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Find out moreWelcome to the present, here we have some fabulous reads set in the modern era. From provocative to beautiful, open your heart and mind and discover strong, believable stories that hammer at your awareness and cause thoughts to hesitate, develop, and flow.
Set in the early 1900s as the Virgin Islands shift from Danish to American rule, this is a sublime and thought-provoking novel. An epic family saga suffused in the islands’ complex history, and the strange magic of two sisters – Anette, who can see the future, and Eeona who possesses an extraordinary siren-like beauty. “Men will love me. It is the magic I have,” she remarks. Orphaned by the sinking of a ship, this captivating novel follows the sisters through sixty years. As they experience births, deaths, losses, loves, conflicts (and curses), sweeping change swells through their St Thomas homeland, shifting the sands around race and the land ownership. While their half-brother Jacob experiences institutionalised racism in the US Army, and witnesses segregation and the start of the Civil Rights Movement, back on the island Americans are busy buying up land and privatising beaches, giving rise to clashes between locals and incomers. It’s hard to believe this is Yanique’s debut. The writing is spellbinding, assured and invokes a desire to return to its world, and its themes are vitally important, not least the very relevant issue of outsiders making prime - and formally public - land inaccessible to locals.
Wonderfully quirky and yet earthy and tangible, this is an engaging and entertaining read. When is a holiday not a holiday? When 71 year old pond supplies salesman Selwyn Robby arrives home towing the work caravan, he tells his childhood sweetheart Ginny she has to pack her bag as they’re off to Wales. What follows is a road trip full of strange encounters, soul-searching and revelation. With a few words Lisa Blower allowed me to not only see, but feel the words. Descriptions slipped from the page into vibrant life. I could vividly picture the saucy mermaid curtains and fully stocked bar in the Toogood Aquatics caravan which becomes their world and future. I floundered alongside Ginny and Selwyn and I ached for the two of them even as I smiled. Pondweed flipped me onto a different thought path, where I strolled for a while and thoroughly enjoyed my journey.
Wonderfully quirky and yet earthy and tangible, this is an engaging and entertaining read. When is a holiday not a holiday? When 71 year old pond supplies salesman Selwyn Robby arrives home towing the work caravan, he tells his childhood sweetheart Ginny she has to pack her bag as they’re off to Wales. What follows is a road trip full of strange encounters, soul-searching and revelation. With a few words Lisa Blower allowed me to not only see, but feel the words. Descriptions slipped from the page into vibrant life. I could vividly picture the saucy mermaid curtains and fully stocked bar in the Toogood Aquatics caravan which becomes their world and future. I floundered alongside Ginny and Selwyn and I ached for the two of them even as I smiled. Pondweed flipped me onto a different thought path, where I strolled for a while and thoroughly enjoyed my journey.
Hauntingly tender, and written with powerful grace, Clare Chambers’s Small Pleasures is an absolute joy from start to finish. It’s 1957 in suburban Kent, where Jean writes for a local newspaper with every aspect of her life still dominated by her contrary, controlling mother as Jean approaches forty. No post-work drinks with colleagues. No friends. No romance. Enter Gretchen Tilbury, an elegant Swiss woman who writes to the paper claiming her daughter was the result of a virgin birth. As Jean investigates the case, she becomes close to Gretchen, her kind, witty husband Howard, and the alleged miraculous daughter, all four of them finding comfortable joy in each other’s company. “You’ve stirred us out of our routine,” Howard remarks, to which Jean responds, “I would have thought it was the other way about.” While researching Gretchen’s youth, Jean inadvertently sends shockwaves through the Tilbury family when she reconnects Gretchen to a powerful figure from her past. At the same time, she and Howard find themselves falling for each other, both of them remaining faithful to Gretchen, graciously skirting their attraction - until it’s right to act. The novel features some of the most finely drawn, endearing characters I’ve encountered in recent contemporary fiction. For all her lonely frustration, Jean isn’t one to wallow. She’s pragmatic, with ripples of not-quite-regret lapping beneath her smooth, reasoned surface - a woman “who took pride in her ability to conceal unruly emotions.” Her domesticity pieces for the paper have something of Carrie Bradshaw’s musings about them, albeit without any in-your-face sex in the city (or the suburbs, in Jean’s case), with their apparently humdrum themes humorously paralleling soul-stirring events in her own life. Laying bare a quivering three-way tug between obligation, propriety and passion, and the inexplicable way thunderbolt-bonds are formed between similar-souled individuals, Jean’s conflicts and chance to love truly get under your skin. What a remarkable book, with a dagger-sharp climax that will pierce your heart.
