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Find out moreLeo Tolstoy was born in 1828 at Yasnaya Polyana, province of Tula, the fourth son of Count Nikolay Tolstoy. Between 1856 and 1861 Tolstoy wrote and traveled abroad extensively. He returned with a sense of revulsion for what he considered to be European materialism. In 1859 he started several schools for peasant children at Yasnaya and in 1862 he founded a magazine in which he contended that it was the peasants who should teach the intellectuals, rather than the other way round. Tolstoy's increasingly radical political stance at the end of his life alienated his wife. He frequently dispensed huge sums of money to beggars and drew up a will relinquishing his copyrights. Such behavior led to frequent disputes with his Sofia. Finding it impossible to continue living a comfortable life with his family whilst preaching communism, he left Yasnaya in 1910, with one of his daughters and his doctor, for an unknown destination. He died on the journey and was buried in a simple peasant's grave.
At a glittering society party in St Petersburg in 1805, conversations are dominated by the prospect of war. Terror swiftly engulfs the country as Napoleon's army marches on Russia, and the lives of three young people are changed forever. The stories of quixotic Pierre, cynical Andrey and impetuous Natasha interweave with a huge cast, from aristocrats and peasants to soldiers and Napoleon himself. In War and Peace, Tolstoy entwines grand themes - conflict and love, birth and death, free will and faith - with unforgettable scenes of nineteenth-century Russia, to create a magnificent epic of human life in all its imperfection and grandeur. Anthony Briggs' superb translation combines stirring, accessible prose with fidelity to Tolstoy's original, while Orlando Figes' afterword discusses the novel's vast scope and depiction of Russian identity. This edition also contains appendices, notes, a list of prominent characters and maps.
The lives of Pierre, Prince Andrei and Natasha are changed forever as conflict rages throughout the early nineteenth century. Following the rise and fall of some of society's most influential families, this truthful and poignant epic is as relevant today as ever. This six part adaptation has been written by Bafta-winning author Andrew Davies and will be directed by Tom Harper (Peaky Blinders, The Scouting Book for Boys, Woman in Black: Angel of Death). Accompanied by a stellar cast including Paul Dano (12 years a Slave, Prisoners, There Will be Blood) as the idealistic Pierre, James Norton (Happy Valley, Belle, Grantchester) as the ambitious Prince Andrei and Lily James (Cinderella, Downton Abbey) as the impulsive beauty Natasha. It also features the legendary Jim Broadbent (Moulin Rouge, Harry Potter, Longford), Gillian Anderson (The Fall, The X-Files), Greta Scacchi (White Mischief, Presumed Innocent) and many more.
Anna Karenina is the story of a woman who throws everything away to be with the young soldier she has fallen in love with, recklessly disregarding the consequences of her actions. In the Compact Edition philosophical and political sections have been outlined rather than given in full, some lengthy descriptions have been pruned, including descriptions of society life in Moscow and St Petersburg, but none of the passion, intrigue or momentum is lost
January 2010 Good Housekeeping selection. On My Bookshelf by Wendy Holden... Anna Karenina by Leo Tolstoy is the best in its class – I am a novelist, but for my money the writers of the19th century set the bar for the whole genre. The reason I love it isn’t so much the tragic Anna with ghastly Vronsky, but because of Princess Kitty and Levin. He’s cracked and she’s a bit cosy, but their love affair is just so transportingly romantic. The description of when they meet at the frozen pond, where she is skating and he can’t even look at her because he feels it would be like looking at the sun, gets me every time. It’s because of these two lovers that I’ve never understood the fuss about Jane Austen’s Elizabeth and Mr Darcy.
In the summer of 1886, shortly before his fifty-eighth birthday, Leo Tolstoy was seriously injured while working in the fields of his estate. Bedridden for over two months, Tolstoy began writing a meditation on death and dying that soon developed into a philosophical treatise on life, death, love, and the overcoming of pessimism. Although begun as an account of how one man encounters and laments his death and makes this death his own, the final work, On Life, describes the optimal life in which we can all be happy despite our mortality. After its completion, On Life was suppressed by the tsars, attacked by the hierarchs of the Russian Orthodox Church, and then censored by the Stalinist regime. This critical edition is the first accurate translation of this unsung classic of Russian thought into English, based on a study of manuscript pages of Tolstoy's drafts, and the first scholarly edition of this work in any language. It includes a detailed introduction and annotations, as well as historical material, such as early drafts, documents related to the presentation of an early version at the Moscow Psychological Society, and responses to the work by philosophers, religious leaders, journalists, and ordinary readers of Tolstoy's day.
In the summer of 1886, shortly before his fifty-eighth birthday, Leo Tolstoy was seriously injured while working in the fields of his estate. Bedridden for over two months, Tolstoy began writing a meditation on death and dying that soon developed into a philosophical treatise on life, death, love, and the overcoming of pessimism. Although begun as an account of how one man encounters and laments his death and makes this death his own, the final work, On Life, describes the optimal life in which we can all be happy despite our mortality. After its completion, On Life was suppressed by the tsars, attacked by the hierarchs of the Russian Orthodox Church, and then censored by the Stalinist regime. This critical edition is the first accurate translation of this unsung classic of Russian thought into English, based on a study of manuscript pages of Tolstoy's drafts, and the first scholarly edition of this work in any language. It includes a detailed introduction and annotations, as well as historical material, such as early drafts, documents related to the presentation of an early version at the Moscow Psychological Society, and responses to the work by philosophers, religious leaders, journalists, and ordinary readers of Tolstoy's day.
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