women’s lives in Victorian England, it’s sure to satisfy fans of historical fiction who like their novels to be big in heart (and length), and based on real-life intrigue. It’s London, 1865, and Lady Margaret Montagu Scott cannot face the prospect of entering a marriage arranged by her parents, the Duke and Duchess of Buccleuch. Given that her parents are close friends with Queen Victoria, this is nothing short of a scandal, and so Margaret must be banished from polite Victorian society. Margaret’s journey sees her venture to Ireland and America before returning to Britain. It reels with romance, historical detail and the protagonist’s indomitable spirit of adventure against a backdrop of grand-yet-stuffy drawing rooms and stifling societal conventions.
Alexander McCall Smith’s The Pavilion in the Clouds is a stirring, evocative psychological mystery set in 1938 as the British Empire limps through its final days. A Scottish family in Ceylon, as Sir Lanka was then known, live in the Pavilion in the Clouds on their tea plantation. Yet for all the idyllic beauty of their bungalow, the surrounding jungle represents the unknown - snakes might strike at any moment. Indeed, when eight-year-old Bella sets off unpleasant suspicions about her governess, Miss White, her mother, Virginia, comes to believe a snake might live among them. Virginia’s sense of being an outsider, uncomfortable being in someone else’s country, is palpable. Then there’s the boredom and ennui of having no purpose: “Time was an emptiness. It was a billowing, echoing void… We were just a little rock, hurtling through space, and we were the tiniest things on that rock”. Add to this the paranoia that’s intensified by Bella’s words and deeds, and by a friend Virginia confides in, and we have a tinderbox situation. The novel is also excellent on relating how children view the world and make sense of adult behaviour - in Virginia’s words, “Children were unpredictable. They accepted so much because they were used to things happening to them, rather than making things happen themselves.” Bella’s relationship with her two dolls - she talks to them, and they offer her advice - is used to great symbolic effect towards the end the novel, years later, when Bella visits Miss White as a young adult to say sorry, now she’s old enough to make things happen herself. Engaging in a read-in-one-sitting kind of way, Miss White sums up the novel’s most lingering theme when she remarks, “It’s strange isn’t it, how we carry some bits of the past with us for a long, long time – when we don’t really need to.”
The Great North Road is a brilliantly researched historical journey by bicycle which follows an ancient highway that since 1921, for most of its length, has been known as the A1. Cyclist Steve Silk threads the 493 miles from London to Edinburgh following at a challenging but doable pace in the tracks of Charles G Harper’s 1901 journal of the same name. Steve’s eleven day journey is so rich in history at times he could be a time traveller, slipping in and out of centuries, bumping into legendary and influential characters and (unlike most touring cyclists) spending enough time to soak up the stories along the way. The book is probably more for travellers with an interest in history than it is for cyclists with a passion for endurance, but it does seem to be the case that the further one pedals north on this famous artery, the harder it gets.
Setting out its stunning stall as “the story of how a Tizita musician stopped the Ethiopian-Eritrean war”, Mukoma Wa Ngugi’s Unbury Our Dead with Song casts a uniquely beguiling spell. Its narrator, tabloid journalist John Thandi Manfredi, has an engaging, down-to-earth style that shifts as he himself falls under the spell of tizita - usually translated as ‘nostalgia’, or ‘longing’, tizita is form of bluesy, folksy ballad music from Ethiopia and Eritrea. Through Manfredi we meet four musicians - The Diva, The Taliban Man, The Corporal and septuagenarian bartender Miriam - who are in Nairobi, Kenya, competing to be hailed the best tizita performer. Their music has Manfredi in their thrall, to the extent that he journeys to Ethiopia to discover more about them. During their meetings, Manfredi uncovers raw truths and secrets about each artist, and through them he learns to read the layers of life and longing he’s heard (and felt) in tizita performances: “I knew enough about telling stories - they were also about the storyteller,” he says. In this case, the four musicians have very different stories to tell - hugely different histories and longings - as imparted through their performances. Propelled by a subtly mounting sense of mystery and discovery to a stirring tizita soundtrack that plays out in your head, this captures the indefinable, almost magical, power of music and art to inspire awe - which is exactly what this novel does with sweeping verve.
A snaking twisting ride into the middle of a young family torn apart by allegations of murder. When the police knock on the door of Beth and Tom Hardcastle the resulting investigation means that life will never be the same again. The author previously worked for the NHS and on completing a psychology degree then worked in a men’s prison facilitating rehabilitation programmes, she has also written thrillers under another name. While the title screams a high body count, the story weaves through the reactions of community and friendship as the allegation hits. The four narrators each have their own unique voice, with Beth and Tom speaking in the present, Katie in the past, while a further un-named narrator adds a decidedly chilling tone. These are characters who delight in provoking the reader, both in terms of decisions they make, and who they are. As I read my thoughts paused before moving down new paths as each voice and short chapter altered the plot in turn. The Serial Killer’s Wife is a read you can throw yourself into and race through, while the plot corkscrews itself through to a highly entertaining end.
Helen Stancey’s Relative Secrets is a highly readable story for readers who like to get lost in the drama and intrigue of other people’s relatable lives. Told in a straightforward style, with domestic detail and emotional ups and downs to heighten engagement, three generations of women are at the heart of this saga of family secrets. It’s set in 1999 and follows the family from the 1920s through to the millennium. The eldest of the women, Mary, is in a care home, her mind deteriorating. During a visit from grand-daughter Lucy, Mary makes strange statements that arouse Lucy’s curiosity. She tries to put them out of mind - until she finds a locket while clearing out Mary’s former room. Not wanting to upset her mother (not with her father gone, her elder brother away, and her little brother misbehaving), Lucy takes it upon herself to get to the bottom of the mystery - risking discovering truths that might unsettle the very foundations of their family. The drama builds slowly at first - there’s a considered, unhurried build-up, with lots of family backstory delivered before the revelations come. Then tension builds as Lucy delves deeper, and the questions keep coming - not merely what the secret is, but why it was covered-up. And, a question with universal resonance - is it sometimes better to simply let things be?
Please check your own eReader to confirm which format eBook you need to download before you purchase.
eBooks have at last come of age and although you have been able to see if an eBook is available on a title by title basis on Lovereading for a while now, we also wanted to create a special section which features all of our eBook recommended reads.
Keep up to date by signing up for our free regular emails.
To find out what e-formats we have available and the prices etc just click on a book cover. This will take you to the book page, which will show you ALL the formats we have available for that title including, ePub, KOBO and iBookstore.
Each format can only be read on specific reading devices.
The ePub format can be read on a lot of ereaders including models made by Sony. (Please note you may have to download additional software / apps to read ePubs on your mobile device). For the ePub and PDF downloads from Lovereading we strongly recommend you use the free software Adobe Digital Editions to read them.
To buy or read Kindle format books you will either need to purchase a Kindle device from the Amazon site or you can download the free Kindle App for your device.
To read iBookstore format titles you will need to view the web page of the book you want as an iBook on a iPad, iPhone or iPod touch that has the iBook app loaded. The book will then be added automatically to your library.