Twin sisters Bibike and Ariyike are enjoying a relatively comfortable life in Lagos in 1996. Then their mother loses her job due to political strife and their father gambles away their home, and the siblings are thrust into the reluctant care of their traditional Yoruba grandmother. Inseparable while they had their parents to care for them, the twins' paths diverge once the household shatters: one embracing modernity as the years pass, the other consumed by religion. Written with astonishing intimacy and wry attention to the fickleness of fate, Black Sunday delves into the chaotic heart of family life. In the process, it tells a tale of grace in the midst of daily oppression, and of how two women carve their own distinct paths of resistance.
Stunningly gorgeous short stories and wonderful illustrations make for an absolute treasure trove of a book. I have quite simply fallen in love with Foxfire, Wolfskin, it makes my heart sing. Discover 13 short stories about shapeshifting women, the shortest story being three and a half pages long. All are “either reimaginings of older tales, or contain characters, beings and motifs which appear in older tales”. On opening the book, I felt as though I was walking into an age old story, the descriptions are startling, vivid, touchable. I began with Wolfskin, which is sharp and edgy, it hurts, it feels… right. After finishing Wolfskin, I immediately read it again, this time out loud. I fell headlong in once more, and at the extraordinary end, emotional goosebumps skitter-scattered down my arms. All of these stories have a unique strength to them and I disappeared into each one. Just a note on the accompanying illustrations by Helen Nicholson. They are fresh, original, and yet have that same age old feel of the stories. At the very end you will find notes on each tale, the inspiration behind them and where the idea appears in folklore. Foxfire, Wolfskin is full of beautiful stories that take hold, bite, leave their mark and I adored it so much I had to add it as one of my picks of the month!
An interesting, expressive, and bittersweet dual time frame novel. Marine archaeologist Rachel investigates a shipwreck with links to the slave trade, while in 1763 Abigail falls in love with a tobacco trader in Whitehaven. This is the fourth in the Tales from Goswell series. These books feature the village of Goswell in Cumbria and a new main lead (or two) is introduced each time. A slice of history creates a dual timeline, with the present linking to the past and the focus equally on both. Characters from previous books are mentioned which adds continuity, it almost feels like a much loved holiday cottage, returning to a place that feels comfortable and homely. The slave trade from Whitehaven spears this storyline, with Katharine Swartz balancing the thoughts of the time with love and as usual with her books, hope. What it is to be family sits centre stage in The Widow’s Secret, and while a tale full of warmth, there is also an undeniably flinty and thought-provoking edge.
Rainbow Milk is an intersectional coming-of-age story, following nineteen-year-old Jesse McCarthy as he grapples with his racial and sexual identities against the backdrop of a Jehovah's Witness upbringing and the legacies of the Windrush generation. In the Black Country in the 1950s, ex-boxer Norman Alonso is a determined and humble Jamaican who has moved to Britain with his wife to secure a brighter future for themselves and their children. Blighted with unexpected illness and racism, Norman and his family are resilient in the face of such hostilities, but are all too aware that they will need more than just hope to survive. At the turn of the millennium, Jesse seeks a fresh start in London - escaping from a broken immediate family, a repressive religious community and the desolate, disempowered Black Country - but finds himself at a loss for a new centre of gravity, and turns to sex work to create new notions of love, fatherhood and spirituality. Rainbow Milk is a bold exploration of race, class, sexuality, freedom and religion across generations, time and cultures. Paul Mendez is a fervent new writer with an original and urgent voice.
