"The mystery of a missing girl, the magic of music, fractured families, friendship, and planet Earth at a critical turning point"
A true storyteller who writes across multiples genres for multiple ages, Marcus Sedgwick has done it again with Wrath – a thrilling, thought-provoking, timely novella about our connections to Earth, and each other.
Set against the backdrop of a lockdown “that seemed to go on for ever…when it seemed the whole world was holding its breath”, Cassie is having a tough time of it. Her wealthy parents run the Green Scotland charity, but don’t have much time for her, and she has a reputation for being “a bit different”. Cassie plays in a band with Fitz, the novel’s narrator, and confides in him that she can hear Earth breathing, making a “slow and deep” humming sound she believes is the Earth’s way of communicating distress.
The relationship between Cassie and Fitz is evoked with much warmth and honesty — she feels he’s betrayed her, he’s anxious to put it right. Then, when Cassie vanishes, exactly as she said she would, it’s Fitz she asks to find her, and it’s Fitz who strives to figure out where she might be.
Significantly, at a pivotal point in the story, we learn that the word “wrath” comes from the Old Norse “hvarf”, which means “turning point” — exactly where we are with the future of our planet.
Infused with mystery and the hum of otherworldly music, and insightful on the effects of lockdown (how “we have lost the urge to go outside”), Wrath presents a poignantly original way of thinking about climate change, and how we relate to each other.
|Primary Genre||Children's & YA Fiction|