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Find out moreDavid Herbert Lawrence was born into a miner’s family in
Eastwood, Nottinghamshire, in 1885, the fourth of five children. He
attended Beauvale Board School and Nottingham High School, and trained
as an elementary schoolteacher at Nottingham University College. He
taught in Croydon from 1908. His first novel, The White Peacock,
was published in 1911, just a few weeks after the death of his mother to
whom he had been extraordinarily close. His career as a schoolteacher
was ended by serious illness at the end of 1911.
In 1912 Lawrence
went to Germany with Frieda Weekley, the German wife of the Professor
of Modern Languages at the University College of Nottingham. They were
married on their return to England in 1914. Lawrence had published Sons and Lovers in 1913; but The Rainbow, completed in 1915, was suppressed, and for three years he could not find a publisher for Women in Love, completed in 1917.
After
the war, Lawrence lived abroad, and sought a more fulfilling mode of
life than he had so far experienced. With Frieda, he lived in Sicily,
Sri Lanka, Australia, New Mexico and Mexico. They returned to Europe in
1925. His last novel, Lady Chatterley’s Lover, was published in
1928 but was banned in England and America. In 1930 he died in Vence, in
the south of France, at the age of forty-four.
Lawrence’s life
may have been short, but he lived it intensely. He also produced an
amazing body of work; novels, stories, poems, plays, essays, travel
books, translations, paintings and letters (over five thousand of which
survive). After his death Frieda wrote that, ‘What he had seen and felt
and known he gave in his writing to his fellow men, the splendour of
living, the hope of more and more life … a heroic and immeasureable
gift.’
This new ABRIDGED AUDIO edition is published in celebration of the 50th anniversary of Penguin's courtcase win of one of the most controversial novels in English literature. Lady Chatterley's Lover is an erotically charged and psychologically powerful depiction of adult relationships. In 1960, Penguin Books were prosecuted when they tried to publish the novel in this its unexpurgated form for the first time. What followed was the most talked-about obscenity trial of the twentieth century, which resulted in a 'not guilty' verdict. Penguin's successful defence of the book's literary merit was a victory of free speech, and made Lawrence's story of the affair between a married woman and her gamekeeper an instant bestseller. Click here to listen to an interview with Maxine Peake, the narrator of this audiobook. Abridged audiobook edition. Read by Maxine Peake.4 CDs Approximate running time: 5 hours This title is also available as an unabridged audiobook. Click here to find out more.
This new UNABRIDGED AUDIO edition is published in celebration of the 50th anniversary of Penguin's courtcase win of one of the most controversial novels in English literature. Lady Chatterley's Lover is an erotically charged and psychologically powerful depiction of adult relationships. In 1960, Penguin Books were prosecuted when they tried to publish the novel in this its unexpurgated form for the first time. What followed was the most talked-about obscenity trial of the twentieth century, which resulted in a 'not guilty' verdict. Penguin's successful defence of the book's literary merit was a victory of free speech, and made Lawrence's story of the affair between a married woman and her gamekeeper an instant bestseller. Click here to listen to an interview with Maxine Peake, the narrator of this audiobook. Unabridged audiobook edition. Read by Maxine Peake. 11 CDs Approximate running time: 12.5 hours This title is also available as an abridged audiobook. Click here to find out more.
A brilliantly varied new selection of D. H. Lawrence's essays, chosen and introduced by Geoff Dyer For D. H. Lawrence the novel was the pinnacle, 'the one bright book of life', yet his non-fiction shows him at his most freewheeling and playful. This is a selection of his essays, on subjects including art, morality, obscenity, songbirds, Italy, Thomas Hardy, the death of a porcupine in the Rocky Mountains and the narcissism of photographing ourselves. Arranged chronologically to illuminate the patterns of Lawrence's thought over time, and including many little-known pieces, they reveal a writer of enduring freshness and force. 'The greatest writer of this century, and in many things the greatest writer of all times' Philip Larkin
Lawrence composed and revised poems from 1905 to 1930, and had collections of poems published from 1913 to 1932. Volume 3 includes his uncollected poems and many early versions; versions in his first two collections, Love Poems and Others and Amores, are published in full. The chronological ordering of uncollected poems and early versions in this volume makes developments in theme and style readily traceable and offers new perspectives on each period of his verse-writing. The perspective offered by the last poems Lawrence wrote in the USA, 'O! Americans!' and 'Change of Life', differs from that of Birds, Beasts and Flowers, for example, and the two last poems that Lawrence composed are prose poems, uncollected in The Last Poems Notebook. All manuscript and notebook verse is freshly transcribed, and all poems are fully annotated and critically edited in this, the fortieth and final volume in The Cambridge Edition of the Works of D. H. Lawrence.
The Trespasser is the second novel written by D. H. Lawrence, published in 1912. Originally it was entitled the Saga of Siegmund and drew upon the experiences of a friend of Lawrence, Helen Corke, and her adulterous relationship with a married man that ended with his suicide.
First published in 1913, "e;Sons and Lovers"e; is D. H. Lawrence's provocative semi-autobiographical novel. The work is based in part on his own family, his mother married a miner like the matriarch of the novel and consequently felt constrained by being relegated to a working class life. The story reflects the struggles of Paul Morel, an artist who cannot reciprocate love for other women while under the influence of his stifling mother. Unconsciously taught to despise his father and eschew other women, Paul comes even further under his mother's psychological grip after the death of his older brother. When he eventually does fall in love, the results of his confused affection and desire are painful for all concerned. What follows is a tragic struggle for Paul between the desire for a normal loving relationship and the innate sense of love and fidelity he feels for his mother. While "e;Sons and Lovers"e;, for its Oedipal allusions and conflict with contemporary views on sexuality, was considered scandalous when first published, it has come to be regarded as one of Lawrence's greatest works, his earliest masterpiece. This edition is printed includes an introduction by Mark Schorer and a biographical afterword.
Lawrence's first novel is a compelling exploration of the interpersonal influences that cause unhappiness in relationships and is based on the lives of three individuals, the lively Lettie and George and Leslie.
The novel tells of the relationships of two sisters, Ursula and Gudrun, who live in a Midland colliery town in the years before the First World War. Ursula falls in love with Birkin (a thinly disguised portrait of Lawrence himself) and Gudrun has an intense but tragic affair with Gerald, the son of a local colliery owner.
According to Wikipedia: "e;David Herbert Richards Lawrence (1885 - 1930) was an English writer of the 20th century, whose prolific and diverse output included novels, short stories, poems, plays, essays, travel books, paintings, translations, literary criticism and personal letters. His collected works represent an extended reflection upon the dehumanizing effects of modernity and industrialisation. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, human sexuality and instinct. Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "e;savage pilgrimage."e; ...E. M. Forster ... describing him as "e;the greatest imaginative novelist of our generation."e;... critic F. R. Leavis championed both his artistic integrity and his moral seriousness..."e;
Classic novel, first published in 1920.According to Wikipedia: "e;David Herbert Richards Lawrence (11 September 1885 - 2 March 1930) was an English novelist, poet, playwright, essayist, literary critic and painter who published as D. H. Lawrence. His collected works represent an extended reflection upon the dehumanising effects of modernity and industrialisation. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, and instinct."e;
According to Wikipedia: "e;David Herbert Richards Lawrence (1885 - 1930) was an English writer of the 20th century, whose prolific and diverse output included novels, short stories, poems, plays, essays, travel books, paintings, translations, literary criticism and personal letters. His collected works represent an extended reflection upon the dehumanizing effects of modernity and industrialisation. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, human sexuality and instinct. Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "e;savage pilgrimage."e; ...E. M. Forster ... describing him as "e;the greatest imaginative novelist of our generation."e;... critic F. R. Leavis championed both his artistic integrity and his moral seriousness..."e;
Classic novel. According to Wikipedia: "e;David Herbert Richards Lawrence (11 September 1885 - 2 March 1930) was an English author, poet, playwright, essayist and literary critic. His collected works represent an extended reflection upon the dehumanizing effects of modernity and industrialization. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, human sexuality and instinct. Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "e;savage pilgrimage."e; At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as, "e;The greatest imaginative novelist of our generation."e; Later, the influential Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the canonical "e;great tradition"e; of the English novel. Lawrence is now generally valued as a visionary thinker and significant representative of modernism in English literature, although some feminists object to the attitudes toward women and sexuality found in his works."e;
This ebook compiles D. H. Lawrence's complete novels, such as "e;Lady Chatterley's Lover"e;, "e;Sons and Lovers"e;, "e;Women in Love"e;, "e;The Rainbow"e; and "e;The Lost Girl"e;. This edition has been professionally formatted and contains several tables of contents. The first table of contents (at the very beginning of the ebook) lists the titles of all novels included in this volume. By clicking on one of those titles you will be redirected to the beginning of that work, where you'll find a new TOC that lists all the chapters and sub-chapters of that specific work.
This ebook compiles D. H. Lawrence's greatest writings, including novels, novellas, short stories and poems such as "e;Lady Chatterley's Lover"e;, "e;Sons and Lovers"e;, "e;Women in Love"e;, "e;The Horse Dealer's Daughter"e;, "e;The Virgin and the Gypsy"e; and "e;Birds, Beasts and Flowers"e;. This edition has been professionally formatted and contains several tables of contents. The first table of contents (at the very beginning of the ebook) lists the titles of all novels included in this volume. By clicking on one of those titles you will be redirected to the beginning of that work, where you'll find a new TOC that lists all the chapters and sub-chapters of that specific work.
"e;Lady Chatterley's Lover"e; is D. H. Lawrence's controversial novel which tells the story of an aristocratic woman, Constance (Lady Chatterley), who has an affair with her estate's gamekeeper when her husband is paralyzed and rendered impotent. Central to the theme of the novel is the need for both physical as well as mental stimulation in order to feel complete as a human being. When the novel was first published publically in its unexpurgated form in 1960, its publishers were famously brought up on obscenity charges for the novel's offensive language and explicit depictions of sexuality. The novel however was cleared of any obscenity charges when the jurors found that it had literary merit and for the first time it was allowed to be published without restriction. It has been argued by critics that it was not the sexual passages which caused so much a stir as it was the frankness in which Lawrence presents the novel's theme of man's search for wholeness in mind and body. For as Lawrence writes, "e;body without mind is brutish; mind without body... is a running away from our double being."e; Presented here is the original unabridged version first published privately in Florence in 1928.
I am not a proper archaeologist nor an anthropologist nor an ethnologist. I am no "e;scholar"e; of any sort. But I am very grateful to scholars for their sound work. I have found hints, suggestions for what I say here in all kinds of scholarly books, from the Yoga and Plato and St. John the Evangel and the early Greek philosophers like Herakleitos down to Fraser and his "e;Golden Bough,"e; and even Freud and Frobenius. Even then I only remember hints--and I proceed by intuition. This leaves you quite free to dismiss the whole wordy mass of revolting nonsense, without a qualm.
Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "e;savage pilgrimage"e;.
The marriage of Gertrude and Walter Morel has become a battleground. Repelled by her uneducated and sometimes violent husband, delicate Gertrude devotes her life to her children, especially to her sons, William and Paul - determined they will not follow their father into working down the coal mines. But conflict is evitable when Paul seeks to escape his mother's suffocating grasp through relationships with women his own age. Set in Lawrence's native Nottinghamshire, Sons and Lovers is a highly autobiographical and compelling portrayal of childhood, adolescence and the clash of generations.
Women in Love begins one blossoming spring day in England and ends with a terrible catastrophe in the snow of the Alps. Ursula and Gudrun are very different sisters who become entangled with two friends, Rupert and Gerald, who live in their hometown. The bonds between the couples quickly become intense and passionate but whether this passion is creative or destructive is unclear.In this astonishing novel, widely considered to be D.H. Lawrence's best work, he explores what it means to be human in an age of conflict and confusion.
David Herbert Lawrence (1885-1930) was an English novelist, poet, playwright, essayist, literary critic and painter. His collected works represent, among other things, an extended reflection upon the dehumanising effects of modernity and industrialisation. Some of the issues Lawrence explores are sexuality, emotional health, vitality, spontaneity, and instinct. Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "e;savage pilgrimage"e;. At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "e;the greatest imaginative novelist of our generation."e; Later, Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the canonical "e;great tradition"e; of the English novel.
"e;Lady Chatterley's Lover"e; is D. H. Lawrence's controversial novel written in 1928, which tells the story of an aristocratic woman, Constance (Lady Chatterley), who has an affair with the estate's gamekeeper when her husband is paralyzed and rendered impotent. Central to the theme of the novel is the need for physical stimulation as well as mental stimulation in order to feel complete as a human being. Due to the offensive language and subject matter of the book a charge of obscenity was brought against it in a famous 1960 trial in the United Kingdom. The novel and Lawrence were cleared of the charges and for the first time the novel was allowed to be published without restriction. Presented here is the original unabridged version first published privately in Florence in 1928.
David Herbert Lawrence (1885-1930) was an English novelist, poet, playwright, essayist, literary critic and painter. His collected works represent, among other things, an extended reflection upon the dehumanising effects of modernity and industrialisation. Some of the issues Lawrence explores are sexuality, emotional health, vitality, spontaneity, and instinct. Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "e;savage pilgrimage"e;. At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "e;the greatest imaginative novelist of our generation."e; Later, Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the canonical "e;great tradition"e; of the English novel.
"e;Lady Chatterley's Lover"e; is D. H. Lawrence's controversial novel written in 1928, which tells the story of an aristocratic woman, Constance (Lady Chatterley), who has an affair with the estate's gamekeeper when her husband is paralyzed and rendered impotent. Central to the theme of the novel is the need for physical stimulation as well as mental stimulation in order to feel complete as a human being. Due to the offensive language and subject matter of the book a charge of obscenity was brought against it in a famous 1960 trial in the United Kingdom. The novel and Lawrence were cleared of the charges and for the first time the novel was allowed to be published without restriction. Presented here is the original unabridged version first published privately in Florence in 1928.
Connie's unhappy marriage to Clifford Chatterley is one scarred by mutual frustration and alienation. Crippled from wartime action, Clifford is confined to a wheelchair, while Connie's solitary, sterile existence is contained within the narrow parameters of the Chatterley ancestral home, Wragby. She seizes her chance at happiness and freedom when she embarks on a passionate affair with the estate's gamekeeper, Mellors, discovering a world of sexual opportunity and pleasure she'd thought lost to her. The explosive passion of Connie and Mellors' relationship - and the searing candour with which it is described - marked a watershed in twentieth-century fiction, garnering Lady Chatterley's Lover a wide and enduring readership and lasting notoriety. The text is taken from the privately published Author's Unabridged Popular Edition of 1930, the last to be supervised in D. H. Lawrence's lifetime. It also includes his witty essay, My Skirmish with Jolly Roger, describing the pirating of this infamous novel. This Macmillan Collector's Library edition of Lady Chatterley's Lover features an afterword by editor and publisher, Anna South. Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.
'Women in Love' is a sequel to 'The Rainbow.' Ursula and Gudrun Brangwen are two sisters living in the Midlands of England in the 1910s. Ursula is a teacher, Gudrun an artist. They meet two men who live nearby, Rupert Birkin and Gerald Crich. The four become friends. Ursula and Birkin become involved and Gudrun eventually begins a love affair with Gerald. All four are deeply concerned with questions of society, politics, and the relationship between men and women. At a party at Gerald's manor house, Gerald's sister, Diana, drowns. Gudrun becomes the teacher and mentor of his youngest sister. Soon Gerald's coal-mine-owning father passes away as well after a drawn-out illness. Birkin asks Ursula to marry him, and she agrees. Gerald and Gudrun's relationship, however, becomes stormy. The four vacation in the Alps. Gudrun begins an intense friendship with Loerke, a physically puny but emotionally commanding artist. Gerald, enraged by Loerke, by Gudrun's abuse and by his own destructive nature, tries to murder Gudrun. In failing, he retreats back over the mountains and falls to his death in the snow.
Sons and Lovers is a 1913 novel by the English writer D. H. Lawrence, originally published by B.W. Huebsch Publishers. The Modern Library placed it ninth on their list of the 100 best novels of the 20th century. While the novel initially received a lukewarm critical reception, along with allegations of obscenity, it is today regarded as a masterpiece by many critics and is often regarded as Lawrence's finest achievement. The refined daughter of a "e;good old burgher family,"e; Gertrude Coppard meets a rough-hewn miner, Walter Morel, at a Christmas dance and falls into a whirlwind romance characterised by physical passion. But soon after her marriage to Walter, she realises the difficulties of living off his meagre salary in a rented house. The couple fight and drift apart and Walter retreats to the pub after work each day. Gradually, Mrs. Morel's affections shift to her sons beginning with the oldest, William. As a boy, William is so attached to his mother that he doesn't enjoy the fair without her. As he grows older, he defends her against his father's occasional violence. Eventually, he leaves their Nottinghamshire home for a job in London, where he begins to rise up into the middle class. He is engaged, but he detests the girl's superficiality. He dies and Mrs. Morel is heartbroken, but when Paul catches pneumonia she rediscovers her love for her second son. Both repulsed by and drawn to his mother, Paul is afraid to leave her but wants to go out on his own, and needs to experience love. Gradually, he falls into a relationship with Miriam, a farmer's daughter who attends his church. The two take long walks and have intellectual conversations about books but Paul resists, in part because his mother disapproves. At Miriam's family's farm, Paul meets Clara Dawes, a young woman with, apparently, feminist sympathies who has separated from her husband, Baxter.
D. H. Lawrence: Sohne und Liebhaber | Fur die eBook-Ausgabe neu editiert, in aktualisierter Rechtschreibung. Mit eBook-Inhaltsverzeichnis und zahlreichen verlinkten Funoten | Ein Motiv, das in diesem grandiosen Werk stets unterschwellig mitschwingt, aber nie ausgesprochen wird, ist der Inzest zwischen Mutter und Sohn. Wenn man die Seelenqualen des Protagonisten Paul Morel im Roman verfolgt, wenn man erfahrt, wie gestort sich sein Verhaltnis zu Frauen gestaltet, wie schwer er sicheren Halt im Leben findet, so erinnert das stark an die Biographien Betroffener, die man heute in wissenschaftlichen Studien findet: Durch das Erleben der Mutter als Sexualpartner, egal ob der Beischlaf vollzogen wurde oder nicht, entsteht eine derart exzessive Bindung, dass andere Beziehungen dagegen chancenlos bleiben und zerbrechen. // Sohne und Liebhaber gilt als bester Roman des kuhnen englischen Literaten D. H. Lawrence.
Nellie March and Jill Banford manage an ailing Berkshire farm at the time of the First World War, a task which is made all the more complicated by the frequent rampages of a local fox through their chicken coop. When a young soldier turns up and begins to interfere with the farm and the lives of the two women, they must find ways to react to this new fox in their midst. A compelling study of the question of power, gender and sexuality, as well as a realistic portrayal of wartime rural England, The Fox showcases Lawrence's inimitable gift for psychological observation and dramatic description.
When D.H. Lawrence wrote The Rainbow and Women in Love he had intended for them to be a single novel. One of the names he was considering was The Sisters. The publisher, however, chose to break the work into two novels. Here are the two novels once again in single form. This novel follows generations of the Brangwen family, focusing on the sexual dynamics of, and relations between, the characters. Lawrence's frank treatment of sexual desire and the power plays within relationships as a natural and even spiritual force of life caused The Rainbow to be prosecuted in an obscenity trial in late 1915, as a result of which all copies were seized and burnt. After this ban it was unavailable in Britain for 11 years.
