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Reading Country Music Steel Guitars, Opry Stars, and Honky Tonk Bars by Cecelia Tichi
  

Reading Country Music Steel Guitars, Opry Stars, and Honky Tonk Bars

Synopsis

Reading Country Music Steel Guitars, Opry Stars, and Honky Tonk Bars by Cecelia Tichi

With its steel guitars, Opry stars, and honky-tonk bars, country music is an American original. The most popular music in America today, it's also big business. Amazing, then, that country music has been so little studied by critics, given its predominance in American culture. Reading Country Music acknowledges the significance of country music as part of an authentic American heritage and turns a loving, critical eye toward understanding the sweep of this peculiarly American phenomenon.Bringing together a wide range of scholars and critics from literature, communications, history, sociology, art, and music, this anthology looks at everything from the inner workings of the country music industry to the iconography of certain stars to the development of distinctive styles within the country music genre. Essays include a look at the shift from hard-core to soft-shell country music in recent years; Johnny Cash as lesbian icon; gender, class, and region in Dolly Parton's star image; and bluegrass's gothic tradition. Originally published as a special issue of South Atlantic Quarterly, this expanded book edition includes new articles on the spirituality of Willie Nelson, the legacy and tradition of stringed music, and the revival of Stephen Foster's blackface musical, among others.Contributors. Mary A. Bufwack, Don Cusic, Curtis W. Ellison, Mark Fenster, Vivien Green Fryd, Teresa Goddu, T. Walter Herbert, Christine Kreyling, Michael Kurek, Amy Schrager Lang, Charmaine Lanham, Bill Malone, Christopher Metress, Jocelyn Neal, Teresa Ortega, Richard A. Peterson, Ronnie Pugh, John W. Rumble, David Sanjek, Cecelia Tichi, Pamela Wilson, Charles K. Wolfe

Reviews

Reading Country Music should be greeted with a proper hoe-down fiddle. . . . What's exciting about [this work] is the demonstration that cultural studies can be historical, persuasive, and on point. -- Teri Tynes


About the Author

Cecelia Tichi is William R. Kenan Jr. Professor of English and Director of American and Southern Studies at Vanderbilt University. She is the author of High Lonesome: The American Culture of Country Music.

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Book Info

Publication date

1st June 1998

Author

Cecelia Tichi

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Publisher

Duke University Press

Format

Paperback
424 pages

Categories

Country & Western music
Cultural studies

ISBN

9780822321682

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