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"Shakespeare’s history plays fall into two categories: political dramas and propagandistic pageants. The second category is comprised of the two plays in this presentation, Henry V and Henry VIII. These two plays have many elements in common. An underlying theme is the necessity and glory of government by sovereign royalty. Each play is presented by a chorus, who defines the action and intent of the drama. Rather than a continuous narrative the action is depicted in a series of tableaux, each of which seeks to illustrate a positive aspect of the monarch’s character. In each play an early part of the action involves the detection of treason and the punishment of the malefactors, presented as examples of the king’s shrewdness and rigorous sense of justice. Henry V, originally titled The Life of Henry the Fifth, tells the story of the king’s successful incursion into France to regain control of the territories claimed by the English crown, and his consolidation of his position by marrying the daughter of the King of France. Despite its references to the horror of military conflict, the mood of the play is generally bright and upbeat, although in the final speech the Chorus warns that much of this glory will be lost under the rule of Henry VI. Henry VIII, first published as The Famous History of the Life of King Henry the Eighth, was a joint production by Shakespeare and John Fletcher. It appears to have been written in 1612–1613. During a production of the play at the Globe Theatre in 1613, a cannon was discharged, resulting in a fire which burned the building to the ground. The action of Henry VIII focuses on three major events: The allegation of treason against the Duke of Buckingham, and his subsequent conviction and execution; Henry’s concern over the failure of his wife Katharine of Aragon to produce a male heir, his desire to divorce her and to marry the much younger Anne Bullen (Boleyn); and the birth of Anne’s child, the future Queen Elizabeth I. All references to Anne Bullen’s fall from grace and execution and to Henry’s subsequent marriages are strictly avoided. Henry is presented as a thoughtful and capable sovereign, somewhat overbearing, but genuinely troubled by the thought that his marriage to Katharine may have been canonically improper. Featuring Blaise Doran as Henry V and Josh Innerst as Henry VIII. Audio edited by Denis Daly"
William Shakespeare (Author), Alan Weyman, Blaise Doran, Christopher Dukes, David Shears, Denis Daly, Geraint Pickard, Gregory Dwyer, Josh Innerst, Laura E. Richcreek, Linda Barrans, P. J. Morgan, Shane Emmett, Tim Dehn, a full cast (Narrator)
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"This full cast presentation includes Part 1 and Part 2 of Shakespeare’s Henry IV. In 1598 appeared a Quarto with the following title: The History of Henrie the Fourth; With the Battell at Shrewsburie, betweene the King and Lord Henry Percy, surnamed Henrie Hotspur of the North. With the humorous conceits of Sir John Falstaffe. At London. Printed by P. S. for Andrew Wise, dwelling in Paules Churchyard, at the signe of the Angell. 1598. This was the First Part of Shakespeare’s Henry IV, which must have been written in 1597. This play is the first in which Shakespeare really demonstrated his great and overwhelming individuality. Its dramatic structure is fairly loose, though is closer knit and technically stronger than that of the Second Part. However, as a poetical creation, it is one of the great masterpieces of the world’s literature, at once heroic and burlesque, thrilling and side-splitting. Yet these contrasted elements are not brought into hard-and-fast rhetorical antithesis, but move and mingle with a natural freedom. The driving elements of the plot are the machinations of the guilt-ridden King Henry IV to establish the legitimacy of his accession and the inevitable revolt by the former supporters who helped him to gain the throne. One of the leaders of the opposing faction is the warlike Henry Percy, nicknamed Hotspur, who the king compares unfavourably with his own son, the self-indulgent and riotous Prince Hal. The prince spends much of his time cavorting with a group of boon companions, the most notable of which is the dissipated and unscrupulous knight, Sir John Falstaff, who acts as something of a surrogate parent. At the end of the First Part, the revolt is suppressed; in the conflict, Prince Hal reveals his true character as a doughty defender of the realm. In the Second Part, the king’s health progressively declines and Hal begins to assert his royal prerogative. Eventually, the king dies, and Hal, now having shed all his adolescent impertinence, ascends to the throne. Falstaff, in expectation of elevation to high office and new-found prosperity, publicly accosts the new king and is rudely rebuffed, together with his disreputable retinue. Audio edited by Denis Daly The text used for this performance was kindly provided by playshakespeare.com. Welsh dialogue and tune for Lady Mortimer’s song in Henry IV Part One provided by Noni Lewis."