Take a mining townlet like Woodhouse, with a population of ten thousand people, and three generations behind it. This space of three generations argues a certain well-established society. The old "e;County"e; has fled from the sight of so much disembowelled coal, to flourish on mineral rights in regions still idyllic. Remains one great and inaccessible magnate, the local coal owner: three generations old, and clambering on the bottom step of the "e;County,"e; kicking off the mass below. Rule him out.A well established society in Woodhouse, full of fine shades, ranging from the dark of coal-dust to grit of stone-mason and sawdust of timber-merchant, through the lustre of lard and butter and meat, to the perfume of the chemist and the disinfectant of the doctor, on to the serene gold-tarnish of bank-managers, cashiers for the firm, clergymen and such-like, as far as the automobile refulgence of the general-manager of all the collieries. Here the ne plus ultra. The general manager lives in the shrubberied seclusion of the so-called Manor. The genuine Hall, abandoned by the "e;County,"e; has been taken over as offices by the firm.Here we are then: a vast substratum of colliers; a thick sprinkling of tradespeople intermingled with small employers of labour and diversified by elementary schoolmasters and nonconformist clergy; a higher layer of bank-managers, rich millers and well-to-do ironmasters, episcopal clergy and the managers of collieries, then the rich and sticky cherry of the local coal-owner glistening over all.Such the complicated social system of a small industrial town in the Midlands of England, in this year of grace 1920. But let us go back a little. Such it was in the last calm year of plenty, 1913.A calm year of plenty. But one chronic and dreary malady: that of the odd women. Why, in the name of all prosperity, should every class but the lowest in such a society hang overburdened with Dead Sea fruit of odd women, unmarried, unmarriageable women, called old maids? Why is it that every tradesman, every school-master, every bank-manager, and every clergyman produces one, two, three or more old maids? Do the middle-classes, particularly the lower middle-classes, give birth to more girls than boys? Or do the lower middle-class men assiduously climb up or down, in marriage, thus leaving their true partners stranded? Or are middle-class women very squeamish in their choice of husbands?However it be, it is a tragedy. Or perhaps it is not.
'The Rainbow' by D. H. Lawrence follows three generations of the Brangwen family, focusing on the sexual dynamics of, and relations between, the characters. Lawrence's frank treatment of sexual desire and the power plays within relationships as a natural and even spiritual force of life caused 'The Rainbow' to be prosecuted in an obscenity trial in late 1915, as a result of which all copies were seized and burnt. After this ban it was unavailable in Britain for 11 years.
'Sons and Lovers' tells the story of Paul Morel, a young man and budding artist. The refined daughter of an old family, Gertrude Coppard, meets a rough-hewn miner at a Christmas dance and falls into a whirlwind romance. But soon after her marriage to Walter Morel, she realizes the difficulties of living off his meager salary in a rented house. The couple fight and drift apart and Walter retreats to the pub after work each day. Gradually, Mrs. Morel's affections shift to her sons.
Ursula and Gudrun Brangwen sat one morning in the window-bay of their father's house in Beldover, working and talking. Ursula was stitching a piece of brightly-coloured embroidery, and Gudrun was drawing upon a board which she held on her knee. They were mostly silent, talking as their thoughts strayed through their minds.'Ursula,' said Gudrun, 'don't you REALLY WANT to get married?' Ursula laid her embroidery in her lap and looked up. Her face was calm and considerate.'I don't know,' she replied. 'It depends how you mean.'Gudrun was slightly taken aback. She watched her sister for some moments.'Well,' she said, ironically, 'it usually means one thing! But don't you think anyhow, you'd be-' she darkened slightly-'in a better position than you are in now.'A shadow came over Ursula's face.'I might,' she said. 'But I'm not sure.'Again Gudrun paused, slightly irritated. She wanted to be quite definite.'You don't think one needs the EXPERIENCE of having been married?' she asked.'Do you think it need BE an experience?' replied Ursula.'Bound to be, in some way or other,' said Gudrun, coolly. 'Possibly undesirable, but bound to be an experience of some sort.''Not really,' said Ursula. 'More likely to be the end of experience.'Gudrun sat very still, to attend to this.'Of course,' she said, 'there's THAT to consider.' This brought the conversation to a close. Gudrun, almost angrily, took up her rubber and began to rub out part of her drawing. Ursula stitched absorbedly.'You wouldn't consider a good offer?' asked Gudrun.'I think I've rejected several,' said Ursula.'REALLY!' Gudrun flushed dark-'But anything really worth while? Have you REALLY?''A thousand a year, and an awfully nice man. I liked him awfully,' said Ursula.'Really! But weren't you fearfully tempted?''In the abstract but not in the concrete,' said Ursula. 'When it comes to the point, one isn't even tempted-oh, if I were tempted, I'd marry like a shot. I'm only tempted NOT to.' The faces of both sisters suddenly lit up with amusement.
D. H. Lawrence: Lady Chatterley und ihr Liebhaber. Letzte, unzensierte VersionFur die eBook-Ausgabe neu editiert, in aktualisierter Rechtschreibung und modernisierter Ubersetzung. Mit eBook-Inhaltsverzeichnis und verlinkten FunotenSie hatte gedacht, eine Frau wurde dabei sterben vor Scham. Stattdessen starb die Scham.Mittelengland, 1920: Constance Chatterley, Baronin in Wragby Hall, ist vom Zusammenleben mit ihrem Ehemann Clifford, der durch eine Kriegsverletzung impotent geworden war, frustriert. Da lernt sie Oliver Mellors, den neuen Wildhuter ihres Mannes kennen. Einerseits abgestoen von seiner Respektlosigkeit und Derbheit, andererseits angezogen von seiner vitalen Mannlichkeit, gerat Constance in ein Chaos der Gefuhle. Die Faszination uberwiegt, und sie beginnt eine Affare mit dem Mann, die immer leidenschaftlicher, intimer und zugelloser wird. Constance erlebt korperliche Intensitat, sexuelle Praktiken und eine wollustige Befriedigung, wie sie dies nie fur moglich gehalten hatte. - Kompliziert wird die Geschichte, als sie feststellt, dass sie schwanger ist ... (c) Redaktion CloudShipLady Chatterley und ihr Liebhaber ist ein Klassiker der erotischen Literatur und enthalt zeitlose Wahrheiten uber das Zusammensein von Mann und Frau. Und gleichzeitig ist es ein Skandalbuch erster Gute, das viele Jahre lang in den meisten Landern Europas auf dem Index stand und nur versteckt gehandelt werden konnte.
Lawrence's most famous novel concerns Constance (Lady) Chatterley, a young woman whose husband has been paralysed from the waist down. Sexually frustrated, Constance enters into an affair with gamekeeper Oliver Mellors. The novel's explicit descriptions of sex have made it one of the most controversial books ever published. It wasn't until 1960, in fact, that a fully unexpurgated edition was released in Britain. Its publisher was prosecuted for obscenity, though acquitted the same year.Sayre Street Books offers the world's greatest literature in easy to navigate, beautifully designed digital editions.
The Rainbow chronicles three generations of Midland farmers and the tides of passion and conflict that rule them. Among Lawrence's most accomplished works.Sayre Street Books offers the world's greatest literature in easy to navigate, beautifully designed digital editions.
Mrs. Morel, disillusioned with her own marriage, centers all of her attention on her sons, especially Paul. As he grows older, tensions develop in his relationship with his mother, and his passion for two other women lead to a conflict of love and possessiveness.Sayre Street Books offers the world's greatest literature in easy to navigate, beautifully designed digital editions.
In 'Lady Chatterley's Lover', Lawrence argues for individual regeneration, which can be found only through the relationship between man and woman (and, he asserts sometimes, man and man). Love and personal relationships are the threads that bind this novel together. Lawrence explores a wide range of different types of relationships. The reader sees the brutal, bullying relationship between Mellors and his wife Bertha, who punishes him by preventing his pleasure. There is Tommy Dukes, who has no relationship because he cannot find a woman who he respects intellectually and at the same time finds desirable. There is also the perverse, maternal relationship that ultimately develops between Clifford and Mrs. Bolton after Connie has left. Masterfully written, one of the most important novels of all time. This the original unexpurgated edition.
'So Ursula became the child of her father's heart.' The Rainbow tells the story of three generations of the Brangwen family and their struggles with each other and themselves. Beautiful, strange and with a power all its own, The Rainbow redefined the English novel. A new series of twenty distinctive, unforgettable Penguin Classics in a beautiful new design and pocket-sized format, with coloured jackets echoing Penguin's original covers.
This antiquarian book contains D. H. Lawrence's 1920 novel, "e;The Lost Girl"e;. It tells the story of Alvina Houghton, the daughter of a draper who comes of age as her father's business begins to fail. Her father, in a desperate attempt to regain his wealth and ensure his daughter's correct upbringing, purchases a theatre. Alvina, however, becomes infatuated with a travelling Italian performer called Ciccio, and the two of them flee to Naples to embrace a new life that brings with it freedom, desire, and Avlina's sexual awakening. David Herbert Richards Lawrence (1885 - 1930) was a seminal English novelist, poet, playwright, and essayist - one of the greats of English literature. Many vintage texts such as this are increasingly scarce and expensive, and it is with this in mind that we are republishing this book now, in an affordable, high-quality, modern edition. It comes complete with a specially commissioned biography of the author.
David Herbert Richards Lawrence (11 September 1885 - 2 March 1930) was an English novelist, poet, playwright, essayist, literary critic and painter who published as D. H. Lawrence. His collected works, among other things, represent an extended reflection upon the dehumanising effects of modernity and industrialisation. In them, some of the issues Lawrence explores are emotional health, vitality, spontaneity and instinct. Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile which he called his "e;savage pilgrimage"e;. At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as, "e;The greatest imaginative novelist of our generation"e;. (Excerpt from Wikipedia)
The refined daughter of a "e;good old burgher family,"e; Gertrude Coppard meets a rough-hewn miner at a Christmas dance and falls into a whirlwind romance characterised by physical passion. But soon after her marriage to Walter Morel, she realises the difficulties of living off his meagre salary in a rented house. The couple fight and drift apart and Walter retreats to the pub after work each day. Gradually, Mrs. Morel's affections shift to her sons beginning with the oldest, William. As a boy, William is so attached to his mother that he doesn't enjoy the fair without her. As he grows older, he defends her against his father's occasional violence. Eventually, he leaves their Nottinghamshire home for a job in London, where he begins to rise up into the middle class. He is engaged, but he detests the girl's superficiality. He dies and Mrs. Morel is heartbroken, but when Paul catches pneumonia she rediscovers her love for her second son. (Excerpt from Wikipedia)
Lawrence's most famous novel concerns Constance (Lady) Chatterley, a young woman whose husband has been paralysed from the waist down. Sexually frustrated, Constance enters into an affair with gamekeeper Oliver Mellors. The novel's explicit descriptions of sex have made it one of the most controversial books ever published. It wasn't until 1960, in fact, that a fully unexpurgated edition was released in Britain. Its publisher was prosecuted for obscenity, though acquitted the same year.Sayre Street Books offers the world's greatest literature in easy to navigate, beautifully designed digital editions.
The Rainbow chronicles three generations of Midland farmers and the tides of passion and conflict that rule them. Among Lawrence's most accomplished works.Sayre Street Books offers the world's greatest literature in easy to navigate, beautifully designed digital editions.
Mrs. Morel, disillusioned with her own marriage, centers all of her attention on her sons, especially Paul. As he grows older, tensions develop in his relationship with his mother, and his passion for two other women lead to a conflict of love and possessiveness.Sayre Street Books offers the world's greatest literature in easy to navigate, beautifully designed digital editions.
It's risky work, handlin' men, my lass. For when a woman builds her life on men, either husbands or sons, she builds on summat as sooner or later brings the house down crash on her head - yi, she does. In Husbands and Sons, Ben Power has interwoven three of D. H. Lawrence's greatest dramas, The Daughter-in-Law, A Collier's Friday Night and The Widowing of Mrs Holroyd. Together, they describe the community Lawrence came from with fierce tenderness, evoking a now-vanished world of manual labour and working-class pride. On the cracked border of Derbyshire and Nottinghamshire stands the village of Eastwood. The women of the village, wives and mothers, struggle to hold their families and their own souls together in the shadow of the great Brinsley pit. Husband and Sons by D. H. Lawrence, adapted by Ben Power, premiered at the National Theatre, London, in October 2015 in a co-production with Royal Exchange Theatre.
D.H. Lawrence's controversial classic, The Rainbow, follows the lives and loves of three generations of the Brangwen family, between 1840 and 1905. Their tempestuous relationships are played out against a backdrop of change as they witness the arrival of industrialization - the only constant being their unending attempts to grasp a higher form of existence, symbolized by the persistent, unifying motif of the 'rainbow'. Lawrence's fourth novel, and prequel to Women in Love, is an invigorating, absorbing tale about the undying determination of the human soul.
This is the definitive US Digital Edition of the great modernist's works, with every pre-1923 published novel, short story, piece of travel writing, play and poem written by D.H. Lawrence, which is in the US public domain. Please note: this is the most complete works US customers can obtain for many years, due to copyright restrictions. Once the missing texts enter the public domain, they will be automatically added as a free upgrade for our customers. Features:* illustrated with many images relating to Lawrence, his life and works* annotated with concise introductions to the novels and other works* 7 novels with contents tables* many short stories, with fully working contents table* plays, travel writings and poetry* special alphabetical and chronological contents tables for the poetry* special non-fiction section, including Lawrence's scholarly study of Thomas Hardy - first time in digital printPlease note: Due to US Copyright restrictions, some texts are not available in the US VERSION of this works, including:* the four novels Kangaroo, The Boy in the Bush, The Plumed Serpent, Lady Chatterley's Lover* minor plays, travel writing books and some novellasPlease visit www.delphiclassics.com to browse our other bestselling titlesCONTENTSThe NovelsTHE WHITE PEACOCKTHE TRESPASSERSONS AND LOVERSTHE RAINBOWWOMEN IN LOVETHE LOST GIRLAARON'S RODThe NovellasTHE LADYBIRDTHE FOXTHE CAPTAIN'S DOLLThe Short StoriesLIST OF THE SHORT STORIES IN CHRONOLOGICAL ORDERLIST OF THE SHORT STORIES IN ALPHABETICAL ORDERThe PlaysTHE MARRIED MANTHE FIGHT FOR BARBARADAVIDTHE DAUGHTER-IN-LAWTHE WIDOWING OF MRS HOLROYDA COLLIER'S FRIDAY NIGHTTHE MERRY-GO-ROUNDThe Travel WritingTWILIGHT IN ITALYSEA AND SARDINIAThe Poetry CollectionsD .H. LAWRENCE'S POETRY: A BRIEF INTRODUCTIONLOVE POEMS AND OTHERSAMORESLOOK! WE HAVE COME THROUGH!NEW POEMSBAY: A BOOK OF POEMSThe PoemsLIST OF POEMS IN CHRONOLOGICAL ORDERLIST OF POEMS IN ALPHABETICAL ORDERThe Non-FictionA STUDY OF THOMAS HARDYMOVEMENTS IN EUROPEAN HISTORYPSYCHOANALYSIS AND THE UNCONSCIOUSFANTASIA OF THE UNCONSCIOUSPlease visit www.delphiclassics.com to see our other high quality collections of Complete Works
Renowned author D. H. Lawrence recounts his voyage to Sardinia in this spellbinding travelogue In January of 1921, D.H. Lawrence and his wife, Frieda, set out for unspoiled country: the pristine island of Sardinia. For the following nine days, Lawrence fixes his unflinching gaze upon the Mediterranean island, where ancient ruins collide with the detritus of a modernizing society. Blending mythology with historical fact, his account is both lyrical and shrewdly observed. With a keen awareness of the socio-political climate, Lawrence captures a Sardinia that is both timeless and of the moment. This ebook has been professionally proofread to ensure accuracy and readability on all devices.
This book contains D. H. Lawrence's 1916 travel book, "e;Twilight in Italy"e;. Lawrence's first attempt at travel writing, it contains details about his voyage through Germany, the Alps, and Italy. Although fundamentally a travel book, "e;Twilight in Italy"e; is also a philosophic journey through alien cultures that deals heavily with the author's own personal experiences when confronted with magnificent landscapes and mountains. This book is highly recommended for lovers of interesting travel writing, and it is not to be missed by fans and collectors of Lawrence's work. The chapters of this volume include: "e;The Crucifix Across the Mountains"e;, "e;On The Lago Di Garda"e;, "e;The Spinner and the Monks"e;, "e;The Lemon Gardens"e;, "e;The Theatre"e;, "e;San Gaudenzio"e;, "e;The Dance"e;, "e;John"e;, "e;Italians in Exile"e;, and "e;The Return Journey"e;. David Herbert Richards Lawrence (1885 - 1930) was an English novelist, poet, playwright, literary critic, and painter, famed as the author of "e;Lady Chatterley's Lover"e; and "e;Sons and Lovers"e;. Many vintage texts such as this are increasingly scarce and expensive, and it is with this in mind that we are republishing this book now, in an affordable, high-quality, modern edition. It comes complete with a specially commissioned biography of the author.
This vintage volume contains D. H. Lawrence's seminal 1913 novel, "e;Sons and Lovers"e;. It tells the story of Paul Morel, a young man and budding artist, whose complex relationships with a doting mother, a violent father, and a young female devotee, constitute the main themes of his live. The Modern Library ranked "e;Sons and Lovers"e; ninth on their 'Top 100 Best Novels of the 20th Century'. The novel originally received a lukewarm critical reception, but is today considered a literary masterpiece. This fantastic piece of literature would make for a worthy addition to any bookshelf, and is not to be missed by fans and collectors of Lawrence's work. David Herbert Richards Lawrence (1885 - 1930) was a seminal English novelist, poet, playwright, and essayist. Many vintage texts such as this are increasingly scarce and expensive, and it is with this in mind that we are republishing this book now, in an affordable, high-quality, modern edition. It comes complete with a specially commissioned biography of the author.
This vintage book contains D. H. Lawrence's 1916 collection of verse, "e;Amores: Poems"e;. This fantastic collection of poetry was compiled as Lawrence's literary career started to take off, and is a clear portrayal of his belief that industrial Western civilisation was unnatural. This was due to the championing of intellectual attributes, and the exclusion of natural or physical instincts. He also believed, however, that this form of culture was changing, and that the human race would develop a new awareness of itself and its relationship to nature. The poems of this collection include: "e;Tease"e;, "e;The Wild Common"e;, "e;Study"e;, "e;Discord in Childhood"e;, "e;Virgin Youth"e;, "e;Monologue of a Mother"e;, "e;In a Boat"e;, "e;Week-night Service"e;, "e;Irony"e;, "e;Dreams Old"e;, "e;A Winter's Tale"e;, "e;Epilogue"e;, "e;A Baby Running Barefoot"e;, and many more. Many vintage texts such as this are increasingly scarce and expensive, and it is with this in mind that we are republishing this book now, in an affordable, high-quality, modern edition. It comes complete with a specially commissioned biography of the author.
This volume contains D. H. Lawrence's 1911 play, "e;The Widowing of Mrs. Holroyd"e;. Mrs. Holroyd's husband is a slovenly miser who drinks a lot, associates with prostitutes, and beats her. After a local gentleman makes his amorous feelings for her known, Mrs. Holroyd's prayers are answered - and her husband is killed in a mining accident. This fantastic novel is highly recommended for fans of Lawrence's work, and it is not to be missed by collectors. David Herbert Richards Lawrence (1885 - 1930) was an English novelist, poet, playwright, literary critic, and painter, famed as the author of "e;Lady Chatterley's Lover"e; and "e;Sons and Lovers"e;. Many vintage texts such as this are increasingly scarce and expensive, and it is with this in mind that we are republishing this book now, in an affordable, high-quality, modern edition. It comes complete with a specially commissioned biography of the author.
