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The Trouble with Goats and Sheep by Joanna Cannon

The Trouble with Goats and Sheep

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One of Our Books of the Year 2017 | January 2017 Debut of the Month.

The title refers to a Bible quote and two 10-year old girls are greatly mystified as to its meaning and where to find God. They spend the hot summer of 1976 looking for answers. Set in a small town housing estate, the girls’ avenue is a close-knit community of busy bodies. They all know everyone else’s business, they all have secrets they are trying to hide. Beautifully told in multi first-person narratives and nipping in and out of several houses, many of these secrets are drip-fed to us. At its heart is the disappearance of Mrs Creasy from No 8 and the neighbours ostracising Walter Bishop from No 11 whose house mysteriously burnt in 1967. Then there was the “taking of a baby” in the same year. All these mysteries and more bounce round the houses in a charming tale of ordinary folk sweltering in the heat. I loved it. ~ Sarah Broadhurst

Shortlisted for the Books Are My Bag Fiction and Breakthrough Author Award 2016.

Longlisted for the Desmond Elliott Prize 2016.

If you like Joanna Cannon you might also like to read books by Sarah Winman, Daniel Clay and Matt Beaumont.

Reader Reviews

In addition to our expert opinion, a small number of our Lovereading reader review panel members were lucky enough to be invited to review this title. You can read the full reviews here.

  • Zarina - 'This is a quiet read that packs a powerful punch behind each thoughtful sentence, creating an eloquent and thought-provoking novel, which will undoubtedly stir up many conversations in 2016.'
  • Carolyn Huckfield - 'Life behind the curtains in a typical suburban avenue can throw up secrets and lies that affect neighbours and friends alike in this funny and sometimes moving story.'
  • Angela O'Donovan - 'A wonderful, wonderful read. I was hooked from the first page and taken back to that long hot summer...'
  • Manisha - 'I really enjoyed it and would say it is one of the best books that I have read this year. I couldn't put it down.'
  • Ann Peet - ‘Delightful debut novel - a mysterious disappearance, an avenue of hidden secrets, two young girls finding out about the world of adults - terrific.’
  • Linda Hill - ‘Perfect writing packed with emotion, this is going to be THE success of 2016. The Trouble with Goats and Sheep is a beautiful, comical, sad, and utterly, utterly wonderful tale of humanity. Joanna Cannon has touched my heart with her novel.’ 
  • Anne Cater - ‘There are passages, sometimes just a line, that make the reader stop & re-read, purely to delight in the way that that the words are put together. This is an ambitious story, but also a beautiful one.’ 
  • Sarah Harper - ‘With heart-warming humour and keen observation, this fantastic story will stay with you long after the last page.’
  • Mary Chapman - ‘From page one I loved the book; it’s quirky, old fashioned, never boring, written beautifully and the voice of Grace very real and believable. I was totally engrossed with the story right to the end.’
  • Marjorie Lacey - 'Joanna has written a charming book and given us an insight as to what goes on behind the closed doors. We felt despair, of them and their behaviour, frustrated by them but feeling sorry for them at the same time.'
  • Gill Wilmott - 'The author has a wonderful turn of phrase, sometimes you stop and read a passage again just for the joy of the wording. I wanted it to just go on and on.'
  • Cathy Small - 'It is quite a light hearted book with two girls trying to find out what happened to Mrs they ask around the hidden secrets start to reveal themselves showing vulnerability and the truth. '
  • Kathy Howell - 'This is a really gentle, lovely read...I really enjoyed reading this book and would recommend it to others.'
  • Rebecca Cockeram - 'An absolutely delightful book about friendship, secrets and lies...I couldn't have loved this more.'
  • Claire Nethercoat - 'Sitting down and reading this book has been great.  Each time I have picked it up I have been immersed to another time.'
  • Janet Lambert - 'With the flavour of angel delight, pick and mix and custard creams and the sound of Hilda Ogden on TV in the background we are transported back in time watching the mystery of a missing woman unravel everybody's secrets.'
  • Catherine Price - 'There are secrets and lies behind every door on The Avenue. And when Margaret Creasy disappears, every neighbour on the street sees it as a sign that their own murky past is about to be revealed...a wonderful debut novel.'
  • Rachael Anderson - 'An unusual story set in 1970s suburbia...An excellent debut novel which I would heartedly recommend. There is an equal balance here of humour, sorrow and injustice to pull at a wide range of emotions.'

Win Shetland DVDs SIGNED by Douglas Henshall!