Unlikely Return is an effortlessly stirring expression of the complexities of human relationships. It is told against the backdrop of an unlikely, yet equally damning tragedy that befalls five men, whilst aboard a sport-fishing vessel. Captain Jack, his petulant assistant Tony and three other passengers; Paul, Ben and Stuart all board the Princess Rose, for a weekend away of fishing and as a means of escape from the woes of their everyday lives. Each of these men carry the burdens of estranged relationships and emotional trauma, which a shared life-altering experience at sea, will force them to confront and forever change them. This book is extremely cognizant of human emotion and how one's sense of self is deeply influenced by one's formative years. It stirs empathy within the reader and explores a wealth of different perspectives that make for fantastic characterisation. Unlikely Return is an insightful slow-burner of a book which I relished sinking my teeth into! Lois Cudjoe, A LoveReading Ambassador
Prepare yourself for an emotional read… full of deep abiding love and hope, there are also parts of this book that caused an intensely physical ache long after I’d finished reading. I don’t want to give too much away, I want you to be able to enter as I did, and experience all that is on offer. So, let me just say that Max and Pip have to make an impossible decision, one that will affect them forever more. The prologue sets the scene perfectly, and I felt a fellow sharp intake of breath at the last sentence before moving to chapter one. This is one of those books where I didn’t make many notes as I read, I was completely caught up in the story. Each character is perfectly placed, their emotions reaching out from the page to touch my heart and soul. There are times when right and wrong do not exist in a clear, comprehensive format and this book successfully shreds presupposition into tiny confetti-like pieces. After I had finished reading, the note at the end by Clare Mackintosh sent goosebumps skittering down my arms. After the End is powerful, provocative, and I can wholeheartedly recommend this extraordinarily beautiful read. I have chosen it as one of my picks of the month and a LoveReading star book.
“For the last thirty-two years, you’ve not once trotted out for a run around the block. And now you tell me with a straight face that you want to run a marathon.” So begins this scathingly amusing novel that sees 64-year-old Remington - recently forced to retire early after an unsavoury employment tribunal – develop an unhealthy obsession with extreme exercise and his hideously competitive trainer, Bambi. Remington’s wife, sixty-year-old Serenata has always been a solitary exerciser (“I find large numbers of people doing the same thing in one place a little repulsive”), so the fact that her “husband had joined the mindless lookalikes of the swollen herd” comes as a shock, and an insensitive affront too, given that she was recently compelled to give up a lifetime of running after a diagnosis of osteoarthritis in both knees. Their spiteful bickering begins immediately, with neither party displaying themselves in a favourable light. Indeed, both characters are largely unlikeable, which makes their sniping all the more entertaining. Remington bemoans accusations of privilege, thus revealing said privilege: “I’m a little tired of being told how ‘privileged’ I am... How as a member of the ‘straight white patriarchy’ I have all the power. I’m supposedly so omnipotent, but I live in fear, less like a man than a mouse.” After (eventually) crossing the finish line of his first marathon, Remington signs-up for a gruelling triathlon, with his farcical persistence in spite of serious incidents and injuries making this novel both hilarious and excruciatingly cringe-worthy, albeit with an unexpectedly bittersweet upshot.
Teeming with life and crackling with energy, told through many distinctive voices, this novel follows the lives of twelve very different characters. Mostly women, black and British, they tell the stories of their families, friends and lovers, across the country and through the years. Joyfully polyphonic and sparklingly contemporary, Girl, Woman, Other is a gloriously new kind of history, a novel of our times: celebratory, ever-dynamic and utterly irresistible.
