Gosh, this is a unique, riveting, gloriously written short novel. 17 year old Silvie and her parents are on an experimental archaeological dig site in Northumberland. Her controlling father keeps a tight rein on Silvie, yet as she experiences the freedom of the other students, her life closes in around her. Sarah Moss has created an absolutely chilling first chapter, the feeling remained with me throughout the book and I found myself on high alert. There aren’t many chapters, there are no speech marks, it is one continuous train of Silvie’s thoughts. Without realising I slipped into her mind space, almost became Silvie as her intimate thoughts merged with mine. A claustrophobic feeling settles over the pages, as each word is read, emotions intensify and fear sinks, this really is clever writing indeed. Ghost Wall may be short in length, due to the feelings it evokes, it actually feels as though it is an immense read. This fabulous, provocative and powerful book comes as highly recommended from me, it also sits as one of my picks of the month.
This book ratcheted the breath out of me so skilfully, that as soon as I'd finished, the only thing I wanted was to read it again. Jessie Burton Teenage Silvie and her parents are living in a hut in Northumberland as an exercise in experimental archaeology. Her father is a difficult man, obsessed with imagining and enacting the harshness of Iron Age life. Haunting Silvie's narrative is the story of a bog girl, a young woman sacrificed by those closest to her, and the landscape both keeps and reveals the secrets of past violence and ritual as the summer builds to its harrowing climax.
Sarah Moss was educated at Oxford University and is a senior Lecturer in Literature and Place at the Cornwall Campus of Exeter University. She spent 2009-10 as a visiting lecturer at the University of Reykavik. She co-edits, with Nicola Humble, the Food series at Manchester University Press. Night Waking is her second novel.
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