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"This full cast presentation includes Part 1 and Part 2 of Shakespeare’s Henry IV. In 1598 appeared a Quarto with the following title: The History of Henrie the Fourth; With the Battell at Shrewsburie, betweene the King and Lord Henry Percy, surnamed Henrie Hotspur of the North. With the humorous conceits of Sir John Falstaffe. At London. Printed by P. S. for Andrew Wise, dwelling in Paules Churchyard, at the signe of the Angell. 1598. This was the First Part of Shakespeare’s Henry IV, which must have been written in 1597. This play is the first in which Shakespeare really demonstrated his great and overwhelming individuality. Its dramatic structure is fairly loose, though is closer knit and technically stronger than that of the Second Part. However, as a poetical creation, it is one of the great masterpieces of the world’s literature, at once heroic and burlesque, thrilling and side-splitting. Yet these contrasted elements are not brought into hard-and-fast rhetorical antithesis, but move and mingle with a natural freedom. The driving elements of the plot are the machinations of the guilt-ridden King Henry IV to establish the legitimacy of his accession and the inevitable revolt by the former supporters who helped him to gain the throne. One of the leaders of the opposing faction is the warlike Henry Percy, nicknamed Hotspur, who the king compares unfavourably with his own son, the self-indulgent and riotous Prince Hal. The prince spends much of his time cavorting with a group of boon companions, the most notable of which is the dissipated and unscrupulous knight, Sir John Falstaff, who acts as something of a surrogate parent. At the end of the First Part, the revolt is suppressed; in the conflict, Prince Hal reveals his true character as a doughty defender of the realm. In the Second Part, the king’s health progressively declines and Hal begins to assert his royal prerogative. Eventually, the king dies, and Hal, now having shed all his adolescent impertinence, ascends to the throne. Falstaff, in expectation of elevation to high office and new-found prosperity, publicly accosts the new king and is rudely rebuffed, together with his disreputable retinue. Audio edited by Denis Daly The text used for this performance was kindly provided by playshakespeare.com. Welsh dialogue and tune for Lady Mortimer’s song in Henry IV Part One provided by Noni Lewis."
William Shakespeare (Author), Alan Weyman, Blaise Doran, Christopher Dukes, Denis Daly, Geraint Pickard, Graham Scott, Gregory Dwyer, Josh Innerst, Laura E. Richcreek, Noni Lewis, Roberta Jackson, Rory Barnett, Sarah Jane Rose, Shane Emmett, Tim Dehn, a full cast (Narrator)
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"This collection contains eight of Shakespeare’s best loved comedies. Each exhibits the vigour, humour, and optimism of the young master before he turned to the gloom and bitterness of the great tragedies. Contents A Midsummer Night’s Dream All’s Well That Ends Well Twelfth Night Much Ado About Nothing The Comedy of Errors As You Like It Measure for Measure The Merchant of Venice Featuring the voices of:Aisling Gray, Alan Weyman, Alexandra Lee Smith, Blaise Doran, Cate Barratt, Catherine Bilson, Claudia Anglade, Dara Brown, David Shears, Denis Daly, Emma Faye, Gary D. MacFadden, Graham Scott, John Burlinson, Josh Innerst, Kendra Murray, Laura Richcreek, Lillian Rachel, Linda Barrans, Mark Crowle-Groves, Marty Krz, PJ Morgan, Roberta Jackson, Ron Altman, Simon Paxton, Susan Iannucci, Tom Saer, and Trisha Rose. Texts kindly provided by playshakespeare.com Songs created and arranged by Alan Weyman and Marty Krz Audio edited by Denis Daly"
William Shakespeare (Author), Aisling Gray, Alan Weyman, Alexandra Lee Smith, Blaise Doran, Cate Barratt, Catherine Bilson, Claudia Anglade, Dara Brown, David Shears, Denis Daly, Emma Faye, Gary MacFadden, Graham Scott, John Burlinson, Josh Innerst, Kendra Murray, Laura E. Richcreek, Lillian Rachel, Linda Barrans, Mark Crowle-Groves, Marty Krz, P. J. Morgan, Roberta Jackson, Ron Altman, Simon Paxton, Susan Iannucci, Tom Saer, Trisha Rose, a full cast (Narrator)
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"Of this book, H. G. Wells wrote: “The World Set Free was written in 1913 and published early in 1914. It is the latest of a series of three fantasias of possibility, stories which all turn on the possible developments in the future of some contemporary force or group of forces. The World Set Free was written under the immediate shadow of the Great War. Every intelligent person in the world felt that disaster was impending and knew no way of averting it, but few of us realised in the earlier half of 1914 how near the crash was to us…” The thesis of this story is that “because of the development of scientific knowledge, separate sovereign states and separate sovereign empires are no longer possible in the world. To attempt to keep on with the old system is to heap disaster upon disaster for [hu]mankind and perhaps to destroy our race altogether. The remaining interest of this book now is the sustained validity of this thesis and the discussion of the possible ending of war on the earth.” This title is part of the Voices of Today’s H. G. Wells novel collection, produced by Susan Iannucci."
