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A firsthand account of the 1854 Eureka Rebellion in Ballarat, Victoria, Australia. Carboni, an Italian revolutionary and participant in the uprising, wrote the book to document the miners’ struggle against the colonial authorities. The story captures the miners’ frustrations over oppressive mining licenses, police corruption, and lack of representation. It details the events leading up to the violent clash at the Eureka Stockade, where miners built a makeshift fort and confronted government troops. Although the rebellion was crushed, it became a significant symbol of resistance and led to reforms in mining laws and democratic rights. Carboni’s narrative offers a passionate, personal perspective on the fight for justice and equality.
Raffaello Carboni (Author), Gregory Dwyer (Narrator)
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On Our Selection is a collection of humorous short stories by Australian author Steele Rudd. It follows the trials and tribulations of the Rudd family, pioneers carving out a living in the Australian bush. The book humorously depicts the struggles of farming life, the resilience of the settlers, and the quirks of rural Australian society.
Steele Rudd (Author), Gregory Dwyer (Narrator)
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Sea Spray and Smoke Drift is a collection of poetry. The book showcases Gordon’s deep connection to nature, the sea, and the rugged Australian landscape. His verses explore themes of courage, adventure, and personal struggle, often reflecting his own turbulent life. The poems, characterized by their vivid imagery and rhythmic flow, capture the spirit of colonial Australia. Notable pieces like “A Song of Autumn” and “The Swimmer” highlight his skill of lyrical storytelling. The collection remains a significant contribution to Australian literature, celebrated for its emotional depth and evocative language.
A.L. Gordon (Author), Gregory Dwyer (Narrator)
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Shakespeare’s history plays fall into two categories: political dramas and propagandistic pageants. The second category is comprised of the two plays in this presentation, Henry V and Henry VIII. These two plays have many elements in common. An underlying theme is the necessity and glory of government by sovereign royalty. Each play is presented by a chorus, who defines the action and intent of the drama. Rather than a continuous narrative the action is depicted in a series of tableaux, each of which seeks to illustrate a positive aspect of the monarch’s character. In each play an early part of the action involves the detection of treason and the punishment of the malefactors, presented as examples of the king’s shrewdness and rigorous sense of justice. Henry V, originally titled The Life of Henry the Fifth, tells the story of the king’s successful incursion into France to regain control of the territories claimed by the English crown, and his consolidation of his position by marrying the daughter of the King of France. Despite its references to the horror of military conflict, the mood of the play is generally bright and upbeat, although in the final speech the Chorus warns that much of this glory will be lost under the rule of Henry VI. Henry VIII, first published as The Famous History of the Life of King Henry the Eighth, was a joint production by Shakespeare and John Fletcher. It appears to have been written in 1612–1613. During a production of the play at the Globe Theatre in 1613, a cannon was discharged, resulting in a fire which burned the building to the ground. The action of Henry VIII focuses on three major events: The allegation of treason against the Duke of Buckingham, and his subsequent conviction and execution; Henry’s concern over the failure of his wife Katharine of Aragon to produce a male heir, his desire to divorce her and to marry the much younger Anne Bullen (Boleyn); and the birth of Anne’s child, the future Queen Elizabeth I. All references to Anne Bullen’s fall from grace and execution and to Henry’s subsequent marriages are strictly avoided. Henry is presented as a thoughtful and capable sovereign, somewhat overbearing, but genuinely troubled by the thought that his marriage to Katharine may have been canonically improper. Featuring Blaise Doran as Henry V and Josh Innerst as Henry VIII. Audio edited by Denis Daly
William Shakespeare (Author), Alan Weyman, Blaise Doran, Christopher Dukes, David Shears, Denis Daly, Geraint Pickard, Gregory Dwyer, Josh Innerst, Laura E. Richcreek, Linda Barrans, P. J. Morgan, Shane Emmett, Tim Dehn, a full cast (Narrator)
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Nick isn’t a warrior. He knows some basic karate, but that’s it. So when an assassin turns up to settle a blood debt, Nick narrowly escapes with his life. In his haste, he unwittingly flees to Korelios, a place he thought existed only in his eccentric aunt’s ancient legends. All too soon, he finds himself caught in the middle of a war, and he must make an impossible choice: do his duty or follow his heart. His choice will decide the fate of an entire civilisation.
