February 2011 Guest Editor Carmen Reid on Michael Ondaatje...
The English Patient is a dream of a romantic novel. It follows two love stories, one between a soldier and a nurse which unfolds as the book progresses and the other in the past, being slowly re-told. There is the handsome, mysterious foreigner, a war-torn background, the uptight English marriage about to be blown apart by a passionate affair and ensuing volcanic eruption of emotions. The wife tries to break it off, then the half-crazed husband attempts to kill three of them in a plane-crash. The hero cannot return to rescue the heroine. It might all have become completely melodramatic if it wasn’t so perfectly and beautifully well-written.
The Lovereading view...
A modern classic, this story of four damaged people is beautiful, harrowing and moving. As the lives of these people interconnect a poetically told tale unravels the stories of each individual. A haunting and satisfying read.
Hana, a Canadian nurse, exhausted by death, and grieving for her own dead father; the maimed thief-turned-Allied-agent, Caravaggio; Kip, the emotionally detached Indian sapper - each is haunted in different ways by the man they know only as the English patient, a nameless burn victim who lies in an upstairs room. His extraordinary knowledge and morphine-induced memories - of the North African desert, of explorers and tribes, of history and cartography; and also of forbidden love, suffering and betrayal - illuminate the story, and leave all the characters for ever changed.