This vintage book contains D. H. Lawrence's 1922 collection of short stories, entitled "e;England, My England"e;. Written between 1913 and 1921, many of the stories revolve around war and will appeal to those with an interest in related literature. The stories of this collection include: "e;England, My England"e;, "e;Tickets, Please"e;, "e;The Blind Man"e;, "e;Monkey Nuts"e;, "e;Wintry Peacock"e;, "e;You Touched Me"e;, "e;Samson and Delilah"e;, "e;The Primrose Path"e;, "e;The Horse Dealer's Daughter"e;, "e;Fanny and Annie"e;, and more. David Herbert Richards Lawrence (1885 - 1930) was a seminal English novelist, poet, essayist, playwright, and literary critic. Many vintage texts such as this are increasingly scarce and expensive, and it is with this in mind that we are republishing this book now, in an affordable, high-quality, modern edition. It comes complete with a specially commissioned biography of the author.
Anna, Ursula, and Gurdun Brangwen deal with unfulfilling marriages and forbidden desire in this modern classic by D. H. Lawrence.
In 1912, a young D.H. Lawrence left England for the first time and travelled to northern Italy. He spent nearly a year on the shores of Lake Garda, lodged in elegantly decaying houses set amid lemon groves and surrounded by the fading life of traditional Italy. This is a travel book unlike any other, where landscapes and people are backdrops to Lawrence's deeper wanderings - into philosophy, opinion, life, nature, religion and the fate of man. With sensuous descriptions of late harvests, darkening days and fragile ancient traditions, Twilight in Italy is suffused with nostalgia and premonition. For, looming over the idyll of rural Italy hover dark spectres: the arrival of the industrial age and the brewing storm of World War I, upheavals that would change the face of Europe forever.
'But I ran up the broken stairway, and came out suddenly, as if by a miracle, clean on the platform of my San Tommaso, in the tremendous sunshine.' Four personal, sun-drenched sketches of Lawrence's experiences in Italy. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. David Herbert Lawrence (1885-1930). Lawrence's works available in Penguin Classics are Apocalypse, D. H. Lawrence and Italy, The Fox, the Captain's Doll, the Ladybird, Lady Chatterley's Lover, The Prussian Officer and Other Stories, The Rainbow, Sea and Sardinia and Selected Poems.
Originally published in Italy in 1928, and unavailable in Britain until 1960, when it was the subject of an infamous obscenity trial, Lady Chatterley's Lover is now regarded as one of the pivotal novels of the twentieth century. Lawrence's determination to explore every aspect - sexual, social, psychological - of Lady Chatterley's adulterous liaison with the gamekeeper Oliver Mellors makes for a profound meditation on the human condition, the forces of nature and the social constraints that people struggle to overcome. Containing autobiographical elements and set in the author's native Nottinghamshire, Lawrence's final novel had a profound impact on twentieth-century culture and sexual attitudes, while confirming his standing as one of the most eminent fiction writers that England has produced.
Quetzalcoatl was written during Lawrence's first stay in Mexico, in May and June 1923, and registers his initial responses to those aspects of Mexican landscape, religion, politics and culture which would fascinate him over the following two years. On leaving Mexico in July 1923, he described Quetzalcoatl as 'nearly finished', intending to revise it later, but in the event actually rewrote it almost completely, and it was published as The Plumed Serpent in 1926. This is the first scholarly edition of the original manuscripts and typescripts of Quetzalcoatl, and includes a record of all revisions Lawrence made in the course of writing it, detailed explanatory notes and an introduction outlining its compositional history. With the publication of this volume, all Lawrence's novels, in their first, intermediate and final versions, are now available in the Cambridge edition.
Sons and Lovers first published in 1913, the Modern Library placed it ninth on their list of the 100 best novels of the 20th century. While the novel initially incited a lukewarm critical reception, along with allegations of obscenity, it is today regarded as a masterpiece by many critics and is often regarded as Lawrence's finest achievement.
This early work by D. H. Lawrence was originally published in 1925 and we are now republishing it with a brand new introductory biography. St Mawr is a short novel, first published in 1925. The heroine of the story, Lou Witt, leaves her fruitless marriage and a cynical post-First World War England. Her sense of alienation is associated with her encounter with a high-spirited stallion, the St Mawr whose name provides the title for this tale. David Herbert Lawrence was born on 11 September 1885 at Eastwood, a small mining town in the North of England. He was a prolific novelist and poet, responsible for some of the finest modernist works of the twentieth century.
This early work by D.H Lawrence was originally published in 1923 and we are now republishing it with a brand new biography. Set in post-First World War Berkshire, The Fox, like many of D. H. Lawrence's other major works, deals with psychological relationships, in this case, of three protagonists in a triangle of love and hatred. Lacking help from any male laborers, Nellie March and Jill Banford struggle to maintain a marginal livelihood at the Bailey Farm. A fox has raged through the poultry, and although the women-particularly the more masculine Nellie-have tried to shoot the intruder, he seems always to elude traps or gunshot. The fox becomes a hindrance, but March finds she cannot hunt it, and rather, she becomes entranced by it. Shortly after this, Henry, a young man, comes to stay with the women, and a link is established between the fox and Henry. D.H Lawrence is an English author, poet, playwright, essayist and literary critic. His collected works represent an extended reflection upon the dehumanizing effects of modernity and industrialization. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, human sexuality and instinct.
Widely considered to be D. H. Lawrence's finest novel,Women in Loveshows this classic author at his provocative best It is the early twentieth century, and the Brangwen sisters, Gudrun and Ursula, live in a coal-mining town in the Midlands of England. Ursula, a teacher, and Gudrun, an artist, are on a quest for happiness and intellectual fulfillment when they meet Rupert and Gerald. Rupert is decidedly attractive, and Ursula gravitates toward him immediately; Gerald is good looking and wealthy, and his friendship with Gudrun soon becomes something more. The four bond deeply through life's tragedies and joys, and periods of alternating intense passion and strife. They move in and out of one another's minds, lives, and beds in unexpected ways. Suffused with a sense of deep and compelling humanity,Women in Loveis widely considered to be Lawrence's greatest achievementan exploration of love and sexuality in all its varied, beautiful, and devastating forms. This ebook has been professionally proofread to ensure accuracy and readability on all devices.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told. "e;The Lost Girl"e; by David Herbert Lawrence is about the journey of Alvina Houghton, the daughter of a prosperous man in the mining town of Woodhouse, England. After Alvina's plans to move to Australia fail, she joins a theater group, falls in love and moves to Italy where she gets caught up in a sensual and passionate world.
Lady Chatterley's Lover is a novel by D. H. Lawrence. The narrative concerns Lady Chatterley, a young, middle-class married woman whose husband has been paralysed from the waist down after a grievous war injury. On top of the obvious physical problems this caused, he also emotionally neglected his wife, which caused a deep rift between the two. Eventually, this leads to Lady Chatterley's having an affair with her lower-class gamekeeper, which brings to the foreground the major motifs of the play: class dominance, and the inability to live happily with the mind alone. A masterful piece of literature sure to appeal to the discerning reader, Lady Chatterley's Lover is a worthy addition to any bookshelf and is not to be missed by fans or collectors of Lawrence's prolific work. This book was originally published in 1920, and we are proud to republish it here complete with a new prefatory biography of the author.
D. H. Lawrence's best-known late fictions are presented in this volume, which is dominated by two powerful novellas, The Virgin and the Gipsy and The Escaped Cock (also known as The Man Who Died). In the first, a young woman from a restrictive English rectory discovers further dimensions to life through her contact with a gipsy; in the second, an unnamed man - in fact Lawrence's vision of Christ - is resurrected and escapes from his tomb. Both novellas deal with the themes of escape and sexual awakening, which are echoed in the four short stories and three fragments also collected here. This edition restores Lawrence's final texts, before the changes introduced by censorship, mistakes in transmission and various other forms of interference, with variants recorded. The introduction traces the history of the stories, while the notes offer help with allusions, contexts and other points of potential difficulty or interest.
This volume collects together the introductions and reviews for which D. H. Lawrence was responsible over the whole duration of his writing career, from 1911 to 1930: it includes the book review which was the last thing he ever wrote, in the Ad Astra Sanatorium in Vence. The forty-nine separate items include some of his most compelling literary productions: for example, the fascinating Memoir of Maurice Magnus of 1921-2, his only extended piece of biographical writing. The volume's Introduction not only outlines the literary contacts of Lawrence's career which led him to doing such work, but gives a fresh account of the life of a literary professional who regularly wrote in support of work in which he personally believed, and who also (rather surprisingly) wrote reviews of nearly thirty books. All the texts, including a number previously unpublished in Britain, have been edited and are supplied with extensive explanatory notes.
Written in D. H. Lawrence's most productive period, 'Psychoanalysis and the Unconscious' (1921) and 'Fantasia of the Unconscious' (1922) were undertaken initially in response to psychoanalytic criticism of his novel Sons and Lovers. They soon developed more generally to propose an alternative to what Lawrence perceived as the Freudian psychoanalytic theory of the unconscious and the incest motive. The essays also develop his ideas about the upbringing and education of children, about marriage, and about social and even political action. Lawrence described them as 'this pseudo-philosophy of mine which was deduced from the novels and poems, not the reverse. The absolute need one has for some sort of satisfactory mental attitude towards oneself and things in general makes one try to abstract some definite conclusions from one's experiences as a writer and as a man'. These conclusions form an illuminating guide to his works and therein lies their peculiar value.
Studies in Classic American Literature, first published in 1923, provides a cross-section of D. H. Lawrence's writing on American literature, including landmark essays on Benjamin Franklin, James Fenimore Cooper, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville and Walt Whitman. Eight of the essays were first published in the English Review 1918-19; but Lawrence continued to work on his material, with the aim of producing a full-length book; at various times fifteen separate items belonged to it, all of them revised on different occasions, some of them four or five times, and often corrected with the errors of their predecessors preserved. This volume offers the final 1923 version of the text in a newly corrected and uncensored form, and the complete surviving text of the essays of the English Review period, as well as a host of other materials, including four different versions of Lawrence's pioneering essay on Whitman.
This is the first ever edition of the early version of Sons and Lovers, D. H. Lawrence's highly popular autobiographical novel. Amongst all the surviving early drafts of Lawrence's works this is the most different from the final version; as he rewrote, Lawrence discarded many episodes, some of them stories from his childhood not recorded anywhere else. It is less polished than Sons and Lovers, but it is full of powerful, spontaneous, dramatic writing: there is more humour and charm, more raw violence and nervous energy. This volume also contains remarkable documents written by Lawrence's girlfriend Jessie Chambers, the model for Miriam in Paul Morel and in Sons and Lovers, in which she gives Lawrence some hostile criticisms and writes out for him her own versions of some of his episodes. In addition there is a fragment of a novel about his mother's childhood, facsimiles of manuscript pages, maps, and scholarly notes and apparatus.
In his last years D. H. Lawrence often wrote for newspapers; he needed the money, and clearly enjoyed the work. He also wrote several substantial essays during the same period. This meticulously-edited collection brings together major essays such as Pornography and Obscenity and Lawrence's spirited Introduction to the volume of his Paintings; a group of autobiographical pieces, two of which are published here for the first time; and the articles Lawrence wrote at the invitation of newspaper and magazine editors. There are thirty-nine items in total, thirty-five of them deriving from original manuscripts; all were written between 1926 and Lawrence's death in March 1930. They are ordered chronologically according to the date of composition; each is preceded by an account of the circumstances in which it came to be published. The volume is introduced by a substantial survey of Lawrence's career as a writer responding directly to public interests and concerns.
This book is a critical edition of D. H. Lawrence's complete essays about Mexican and Southwestern Indians, both those published in 1927 as Mornings in Mexico, and the other essays Lawrence wrote about them during his American years. The number of essays, therefore, is more than double that of all previous editions. The early version of 'Pan in America' appears here for the first time, as do previously unpublished passages in other essays. The texts are informed by all extant manuscripts, typescripts, and early publications, with a full textual apparatus revealing Lawrence's revisions. The volume includes extensive notes and appendices with information on Mesoamerican mythology and history. Lawrence's interest in and real affection for the region and its peoples went beyond the travel writing genre and these essays hold significance not only for those interested in Lawrence but also in the wider context of the cultures of Mexico and the Southwest.
This volume collects together manuscript and other early versions of thirteen of D. H. Lawrence's short stories, including some of the best-known ('Odour of Chrysanthemums', 'The Blind Man'), as well as many which have never been published before. It includes the earliest stories Lawrence wrote, dating from the autumn of 1907, and stories written between 1911 and 1919. With this volume, all Lawrence's extant short fiction is now published in the Cambridge edition of his works. All the texts are newly edited, with detailed explanatory notes and a full textual apparatus showing the variants between the manuscripts and later versions, and the Introduction gives an account of their compositional history. This edition thus enables readers, scholars and students to trace Lawrence's extraordinary and rapid development as a writer and to compare the original forms of these stories with what he subsequently went on to make of them.
The Selected Novels of D. H. Lawrence contains the best-known and most provocative of the esteemed authors novelsLady Chatterleys Lover, Sons and Lovers, Women in Love, The Rainbow, and The Plumed Serpent.Writing in the period leading up to and following the First World War, D. H. Lawrences work explores the nature of personal and sexual relationships in light of industrialization and the new culture of modernity. Persecuted for his strong opinions, Lawrence spent the second part of his career in an exile he referred to as his savage pilgrimage, while his work continued to be censored and misrepresented. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
John Thomas Raynor is an inspector on the trams and Annie Stone is a conductress. He is good-looking and cocky, and hes been out with all of the conductresses but Annie. She has a sharp tongue, and, she believes, knows his measure. Nonetheless, an exciting evening at a local fair leads to growing intimacy, and when Raynor proves uninterested in more than flirtation, Annies revenge is terrible.Tickets, Please is a short story by D.H. Lawrence set in the English Midlands during the First World War.HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
Scottish officer, Captain Alexander Hepburns involvement in the war has convinced him that human life is of very little value. German aristocrat, Countess Johanna zu Rassenflow, Hannele, is captivated by Hepburn nonetheless, and as they journey together toward their ambiguous conclusion, the dehumanizing effects of war are made clear.Published shortly after the First World War, D. H. Lawrences The Captains Doll,/em> contemplates the lasting effects of the war on those who returned home. The Captains Doll</em> was adapted for television in 1983, starring Jeremy Irons.HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
Touring Mexico, Kate Leslie is at first repelled by its primitive culture and the fervor of the country in the throes of the Mexican Revolution. When she meets Mexican general Don Cipriano, though, everything changes. He and the philosophical Don Ramon introduce Kate to their primeval religious beliefs, and Kate surrenders to a side of herself she did not know was there.The Plumed Serpent was written in author D. H. Lawrences distinctive style, exploring the hidden desires and behaviors present in all of us. The novel was penned while the author was living in New Mexico on what is now the D. H. Lawrence Ranch.HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
A Szerelmes asszonyok Lawrence magyarul megjelent regenyenek, a Szivarvanynak a folytatasa. 1916-ban irodott, de csak 1920-ban jelent meg. A ket szorosan osszefuggo, de onmagaban is befejezett mu kepviseli legmagasabb szinten az ironak azt az atmeneti korszakat, melynek soran a tizenkilencedik szazadi epikus hagyomanyok kovetojebol a huszadik szazadi regeny egyeni modszeru es mondanivaloju uttoroieve lett. A Szerelmes asszonyok kamaramA a hrom nemzedk sorst vgigkvetA Szivrvnyhoz kpest, igazbl ngy fA szereplA je van csak, s a cselekmny ideje is jval rvidebb. Az brzols a szereplA k belsA vilgra sszpontosul; Lawrence romantikus antikapitalista trsadalomkpe itt sem szA kl jelzsekk, de a krnyezet kzvetettebben hatol be a fA szereplA -kvartett vilgba. A regny hA snA i a Brangwen lnyok: a Szivrvnyban is szereplA Ursula s a hga, Gudrun. A regny jrszt kettejk kapcsolatkeressnek trtnete. A kt szerelem - kt plus. Ursula a magban megtallja a teljessget; minden rgi ktttsgbA l kiszakadva j s boldog letet kezd frjvel, Birkinnel. Birkin: maga Lawrence vagy legalbbis nagyon kzel ll hozz. A kpviseli leginkbb az r vilgnzett. Lzas prfta, nmagtl ppannyit kvetel, mint szerelmestA l. Kzdelmesen kibontakoz szerelmk azonban vgl sem elgti ki teljesen, mellette igazi, letre szl frfibartsga is vgyik, hogy az emberi termszet e msik lehetA sgt kiaknzva mlyebben, teljesebben lje t a vilgot. Ez a - vgeredmnyben sikertelen - bartsgvgya Geraldra, Gudrun szerelmesre sszpontosul. Gerald Crich gazdag bnyatulajdonos; nagy becsvggyal veti bele magt az ipari civilizci tkletestsbe, de rjn, hogy amit alkotott, megvalsulvn flslegess teszi alkotjt. A szerelemben keres menedket, de nem sikerl Ursula s Birkin pldjt kvetnie: a lawrence-i szerelem nem lehet kompenzci - a misztikus hit, kitarts s erA teremtheti meg csupn.
A tortenet egy anya-fiu kapcsolatrol szol. A fohos Paul Morel kozvetve probal megszabadulni anyja nyomaszto hatasatol, azaltal, hogy kedveset, Miriamot, Mrs. Morel hasonmasat taszitja el magatol. Valojaban mely szereteten alapul a tragikus tortenet; az anya birtoklasvagya meggatolja Pault abban, hogy teljes kapcsolatot teremtsen fiatal nokkel. Felszabadulasa csak anyja halalaval kovetkezhet be. Lawrence ebben a muveben meg a nagy peldaihoz igazodva mutatja be a banyaszcsalad eletet, belso feszultsegeit. Az iro sok korabbi gondolatat elolegezo, de szelsoseges tulzasokba meg nem eso regeny klasszikus munek tekintheto.
Az angol kritika szinte egyontetuen Lawrence-t ismeri el a XX. szazad legnagyobb angol regenyirojanak. Magyarorszagi nepszerusege eddig novellain es a Szulok es szeretok c. regenyen alapul, hazajaban azonban mind hatarozottabb az a kritikai allaspont, amely Lawrence legertekesebb muveinek a Szivarvany-t es folytatasat, a Szerelmes asszonyok-at tartja. Az 1915-ben keletkezett Szivrvny a Brangwen csald hrom nemzedknek sorst fogja t. A szorgalmas, kiss nehzfejA fiatal gazdlkod Tom Brangwen, beleszeret a nlnl idA sebb, vilgltott, lengyel szrmazs Lydiba. Szerelmk, hzassguk vgletek kztt csapong, kt szlsA sges tpust kpviselik az emberi termszetnek, kapcsolatuk sosem lehet kiegyenslyozott. Lydia lnya, Anna, az A si sztnk vilgba menekl; az anyasgban keresi lete rtelmt, a termkenysgben tall vigaszt. A harmadik rsz hA se Anna legidA sebb lnya, Ursula. Ms fbl faragtk, mint nagyanyjt, anyjt; ms ton indul el. Szabadsgnak, egynisge megvalstsnak programja szomor kudarccal vgzA dik; a regny vgsA vzija azonban mgis perspektvt csillant fel: a stt, komor bnyavidk felett szivrvny jelenik meg. Ursula letrhetetlen vgyai teremtik ezt a harmnia-jelkpet a menthetetlennek ltsz vilgban.
