LoveReading Says
An absolutely exquisite moment in reading time, and one to cherish. Concentrating on Leo and Lottie, from the world at war in 1916 to survival beyond, this is the last in the ‘West Country Trilogy’, however, The Redeemed can easily be read as standalone as I’ve stepped straight into the final book and adored it.
I will admit that I do desperately want to read the first two now, and believe I will be able to do so without feeling as though I have missed out on the reading journey. Tim Pears writes with wonderful clarity, small details create a fully painted picture, every word matters and is perfectly placed.
Life on board the battlecruiser came to stark realistic life while back in the West Country the farming community committed to the cycle of life. Leo and Lottie live in their moment, in their time, yet their story feels gracefully ageless and everlasting. With joy and heartache waiting to be discovered The Redeemed is an eloquent, gorgeous and fully satisfying read, it is quite simply, beautiful.
About The Redeemed
The final instalment in Tim Pears's spellbinding chronicle of love, exile and belonging in a world on the brink of change It is 1916. The world has gone to war, and young Leo Sercombe, hauling coal aboard the HMS Queen Mary, is a long way from home. The wild, unchanging West Country roads of his boyhood seem very far away from life aboard a battlecruiser, a universe of well-oiled steel, of smoke and spray and sweat, where death seems never more than a heartbeat away.
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Tim Pears Press Reviews
The writing is beautiful. But, what was more unusual for me was to be carried so by an extended story ... It's a long while since I've I felt such a manner of connection with the people of a narrative -- Cynan Jones Goodness, Tim Pears writes beautifully ... the descriptions of rural life, executed with painterly exactness, are a constant delight. The prose really sings - Mail on Sunday
Tim Pears deserves a place among the best rural writers -- Melissa Katsoulis - The Times
A gorgeously hypnotic paean to rural England ... Peppered with moments of awestruck wonder at the natural world -- Melissa Harrison - Guardian
This intelligent and moving evocation of life on a country estate just before the First World War is both down-to-earth and magical. There are faint echoes of Alain Fournier's masterpiece Le Grand Meaulnes, and there's no higher praise -- Allan Massie - Sunday Herald, Books of the Year
His prose is luminous, drawing in the reader ... Pears' fiction has been likened to Thomas Hardy's, and the comparison is apposite. As a coming-of-age novel, it is wise and insightful ... And as a portrayal of rural Edwardian England, it is powerful, vivid and humane -- Hannah Beckerman - Observer
A classic ... Leo and Lottie step out into the world, and twentieth century rushes up to greet them ... Knotty and nuanced - Times Literary Supplement
Loud with brilliantly captured voices and vividly drawn characters ... A lyrical journey worth undertaking - Daily Mail
Clear-sighted storytellers in the tradition of Rosalind Belben and Flora Thompson (and H. E. Bates, when he was writing about poachers rather than Larkins) know that real life in the country is bursting with politics, mystery, sex and death, and all you need to do is describe it beautifully and carefully. Only a few authors are talented or brave enough to do that, and Pears, in his maturity, is one of them ... As a testament to a forgotten generation of countrymen it is unsurpassed and it goes very nicely indeed with a dark night, rain on the windowpane and a cosy armchair -- Melissa Katsoulis - The Times
His lyrical but unsentimental portrait of a long-lost rural world, and the characters who are shaped by it, is affecting -- Nick Rennison - Sunday Times
Pears's sumptuous but scrupulous descriptions of the countryside are as evocative as Robert Macfarlane's nature writing and as delicious to savour ... The final part of this moving, absorbing odyssey cannot arrive quickly enough - Metro
A triumph ... creates clear-eyed portraits of a lost way of life, and of a people whose traditions were disregarded throughout most of the 20th century ... Country life used to be populated by these eccentric gypsies, pagans and mystics. The Wanderers invites them into our imaginations once again - Glasgow Sunday Herald
The pleasure of it lies in taking in the language and the setting - the West country, in 1911 and 1912 - and in reading it like a long poem, with each chapter a stanza -- Jane Smiley - Guardian
This book needs to be read with quiet attention to reap its rich rewards - Daily Mail
An assured, slow-burn, lyrical book, a rewarding read in our troubled times - Herald
With hypnotic lyricism, Pears describes this bucolic Devon world and the people who inhabit it, all of them secure in the knowledge of their place in the grand scheme of things ... [A] paean to the pastoral - Mail on Sunday
Neatlycrafted, and compelling - Spectator
A mesmerising book ... An evocation of the pre-First World War countryside, sparely written and imagined with exceptional fidelity ... A tale beautifully told - Country Life
Magically immediate - Times Literary Supplement
An exhilarating vision, a bittersweet elegy for the innocent certainties of an agrarian world before the industrialised horrors of the 20th century come crashing down - Irish Times
A distinctly compelling pastoral bildungsroman that leaves the reader eager for the next installment -- Lucy Scholes - BBC Countryfile