Based on the novels by Ann Cleeves and starring Douglas Henshall, we have copies of Shetland the complete series 1-4 and Shetland Series 4 to give away to 3 lucky winners courtesy of ITV Studios Global Entertainment.

Each prize comprises of 2 Shetland DVD sets, the boxset from series 1-4 and then series 4, totalling 8 discs with a rrp of almost £60! Both sets will be signed by the star of the Shetland Series, Douglas Henshall.

To have a chance of winning one of these fantastic prizes, click the button below. Please note that this draw is open only for UK residents and is free to enter, multiple entries from the same email address will only be counted once.

The draw closes on 26 April 2018. The winners will be notified by 8 May 2018.

Good luck!

Enter prize draw Draw closes: 26/04/2018


The Trouble with Goats and Sheep by Joanna Cannon

The Trouble with Goats New Tear

England,1976. Mrs Creasy is missing and The Avenue is alive with whispers. As the summer shimmers endlessly on, ten-year-olds Grace and Tilly decide to take matters into their own hands. And as the cul-de-sac starts giving up its secrets, the amateur detectives will find much more than they imagined...


'A splendid debut ...Forensic period detail and pithy exchanges between characters give the novel the feel of a Seventies sitcom ...a wonderful achievement'

'Cannon specialises, beautifully, in making concrete the abstract ... a superior debut'

'Vibrant and funny...imagine Donna Tartt's The Secret History, set in 1970s English suburbia'

'Successfully capturing the claustrophobia of suburban life... Cannon paints a sympathetic and nuanced portrait of society's misfits'

'Beautifully written'

'Sweet, nostalgic and funny'

'Wry, acutely observant and brilliantly claustrophobic'

'Fresh and vivid, this intriguing debut is a perceptive coming-of-age tale'

'A unique and unforgettable debut'

'A very special book that makes us think about ourselves and others more deeply ... a terrific pageturner'

'An utter delight. Perceptive, funny, dark, moving. And so beautifully written. I loved it'

'A quirky, moving and beautifully written tale of suburban life in 1970s Britain, The Trouble with Goats and Sheep is a delight from start to finish'

About the Author

Joanna Cannon

Joanna Cannon graduated from Leicester Medical School and worked as a hospital doctor, before specialising in psychiatry. She lives in the Peak District with her family and her dog. The Trouble With Goats and Sheep is her first novel.

Below is a Q&A with this author

Borough Press’ Charlotte Cray interviews debut author Joanna Cannon about her beloved characters in The Trouble with Goats and Sheep and what it is about writing that sparks her mind and her heart.

1. Your child narrator Grace is distinct and charming, and in her best friend Tilly we have a pair of gumshoes who can see more than the adults they live around – where did Grace and Tilly come from? And what are their powers?
Thank you so much - I only wish I knew! At the risk of sounding slightly unhinged, I think Grace had been in my head for quite a while, and she just needed to find her way out. When I decided to write The Trouble with Goats and Sheep, I wanted an unreliable narrator, but I also needed someone without an agenda, so a child was the natural choice. Grace appeared almost immediately, and I knew straightaway she would have a best friend called Tilly. The minute Grace and Tilly climbed out of my head, they started chatting away to each other, and all I had to do was listen (okay, I really do sound unhinged now!). Lack of prejudice is their most important quality, I think. All the adults in the story have very fixed ideas about each other, but through Grace, I wanted the reader to see a world without that filter.

2. 1976 is alive in your novel, the tastes, smells and blistering heat. What was it about this year that made you want to place your story there?
One of the themes in Goats and Sheep, is appearance versus reality. We work very hard at building a version of ourselves that others will find acceptable, and at first, everyone on The Avenue seems quite virtuous and upstanding. However, that exterior can deconstruct very easily, and in the story, I needed a catalyst to make that happen. What better catalyst than heat?! Human beings behave very differently in extreme temperatures, and I wanted the environment to reflect the narrative, so as the tarmac melts and the lawns begin to yellow and fracture, the neighbours’ ability to keep up appearances also begins to fall apart – as Grace says, heat breaks the bonds that hold things together. Everyone who lived through the ’76 drought has very vivid memories of that time, but I’ve also heard from people who weren’t born in the 70s, but tell me that Goats and Sheep reminds them of the long, hot summers of childhood, which is lovely and just what I was hoping for!