A Szerelmes asszonyok Lawrence magyarul megjelent regenyenek, a Szivarvanynak a folytatasa. 1916-ban irodott, de csak 1920-ban jelent meg. A ket szorosan osszefuggo, de onmagaban is befejezett mu kepviseli legmagasabb szinten az ironak azt az atmeneti korszakat, melynek soran a tizenkilencedik szazadi epikus hagyomanyok kovetojebol a huszadik szazadi regeny egyeni modszeru es mondanivaloju uttoroieve lett. A Szerelmes asszonyok kamaramA a hrom nemzedk sorst vgigkvetA Szivrvnyhoz kpest, igazbl ngy fA szereplA je van csak, s a cselekmny ideje is jval rvidebb. Az brzols a szereplA k belsA vilgra sszpontosul; Lawrence romantikus antikapitalista trsadalomkpe itt sem szA kl jelzsekk, de a krnyezet kzvetettebben hatol be a fA szereplA -kvartett vilgba. A regny hA snA i a Brangwen lnyok: a Szivrvnyban is szereplA Ursula s a hga, Gudrun. A regny jrszt kettejk kapcsolatkeressnek trtnete. A kt szerelem - kt plus. Ursula a magban megtallja a teljessget; minden rgi ktttsgbA l kiszakadva j s boldog letet kezd frjvel, Birkinnel. Birkin: maga Lawrence vagy legalbbis nagyon kzel ll hozz. A kpviseli leginkbb az r vilgnzett. Lzas prfta, nmagtl ppannyit kvetel, mint szerelmestA l. Kzdelmesen kibontakoz szerelmk azonban vgl sem elgti ki teljesen, mellette igazi, letre szl frfibartsga is vgyik, hogy az emberi termszet e msik lehetA sgt kiaknzva mlyebben, teljesebben lje t a vilgot. Ez a - vgeredmnyben sikertelen - bartsgvgya Geraldra, Gudrun szerelmesre sszpontosul. Gerald Crich gazdag bnyatulajdonos; nagy becsvggyal veti bele magt az ipari civilizci tkletestsbe, de rjn, hogy amit alkotott, megvalsulvn flslegess teszi alkotjt. A szerelemben keres menedket, de nem sikerl Ursula s Birkin pldjt kvetnie: a lawrence-i szerelem nem lehet kompenzci - a misztikus hit, kitarts s erA teremtheti meg csupn.
Este ebook presenta "e;El Amante de Lady Chatterley"e;, con un indice dinamico y detallado. Es la obra maestra del erotismo de la Edad Moderna, que fue publicada en 1928; despues conoceria varias censuras de una sociedad que no entendia que la sensualidad era una alternativa para vencer la soledad humana. Constance Chatterley se habia casado con el adinerado sir Clifford en 1917. Pero su marido fue herido fatalmente en la Primera Guerra Mundial y se vio confinado en una silla de ruedas para el resto de sus dias, paralitico e imposibilitado para satisfacer a su mujer. Retirados en su mansion campestre, Constance ve como su vida y su juventud se escapan. Ama a su marido, pero tiene que responder a la pulsion de la naturaleza. Y alli, cerca del bosque, sus sentidos le exigen una reparacion: Oliver Mellors, el callado guardabosques de las tierras de los Chatterley, un hombre fuerte, desinhibido, salvaje y apasionado, se encargara de proporcionar a Constance lo que su marido ya no puede darle. D. H. Lawrence (1885 - 1930), uno de los escritores ms controvertidos de la literatura britnica, es autor de varias novelas de gran xito en las que habla de las relaciones amorosas y la sexualidad como fuente de conocimiento ntimo y personal.
Published in England in 1932, Lady Chatterley's Lover by D.H. Lawrence tells the story of a love affair between a young, married upper class woman and a working class man. Neglected and sexually unfulfilled by her husband, Lady Constance Chatterley discovers a new depth of passion during her affair with Oliver Mellors, a gamekeeper. The book caused enormous controversy upon its publication and the full text was not available in England for some thirty years after a first, censored version appeared. The relationship depicted crossed boundaries of both decency and the rigid class divisions of the day, but also communicated Lawrence's belief that both the body and mind must be acknowledged in order to live a full and happy life.
D.H. Lawrence's third novel and one of his most beloved, Sons and Lovers is considered the author's most autobiographical book, following the life of Paul Morel. Paul is an emerging young artist born to a mother who married for passion and came to regret it. Both Paul and his brother William are in their mother's thrall to the point where they find it difficult to detach and pursue romance for themselves. The depictions of their liaisons resulted in charges of obscenity being leveled against Lawrence. Ultimately, however, Sons and Lovers came to be regarded as a masterpiece and has been adapted for film and television several times.
Like many of D.H. Lawrence's novels, The Rainbow explores an attempt to live a fulfilled life within the strict social and economic confines of the British class system. It tells the story of three generations of the Brangwen family: Tom, Anna, and Ursula each rail against the limitations imposed on their lives, with each generation finding more freedom as industrialisation creeps across England. The character of Ursula, who is seen again in Lawrence's Women in Love, was particularly controversial. Her tumultuous love affairs, including one same sex liaison, resulted in the novel being banned upon publication. When it was made available eleven years later, it was a commercial success despite continued objections about its perceived obscenity.
Women in Love by D.H. Lawrence follows the lives of the Brangwen sisters Ursula and Gudrun, who were introduced in Lawrence's The Rainbow. Both sisters find love, but Gudrun's relationship with coal mine heir Gerald Crich is complicated and difficult. Like much of Lawrence's work, Women in Love faced accusations of indecency upon its publication. However, it has since been praised as a complex examination of the changing relationships between men and women in the 20th century and the role of passion and sexuality in the quest for identity and self.
Este ebook presenta "e;El Amante de Lady Chatterley"e;, con un indice dinamico y detallado. Es la obra maestra del erotismo de la Edad Moderna, que fue publicada en 1928; despues conoceria varias censuras de una sociedad que no entendia que la sensualidad era una alternativa para vencer la soledad humana. Constance Chatterley se habia casado con el adinerado sir Clifford en 1917. Pero su marido fue herido fatalmente en la Primera Guerra Mundial y se vio confinado en una silla de ruedas para el resto de sus dias, paralitico e imposibilitado para satisfacer a su mujer. Retirados en su mansion campestre, Constance ve como su vida y su juventud se escapan. Ama a su marido, pero tiene que responder a la pulsion de la naturaleza. Y alli, cerca del bosque, sus sentidos le exigen una reparacion: Oliver Mellors, el callado guardabosques de las tierras de los Chatterley, un hombre fuerte, desinhibido, salvaje y apasionado, se encargara de proporcionar a Constance lo que su marido ya no puede darle. D. H. Lawrence (1885 - 1930), uno de los escritores ms controvertidos de la literatura britnica, es autor de varias novelas de gran xito en las que habla de las relaciones amorosas y la sexualidad como fuente de conocimiento ntimo y personal.
Sons and Lovers is the critically-acclaimed story of Paul Morel, a second son who must discover his own identity in the shadow of his mothers overwhelming presence and influence. A budding artist, Paul must choose between his responsibility to his mother and his desire to explore the world and fall in love. Faced with the chance for a future with two different women, Paul must decide what he truly wants and whose opinionhis own or his mothersmatters most. Ninth on the Modern Library's list of 100 best novels, Sons and Lovers is widely regarded as D. H. Lawrence's masterpiece. Lawrence's third novel, Sons and Lovers is the most autobiographical of the authors works, reflecting Lawrences own relationship with his mother. Sons and Lovers has been adapted for television and film, including an Academy Award-winning film in 1960. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
Sons and Lovers is D. H. Lawrence's most widely read novel and one of the great works of twentieth-century literature. In 1913, at the time of its first publication, Lawrence reluctantly agreed to the removal of no fewer than eighty passages which until now have never been restored. This edition presents the novel in the form that Lawrence himself wanted - about one tenth longer than the incomplete and expurgated version that has hitherto been available. The introduction of this edition relates much new information about Lawrence's two-year struggle to write his autobiographical masterpiece. The notes document many previously unknown sources, and indicate Lawrence's preoccupation with key contemporary issues such as women's rights, and the impact of evolutionary theory on religion and ethics.
Set during the First World War, The Fox is the story of Banford and March, two women who live and work together on a farm. Unmarried and in their late twenties, the two expect to remain spinsters and thus have settled into a routine life of farm-work. When a wily fox begins to make trouble on their farm, the pair set out to do away with it, but when March comes face-to-face with the fox, she finds she cannot harm it.HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
A wounded German officer, Count Psanek, shares his philosophies on life and love with a local acquaintance, Lady Daphne, while interned in London during the final months of the First World War. Lady Daphne finds herself alternately attracted and repulsed by the Count, and when her husband returns home from the front she finds her feelings toward him are equally ambiguous.For Lawrence, love is never a simple exchange, but something both independently personal and wholly dependent. Rife with symbolism and subtext, "e;The Ladybird"e; is a story that can be read again and again, providing the reader with different experiences and new perspectives each time.HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
Odour of Chrysanthemums is the story of Elizabeth, a young wife and mother waiting for her alcoholic husband, Walter, to return home from what she assumes is another night of drinking. This assumption, along with Elizabeths pre-conceptions about her husband and their relationship are broken down when his body is brought home from the coal mine where he works. In Odour of Chrysanthemums author D. H. Lawrence explores the concept of human isolation and the nature of love and relationships. With the sudden death of her husband Elizabeth is forced to re-examine her opinions and beliefs, shedding light on a marriage she had given up on long before.HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
The Princess chronicles the life of Mary Henrietta Princess Uruqhart, whose life is dependent on the affections and sermons of her mad father. When her father passes away, Princess is forced to navigate adult relationships and her sexuality on her own, but her self-imposed repression begins to manifest destructive consequences.A striking examination of human sexuality and virtue, D. H. Lawrences The Princess uses character development and Lawrences distinctive narrative style to subtly bring to light the intricacies of self-awareness and sexual identity.HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
Members of an upper-class urban family struggling to make ends meet deal with their economic troubles in different wayswhile the matriarch of the family bemoans her lot in life, her son focuses on trying to use luck as way to earn a better life. When the son develops the mysterious ability to predict the winners at the local horse race, he attempts to alleviate his familys troubles with his race-track winnings, but it soon becomes clear that money is just a symptom of larger issues."e;The Rocking Horse Winner"e; is a story about obsession, dissatisfaction and misplaced values. Like many of Lawrences stories it deals with the unfulfilling nature of modern, industrialized life. "e;The Rocking Horse Winner"e; was made into a full-length film starring John Howard Davies in 1949.HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
A dispirited, unnamed woman decides to leave her ordinary and unfulfilling life to ride out into the lands of the Chilchui Indians and get in touch with their spiritual and ancient ways. While her quest brings physical danger, it also becomes a journey of deep self-discovery and self-acceptance.D.H. Lawrences writing often reflects upon the degradation of humanity in a modern, industrialized society. This short story and its main characterwho is presented to the reader without any true identityprovide another powerful commentary by Lawrence on the dehumanizing effects of modern culture.HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
HarperCollins is proud to present its incredible range of best-loved, essential classics. LADY CHATTERLEY'S LOVER was banned on its publication in 1928, creating a storm of controversy. Lawrence tells the story of Constance Chatterley's marriage to Sir Clifford, an aristocratic and an intellectual who is paralyzed from the waist down after the First World War. Desperate for an heir and embarrassed by his inability to satisfy his wife, Clifford suggests that she have an affair. Constance, troubled by her husband's words, finds herself involved in a passionate relationship with their gamekeeper, Oliver Mellors. Lawrence's vitriolic denunciations of industrialism and class division come together in his vivid depiction of the profound emotional and physical connection between a couple otherwise divided by station and society.
This carefully crafted ebook: "e;Lady Chatterley's Lover (The Unexpurgated Edition)"e; is formatted for your eReader with a functional and detailed table of contents. This novel by D. H. Lawrence was first published in 1928 and subsequently banned. Lady Chatterley's Lover is one of the most subversive novels in English Literature. The first edition was printed privately in Florence, Italy, with assistance from Pino Orioli; an unexpurgated edition could not be published openly in the United Kingdom until 1960. (A private edition was issued by Inky Stephensen's Mandrake Press in 1929.) The book soon became notorious for its story of the physical relationship between a working-class man and an upper-class woman, its explicit descriptions of sex, and its use of then-unprintable words. Lady Chatterley's Lover was inspired by the long-standing affair between Frieda, Lawrence's German wife, and an Italian peasant who eventually became her third husband; Lawrence's struggle with sexual impotence; and the circumstances of his and Frieda's courtship and the early years of their marriage.
Emotionally and physically isolated from her disabled husband, Lady Constance Chatterley enters into an affair with the couples gamekeeper, Oliver Mellors. While she finds physical fulfillment and love with Mellors, Constance is nevertheless forced to confront the differences between the upper and lower classes as she chooses between a future in reduced circumstances with Mellors and a life of comfort with her distant husband. Lady Chatterleys Lover explores themes of class difference, social conflict, and intellectual versus physical stimulation. Its explicit sexual content and use of then-unprintable words made the novel the subject of a 1960 British obscenity trial, the non-guilty verdict of which resulted in greater freedom for publishing explicit content. Lady Chatterleys Lover has been adapted for radio, film, theatre and television. HarperPerennialClassics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
A renowned literary figure, D. H. Lawrence pushed the boundaries of early twentieth century literature with his frank discussion of sexuality and womens physical desire.Set against the backdrop of Englands industrial revolution, The Rainbow examines shifting social roles in pre-First World War England through the experiences of three generations of Brangwen womenAnna, Ursula, and Gudrunwho each deal with their own challenges: forbidden sexual desire, unfulfilling marriages and the impossibility of physical love. Ursula and Gundrun Brangwens stories continue in Women in Love, as they meet and develop relationships with Gerald Crich and Rupert Birkin.HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
Lawrence began composing poems in 1905 and published eleven collections of his poetry between 1913 and 1932. This critical edition includes these collections as well as unpublished poetry preserved in his notebooks, freshly transcribed and annotated. A 1916 sequence of war poems, 'All of Us', is published for the first time. Poems and all versions of Lawrence's own prefaces to his collections of verse are in the first volume, while the second volume consists of explanatory notes, textual apparatus and a comprehensive study of the composition, publication and reception of the poetry. These two volumes complete the Cambridge Edition of the Works of D. H. Lawrence, making his complete works now available in authoritative scholarly editions.
In Women In Love, D. H. Lawrence continues the story of Gundrun and Ursula Brangwen, first introduced in The Rainbow. In the course of their daily lives, the sisters meet and develop relationships with Gerald Crich and Rupert Birkin. As affairs between the couples deepen, they all must navigate the changing moral guidelines of post-war English society, while their pursuit of personal and physical fulfillment challenges the social strictures of their parents generation and ends with devastating consequences.Women in Love is the sequel to The Rainbow, D.H. Lawrences first Brangwen family novel. Released to commercial success in 1920, the novel challenged typical depictions of relationships between men and women. Adapted for film in 1960, Women in Love actress Glenda Jackson was awarded an Academy Award for her portrayal of Gudrun Brangwen.HarperPerennialClassics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
Set against the backdrop of Englands industrial revolution, D. H. Lawrences The Rainbow examines shifting social roles in pre-First World War England. Three generations of Brangwen women, Anna, Ursula, and Gudrun, each deal with their own challenges: forbidden sexual desire, unfulfilling marriages and the impossibility of physical love. Despite their station in life, the Brangwen women are able to emerge beyond the conventions of their time and place, challenging English society and emerging with strong convictions of both their selves and their desires.The Rainbow was banned upon publication in 1915, and all copies were subsequently seized and burnt. Upon republication the novel achieved commercial success, shocking readers with its frank discussion of sexuality and womens physical desire. The Rainbow is the first of two Brangwen family novels, whose story is concluded in Women in Love. The Rainbow has been adapted for film and television.HarperPerennialClassics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
The Trespasser, D. H. Lawrence's second novel, foreshadowed the passion of Lady Chatterley's Lover. Helena Verden, a young woman in her late twenties, and Siegmund MacNair, her violin teacher, are in love. But there is more than one obstacle on their road to happiness. Siegmund is a married man with children, and Helena is full of inhibitions. They spend a week together on the Isle of Wight, their passion remaining unrequited. When they return to London, Siegmund faces a deadlock. Tormented by his family's bitter reproaches, he is nonetheless unable to desert them for Helena. His solution to his dilemma turns a woman's longing for love into tragedy. Lawrence based his novel on the true-life experiences of his friend Helen Corke, as revealed in her diaries.
Diese Geschichte einer alle Fesseln der Konvention sprengenden Leidenschaft ist ein klassisches erotisches Meisterwerk und einer der groartigsten Romane des 20. Jahrhunderts.
Sons and Lovers is the critically-acclaimed story of Paul Morel, a second son who must discover his own identity in the shadow of his mothers overwhelming presence and influence. A budding artist, Paul must choose between his responsibility to his mother and his desire to explore the world and fall in love. Faced with the chance for a future with two different women, Paul must decide what he truly wants and whose opinionhis own or his mothersmatters most.HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
Emotionally and physically isolated from her disabled husband, Lady Constance Chatterley enters into an affair with the couples gamekeeper, Oliver Mellors. While she finds physical fulfillment and love with Mellors, Constance is nevertheless forced to confront the differences between the upper and lower classes as she chooses between a future in reduced circumstances with Mellors and a life of comfort with her distant husband. HarperPerennialClassics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
The Penguin English Library Edition of Sons and Lovers by D. H. Lawrence ' She was a brazen hussy. She wasn't. - And she was pretty, wasn't she? I didn't look ... And tell your girls, my son, that when they're running after you, they're not to come and ask your mother for you - tell them that - brazen baggages you meet at dancing classes ' The marriage of Gertrude and Walter Morel has become a battleground. Repelled by her uneducated and sometimes violent husband, delicate Gertrude devotes her life to her children, especially to her sons, William and Paul - determined they will not follow their father into working down the coal mines. But conflict is evitable when Paul seeks to escape his mother's suffocating grasp through relationships with women his own age. Set in Lawrence's native Nottinghamshire, Sons and Lovers is a highly autobiographical and compelling portrayal of childhood, adolescence and the clash of generations. The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.
D. H. Lawrence's fantastic tale of bullfighting, revolution and ancient cults. Kate Leslie, a tourist in Mexico during the Mexican Revolution, meets a Mexican general, Don Cipriano, and his influential landowner friend Don Ramon, who she discovers are attempting to resurrect an ancient cult.
A fantastic collection of 12 short stories from the renowned English novelist, poet, playwright, essayist and literary critic D. H. Lawrence, including the famous 'Odour of Chrysanthemums'.
D. H. Lawrence's classic two-part story, originally published as 'The Escaped Cock', is a re-imagining of the Biblical story of the Resurrection. The author himself described the story in a letter to his friend Earl Brewster thusly:'I wrote a story of the Resurrection, where Jesus gets up and feels very sick bout everything, and can't stand the old crowd any more - so cuts out - and as he heals up, he begins to find what an astonishing place the phenomenal world is, far more marvellous than any salvation or heaven - and thanks his stars he needn't have a mission any more.'
D. H. Lawrence's fascinating novella dealing with the dehumanising effects of war on an English captain.
Seven of the best Lawrence stories, each turning on some facet of sexual feeling, attitude, or convention. "e;The Prussian Officer"e; focuses on an aristocratic captain's homoerotic obsession for his young orderly. "e;The Shadow in the Rose Garden"e; and "e;The White Stocking"e; deal with sexual jealousy. "e;Daughters of the Vicar"e; brilliantly describes two exceedingly class-conscious mating rituals. "e;The Christening,"e; "e;Second Best"e; and "e;Odour of Chrysanthemums"e; etch memorable portraits of a family’s shame at an illegitimate birth, a country courtship, and a brutish marriage abbreviated by death. Note.
D. H. Lawrence's novel Sons and Lovers has been enjoyed by readers around the world for almost a century. A semi-autobiographical work, it follows the story of Paul Morel as he grows up and is urged into the world of romance and sexual discovery by his mother.
D. H. Lawrence's classic novel about the coal mine official Aaron Sisson, who escapes his dreary life in the English Midlands and travels to Italy to try to realise his dream of becoming a professional flautist.