A. A. Kinsela (Author), Gregory Dwyer (Narrator)
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This full cast presentation includes Part 1 and Part 2 of Shakespeare’s Henry IV. In 1598 appeared a Quarto with the following title: The History of Henrie the Fourth; With the Battell at Shrewsburie, betweene the King and Lord Henry Percy, surnamed Henrie Hotspur of the North. With the humorous conceits of Sir John Falstaffe. At London. Printed by P. S. for Andrew Wise, dwelling in Paules Churchyard, at the signe of the Angell. 1598. This was the First Part of Shakespeare’s Henry IV, which must have been written in 1597. This play is the first in which Shakespeare really demonstrated his great and overwhelming individuality. Its dramatic structure is fairly loose, though is closer knit and technically stronger than that of the Second Part. However, as a poetical creation, it is one of the great masterpieces of the world’s literature, at once heroic and burlesque, thrilling and side-splitting. Yet these contrasted elements are not brought into hard-and-fast rhetorical antithesis, but move and mingle with a natural freedom. The driving elements of the plot are the machinations of the guilt-ridden King Henry IV to establish the legitimacy of his accession and the inevitable revolt by the former supporters who helped him to gain the throne. One of the leaders of the opposing faction is the warlike Henry Percy, nicknamed Hotspur, who the king compares unfavourably with his own son, the self-indulgent and riotous Prince Hal. The prince spends much of his time cavorting with a group of boon companions, the most notable of which is the dissipated and unscrupulous knight, Sir John Falstaff, who acts as something of a surrogate parent. At the end of the First Part, the revolt is suppressed; in the conflict, Prince Hal reveals his true character as a doughty defender of the realm. In the Second Part, the king’s health progressively declines and Hal begins to assert his royal prerogative. Eventually, the king dies, and Hal, now having shed all his adolescent impertinence, ascends to the throne. Falstaff, in expectation of elevation to high office and new-found prosperity, publicly accosts the new king and is rudely rebuffed, together with his disreputable retinue. Audio edited by Denis Daly The text used for this performance was kindly provided by playshakespeare.com. Welsh dialogue and tune for Lady Mortimer’s song in Henry IV Part One provided by Noni Lewis.
William Shakespeare (Author), Alan Weyman, Blaise Doran, Christopher Dukes, Denis Daly, Geraint Pickard, Graham Scott, Gregory Dwyer, Josh Innerst, Laura E. Richcreek, Noni Lewis, Roberta Jackson, Rory Barnett, Sarah Jane Rose, Shane Emmett, Tim Dehn, a full cast (Narrator)
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Not A Real Enemy: The True Story of a Hungarian Jewish Man's Fight for Freedom
Hungary, 1944. Almost half a million Jewish Hungarians are deported to Auschwitz. Among the few surviving Hungarian Jews from this era were young men who, like Ervin Wolf, were forced into the brutal Labor Service where they were cut off from the outside world and forced to endure inhumane brutalities and servitude. Once freed, a new oppression took hold as communist rule under Stalin turned friends to foes, enveloped the nation in fear and suspicion, and tested everyone’s character and strength. This is the true story of Ervin Wolf and his family as the fascist tide of Eastern Europe takes hold of Hungary. From the Wolfs’ comfortable upper-class life to imprisonment, daring escapes, tragic deaths, cloak-and-dagger adventures, and Ervin’s final escape to freedom in the dead of night, Not a Real Enemy is a page-turning tale of suspense, tragedy, comedy, and ultimately, triumph.
Janice Harper, Robert Wolf (Author), Gregory Dwyer (Narrator)
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