William Shakespeare (Author), Alan Weyman, Blaise Doran, Christopher Dukes, Denis Daly, Geraint Pickard, Graham Scott, Gregory Dwyer, Josh Innerst, Laura E. Richcreek, Noni Lewis, Roberta Jackson, Rory Barnett, Sarah Jane Rose, Shane Emmett, Tim Dehn, a full cast (Narrator)
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Poems of Emily Dickinson – Series 1
"Emily Dickinson was one of the most reclusive of all poets. She spent much of her life in seclusion in her father’s house in Amherst, and only a handful of her 1800 poems were published in her lifetime. Credit for the posthumous publication of her work must be given to her editor and friend Thomas W. Higginson, who reported that, in spite of the voluminous correspondence which passed between himself and Dickinson, he only met her twice in person. Dickinson’s poems are all short; few of them exceed twenty lines. Within her writing, the most mundane events of domestic life appear as events of momentous significance. The original editors of this collection write that, “The main quality of these poems is that of extraordinary grasp and insight, uttered with an uneven vigor, sometimes exasperating, seemingly wayward, but really unsought and inevitable.”"
Emily Dickinson (Author), Amy Soakes, Anthony St. Pierre, Brandon Keener, Caroline Mclaughlin, Charlie Albers, Denis Daly, Erin Bateman, Erin Grassie, Ginger White, Gregory Dwyer, Jennifer Fournier, Kendra Murray, Kylie Elliott, Larry Wilson, Lee Ann Howlett, Lillian Warkentin, Linda Barrans, Lisa Negrón, Lyndal Curran Doolan, Marie Hoffman, Melissa Green, Nancy Beard, Peter Sardi, Roberta Jackson, Ron Altman, Sara Sheckells, Stephanie Németh-Parker, Susan Iannucci, Tim Dehn (Narrator)
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Songs of Innocence and of Experience
"This collection arguably contains some of the most charming lyrics ever written in English. The childlike simplicity and trust of these artless verses are unique. Blake’s poems can be enjoyed, not only for their historical importance in an age which was fiercely proud of its genius and its traditions, but also for their simple and beautiful expression of “two contrary states of the human soul.” Songs of Innocence was originally a complete collection of twenty-three poems, first printed in 1789. In 1794, a composite collection entitled Songs of Innocence and of Experience, containing forty-seven poems, was published."
William Blake (Author), Adam Skousen, Aisling Gray, Alan Weyman, Ben Stevens, Blaise Doran, Bria Sterling, Charlie Albers, Christianne Lupher, Denis Daly, Emma Faye, Erin Grassie, Gary Mcfadden, Ginger White, Graham Scott, Gregory Dwyer, John Burlinson, Kendra Murray, Kris Keppeler, Laura E. Richcreek, Lee Ann Howlett, Linda Barrans, Lisa Negrón, Lyndal Curran Doolan, Nancy Beard, Rhonda Federman, Roberta Jackson, Ron Altman, Rosalind Murphy, Sarah Bacaller, Shane Emmett, Stephanie Németh-Parker, Stephen Gage, Terah Tucker, Tim Dehn, Trisha Rose (Narrator)
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Kipps: The Story of a Simple Soul
"Artie Kipps is destined at the tender age of fourteen for a life of drudgery in the drapery trade … until he unexpectedly inherits a fortune from a grandfather he never knew existed! Enter: A whisky-drinking actor and playwright who persuades Kipps to invest in his play! A down-on-their-luck mother and daughter who promptly see Kipps as a means to escape their (comparative) poverty! Plenty of patronizing, unthinking social snobs! … And the stage is set for inevitable disaster as Kipps, stumbling uncomprehendingly through the English class system, is fleeced of his fortune. But all is not lost. Despite the allure of wealth and class ambitions, Kipps has never quite forgotten his childhood sweetheart. Through Kipps’s endearing bewilderment and simplicity of thought, Wells makes us both laugh and cry as the two re-unite and … … but you’ll have to listen to the story to find out how it all ends!"
H.G. Wells (Author), Tim Dehn (Narrator)
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The Forest Underground: Hope for a Planet in Crisis
"Winner of the Australian Christian Book of the Year Award 2022 How do you regreen millions of hectares of land without planting a single tree? The remarkable discovery story of Farmer Managed Natural Regeneration (FMNR) is told in Tony Rinaudo’s new autobiography, The Forest Underground: Hope for a Planet in Crisis, published in 2022 by ISCAST–Christians in Science and Technology. This audiobook offers tangible hope for climate change through a powerful story of God’s grace and guidance. In a seemingly hopeless crisis, this is the good-news story that will move hearts and hands to care more for God’s creation."
Tony Rinaudo (Author), Tim Dehn (Narrator)
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