Fourteen classic short stories by the prolific English author, poet, playwright, essayist and literary critic D. H. Lawrence. Contains the stories: Mother and Daughter Her Turn Rawdon's Roof Strike-Pay Things A Modern Lover The Old Adam The Mortal Coil The Blue Moccasins The Witch a la Mode Love Among the Haystacks The Overtone The Princess New Eve and Old Adam
A fantastic collection of ten short stories by eminent English author, poet, playwright, essayist and literary critic D. H. Lawrence. Many of the stories are set against the backdrop of the First World War.Includes the stories: England, My England Tickets, Please The Blind Man Monkey Nuts Wintry Peacock You Touched Me Samson and Delilah The Primrose Path The Horse Dealer's Daughter Fanny And Annie
From one of the 20th century's preeminent novelists and poets comes this passionate tale of romance amid the chaos of modern life. D. H. Lawrence's compelling account of two couples' search for romantic fulfillment is steeped in an edgy eroticism bordering on violence. The literary world reacted with shock upon its 1921 publication: nearly a century later, the novel's psychological penetration continues to captivate readers.Women in Love reintroduces two sisters, Ursula and Gudrun Brangwen, who initially appeared in Lawrence's previous novel, The Rainbow (1915). Ursula's relationship with Rupert Birkin, an introspective and misanthropic school inspector, is contrasted with that of Gudrun and Gerald Crich, an overbearing industrialist. Set in a coal-mining town in the English Midlands, their stories explore the disastrous effects of industrialization on the psyche and suggest that rebirth can be achieved only through emotional intensity.Composed at the height of the author's powers, Women in Love is the novel that Lawrence considered his masterpiece (the characters of Rupert and Ursula are widely regarded as Lawrence's depiction of himself and his wife, Frieda). Rich in symbolism and lyric prose, it offers a complex meditation on the meaning of love in a changing world.
One of the major works of fiction written during the twentieth century, D. H. Lawrence's last novel is an erotic celebration of life. Described by The New York Times as "e;our time's most significant romance,"e; the controversial book was banned, burned, and the subject of a landmark obscenity trial. Printed privately in Florence in 1928, it was not published in Great Britain until 1960, after having long scandalized society with its sexually explicit descriptions of lovemaking, its bold use of four-letter words that were considered vulgar, and a storyline in which the lovers were of different social stations.Lawrence's classic tale of love and discovery pits the paralyzed and callous Clifford Chatterley against two major characters: Constance, his wife — a lonely, indecisive woman trapped in a sterile marriage — and her persuasive lover, Oliver Mellors, the robust and blunt-spoken gamekeeper of her husband's estate. The lyrical tale of their passionate, adulterous love affair has transported generations of readers into a world filled with natural beauty and seething with human emotion. A masterfully written opus, this extraordinary love story is essential reading for any study of twentieth-century literature.
Trapped in a brutish marriage, Mrs Holroyd begins to wish her husband dead when she accepts the advances of another man. Resentment, anger, lust and betrayal ripple out to touch all the family.
"e;Let us hesitate no longer to announce that the sensual passions and mysteries are equally sacred with the spiritual mysteries and passions,"e; wrote D. H. Lawrence in Women in Love, his masterpiece heralding the erotic consciousness of the twentieth century. Lawrence explores love, sex, passion, and marriage through the eyes of two sisters, Gudrun and Ursula Brangwen. Intelligent, incisive, and observant, the two very different sisters pursue thrilling, torrid affairs with their lovers, Rupert and Gerald, while searching for more mature emotional relationships. Against a haunting World War I backdrop of coal mines, factories, and a beleaguered working class, Gudrun and Ursula's temperamental differences spark an ongoing debate regarding their society, their inner lives, and the mysteries between men and women. Exploring what it means to be human in a time of conflict and confusion, Lawrence considered this to be his best novel.
Quetzalcoatl was written during Lawrence's first stay in Mexico, in May and June 1923, and registers his initial responses to those aspects of Mexican landscape, religion, politics and culture which would fascinate him over the following two years. On leaving Mexico in July 1923, he described Quetzalcoatl as 'nearly finished', intending to revise it later, but in the event actually rewrote it almost completely, and it was published as The Plumed Serpent in 1926. This is the first scholarly edition of the original manuscripts and typescripts of Quetzalcoatl, and includes a record of all revisions Lawrence made in the course of writing it, detailed explanatory notes and an introduction outlining its compositional history. With the publication of this volume, all Lawrence's novels, in their first, intermediate and final versions, are now available in the Cambridge edition.
Studies in Classic American Literature [...] is at once a work of cultural criticism, a study and critique of American myths, a meditation on the relationship between the Old World and the New, a new theory of the self, a theory of textuality (and a fearless demonstration of a radical, self-styled form of psycho-social criticism), a theory of art, a history of America, a critique of the Enlightenment and one of the greatest covert autobiographies in world literature (all the writers in the book represent either versions of Lawrence's self or versions of himself he felt he had to liberate). And, of course, it is a bravura interpretation of classic American texts, one of the most innovative and penetrating critical performances of modern times. -from Jon Thompson's Introduction.
Birds, Beasts and Flowers (1923) was the volume that Lawrence himself described as his best collection of poetry. Composed in various locations during his exile-in Italy, France, Germany and the United States-this long collection occupies a crucial place in the development of his poetry and is that most unusual of creations: a masterpiece of modernist nature writing. This version offers the full text of the first British edition (which included the poems from the short 'Tortoises' volume, unlike the US edition).
Lawrence ...describes the poems [in this first collection of his unrhymed poems] as intended as an essential story, or history, or confession , the critical experience occurring in the period of, roughly, the sixth lustre of a man's life -that is, from the age of 25 to 30. His Argument emphasizes the dramatic nature of the sequence. He speaks of the protagonist and of the conflict of love and hate [that] goes on between the man and the woman, and between these two and the world around them, till it reaches some sort of conclusion, they transcend into some condition of blessedness . Foreword and Argument complement each other: Look! is both a personal confession and a drama. In both respects, it is closely related to the three novels which belong to the same period, 1912-1917. (From Jeremy Hooker's Introduction)
'Connie was aware, however, of a growing restlessness...It thrilled inside her body, in her womb, somewhere, till she felt she must jump into water and swim to get away from it; a mad restlessness. It made her heart beat violently for no reason...' Lady Constance Chatterley is trapped in a loveless marriage to a man who is impotent. Oppressed by her dreary life, she is drawn to Mellors the gamekeeper. Breaking out against the constraints of society she yields to her instinctive desire for him and discovers the transforming power of physical love which leads them both towards fulfilment. Banned for many years for its frank depiction of sex, Lady Chatterley's Lover was first published by Penguin in 1960 and was at the centre of a sensational obscenity trial at the Old Bailey. D. H. Lawrence himself called it 'the most improper novel in the world'.
Contemporary / British English These stories paint colourful pictures of life in Britain and America in the past. We meet some unusual people. There's the dreamy boy who wakes up one day to find a bird making a nest in his hair! And there's the man who tries to catch a ghost. This Pack contains a Book and MP3
Widely regarded as D.H. Lawrence's masterpiece, Sons and Lovers is a sprawling, multi-generational look at family relationships, class dynamics, and the intimate ties with others that pull young adults toward independence. This largely autobiographical novel made Lawrence's reputation as a writer -- it's a must read for fans of classic literary fiction.
For a sophisticated and titillating read, dip into The Lost Girl by famed British novelist D.H. Lawrence, known for producing such masterworks as The Rainbow and Women in Love. This award-winning novel is a journey of discovery, following protagonist Alvina Houghton as she experiences a series of devastating personal losses and seeks to find an ideal romantic partner, against the express wishes of her parents. The Lost Girl highlights Lawrence's keen insight into human behavior, and it's a must-read for fans of classic twentieth-century literature.
For a sophisticated and titillating read, dip into The Lost Girl by famed British novelist D.H. Lawrence, known for producing such masterworks as The Rainbow and Women in Love. This award-winning novel is a journey of discovery, following protagonist Alvina Houghton as she experiences a series of devastating personal losses and seeks to find an ideal romantic partner, against the express wishes of her parents. The Lost Girl highlights Lawrence's keen insight into human behavior, and it's a must-read for fans of classic twentieth-century literature.
Widely regarded as D.H. Lawrence's masterpiece, Sons and Lovers is a sprawling, multi-generational look at family relationships, class dynamics, and the intimate ties with others that pull young adults toward independence. This largely autobiographical novel made Lawrence's reputation as a writer -- it's a must read for fans of classic literary fiction.
This new UNABRIDGED AUDIO edition is published in celebration of the 50th anniversary of Penguin's courtcase win of one of the most controversial novels in English literature. Lady Chatterley's Lover is an erotically charged and psychologically powerful depiction of adult relationships. In 1960, Penguin Books were prosecuted when they tried to publish the novel in this its unexpurgated form for the first time. What followed was the most talked-about obscenity trial of the twentieth century, which resulted in a 'not guilty' verdict. Penguin's successful defence of the book's literary merit was a victory of free speech, and made Lawrence's story of the affair between a married woman and her gamekeeper an instant bestseller. Click here to listen to an interview with Maxine Peake, the narrator of this audiobook. Unabridged audiobook edition. Read by Maxine Peake. 11 CDs Approximate running time: 12.5 hours This title is also available as an abridged audiobook. Click here to find out more.
WITH AN INTRODUCTION BY RICHARD EYRE Paul Morel is the focus of his disappointed and fiercely protective mother's life. Their tender, devoted and intense bond comes under strain when Paul falls in love with Miriam Leivers, a local girl his mother disapproves of. The arrival of the provocatively modern Clara Dawes causes further tension and Paul is torn between his individual desires and family allegiances. Set in a Nottinghamshire mining town at the turn of the twentieth century, this is a powerful portrayal of family and love in all its forms.
This title is presented with an introduction by Rachel Cusk. Set between the 1840s and the early years of the twentieth century, The Rainbow tells the story of three generations of the Brangwen family, ancient occupiers of Marsh Farm, Nottinghamshire. Through courting, pregnancy, marriage and defiance Lawrence explores love and the conflicts it brings.
The Delphi Poets Series offers readers the works of literature's finest poets, with superior formatting. This volume presents the complete poetical works of D. H. Lawrence, with beautiful illustrations and the usual Delphi bonus material. (Version 1)* Beautifully illustrated with images relating to Lawrence's life and works* Brief introduction to Lawrence's poetry* Images of how the poetry books were first printed, giving your eReader a taste of the original texts* Excellent formatting of the poems* Special chronological and alphabetical contents tables for the poetry* Easily locate the poems you want to read* Features the biography written by the poet's beloved wife Frieda - discover Lawrence's literary life* Scholarly ordering of texts into chronological order and literary genresPlease visit www.delphiclassics.com to browse through our range of poetry titles or buy the entire Delphi Poets Series as a Super SetCONTENTS:The Poetry CollectionsD .H. LAWRENCE'S POETRY: A BRIEF INTRODUCTIONLOVE POEMS AND OTHERSAMORESLOOK! WE HAVE COME THROUGH!NEW POEMSBAY: A BOOK OF POEMSBIRDS BEASTS AND FLOWERSIMAGIST POETRYPANSIESNETTLESLAST POEMSMORE PANSIESThe PoemsLIST OF POEMS IN CHRONOLOGICAL ORDERLIST OF POEMS IN ALPHABETICAL ORDERThe BiographyNOT I, BUT THE WIND... by Frieda LawrencePlease visit www.delphiclassics.com to browse through our range of poetry titles or buy the entire Delphi Poets Series as a Super Set
The perfect gift for Valentine's Day WITH AN INTRODUCTION BY BLAKE MORRISON Clifford Chatterley returns from the First World War as an invalid. Constance nurses him and tries to be the dutiful wife. However, childless and listless she feels oppressed by their marriage and their isolated life. Partly encouraged by Clifford to seek a lover, she embarks on a passionate affair with the gamekeeper, Mellors. Through their liaison Lawrence explores the complications of sex, love and class. Written in 1928 and subsequently banned, Lady Chatterley's Lover is one of the most subversive novels in English Literature.
Delve into the mysteries of the human mind in this spellbinding tale from D.H. Lawrence, the masterful author responsible for beloved novels such as Sons and Lovers and Women in Love. Leaving behind the sensual fare for which he is best known, Lawrence focuses in this story on the conflict that emerges between an aristocratic officer and his subordinate. "e;The Prussian Officer"e; packs the psychodrama and complexity of Dostoyevsky's Crime and Punishment into a concise and compelling tale.
Delve into the mysteries of the human mind in this spellbinding tale from D.H. Lawrence, the masterful author responsible for beloved novels such as Sons and Lovers and Women in Love. Leaving behind the sensual fare for which he is best known, Lawrence focuses in this story on the conflict that emerges between an aristocratic officer and his subordinate. "e;The Prussian Officer"e; packs the psychodrama and complexity of Dostoyevsky's Crime and Punishment into a concise and compelling tale.
In Aaron's Rod, literary master D.H. Lawrence spins an engaging picaresque tale of the talented English amateur flutist Aaron Sisson and his travels. Aaron escapes a life of drudgery and a loveless marriage and journeys to Italy, crossing paths with a writer who many critics regard as an autobiographical stand-in for Lawrence himself along the way.
The works of British author D.H. Lawrence were often considered to be shocking because of their frank treatment of subjects such as sexuality and desire, and novels such as Sons and Lovers, Women in Love and Lady Chatterley's Lover were often censored or confiscated due to their graphic content. The Rainbow, another of Lawrence's best-known novels, certainly doesn't shy away from its depiction of human intimacy in all of its forms.
The works of British author D.H. Lawrence were often considered to be shocking because of their frank treatment of subjects such as sexuality and desire, and novels such as Sons and Lovers, Women in Love and Lady Chatterley's Lover were often censored or confiscated due to their graphic content. The Rainbow, another of Lawrence's best-known novels, certainly doesn't shy away from its depiction of human intimacy in all of its forms.
In Aaron's Rod, literary master D.H. Lawrence spins an engaging picaresque tale of the talented English amateur flutist Aaron Sisson and his travels. Aaron escapes a life of drudgery and a loveless marriage and journeys to Italy, crossing paths with a writer who many critics regard as an autobiographical stand-in for Lawrence himself along the way.
HarperCollins is proud to present its new range of best-loved, essential classics. 'There was one place in the world that stood solid and did not melt into unreality: the place where his mother was. Everybody else could grow shadowy, almost non-existent to him, but she could not.' In his quest to find his emotional and independent self, Paul Morel is torn between the strong, Oedipal bond he has with his mother and the relationships he forges as a young adult, with chaste Miriam and the provocative Clara. As Paul matures and struggles with his own and his mother's feelings towards the other women in his life, Lawrence expertly crafts a timeless and universal story of family, love and the relationships that define us.
Lady Chatterley's upper-class husband has been rendered paralyzed and impotent. She crosses class and gender boundaries when she takes her gamekeeper as a lover. The novel remained unpublished for thirty years in the UK because of its explicit discussion of sexuality.
Dive into a provocative coming-of-age story that challenged the vestiges of England's Edwardian-era sexual mores. A continuation of a fictional arc that D.H. Lawrence began in a previous novel, The Rainbow, Women in Love explores the romantic entanglements and love affairs of the sisters Ursula and Gudrun Brangwen.
Lady Chatterley's upper-class husband has been rendered paralyzed and impotent. She crosses class and gender boundaries when she takes her gamekeeper as a lover. The novel remained unpublished for thirty years in the UK because of its explicit discussion of sexuality.
Dive into a provocative coming-of-age story that challenged the vestiges of England's Edwardian-era sexual mores. A continuation of a fictional arc that D.H. Lawrence began in a previous novel, The Rainbow, Women in Love explores the romantic entanglements and love affairs of the sisters Ursula and Gudrun Brangwen.
Lawrence's first major novel was also the first in the English language to explore ordinary working-class life from the inside. No writer before or since has written so well about the intimacies enforced by a tightly-knit mining community and by a family where feelings are never hidden for long. When the marriage between Walter Morel and his sensitive, high-minded wife begins to break down, the bitterness of their frustration seeps into their children's lives. Their second son, Paul, craves the warmth of family and community, but knows that he must sacrifice everything in the struggle for independence if he is not to repeat his parents' failure. Lawrence's powerful description of Paul's single-minded efforts to define himself sexually and emotionally through relationships with two women - the innocent, old-fashioned Miriam Leivers and the experienced, provocatively modern Clara Dawes - makes this a novel as much for the beginning of the twenty-first century as it was for the beginning of the twentieth. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design. Constance Chatterley feels trapped in her sexless marriage to the invalid Sir Clifford. Unable to fulfil his wife emotionally or physically, Clifford encourages her to have a liaison with a man of their own class. But Connie is attracted instead to her husband's gamekeeper and embarks on a passionate affair that brings new life to her stifled existence. Can she find a true equality with Mellors, despite the vast gulf between their positions in society? One of the most controversial novels in English literature, Lady Chatterley's Lover is an erotically charged and psychologically powerful depiction of adult relationships.
Much of D.H. Lawrence's life was defined by his passion for travel and it was those peripatetic wanderings that gave life to some of his greatest novels. In the 1920s, Lawrence travelled several times to Mexico, where he was fascinated by the clash of beauty and brutality, purity and darkness that he observed there. The diverse and evocative essays that make up Mornings in Mexico - Market Day , Dance of the Sprouting Corn , The Hopi Snake Dance - bring to life the elemental simplicity of the Zapotec Indians in Mexico, the intense, dark rhythms of the Indians in the American South West and are brightly adorned with simple and evocative details sharply observed: piles of fruit in a village market, strolls in a courtyard filled with hibiscus and roses, the play of light on an adobe wall. It was during his time in Mexico that Lawrence re-wrote The Plumed Serpent , which is infused with his own experiences there. The spirited eloquence and beauty of the essays in Mornings in Mexico thus illuminate the inspiration behind of one of Lawrence's most loved works and immerse the reader in a portrait of the country like no other.
English author and literary critic D. H. Lawrence writes in Fantasia of the Unconscious: I am not a proper archaeologist nor an anthropologist nor an ethnologist. I am no "e;scholar"e; of any sort. But I am very grateful to scholars for their sound work. I have found hints, suggestions for what I say here in all kinds of scholarly books, from the Yoga and Plato and St. John the Evangel and the early Greek philosophers like Herakleitos down to Fraser and his "e;Golden Bough,"e; and even Freud and Frobenius. Even then I only remember hints - and I proceed by intuition. This leaves you quite free to dismiss the whole wordy mass of revolting nonsense, without a qualm. Only let me say, that to my mind there is a great field of science which is as yet quite closed to us. I refer to the science which proceeds in terms of life and is established on data of living experience and of sure intuition. Call it subjective science if you like. Our objective science of modern knowledge concerns itself only with phenomena, and with phenomena as regarded in their cause-and-effect relationship. I have nothing to say against our science. It is perfect as far as it goes. But to regard it as exhausting the whole scope of human possibility in knowledge seems to me just puerile. Our science is a science of the dead world. Even biology never considers life, but only mechanistic functioning and apparatus of life.
English author and literary critic D. H. Lawrence writes in Fantasia of the Unconscious: I am not a proper archaeologist nor an anthropologist nor an ethnologist. I am no "e;scholar"e; of any sort. But I am very grateful to scholars for their sound work. I have found hints, suggestions for what I say here in all kinds of scholarly books, from the Yoga and Plato and St. John the Evangel and the early Greek philosophers like Herakleitos down to Fraser and his "e;Golden Bough,"e; and even Freud and Frobenius. Even then I only remember hints - and I proceed by intuition. This leaves you quite free to dismiss the whole wordy mass of revolting nonsense, without a qualm. Only let me say, that to my mind there is a great field of science which is as yet quite closed to us. I refer to the science which proceeds in terms of life and is established on data of living experience and of sure intuition. Call it subjective science if you like. Our objective science of modern knowledge concerns itself only with phenomena, and with phenomena as regarded in their cause-and-effect relationship. I have nothing to say against our science. It is perfect as far as it goes. But to regard it as exhausting the whole scope of human possibility in knowledge seems to me just puerile. Our science is a science of the dead world. Even biology never considers life, but only mechanistic functioning and apparatus of life.
