Ask any Bombaywallah about Vishram Society - Tower A of the Vishram Co-operative Housing Society - and you will be told that it is unimpeachably pucca. Despite its location close to the airport, under the flight path of 747s and bordered by slums, it has been pucca for some fifty years. But Bombay has changed in half a century - not least its name - and the world in which Tower A was first built is giving way to a new city; a Mumbai of development and new money; of wealthy Indians returning with fortunes made abroad. When real estate developer Dharmen Shah offers to buy out the residents of Vishram Society, planning to use the site to build a luxury apartment complex, his offer is more than generous. Initially, though, not everyone wants to leave; many of the residents have lived in Vishram for years, many of them are no longer young. But none can benefit from the offer unless all agree to sell. As tensions rise among the once civil neighbours, one by one those who oppose the offer give way to the majority, until only one man stands in Shah's way: Masterji, a retired schoolteacher, once the most respected man in the building. Shah is a dangerous man to refuse, but as the demolition deadline looms, Masterji's neighbours - friends who have become enemies, acquaintances turned co-conspirators - may stop at nothing to score their payday.
'Extraordinary and brilliant... Adiga is a real writer - that is to say, someone who forges an original voice and vision.'
'a kaleidoscopic portrait of a changing Mumbai' Guardian Best Books of 2011
Publication date: 16/06/2011
Publisher: Atlantic Books
|Publication date:||16th June 2011|
|Categories:||Modern & contemporary fiction (post c 1945),|
Aravind Adiga was born in Madras in 1974 and was raised in Australia. He studied at Columbia and Oxford Universities. A former correspondent in India for Time magazine, his articles have also appeared in publications like the Financial Times, the Independent, and the Sunday Times. He lives in Mumbai. The White Tiger is his first novel. Author photo © Mark PringleMore About Aravind Adiga