3. The poignant and important thread that runs from the first page of The Trouble with Goats & Sheep straight through its reader is one of otherness and difference. Why was it important for you to tell a story that inspires the reader to question themselves?
Sometimes, I love a straight-up, darned good story – but some of the most memorable, and satisfying books I’ve read, have made me change my mind about something. Or at least, somewhere between the first page and the last, I’ve thought a little more deeply – Nathan Filer’s The Shock of the Fall, for example, or John Boyne’s A History of Loneliness. The idea of unbelonging and otherness is something which has always been important to me, but even more so working in psychiatry, where I meet many people who are very sadly pushed to the periphery. It’s at Grace and Tilly’s age we first become aware of the differences between ourselves and others, and we start to subconsciously adapt our behaviour accordingly. This duplicity works very well, but there are people who don’t have that ability. They only have one version of themselves to present, and that version isn’t always one society is willing to accept. We are all so focused on finding similarities, because it’s a form of self-validation, but it’s really the differences we should celebrate and enjoy.

4. A big part of The Trouble with Goats & Sheep is understanding the might and worth of a small community congregating and creating power together. Why did you want to explore this?
Communities are incredibly powerful. I think it’s easy to forget, in an age where our communities are becoming more fragmented and less obvious, but I wanted Goats and Sheep to remind us of that power, and how it can be used both negatively and positively. Community support is a protective factor in mental illness, for example, and as our lives become smaller and more un-peopled, so our risk of mental health problems increases. Goats and Sheep is also set in an era when ideas and values changed and shifted, and we were all forced to re-evaluate our own definition of community. We’re seeing an even more extreme version of that now, and there are echoes of hostility and fear on The Avenue that we still read about in the media today. The story shows that communities aren’t fixed. They’re fluid. They change and evolve, and grow, and it’s only by being open to these changes and overcoming our fears, that we, too, are able to evolve ourselves.

5. You have this description, ‘Alternating layers of beige and concern’ that illuminates one of your singular qualities as a writer: that of marrying the mundane with the comic, with a balm of warmth smoothed on top. What is it about everyday life, the un-extraordinary, that inspires you?
I love the un-extraordinary! I’m not really one for stories about kings and queens, and movie stars. I’m more interested in your next-door neighbour or your postman! I think if I were to blame anyone for this, I’d blame Alan Bennett – I watched Talking Heads as a child, and it was the first time I truly understood the power of words. I knew who these people were within the first few lines, and it felt as though someone had opened a door in my mind. It also gave me a life-long obsession with the ordinary. It’s just so fascinating. Also, working as a doctor, I have heard hundreds of patient histories. They’re always absorbing, sometimes heart-breaking, and very often incredibly moving. It’s a huge privilege to hear someone’s life story, and it makes me very aware that we don’t have to seek out the rich and famous for an interesting narrative. It’s right there at the bus stop or in the supermarket queue, waiting to be told.

6. You’re a psychiatrist, a vocation that relies on an ability to care for and, more importantly, understand people – what interests you about people? And what work experiences have left their mark on the page?
Very often, people ask how psychiatry helps with writing, and it does in so many ways. To be a doctor, it certainly helps to have an interest in people – I was told on the first day of medical school, that doctors can roughly be divided into White Coats and Cardigans. I’m most definitely a Cardigan. However, to specialise in psychiatry, an interest in people really is mandatory! I think it’s the individuality of people that interests me the most, how the decisions we make and the storyline we create for ourselves, are based on our own unique view of the world. Understanding those decisions and unpicking that storyline is something I’ll always find fascinating. Psychiatry is also the ultimate example of the author’s mantra of ‘show don’t tell.’ When I worked in A&E, if a patient presented with chest pain or shortness of breath, I could pretty much assume that everything they told me was factual and accurate. In mental health, patients are often too scared or, sadly, too ashamed to explain how they feel. We therefore have to rely on the body language, the expression, and the choice of words rather than the words themselves. It’s listening out for that missed beat in a narrative. Psychiatry is all about the showing, not the telling.

7. Last question: from reading The Trouble with Goats & Sheep I know you love a proverb: what’s your favourite?
I definitely do! I think proverbs are wonderful – little snippets of wisdom through time. There are some brilliant examples, but if I had to choose one, it would be ‘do unto others as you would have them do unto you’. Not only is it found in The Bible, it also exists in every religious text and in Greek and Roman classical literature. Be kind. Always. It’s a very simple concept, but it’s amazing how much magic can result from a just small act of kindness.

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Book Info

Publication date

26th December 2016


Joanna Cannon

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The Borough Press an imprint of HarperCollins Publishers


464 pages


Literary Fiction
All Shortlists and Winners
Books of the Year 2017
Crime / Mystery
Debuts of the Month
Family Drama
Reading Groups
eBook Favourites

Modern & contemporary fiction (post c 1945)



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