This book is a critical edition of D. H. Lawrence's complete essays about Mexican and Southwestern Indians, both those published in 1927 as Mornings in Mexico, and the other essays Lawrence wrote about them during his American years. The number of essays, therefore, is more than double that of all previous editions. The early version of 'Pan in America' appears here for the first time, as do previously unpublished passages in other essays. The texts are informed by all extant manuscripts, typescripts, and early publications, with a full textual apparatus revealing Lawrence's revisions. The volume includes extensive notes and appendices with information on Mesoamerican mythology and history. Lawrence's interest in and real affection for the region and its peoples went beyond the travel writing genre and these essays hold significance not only for those interested in Lawrence but also in the wider context of the cultures of Mexico and the Southwest.
This volume collects together manuscript and other early versions of thirteen of D. H. Lawrence's short stories, including some of the best-known ('Odour of Chrysanthemums', 'The Blind Man'), as well as many which have never been published before. It includes the earliest stories Lawrence wrote, dating from the autumn of 1907, and stories written between 1911 and 1919. With this volume, all Lawrence's extant short fiction is now published in the Cambridge edition of his works. All the texts are newly edited, with detailed explanatory notes and a full textual apparatus showing the variants between the manuscripts and later versions, and the Introduction gives an account of their compositional history. This edition thus enables readers, scholars and students to trace Lawrence's extraordinary and rapid development as a writer and to compare the original forms of these stories with what he subsequently went on to make of them.
`New eyes were opened in her soul. She saw a strange creature from another world, in him. It was as if she were enchanted, and everything were metamorphosed.' In Women in Love (1920), Ursula and Gudrun Brangwen, who first appeared in Lawrence's earlier novel, The Rainbow, take centre stage as Lawrence explores their growth and development in their relationships with two powerful men, Rupert Birkin and his friend Gerald Crich. A novel of regeneration and dark, destructive human passion, Women in Love reflects the impact on Lawrence of the First World War in the potential both for annihilation and salvation of the self. Quintessentially modernist, Women is Love is one of Lawrence's most extraordinary, innovative and unsettling works. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
To be oneself was a supreme, gleaming triumph of infinity This is the insight that flashes upon Ursula as she struggles to assert her individuality and to stand separate from her family and her surroundings on the brink of womanhood and the modern world. In The Rainbow (1915) Lawrence challenged the customary limitations of language and convention to carry into the structure of his prose the fascination with boundaries and space that characterize the entire novel. Condemned and suppressed on its first publication for its open treatment of sexuality and its `unpatriotic' spirit, the novel chronicles the lives of three generations of the Brangwen family over a period of more than 60 years, setting them against the emergence of modern England. The central figure of ursula becomes the focus of Lawrence's examination of relationships and the conflicts they bring, and the inextricable mingling of the physical and the spiritual. Suffused with biblical imagery, The Rainbow addresses searching human issues in a setting of precise and vivid detail. In her introduction to this edition Kate Flint illuminates Lawrence's aims and achievements against the background of the burgeoning century. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
WITH AN INTRODUCTION BY HOWARD JACOBSON Women in Love begins one blossoming spring day in England and ends with a terrible catastrophe in the snow of the Alps. Ursula and Gudrun are very different sisters who become entangled with two friends, Rupert and Gerald, who live in their hometown. The bonds between the couples quickly become intense and passionate but whether this passion is creative or destructive is unclear.In this astonishing novel, widely considered to be D.H. Lawrence's best work, he explores what it means to be human in an age of conflict and confusion.
Contemporary / British English These stories paint colourful pictures of life in Britain and America in the past. We meet some unusual people. There's the dreamy boy who wakes up one day to find a bird making a nest in his hair! And there's the man who tries to catch a ghost.
Widely regarded as D. H. Lawrence's greatest novel, Women in Love is both a lucid account of English society before the First World War, and a brilliant evocation of the inexorable power of human desire. This Penguin Classics edition includes a new introduction by Amit Chaudhuri. Women in Love continues where The Rainbow left off, with the third generation of Brangwens: Ursula Brangwen, now a teacher at Beldover, a mining town in the Midlands, and her sister Gudrun, who has returned from art school in London. The focus of the novel is primarily on their relationships, Ursula's with Rupert Birkin, a school inspector, and Gudrun's with industrialist Gerald Crich, and later with a sculptor, Loerke. Quintessentially modernist, Women is Love is one of Lawrence's most extraordinary, innovative and unsettling works. In his introduction Amit Chaudhuri discusses Lawrence's style and imagery. This introduction also includes a chronology of Lawrence's life and work, further reading, notes and appendices containing the original foreword to Women in Love, a fragment of 'The Sisters', 'Prologue' and 'Wedding' chapters from an earlier draft, a map and discussion of the setting and people involved. D.H. Lawrence (1885-1930), English novelist, storywriter, critic, poet and painter, one of the greatest figures in 20th-century English literature. Lawrence published Sons and Lovers in 1913, but The Rainbow, completed in 1915, was declared obscene and banned two months after first publication; and for three years he could not find a publisher for Women in Love, which he completed in 1917. His last novel, Lady Chatterley's Lover, was published in 1928, but banned in England and America. If you enjoyed Women in Love, you might like Virginia Woolf's Night and Day, also available in Penguin Classics. 'His genius was for instant perception and vivid, passionate expression' The Times 'His masterpiece ... Lawrence compels us to admit that we live less finely than we should' New York Review of Books
Lawrence was one of the great short story writers of the 20th century. This new collection of ten stories shows the variety of Lawrence's achievement. the works develop from early realism towards myth and fairy tale, murder and ghost stories.
With its frank portrayal of human passion and sexual desire, D.H. Lawrence's The Rainbow was banned as 'obscene' in Britain shortly after first publication. This Penguin Classics edition is edited with an introduction by James Wood. Set in the rural Midlands, The Rainbow chronicles the lives of three generations of the Brangwen family over a period of more than 60 years, setting them against the emergence of modern England. When Tom Brangwen marries a Polish widow, Lydia Lensky, and adopts her daughter Anna as his own, he is unprepared for the conflict and passion that erupts between them. All are seeking individual fulfilment, but it is Ursula, Anne's spirited daughter, who in her search for self-knowedge, becomes the focus of Lawrence's examination of relationships and the conflicts they bring, and the inextricable mingling of the physical and the spiritual. Suffused with Biblical imagery, The Rainbow addresses searching human issues in a setting of precise and vivid detail. In his introduction James Wood discusses Lawrence's writing style and the tensions and themes of The Rainbow. This Penguin edition reproduces the Cambridge text, which provides a text as close as possible to Lawrence's original. It also includes suggested further reading, a fragment of 'The Sisters II' from his first draft, and chronologies of Lawrence's life and of The Rainbow's Brangwen family. D.H. Lawrence (1885-1930), English novelist, storywriter, critic, poet and painter, one of the greatest figures in 20th-century English literature. Lawrence published Sons and Lovers in 1913, but The Rainbow, completed in 1915, was declared obscene and banned two months after first publication; and for three years he could not find a publisher for Women in Love, which he completed in 1917. His last novel, Lady Chatterley's Lover, was published in 1928, but banned in England and America. If you enjoyed The Rainbow, you might like Lawrence's Women in Love, also available in Penguin Classics. 'A brave and important book, passionate and wildly ambitious' Independent on Sunday
In these impressions of the Italian countryside, Lawrence transforms ordinary incidents into passages of intense beauty. Twilight in Italy is a vibrant account of Lawrence's stay among the people of Lake Garda, whose decaying lemon gardens bear witness to the twilight of a way of life centuries old. In Sea and Sardina, Lawrence brings to life the vigorous spontaneity of a society as yet untouched by the deadening effect of industrialization. And Etruscan Places is a beautiful and delicate work of literary art, the record of a dying man drinking from the founts of a civilization dedicated to life.
The three works collected in this volume, all written in 1924, explore the profound effects on protagonists who embark on psychological voyages of liberation. In St Mawr, Lou Witt buys a beautiful, untamable bay stallion and discovers an intense affinity with the horse that she cannot feel with her husband. This superb novella displays Lawrence's mastery of satirical comedy in a scathing depiction of London's fashionable horse riding set. 'The Princess' portrays the intimacy between an aloof woman and her male guide as she travels through New Mexico in search of new experiences, while in 'The Woman who Rode Away' a woman's religious quest in Mexico brings great danger - and astonishing self-discovery.
Banned and vindicated, condemned and lauded, Lady Chatterley's Lover is D.H. Lawrence's seminal novel of illicit passion and forbidden desire. This Penguin Classics edition is edited with notes by Michael Squires and an introduction by Doris Lessing. Lady Constance Chatterley feels trapped in her sexless marriage to the Sir Clifford. Paralysed in the First World War, Sir Clifford is unable to fulfil his wife emotionally or physically, and encourages her instead to have a liaison with a man of their own class. But Connie is attracted instead to Oliver Mellors, her husband's gamekeeper, with whom she embarks on a passionate affair that brings new life to her stifled existence. Can she find true love with Mellors, despite the vast gulf between their positions in society? One of the most controversial novels in English literature, Lady Chatterley's Lover is an erotically charged and psychologically powerful depiction of adult relationships. In her introduction Doris Lessing discusses the influence of Lawrence's sexual politics, his relationship with his wife Frieda and his attitude towards the First World War. Using the complete and restored text of the Cambridge edition, this volume includes a new chronology and further reading by Paul Poplawski and notes by Michael Squires. D.H. Lawrence (1885-1930), novelist, storywriter, critic, poet and painter, was one of the greatest figures in 20th-century English literature. Lawrence published Sons and Lovers in 1913, but The Rainbow, completed in 1915, was declared obscene and banned two months after first publication; and for three years he could not find a publisher for Women in Love, which he completed in 1917. His last novel, Lady Chatterley's Lover, was published in 1928, but banned in England and America. If you enjoyed Lady Chatterley's Lover, you might like Gustave Flaubert's Madame Bovary, also available in Penguin Classics. 'A brave and important book, passionate and wildly ambitious' Independent on Sunday 'A masterpiece' Guardian
These three novellas display D. H. Lawrence's brilliant and insightful evocation of human relationships - both tender and cruel - and the devastating results of war. In The Fox, two young women living on a small farm during the First World War find their solitary life interrupted. As a fox preys on their poultry, a human predator has the women in his sights. The Captain's Doll explores the complex relationship between a German countess and a married Scottish soldier in occupied Germany, while in The Ladybird a wounded prisoner of war has a disturbing influence on the Englishwoman who visits him in hospital.
Taking its autobiographical inspiration from D.H. Lawrence's experience of growing up in a coal-mining town, Sons and Lovers is a vivid account of the conflict between class, family and personal desires. This Penguin Classics edition is edited by Helen Baron and Carl Baron, with an introduction by Blake Morrison, author of When did you Last See your Father? The marriage of Gertrude and Walter Morel has become a battleground. Repelled by her uneducated and violent husband, delicate Gertrude devotes her life to her children, especially to her sons, William and Paul - determined they will not follow their father into working down the coal mines. But conflict is evitable when Paul seeks to escape his mother's suffocating grasp through relationships with women his own age. Set in Lawrence's native Nottinghamshire, Sons and Lovers is a highly autobiographical and compelling portrayal of childhood, adolescence and the clash of generations. In his introduction, Blake Morrison discusses the novel's place in Lawrence's life and his depiction of the mother-son relationship, sex and politics. Using the complete and restored text of the Cambridge edition, this volume includes a new chronology and further reading by Paul Poplawski. D.H. Lawrence (1885-1930), English novelist, storywriter, critic, poet and painter, one of the greatest figures in 20th-century English literature. Lawrence published Sons and Lovers in 1913, but The Rainbow, completed in 1915, was declared obscene and banned two months after first publication; and for three years he could not find a publisher for Women in Love, which he completed in 1917. His last novel, Lady Chatterley's Lover, was published in 1928, but banned in England and America. If you enjoyed Sons and Lovers, you might like Lawrence's The Rainbow, also available in Penguin Classics. 'Lawrence's masterpiece ... a revelation' Anthony Burgess, author of A Clockwork Orange 'His genius was for instant perception and vivid, passionate expression' The Times
This selection of Lawrence's work underlines the intensity and innovation that made him one of the most distinctive and important of twentieth-century writers. Sons and Lovers - semi-autobiographical, is a powerful exploration of family, class, sexuality and the suffocating relationships of a man with a demanding mother and two very different lovers. Women in Love - perhaps Lawrence's most mature novel, was met with disgust by the critics, seeing only a sorry tale of sexual depravity in the love of the sisters, Ursula and Gudrun, for Rupert and Gerald. Lady Chatterley's Lover - Lawrence's novel, written in poetic and sexually explicit language, deals with the passionate relationship between Lady Constance Chatterley and Oliver Mellors, her emotionally and physically crippled husband's forthright and powerfully masculine gamekeeper. A watershed in twentieth-century literary fiction, its sensational content has earned the novel an enduring readership and notoriety. Other stories featured in this volume include The Captain's Doll, The Fox, The Ladybird, St Mawr, The Princess, The Virgin and the Gypsy and The Escaped Cock.
D. H. Lawrence's best-known late fictions are presented in this volume, which is dominated by two powerful novellas, The Virgin and the Gipsy and The Escaped Cock (also known as The Man Who Died). In the first, a young woman from a restrictive English rectory discovers further dimensions to life through her contact with a gipsy; in the second, an unnamed man - in fact Lawrence's vision of Christ - is resurrected and escapes from his tomb. Both novellas deal with the themes of escape and sexual awakening, which are echoed in the four short stories and three fragments also collected here. This edition restores Lawrence's final texts, before the changes introduced by censorship, mistakes in transmission and various other forms of interference, with variants recorded. The introduction traces the history of the stories, while the notes offer help with allusions, contexts and other points of potential difficulty or interest.
Perhaps D. H. Lawrence's most beautiful, thoroughly contemporary love story, The Lost Girl charts the journey of a woman caught between two worlds and two lives: one mired in convention in industrial England, the other promising sensual liberation in the vibrant landscape of Italy. Alvina Houghton, the daughter of a widowed Midlands draper, comes of age just as her father's business is failing. In a desperate attempt to regain his fortune and secure his daughter's proper upbringing, James Houghton buys a theater. Among the traveling performers he employs is Naples-born Cicio, a vaudeville dancer who draws Alvina into a dance of seduction, awakening her desire as she defies her stifling upper-class life for a fleeting chance at freedom.
Notes and Introduction by David Ellis, University of Kent at Canterbury. With its four-letter words and its explicit descriptions of sexual intercourse, Lady Chatterley's Lover is the novel with which D.H. Lawrence is most often associated. First published privately in Florence in 1928, it only became a world-wide best-seller after Penguin Books had successfully resisted an attempt by the British Director of Public Prosecutions to prevent them offering an unexpurgated edition. The famous 'Lady Chatterley trial' heralded the sexual revolution of the coming decades and signalled the defeat of Establishment prudery. Yet Lawrence himself was hardly a liberationist and the conservativism of many aspects of his novel would later lay it open to attacks from the political avant-garde and from feminists. The story of how the wife of Sir Clifford Chatterley responds when her husband returns from the war paralysed from the waist down, and of the tender love which then develops between her and her husband's gamekeeper, is a complex one open to a variety of conflicting interpretations. This edition of the novel offers an occasion for a new generation of readers to discover what all the fuss was about; to appraise Lawrence's bitter indictment of modern industrial society, and to ask themselves what lessons there might be for the 21st century in his intense exploration of the complicated relations between love and sex.
This volume collects together the introductions and reviews for which D. H. Lawrence was responsible over the whole duration of his writing career, from 1911 to 1930: it includes the book review which was the last thing he ever wrote, in the Ad Astra Sanatorium in Vence. The forty-nine separate items include some of his most compelling literary productions: for example, the fascinating Memoir of Maurice Magnus of 1921-2, his only extended piece of biographical writing. The volume's Introduction not only outlines the literary contacts of Lawrence's career which led him to doing such work, but gives a fresh account of the life of a literary professional who regularly wrote in support of work in which he personally believed, and who also (rather surprisingly) wrote reviews of nearly thirty books. All the texts, including a number previously unpublished in Britain, have been edited and are supplied with extensive explanatory notes.
Written in D. H. Lawrence's most productive period, 'Psychoanalysis and the Unconscious' (1921) and 'Fantasia of the Unconscious' (1922) were undertaken initially in response to psychoanalytic criticism of his novel Sons and Lovers. They soon developed more generally to propose an alternative to what Lawrence perceived as the Freudian psychoanalytic theory of the unconscious and the incest motive. The essays also develop his ideas about the upbringing and education of children, about marriage, and about social and even political action. Lawrence described them as 'this pseudo-philosophy of mine which was deduced from the novels and poems, not the reverse. The absolute need one has for some sort of satisfactory mental attitude towards oneself and things in general makes one try to abstract some definite conclusions from one's experiences as a writer and as a man'. These conclusions form an illuminating guide to his works and therein lies their peculiar value.
In his last years D. H. Lawrence often wrote for newspapers; he needed the money, and clearly enjoyed the work. He also wrote several substantial essays during the same period. This meticulously-edited collection brings together major essays such as Pornography and Obscenity and Lawrence's spirited Introduction to the volume of his Paintings; a group of autobiographical pieces, two of which are published here for the first time; and the articles Lawrence wrote at the invitation of newspaper and magazine editors. There are thirty-nine items in total, thirty-five of them deriving from original manuscripts; all were written between 1926 and Lawrence's death in March 1930. They are ordered chronologically according to the date of composition; each is preceded by an account of the circumstances in which it came to be published. The volume is introduced by a substantial survey of Lawrence's career as a writer responding directly to public interests and concerns.
This is the first ever edition of the early version of Sons and Lovers, D. H. Lawrence's highly popular autobiographical novel. Amongst all the surviving early drafts of Lawrence's works this is the most different from the final version; as he rewrote, Lawrence discarded many episodes, some of them stories from his childhood not recorded anywhere else. It is less polished than Sons and Lovers, but it is full of powerful, spontaneous, dramatic writing: there is more humour and charm, more raw violence and nervous energy. This volume also contains remarkable documents written by Lawrence's girlfriend Jessie Chambers, the model for Miriam in Paul Morel and in Sons and Lovers, in which she gives Lawrence some hostile criticisms and writes out for him her own versions of some of his episodes. In addition there is a fragment of a novel about his mother's childhood, facsimiles of manuscript pages, maps, and scholarly notes and apparatus.
The Cambridge Edition of the Letters of D. H. Lawrence contain, in eight volumes, accurate annotated texts of the complete letters of one of the twentieth century's most significant writers. The letters, which span the years from 1901 to 1930 and which concern public and political events of the time, as well as Lawrence's own life and writing, are accompanied by full introductions and explanatory notes, with information on Lawrence and his many correspondents. The volumes are well illustrated and volume 8 contains a General Index to the letters in the edition.
A unique opportunity to obtain the Cambridge edition of the complete novels of D. H. Lawrence at a special set price. The set includes: Sons and Lovers, The Rainbow, Women in Love, Lady Chatterley's Lover, Kangaroo, The Plumed Serpent, The White Peacock, The Trespasser, The Lost Girl, Aaron's Rod and Mr Noon.
