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Sons and Lovers

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LoveReading Says

LoveReading Says

Set in Lawrence’s native Nottinghamshire, Sons and Lovers is a highly autobiographical and compelling portrayal of childhood, adolescence and the clash of generations. The marriage of Gertrude and Walter Morel has become a battleground. Repelled by her vulgar, choleric and sometimes violent drinker of a husband, delicate Gertrude devotes her life to her children, especially to her sons, William and Paul - determined they will not follow their father down the coal mines.

Conflict is evitable when Paul seeks to escape his mother's suffocating grasp through relationships with women his own age but he is so emotionally bound to his mother that he has a difficult time of it.

As Philip Larkin is reported to have written, aged 19 “I have been reading ‘Sons and Lovers’ and feel ready to die. If Lawrence had been killed after writing that book he’d still be England’s greatest novelist.” This book will rekindle your love for classic literature or ignite it for the first time if it hasn’t developed yet.

It’s a beautifully tender and engrossing portrayal of familial love, sexual love and romantic love and all of their complexities. I adore it.

Visit our '50 Classics Everyone Should Read' collection to discover more classic titles.

LoveReading

About Sons and Lovers

'A work whose power stands the test of time' Sunday Times Set in 1900s, this is a lushly descriptive and highly autobiographical portrayal of a young man growing up in class-divided Nottingham.Paul Morel is the focus of his disappointed and fiercely protective mother's life. Their tender, devoted and intense bond comes under strain when Paul falls in love with Miriam Leivers, a local girl his mother disapproves of. The arrival of the provocatively modern Clara Dawes causes further tension and Paul is torn between his individual desires and family allegiances. Set in a Nottinghamshire mining town at the turn of the twentieth century, this is a powerful portrayal of family and love in all its forms.WITH AN INTRODUCTION BY RICHARD EYRE

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