What if Jesus had married? What kind of woman would he marry? Who would marry him? These questions are at the heart of Sue Monk Kidd’s sweepingly inventive The Book of Longings. Ana, with her “turbulent black curls and eyes the colour of rainclouds” and a narrative voice that sweeps you up in its bold passion, was born into a wealthy Galilean family. Sharp-minded and a gifted writer, Ana secretly transcribes the stories of matriarchs in the scriptures, women omitted from the records: “To be ignored, to be forgotten, this was the worst sadness of all. I swore an oath to set down their accomplishments and praise their flourishings, no matter how small. I would be a chronicler of lost stories.” Ana seems destined to marry an elderly widower to further her father’s career (he’s the closest adviser to Herod Antipas, whom Ana despises), until she encounters eighteen-year-old Jesus and is emboldened and aroused by his revolutionary ideas: “I called him Beloved and he, laughing, called me Little Thunder.” Jesus understands Ana’s longings, her “life begging to be born,” and she loves his kindness, his capacity for listening. Of course, we know how the real-life narrative plays out, but this affecting story gets under the skin as familiar events unfold through Ana’s eyes, as a proto-feminist, as wife of Jesus, as sister of Judas.
A multi-perspective narrative following Aiyanna and a number of other characters. This book also spans time, jumping from Aiyanna in the modern-day and back through history. This book seems to be part sci-fi, part literary fiction. Aiyanna is seeking treatment for a deep depression when she discovers a secret about herself which leads her deep into her family history. Each character we encounter throughout the book teaches us about family, love, understanding and the human condition. These lessons are also imparted on Aiyanna, an insight I’m sure anyone who believes in reincarnation would love, to be able to look into their past lives and experiences to impact the decisions or mistakes they make. The book is separated well, with the name of the character in focus at the top of each chapter. This is an interesting story about time, belief in reincarnation and in some cases the butterfly effect, the idea that one small action or decision can have a knock-on effect, sometimes throughout history.
One trouble-making dog brings together two perfect strangers in this USA Today bestselling romantic comedy full of 'fierce humor and fiercer heart.' (Casey McQuiston, NYT bestselling author of Red, White & Royal Blue) Two years after losing her fiancé, Sloan Monroe still can't seem to get her life back on track. But one trouble-making pup with a 'take me home' look in his eyes is about to change everything. With her new pet by her side, Sloan finally starts to feel more like herself. Then, after weeks of unanswered texts, Tucker's owner reaches out. He's a musician on tour in Australia. And bottom line: He wants Tucker back. Well, Sloan's not about to give up her dog without a fight. But what if this Jason guy really loves Tucker? As their flirty texts turn into long calls, Sloan can't deny a connection. Jason is hot and nice and funny. There's no telling what could happen when they meet in person. The question is: With his music career on the rise, how long will Jason really stick around? And is it possible for Sloan to survive another heartbreak? - USA Today bestseller - Publishers Weekly Starred Review - Publishers Weekly bestseller - Kirkus Starred Review - Booklist Starred Review - BookBub, 20 of the Best Romances Coming Out This Year - The Nerd Daily, Most Anticipated 2020 Titles - Goodreads, 28 of the Hottest Romances of 2020 - Bookpage, Most Anticipated Romance of 2020.
From the author of The White Woman on the Green Bicycle and Archipelago comes what might be Monique Roffey’s most ambitious and accomplished novel yet. It’s a feat of invention – a brilliant interweaving of mermaid myth and the effects of colonial legacies on modern life. The time and place is 1976 in a small fishing village on the island of Black Conch. David is out strumming his guitar, hoping for a catch when he attracts the attention of Aycaycia, a beautiful woman whom jealous wives cursed to live as a mermaid. Some weeks later Aycaycia is caught by American tourists out on a fishing trip. Seen as source of cash, she’s strung up by them, then rescued by David. While in his care, she begins to transform back into a woman. Blending myth and history, magic and reality, this multi-voiced, multi-textured novel (it features journal excerpts and verse) tells a rich tale of love, jealousy and freedom, exposing racism, oppression and gender inequalities through its otherworldly cloak.