This volume, covering three years from March 1924 to March 1927, comprises over 890 letters, of which about 350 are previously unpublished. In 1924 Lawrence is again in the USA. He and Frieda, with his disciple the Honourable Dorothy Brett, return to Taos, New Mexico where Frieda soon becomes the owner of a ranch, Kiowa. The tensions among them contribute to Lawrence's falling dangerously ill. He recovers at Kiowa; he and Frieda go to England and Germany in Autumn 1925; they then settle in Italy, where - except for his final visit the next summer to the Midlands - they remain. After leaving the USA he writes short and long stories with European settings, book reviews, and the first two versions of Lady Chatterley's Lover. It is a productive period, but Lawrence's health becomes a serious concern. The volume provides annotation identifying persons and allusions, and includes a biographical introduction.
D. H. Lawrence expected The Rainbow to have 'a bit of a fight' before it was accepted, but 'The fight will have to be made, that is all'. It was suppressed, just over a month after publication, in November 1915. The American publisher would make thirteen further cuts and 'dribble out' the book quietly. In 1930 the British government would again consider suppressing a new printing of The Rainbow. Professor Mark Kinkead-Weekes gives the composition history and collates the surviving states of the text to assess the damage done to Lawrence's novel, and to provide a text as close to that which the author wrote as is now possible. The final manuscript, revisions in the typescript and the first edition are recorded in full in the textual apparatus so the reader can follow the novel's development and evaluate what outside interference may have done to it. Also included are explanatory notes to historical references and allusions, and an interior chronology of the book itself.
This first complete edition of Lawrence's plays contains eight full-length plays and two fragments. Six of the plays - A Collier's Friday Night, The Widowing of Mrs Holroyd, The Merry-go-Round, The Married Man, The Fight for Barbara and The Daughter-in-Law - were written between 1909 and 1913, the period when Lawrence was establishing himself as a writer. They are arguably among his very best early work. Yet Lawrence never saw a play of his own on the stage. Only two were performed in his lifetime, and only three were published: the play often regarded as his best, The Daughter-in-Law, remaining unpublished until 1965. Up to now, the plays have existed only in faulty or incomplete texts; this edition, drawn from Lawrence's own surviving manuscripts and typescripts, makes it possible for the first time to read and to stage Lawrence's plays as he wrote them. Published in two volumes.
Studies in Classic American Literature, first published in 1923, provides a cross-section of D. H. Lawrence's writing on American literature, including landmark essays on Benjamin Franklin, James Fenimore Cooper, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville and Walt Whitman. Eight of the essays were first published in the English Review 1918-19; but Lawrence continued to work on his material, with the aim of producing a full-length book; at various times fifteen separate items belonged to it, all of them revised on different occasions, some of them four or five times, and often corrected with the errors of their predecessors preserved. This volume offers the final 1923 version of the text in a newly corrected and uncensored form, and the complete surviving text of the essays of the English Review period, as well as a host of other materials, including four different versions of Lawrence's pioneering essay on Whitman.
This final volume of The Letters of D. H. Lawrence has a threefold purpose. The first is to publish 148 letters to or from Lawrence, and two from Frieda Lawrence, which came to light too late to be entered in their correct chronological positions in earlier volumes. The second is to correct errors in the first seven volumes and offer additional annotation which clarifies some obscurities as well as enhancing our response to the letters. And the third is to provide a comprehensive critical index to the entire edition. The index includes not only specific persons and places but also general topics from Animals and Architecture to War and Youth, via such subjects as Insects, Literary Agents, Religion and Sexuality. The Cambridge Edition of Lawrence's letters has been described by one reviewer as creating itself 'a major new literary work'. This volume brings that work to a fitting conclusion.
This volume contains 942 letters written between October 1916 to June 1921. These letters show the frustration he experienced in finding a publisher for Women in Love in the wake of the Rainbow prosecution. Concurrently he began to write the essays which subsequently formed Studies in Classical American Literature, he also planned and wrote a school textbook, Movements in European History. There were important changes in his business affairs: the beginning of his association with the American publisher Thomas Seltzer and the change from the literary agent Pinker to Mountsier in New York and Curtis Brown in London. There is a particularly interesting correspondence with Compton Mackenzie, and the rupture of his old friendship with Middleton Murry and Katherine Mansfield. This period was a turning point, the beginning of his break with England and with Europe, before he made his journey to Ceylon and Australia en route for the USA. Published in two volumes.
Volume I of the Letters, edited by James T. Boulton, gives the first 580 letters in the series, covering the period September 1901 to May 1913. This is the time of Lawrence's youth in Eastwood, his first year out of England - in Italy with Frieda - to the publication of Sons and Lovers. There are letters to his early loves, Jessie Chambers, Louie Burrows and Helen Corke. He writes The White Peacock, The Trespasser, Sons and Lovers, the early stories and poems. He is welcomed into the literary world by editors such as Ford and Garnett; he meets Pound and other writers; he reads widely. His mother dies; he grows away from the younger women; he meets Frieda and elopes with her. Professor Boulton's discreet annotation conceals an enormous labour of patient detection. There are over thirty photographs of his friends and correspondents and a newly discovered portrait miniature of Lawrence.
How is a woman ever to have a husband when the men all belong to their mothers? During the miner's strike of 1912, newly-married Minnie discovers her husband Luther has made another woman pregnant. The drama reaches boiling point as Minnie struggles to reclaim her husband - not only from her rival but also from his formidable mother. Best known as a great novelist, Lawrence was also a remarkable playwright, heir to and equal of Strindberg and Chekhov. His passionate belief in the power of intimacy and sexuality rings out in his finest play, one of the most memorable of the 20th century. The Daughter in Law opens at the Young Vic Theatre, London, directed by David Lan in September 2002.
This volume contains Lawrence's letters written between March 1927 and November 1928: almost 770 letters in just a year and nine months. The letters cover the period of Lawrence's Etruscan tour in the spring of 1927 as preparation for the writing of Sketches of Etruscan Places; the performance of his play, David, in London in May, and - above all - the writing, typing, private publication, promotion and immediate consequences of Lady Chatterley's Lover. He makes new acquaintances with writers and publishers in Europe (Max Mohr, Hans Carossa, Harry and Caresse Crosby); renews friendships which will stand him in good stead in times of poor health (the Huxleys, Aldington, the Brewsters); and rediscovers the bonds of family and old Eastwood friends. The volume provides annotation identifying persons and allusions, and includes a biographical introduction, illustrations, a full chronology and index.
The thirteen short stories in this volume were written between 1924 and 1928, and are set in Europe and America. Eleven were collected in The Woman Who Rode Away (1928), though 'The Man Who Loved Islands' appeared in the American edition only and the other two in The Lovely Lady (1933). An unpublished fragment 'A Pure Witch' is also included here. The stories reflect Lawrence's experiences in New Mexico, Mexico, Italy, Germany and England in the post-war period. Many were considerably revised by Lawrence after he first wrote them; some were completely rewritten and subsequently published in different versions. The editors give composition histories and discuss publication difficulties, including Compton Mackenzie's objections to 'The Man Who Loved Islands'. Appendices record manuscript revisions for three stories and give complete, unpublished early versions of four. Explanatory notes elucidate literary allusions and give topographical and biographical information.
Sketches of Etruscan Places contains seven essays D. H. Lawrence wrote in 1927 after visiting several Etruscan cities in central Italy. Six were published posthumously in 1932 as Etruscan Places; 'The Florence Museum' is published for the first time here. Some appeared in magazines in Lawrence's lifetime, but he expressed a wish that they be published in a volume with the photographs he had collected; in fact, only twenty of the forty-five illustrations here reproduced with Lawrence's own captions were included in 1932. Eight essays about Florence and the Tuscan countryside form the second part of this volume. The texts have been established by checking manuscripts, typescripts, proofs and periodical and book publications. The introduction gives the genesis, publication, textual history and reception of the essays.
This volume contains almost all of the letters D. H. Lawrence wrote in the last fifteen months of his life: 763 letters, the majority previously unpublished. Despite his failing strength, Lawrence was in constant communication with publishers and agents. He continued to write frequently to his sisters and friends. There is no new fiction for Lawrence to discuss, but there are paintings, poems, the major essays Pornography and Obscenity and A Propos of 'Lady Chatterley's Lover', articles, and his last work Apocalypse. The most dramatic episodes of these months were the seizure of the Pansies manuscript, and the police raid on an exhibition of Lawrence's paintings and the subsequent trial. The subject of his illness becomes ominously more prominent, and Lawrence apologises for letters which lack his customary vitality. The volume includes an introduction, maps, illustrations, chronology and index; full notes identify persons and explain Lawrence's allusions.
D. H. Lawrence wrote his last novel, Lady Chatterley's Lover, three times in 1926-7, and it is the third version that has become famous. The three versions are in fact three different novels, varying greatly in length, a significant number of episodes, and even some of the main characters. This 1999 book contains a critical edition of the two early versions of the novel: the first in some ways the most realistic and spontaneous version, the second the longest and to many readers and critics the most successful version. The text is printed from its manuscript source, including numerous, sometimes extensive deletions and variations from the first printed editions. An introduction traces the genesis of the novel and gives an account of its publication and reception. There are also notes, explaining literary, historical and geographical names and allusions, and particular problems of manuscript transmission.
Volume II of the Letters presents more than 700 letters, covering the period from June 1913 to October 1916, from the enthusiastic reception of Sons and Lovers to the completion of the first manuscript of Women in Love. Lawrence visits England in June 1913 and receives recognition as the author of Sons and Lovers. He returns to Italy in the autumn of 1913 to work on his new novel 'The Sisters', which subsequently becomes The Rainbow and Women in Love. Lawrence and Frieda return to England in June 1914 to be married and are caught there by the War. The letters vividly record his reaction to the War. The editors' introduction considers the initial widening scope of Lawrence's literary life with his later isolation in Cornwall. Over two hundred letters are previously unpublished and others are printed for the first time in their entirety.
This volume contains 848 letters from the period June 1921 to March 1924. Lawrence decides to leave the old world - 'my heart - and my soul are broken in Europe' - to live in Taos, New Mexico. This period is characterised by the travelling he and Frieda do, from Australia to New York, via Mexico, back to England and finally to New York again. Lawrence's writings of the period reflect his restlessness. The action of Aaron's Rod shifts from a coal-mining town in England to Florence and Kangaroo conveys Lawrence's perceptions of Australia. By 1924, Lawrence is returning to Taos to write his Mexican novel, 'Quetzacoatl', published as The Plumed Serpent. His difficulties with agents and publishers continue to appear in the letters. New correspondences are started with Australians, including Mollie Skinner, the co-author of The Boy in the Bush, and Americans, such as Mabel Luhan, Idella Purnell and Witter Bynner.
Apocalypse is D. H. Lawrence's last book, written during the winter of 1929-30 when he was dying. It is a radical criticism of our civilisation and a statement of Lawrence's unwavering belief in man's power to create 'a new heaven and a new earth'. Ranging over the entire system of his thought on God and man, on religion, art, psychology and politics, this book is Lawrence's final attempt to convey his vision of man and the universe. Apocalypse was published after Lawrence's death, and in a highly inaccurate text. This edition is the first to reproduce accurately Lawrence's final corrected text on the basis of a thorough examination of the surviving manuscript and typescript. In the introduction the editor has discussed the writing of Apocalypse and its place in Lawrence's works, its publication and reception, and the significance of Lawrence's other writings on the Book of Revelation.
The First 'Women in Love' is one of Lawrence's greatest works, and is the only full length work of fiction which he completed between The Rainbow and the extensively revised Women in Love. It is a piece of fiction generated in the England, and the Europe, of the First World War. Publishers were alarmed by the fate of his previous novel The Rainbow and The First 'Women in Love' was rejected by every publisher who saw it. As a result it is a novel whose very existence as an independent text has been ignored, and which has not been published until now. The First 'Women in Love' shares much of its material with Women in Love, but its central relationships are dissimilar, and the ending radically different.
The Widowing of Mrs. Holroyd, written immediately after Sons and Lovers, is one of D. H. Lawrence's most significant early works. The play, Lawrence's first, is the alter ego of the story Odour of Chrysanthemums and, like the short story, deals with a catastrophe in the lives of a coal mining family. Drawing upon the intensity of events that unfold in the miner's kitchen, the play explores a marriage bowed under the weight of a husband's drinking and infidelity and peers into the strange, burgeoning relationship between the neglected wife, Mrs. Holroyd, and the young electrician in whom she seeks emotional refuge. First published in 1914, The Widowing of Mrs. Holroyd is a bare tracing of the ways in which a marriage has gone wrong.
D. H. Lawrence left England for the first time in May 1912, and began almost immediately to record his reactions to foreign cultures. He wrote a series of travel articles intended for newspapers, two of which are published here for the first time after having been rejected as too anti-German in the tense pre-war atmosphere. In 1915 he amplified some of these essays and wrote others for Twilight in Italy (1916), his first travel book. Profoundly charged by the disorienting anxieties of the War, these essays evince a confidence and intellectual daring which take them well beyond the bounds of the conventional travel sketch. All are published in this first critical edition of his 1912-16 essays, together with his eerily prophetic article, 'With the Guns', written upon the outbreak of war in 1914.
Movements in European History was written by D. H. Lawrence during 1918 and 1919 in response to Oxford University Press's invitation to prepare a textbook for schools. It is a vivid sketch of European history from ancient Rome to the early twentieth century, remaining significant in the canon of Lawrence's work as the only school textbook he ever wrote. Crumpton's introduction describes the genesis, publication and reception of the book, gives an account of the little-known Irish edition of 1926 which suffered much censorship, and identifies and analyses Lawrence's methods of using the source-books on which his writing was based. This edition uses the surviving manuscript to present a text as close to that which Lawrence wrote and corrected in proof as is now possible.
The Cambridge edition of Lady Chatterley's Lover (and A Propos of 'Lady Chatterley's Lover') is the first ever to restore to Lawrence's most famous novel the words that he wrote. It removes typists' corruptions and compositors' errors, which have marred the text for over sixty years, and includes hundreds of new words, phrases and sentences - and thousands of changes in punctuation. This text projects the sound of Lawrence's voice, embodies the precision of his mature style and reveals the force of his rhetorical power. The introduction establishes an accurate history of composition, typing, printing, publication and reception; the notes freshly identify dozens of difficult allusions; and the appendix, an original essay, explains how Lawrence imaginatively weaves real places and people into the fictional tapestry that he creates. For students and scholars alike, the Cambridge text is the only text of the novel that can be read or quoted with confidence.
Kangaroo is D. H. Lawrence's eighth novel, set in Australia. He wrote the first draft in just forty-five days while living south of Sydney, in 1922, and revised it three months later in New Mexico. The descriptions of the country are vivid and sympathetic and the book fuses lightly disguised autobiography with an exploration of political ideas at an immensely personal level. Based on a collation of the manuscript, typescripts and first editions, this text of Kangaroo is closest to what Lawrence would have expected to see in print. There is a full textual apparatus of variants, a comprehensive introduction giving the background and history of composition and publication and a summary of contemporary reviewers' opinions. Explanatory notes elucidate the many geographical, political and literary allusions in the text; there are three maps and an appendix detailing Australian locations.
D. H. Lawrence wrote these three 'novelettes' between November 1920 and December 1921; they were enthusiastically received by his English publisher and his readers. The ending of the first version of 'The Fox', written in December 1918, is given in an appendix; Lawrence added a 'long tail' two years later, expanding the story to about three times its original length. 'The Ladybird' also started out as a short story, but was completely rewritten; two manuscript pages omitted by the typist are here included for the first time. The characters and the setting of 'The Captain's Doll' arose out of Lawrence's visit to Austria in summer 1920. Dieter Mehl gives all three composition histories including Lawrence's wish to have them published together, problems with typists and in publication. There is also an appendix on the models for the two main characters and the setting of 'The Fox'.
This is the first critical edition of The Boy in the Bush, a novel whose unlikely genesis has been surrounded in mystery and the subject of claim and counter-claim. A systematic study of all the extant textual documents has revealed a process of composition and revision which qualifies the novel to be treated unequivocally as part of the Lawrence canon. At Lawrence's suggestion an Australian nurse and part-time author, Mollie Skinner (whom he had met in 1922), wrote a tale set in late nineteenth-century Western Australia about a newly-arrived young Englishman's reactions to Perth and the outback. Lawrence's complete rewriting converted her production into an ambitious, powerful novel. The reading text here established eliminates all such instances of censorship and strips away the thousands of regularisings and miscopyings introduced by typists and typesetters. Based on Lawrence's autograph manuscript the text meticulously incorporates his subsequent revisions in the typescripts and proofs.
Written after the First World War when he was living in Sicily, Sea and Sardinia records Lawrence's journey to Sardinia and back in January 1921. It reveals his response to a new landscape and people and his ability to transmute the spirit of place into literary art. Like his other travel writings the book is also a shrewd inquiry into the political and social values of an era which saw the rise of communism and fascism. On one level an indictment of contemporary materialism, Sea and Sardinia is nevertheless an optimistic book, celebrating the creativity of the human spirit and seeking in the fundamental laws which governed human nature in the past fresh inspiration for the present. This 1997 edition restores censored passages and corrects corrupt textual readings to reveal for the first time the book Lawrence himself called 'a marvel of veracity'.
This final volume of The Letters of D. H. Lawrence has a threefold purpose. The first is to publish 148 letters to or from Lawrence, and two from Frieda Lawrence, which came to light too late to be entered in their correct chronological positions in earlier volumes. The second is to correct errors in the first seven volumes and offer additional annotation which clarifies some obscurities as well as enhancing our response to the letters. And the third is to provide a comprehensive critical index to the entire edition. The index includes not only specific persons and places but also general topics from Animals and Architecture to War and Youth, via such subjects as Insects, Literary Agents, Religion and Sexuality. The Cambridge Edition of Lawrence's letters has been described by one reviewer as creating itself 'a major new literary work'. This volume brings that work to a fitting conclusion.
An authoritative selection of letters by one of the great English letter-writers, first published in 1997, is also available in paperback.
D. H. Lawrence wrote his last novel, Lady Chatterley's Lover, three times in 1926-7, and it is the third version that has become famous. The three versions are in fact three different novels, varying greatly in length, a significant number of episodes, and even some of the main characters. This 1999 book contains a critical edition of the two early versions of the novel: the first in some ways the most realistic and spontaneous version, the second the longest and to many readers and critics the most successful version. The text is printed from its manuscript source, including numerous, sometimes extensive deletions and variations from the first printed editions. An introduction traces the genesis of the novel and gives an account of its publication and reception. There are also notes, explaining literary, historical and geographical names and allusions, and particular problems of manuscript transmission.
Written after the First World War when he was living in Sicily, SEA AND SARDINIA records Lawrence's journey to Sardinia and back in January 1921. It reveals his delighted response to a new landscape and people and his uncanny ability to transmute the spirit of place into literary art. Like his other travel writings the book is also a shrewd inquiry into the political and social values of an era which saw the rise of communism and fascism.
The First 'Women in Love' is one of Lawrence's greatest works, and is the only full length work of fiction which he completed between The Rainbow and the extensively revised Women in Love. It is a piece of fiction generated in the England, and the Europe, of the First World War. Publishers were alarmed by the fate of his previous novel The Rainbow and The First 'Women in Love' was rejected by every publisher who saw it. As a result it is a novel whose very existence as an independent text has been ignored, and which has not been published until now. The First 'Women in Love' shares much of its material with Women in Love, but its central relationships are dissimilar, and the ending radically different.
Written after the First World War when he was living in Sicily, Sea and Sardinia records Lawrence's journey to Sardinia and back in January 1921. It reveals his response to a new landscape and people and his ability to transmute the spirit of place into literary art. Like his other travel writings the book is also a shrewd inquiry into the political and social values of an era which saw the rise of communism and fascism. On one level an indictment of contemporary materialism, Sea and Sardinia is nevertheless an optimistic book, celebrating the creativity of the human spirit and seeking in the fundamental laws which governed human nature in the past fresh inspiration for the present. This 1997 edition restores censored passages and corrects corrupt textual readings to reveal for the first time the book Lawrence himself called 'a marvel of veracity'.
