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Outlander (Cross Stitch) Synopsis
This is the first novel in the bestselling outlander series - soon to be a major new TV series.
Claire Randall is leading a double life. She has a husband in one century - and a lover in another.
In 1945, Claire Randall is back from the war and reunited with her husband on a second honeymoon in Scotland. Innocently she walks through a stone circle in the Highlands, and finds herself in a violent skirmish taking place in 1743.
Suddenly she is a Sassenach, an outlander, in a country torn by war and by clan feuds. A wartime nurse, Claire can deal with the bloody wounds that face her. But it is harder to deal with the knowledge that she is in Jacobite Scotland and the carnage of Culloden is looming. Marooned amid the passion and violence, the superstition, the shifting allegiances and the fervent loyalties, Claire is in danger from Jacobites and Redcoats - and from the shock of her own desire for James Fraser, a gallant and courageous young Scots warrior.
Jamie shows her a passion so fierce and a love so absolute that Claire becomes a woman torn between fidelity and desire, and between two vastly different men in two irreconcilable lives.
About This Edition
| ISBN: |
9781784751371 |
| Publication date: |
19th February 2015 |
| Author: |
Diana Gabaldon |
| Publisher: |
Arrow Books Ltd an imprint of Cornerstone |
| Format: |
Paperback |
| Pagination: |
880 pages |
| Series: |
Outlander |
| Primary Genre |
Fiction
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| Recommendations: |
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Author
About Diana Gabaldon
Diana Gabaldon is the internationally bestselling author of many historical novels including CROSS STITCH, DRAGONFLY IN AMBER, VOYAGER, DRUMS OF AUTUMN, THE FIERY CROSS and A BREATH OF SNOW AND ASHES. She lives with her family in Scottsdale, Arizona.
Photo © Nancy Castaldo
Diana Gabaldon on her influences...
I know writers of novels who say they don't read fiction at all while working on a book, out of fear of "being influenced" by what they read. I am struck by horror at the thought of going years without being able to read fiction (though perhaps these people write faster than I do, and take long vacations between books?)—but more struck by the sheer silliness of this.
Everything writers see, think, and experience influences their work. How could it not? Now, it's true that people do ask writers, "Where do you get your ideas?" and that writers--out of facetiousness or desperation--give answers like, "From the Sears catalog" (or "From Ideas.com," depending on the writer's vintage). But the truth is that writers get ideas from every damn thing they see, hear, smell, touch, taste, think, feel, or do—including the books they read.
Naturally, one wants to develop a unique voice, but do kids learn to talk without ever being talked to? You have an individual voice, by virtue of being an individual. And your individuality is composed of your essential God-given spark of personality and of the sum total of the things you encounter in life. Now, whether each encounter is a bruising collision or a fruitful act of love…who knows? But all of it is grist to a writer's mill; so much should be obvious, if one reads at all widely.
Personally, I learned to read at the age of three, and have read non-stop ever since. I'll be 58 next week; you can read a lot of books in fifty-five years. I'm sure that every single book I've ever read has had some influence on me as a writer, whether negative (I've read a lot of books with the mounting conviction that I would never in my life do something like that) or positive.
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