An authoritative selection of letters by one of the great English letter-writers, first published in 1997, is also available in paperback.
Written during the winter of 1929-30 and his last major work, Apocalypse is Lawrence's radical criticism of the political, religious and social structures that have shaped Western civilization. In his view the perpetual conflict within man, in which emotion, instinct and the senses vie with the intellect and reason, has resulted in society's increasing alienation from the natural world. Yet Lawrence's belief in humanity's power to regain the imaginative and spiritual values which alone can revitalize our world also makes Apocalypse a powerful statement of hope. Presenting his thoughts on psychology, science, politics, art, God and man, and including a fierce protest against Christianity, Apocalypse is Lawrence's last testament, his final attempt to convey his vision of man and of the cosmos.
With an Introduction and Notes by Lionel Kelly, University of Reading. In 1915, Lawrence's frank representation of sexuality in The Rainbow caused a furore and the novel was seized by the police and banned almost as soon as it was published. Today it is recognised as one of the classic English novels of the twentieth century. The Rainbow is about three generations of the Brangwen family of Nottinghamshire from the 1840s to the early years of the twentieth century. Within this framework Lawrence's essential concern is with the passional lives of his characters as he explores the pressures that determine their lives, using a religious symbolism in which the 'rainbow' of the title is his unifying motif. His primary focus is on the individual's struggle to growth and fulfilment within marriage and changing social circumstances, a process shown to grow more difficult through the generations. Young Ursula Brangwen, whose story is continued in Women in Love, is finally the central figure in Lawrence's anatomy of the confining structures of English social life and the impact of industrialisation and urbanisation on the human psyche.
His first published collection, these twelve stories were written between 1907 and 1914, during a crucial period of development for Lawrence from which he emerged a leading figure of the modernist movement. Reaching new levels of feeling and experience, these stories range from the tale of a Prussian officer who drives his orderly towards a bloody reckoning, to the strangely exotic elements of 'A Fragment of Stained Glass', and the divisions within society and conflicts of the heart that form the central themes of 'Daughters of a Vicar'. Interweaving individual lives, their happiness, failures and defeats, with the prfound forces of nature, Lawrence has created stories of remarkable power and sensitivity. This Penguin edition reproduces the newly established Cambridge text, which is based on Lawrence's manuscripts, typescripts and corrected proofs.
With an Introduction and Notes by David Ellis, University of Kent at Canterbury. Lawrence's reputation as a novelist has often meant that his achievements in poetry have failed to receive the recognition they deserve. This edition brings together, in a form he himself sanctioned, his Collected Poems of 1928, the unexpurgated version of Pansies, and Nettles, adding to these volumes the contents of the two notebooks in which he was still writing poetry when he died in 1930. It therefore allows the reader to trace the development of Lawrence as a poet and appreciate the remarkable originality and distinctiveness of his achievement. Not all the poems reprinted here are masterpieces but there is more than enough quality to confirm Lawrence's status as one of the greatest English writers of the twentieth century.
Lawrence is known mainly as a novelist and poet but he was also the author of many superb short stories and novellas. By bringing together all his shorter fiction, this volume makes it possible to survey his entire writing career. Together with many celebrated stories - including THE PRUSSIAN OFFICIER, THE VIRGIN AND THE GYPSY, ST MAWR and ODOUR OF CHRYSANTHEMUMS - there are many lesser known but still magnificent pieces which show the extraordinary diversity of Lawrence's talent and also reveal an often forgotten talent for comedy.
Lyric and sensual, D.H. Lawrence's last novel is one of the major works of fiction of the twentieth century. Filled with scenes of intimate beauty, explores the emotions of a lonely woman trapped in a sterile marriage and her growing love for the robust gamekeeper of her husband's estate. The most controversial of Lawrence's books, Lady Chatterly's Lover joyously affirms the author's vision of individual regeneration through sexual love. The book's power, complexity, and psychological intricacy make this a completely original work--a triumph of passion, an erotic celebration of life. Nobody concerned with the novel in our century can afford not to read it. -- Lawrence Durrell
Introduction and Notes by Dr Howard J. Booth, University of Kent at Canterbury. `When you have experienced Sons and Lovers you have lived through the agonies of the young Lawrence striving to win free from his old life'. Richard Aldington This novel is Lawrence's semi-autobiographical masterpiece in which he explores emotional conflicts through the protagonist, Paul Morel, and his suffocating relationships with a demanding mother and two very different lovers. Lawrence's novels are perhaps the most powerful exploration in the genre in English of family, class, sexuality and relationships in youth and early adulthood.
Introduction and Notes by Dr Jeff Wallace, University of Glamorgan. Lawrence's finest, most mature novel initially met with disgust and incomprehension. In the love affairs of two sisters, Ursula with Rupert, and Gudrun with Gerald, critics could only see a sorry tale of sexual depravity and philosophical obscurity. Women in Love is, however, a profound response to a whole cultural crisis. The 'progress' of the modern industrialised world had led to the carnage of the First World War. What, then, did it mean to call ourselves 'human'? On what grounds could we place ourselves above and beyond the animal world? What are the definitive forms of our relationships - love, marriage, family, friendship - really worth? And how might they be otherwise? Without directly referring to the war, Women in Love explores these questions with restless energy. As a sequel to The Rainbow, the novel develops experimental techniques which made Lawrence one of the most important writers of the Modernist movement.
This second volume of Michael Black's commentary on Lawrence's prose works concentrates on the extraordinary sequence of nonfiction texts written between 1913 and 1917: The 'Foreword' to Sons and Lovers, Study of Thomas Hardy, Twilight in Italy, 'The Crown' and 'The Reality of Peace'. In all of them Lawrence was compulsively rewriting what he called 'my philosophy'. They are difficult works: highly metaphorical, in places prophetically expressionist, even surreal. This extended commentary makes sense of them, treating them as a succession of experimental writings that support each other, develop non-discursive modes of writing, and are linked by shared metaphors that reveal shared preoccupations. Black's highly useful analysis is like the close reading of poetry.
Published in 1913, this is a fictionalized account of Lawrence's love for his mother. It traces Paul Morel's childhood, his growing into adolescence and adulthood, and the frustrations of his love for Miriam and Clara caused by his mother's possessiveness and his devotion to her.
Lawrence asserted that 'the proper function of a critic is to save the tale from the artist who created it'. In these highly individual, penetrating essays he has exposed 'the American whole soul' within some of that continent's major works of literature. In seeking to establish the status of writings by such authors as Poe, Melville, Fenimore Cooper and Whitman, Lawrence himself has created a classic work. Studies in Classic American Literature is valuable not only for the light it sheds on eighteenth- and nineteenth-century American consciousness, telling 'the truth of the day', but also as a prime example of Lawrence's learning, passion and integrity of judgement.
The fourteen stories collected in this volume were written between 1913 and 1921, most of them against the background of the 1914-1918 War. All but one were published in slightly different versions by magazines and periodicals on both sides of the Atlantic. Ten were selected and revised by Lawrence for his collection England, My England. The texts aim to recover Lawrence's own intentions, which editors and publishers all too frequently ignored or altered. Where possible manuscripts and corrected typescripts are used as base-texts. The introduction traces the composition and revision of the stories, setting them in the context of Lawrence's life and work. The textual apparatus gives variant readings, and explanatory notes identify sources, references and quotations. The 1915 version of 'England, My England' is given as an appendix.
This volume, covering three years from March 1924 to March 1927, comprises over 890 letters, of which about 350 are previously unpublished. In 1924 Lawrence is again in the USA. He and Frieda, with his disciple the Honourable Dorothy Brett, return to Taos, New Mexico where Frieda soon becomes the owner of a ranch, Kiowa. The tensions among them contribute to Lawrence's falling dangerously ill. He recovers at Kiowa; he and Frieda go to England and Germany in Autumn 1925; they then settle in Italy, where - except for his final visit the next summer to the Midlands - they remain. After leaving the USA he writes short and long stories with European settings, book reviews, and the first two versions of Lady Chatterley's Lover. It is a productive period, but Lawrence's health becomes a serious concern. The volume provides annotation identifying persons and allusions, and includes a biographical introduction.
D. H. Lawrence expected The Rainbow to have 'a bit of a fight' before it was accepted, but 'The fight will have to be made, that is all'. It was suppressed, just over a month after publication, in November 1915. The American publisher would make thirteen further cuts and 'dribble out' the book quietly. In 1930 the British government would again consider suppressing a new printing of The Rainbow. Professor Mark Kinkead-Weekes gives the composition history and collates the surviving states of the text to assess the damage done to Lawrence's novel, and to provide a text as close to that which the author wrote as is now possible. The final manuscript, revisions in the typescript and the first edition are recorded in full in the textual apparatus so the reader can follow the novel's development and evaluate what outside interference may have done to it. Also included are explanatory notes to historical references and allusions, and an interior chronology of the book itself.
Lawrence called Aaron's Rod 'the last of my serious English novels - the end of The Rainbow, Women in Love line.' Written in the years following the First World War, Aaron's Rod questions many of the accepted social and political institutions of Lawrence's own generation and raises issues still important in our time. Aaron's Rod, completed in 1921,was censored by both Lawrence's American and English publishers. The Cambridge Edition of the novel, based on the only authoritative surviving typescript, restores these cut passages and eliminates the errors and house-styling of previous editions. The volume contains an introduction setting out the genesis of the novel, its transmission, publishing history and reception, as well as explanatory notes and a textual apparatus. The appendix contains some early cancelled passages from the novel, here published for the first time, which reveal the kinds of conceptual and stylistic changes that often occurred in Lawrence's revisions.
Reflections on the Death of a Porcupine and Other Essays contains what Lawrence himself called the 'philosophicalish' essays written in the decade 1915-1925. The essays range from short pieces like 'Love' and 'Life' to the lengthy 'Education of the People'; from the light-hearted 'Climbing Down Pisgah' to the serious meditation 'Resurrection'; from political pieces like 'Democracy' and 'Aristocracy' to poetical essays on nature such as 'Whistling of Birds'. This edition restores what Lawrence himself wrote before typists, editors and compositors made the extensive alterations which have been followed in all previous versions of the texts. Sometimes entire passages, removed by mistake or for reasons of censorship, have been recovered. The introduction describes the genesis, textual history, and reception of the essays; the textual apparatus records variant readings; and the explanatory notes offer help with allusions and other points of difficulty in the texts.
The Plumed Serpent is set in Mexico in the 1920s, an era of political turmoil, and centres on a revolutionary movement to revive the religion of the ancient Aztecs. The brilliant vision of place, the violent action and the rituals and myth for the new religion all combine to make it one of Lawrence's most vivid novels. The Cambridge edition establishes for the first time a meticulously edited text based on the manuscript, typescript and proof material, nearly all of which survives. Several lengthy passages rejected in the course of composition and here included in the textual apparatus offer a close look at the intricacies of Lawrence's progress toward a final conception of the novel. Full annotation and appendixes on Mexican politics and Aztec religion are also provided to assist in comprehending the often arcane concepts to which Lawrence applied his imaginative power.
St Mawr and Other Stories consists of the long novella St Mawr, two short stories 'The Overtone' and 'The Princess', and two unfinished stories 'The Wilful Woman' and 'The Flying Fish', all written during D. H. Lawrence's stay on the American continent between 1922 and 1925. The texts are newly edited from Lawrence's original manuscripts and typescripts, eliminating mistranscriptions and unauthorised alterations made by publishers and printers for reasons of housestyling, fear of prosecution or moral censoriousness. In some cases whole lines of text, which have been omitted in the first and subsequent editions, have been restored. The textual apparatus records all variants. The introduction uses unpublished material to trace the genesis and reception of each work. The notes give the translation of foreign words, the explanation of classical, biblical, literary and historical references and the reasoning behind some of the more involved textual cruces.
The Prussian Officer and Other Stories, Lawrence's first collection of short stories, was published in England in 1914 and in the USA in 1916. It contains some of the greatest stories he ever wrote: 'Odour of Chrysanthemums', 'Daughters of the Vicar', 'The Prussian Officer', and 'The White Stocking', with settings ranging from the mining community of Eastwood to Germany before the First World War. The text of this new edition is based on Lawrence's manuscripts, typescripts and corrected proofs, and is the first to remove the corruptions introduced by copyists, typists and printers. The introduction sets out the history of each story and of the collection itself. There is a textual apparatus recording variant readings and full notes explain historical references and other allusions, dialect forms and foreign words. Two important appendixes print the earliest surviving fragment of 'Odour of Chrysanthemums' and the 1911 version of 'Daughters of the Vicar'.
Love Among the Haystacks and Other Stories gathers together all of Lawrence's short stories not collected in the Prussian Officer volume. It offers a range of work from Lawrence's earliest surviving published story, 'A Prelude', to 'New Eve and Old Adam' written at the height of his early maturity in 1913. Each story in this edition appears in a new, authoritative text based on the manuscripts, typescripts, corrected proofs and early printings drawn from libraries and private collections in England, Italy and America. All the stories have thus been stripped of the layers of errors introduced by typists, editors and printers in their previous publication. John Worthen's introduction sets out the composition and publication history of each story, and gives a full account of the context in which it was created. A textual apparatus records all variant readings and explanatory notes explain allusions, dialect forms and foreign words.
D. H. Lawrence's Women in Love - 'the beginning of a new world', as he called it - suffered in the course of its revision, transcription, and publication some of the most spectacular damage ever inflicted upon one of his books. Until now no text of Women in Love has ever been published which is faithful to all of Lawrence's revisions. This edition, edited by scholars in England and America, clears the text of literally thousands of accumulated errors allowing its readers to read and understand the novelist's work as he himself created it. The edition includes the 'Foreword' Lawrence wrote in 1919 and two preliminary and discarded chapters which have attracted widespread critical and biographical discussion. The introduction gives a full history of the novel's composition, revision, publication and reception, and notes explain allusions and references; the textual apparatus records all variants between the base-text and the first printed editions.
Mr Noon is a sardonic tale about the amorous adventures of Gilbert Noon, a young schoolmaster in Lawrence's home county of Nottinghamshire who gets entangled with a girl, loses his job, and decides to leave the country to escape the narrow provincial middle-class morality. It was first known as a long story posthumously published in A Modern Lover (1934) and collected in the volume called Phoenix II (1968). Lawrence in fact wrote a long continuation of the novel, but the manuscript disappeared for many years. The Cambridge edition brought the two parts together for the first time. It is like a sequel to Sons and Lovers, but much more straightforwardly autobiographical. The publication of the complete work added a new work of major importance to the canon of a great writer, and was widely hailed as a major literary event.
D. H. Lawrence's Women in Love - 'the beginning of a new world', as he called it - suffered in the course of its revision, transcription, and publication some of the most spectacular damage ever inflicted upon one of his books. Until now no text of Women in Love has ever been published which is faithful to all of Lawrence's revisions. This edition, edited by scholars in England and America, clears the text of literally thousands of accumulated errors allowing its readers to read and understand the novelist's work as he himself created it. The edition includes the 'Foreword' Lawrence wrote in 1919 and two preliminary and discarded chapters which have attracted widespread critical and biographical discussion. The introduction gives a full history of the novel's composition, revision, publication and reception, and notes explain allusions and references; the textual apparatus records all variants between the base-text and the first printed editions.
Lawrence's first novel The White Peacock was begun in 1906, rewritten three times, and published in 1911. The Cambridge edition uses the final manuscript as base-text, and faithfully recovers Lawrence's words and punctuation from the layers of publishers' house-styling and their errors; original passages, changed for censorship reasons, are reinstated. Andrew Robertson's introduction sets out the history of Lawrence's writing and revision, and the generally favourable reception by friends and reviewers. Lawrence incorporated much of his own experience and reading on to the novel which is set just north-east of Eastwood, and modelled characters on his friends and family. The notes identify real-life places and people, explain dialect forms, literary allusions, and historical references, and include sensitive passages deleted before publication. The textual apparatus records all the variant readings and the appendix prints the two surviving fragments from the earliest manuscripts of the novel, then entitled 'Laetitia'.
D. H. Lawrence's 'Study of Thomas Hardy', written in the early months of World War I, was originally intended to be a short critical work on Hardy's characters, but developed into a major statement of Lawrence's philosophy of art. The introduction to this work shows its relation to Lawrence's final rewriting of The Rainbow and its place among his continual attempts to express his philosophy in a definitive form. Previously published posthumously from a corrupt typescript, the 'Study' is now more firmly based on Koteliansky's typescript - Lawrence having destroyed the manuscript. The other essays in this volume span virtually the whole of Lawrence's writing career, from 'Art and the Individual' (1908) to his last essay 'John Galsworthy', written in 1927. The introduction sets these essays in the context of Lawrence's life and work. The textual apparatus gives variant readings, and explanatory notes identify references and quotations, and offer background information.
This volume contains 942 letters written between October 1916 to June 1921. These letters show the frustration he experienced in finding a publisher for Women in Love in the wake of the Rainbow prosecution. Concurrently he began to write the essays which subsequently formed Studies in Classical American Literature, he also planned and wrote a school textbook, Movements in European History. There were important changes in his business affairs: the beginning of his association with the American publisher Thomas Seltzer and the change from the literary agent Pinker to Mountsier in New York and Curtis Brown in London. There is a particularly interesting correspondence with Compton Mackenzie, and the rupture of his old friendship with Middleton Murry and Katherine Mansfield. This period was a turning point, the beginning of his break with England and with Europe, before he made his journey to Ceylon and Australia en route for the USA. Published in two volumes.
D. H. Lawrence's second novel The Trespasser is based on the tragic love affair of his friend Helen Corke and her violin teacher. After reading Miss Corke's diary, Lawrence first urged her to write her story and then received her permission to do it himself. Between his rapid composition of the first draft in the spring and summer of 1910 and his final revisions in early 1912, Lawrence's view of Helen Corke, and consequently of her story, changed. The manuscript survives, and this edition presents the text for the first time as Lawrence wrote it, restoring his sentence-structure and punctuation and correcting numerous typesetters' errors. In her substantial introduction Elizabeth Mansfield explores the background of the novel, presents the complications of the publishing history and the novel's reception. A full textual apparatus records the history of the text and the editor annotates topical and other references.
The Cambridge edition of The Lost Girl uses the manuscript which D. H. Lawrence wrote in Sicily in 1920 to recapture his direct relationship with the text, and in particular to recover the characteristically fluent punctuation which the novel's original printers obscured or ignored. The edition prints all four of the passages which the publisher censored without Lawrence's full knowledge and the hero's name is correctly spelled for the first time in an English edition. The novel is set mainly in the Eastwood of Lawrence's youth, the full annotation identifies a great many real-life characters and settings. John Worthen's introduction gives an accurate account of The Lost Girl's development, composition and publication, and the influence upon the book of Lawrence's desire to write a commercially successful novel. The textual apparatus records all variant readings.
Volume I of the Letters, edited by James T. Boulton, gives the first 580 letters in the series, covering the period September 1901 to May 1913. This is the time of Lawrence's youth in Eastwood, his first year out of England - in Italy with Frieda - to the publication of Sons and Lovers. There are letters to his early loves, Jessie Chambers, Louie Burrows and Helen Corke. He writes The White Peacock, The Trespasser, Sons and Lovers, the early stories and poems. He is welcomed into the literary world by editors such as Ford and Garnett; he meets Pound and other writers; he reads widely. His mother dies; he grows away from the younger women; he meets Frieda and elopes with her. Professor Boulton's discreet annotation conceals an enormous labour of patient detection. There are over thirty photographs of his friends and correspondents and a newly discovered portrait miniature of Lawrence.
D.H. Lawrence's seventh novel, Aaron's Rod, was first published in 1922. The work stands as a unique picaresque novel among his works. The book masterfully combines Lawrence's reservations about growing the industrialization in English society and his deep concern with the demands of an inner, freer self that is at the risk of being throttled by the industrial transformation and its associated existential crisis.
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