H.G. Wells (Author), Roberta Jackson (Narrator)
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Poems of Emily Dickinson – Series 1
"Emily Dickinson was one of the most reclusive of all poets. She spent much of her life in seclusion in her father’s house in Amherst, and only a handful of her 1800 poems were published in her lifetime. Credit for the posthumous publication of her work must be given to her editor and friend Thomas W. Higginson, who reported that, in spite of the voluminous correspondence which passed between himself and Dickinson, he only met her twice in person. Dickinson’s poems are all short; few of them exceed twenty lines. Within her writing, the most mundane events of domestic life appear as events of momentous significance. The original editors of this collection write that, “The main quality of these poems is that of extraordinary grasp and insight, uttered with an uneven vigor, sometimes exasperating, seemingly wayward, but really unsought and inevitable.”"
Emily Dickinson (Author), Amy Soakes, Anthony St. Pierre, Brandon Keener, Caroline Mclaughlin, Charlie Albers, Denis Daly, Erin Bateman, Erin Grassie, Ginger White, Gregory Dwyer, Jennifer Fournier, Kendra Murray, Kylie Elliott, Larry Wilson, Lee Ann Howlett, Lillian Warkentin, Linda Barrans, Lisa Negrón, Lyndal Curran Doolan, Marie Hoffman, Melissa Green, Nancy Beard, Peter Sardi, Roberta Jackson, Ron Altman, Sara Sheckells, Stephanie Németh-Parker, Susan Iannucci, Tim Dehn (Narrator)
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Songs of Innocence and of Experience
"This collection arguably contains some of the most charming lyrics ever written in English. The childlike simplicity and trust of these artless verses are unique. Blake’s poems can be enjoyed, not only for their historical importance in an age which was fiercely proud of its genius and its traditions, but also for their simple and beautiful expression of “two contrary states of the human soul.” Songs of Innocence was originally a complete collection of twenty-three poems, first printed in 1789. In 1794, a composite collection entitled Songs of Innocence and of Experience, containing forty-seven poems, was published."
William Blake (Author), Adam Skousen, Aisling Gray, Alan Weyman, Ben Stevens, Blaise Doran, Bria Sterling, Charlie Albers, Christianne Lupher, Denis Daly, Emma Faye, Erin Grassie, Gary Mcfadden, Ginger White, Graham Scott, Gregory Dwyer, John Burlinson, Kendra Murray, Kris Keppeler, Laura E. Richcreek, Lee Ann Howlett, Linda Barrans, Lisa Negrón, Lyndal Curran Doolan, Nancy Beard, Rhonda Federman, Roberta Jackson, Ron Altman, Rosalind Murphy, Sarah Bacaller, Shane Emmett, Stephanie Németh-Parker, Stephen Gage, Terah Tucker, Tim Dehn, Trisha Rose (Narrator)
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"Measure for Measure is one of darkest of Shakespeare’s comedies. Written in about 1603 and first performed in 1604, it immediately preceded the composition of the major tragedies Othello, King Lear, and Macbeth. Duke Vincentino, the ruler of Vienna, fears that under his mild sovereignty, the people may have become lazy and lax. He decides to “go over cover” in the disguise of a monk and appoint his deputy, Angelo, who is a reputed paragon of virtue, as temporary ruler. On assuming power, Angelo inaugurates draconian provisions regarding sexual propriety. One of the first victims of this new regime is young Claudio, who has impregnated his lover Juliet, and is accordingly sentenced to death. Claudio’s sister, Isabella, who is preparing to enter religious life, is encouraged to approach Angelo and plead for her brother’s life. Angelo is immediately smitten with the beautiful Isabella and makes her an offer: her brother will be spared if she yields to Angelo’s sexual advances. Isabella indignantly rejects this proposal, but finds herself unable to reveal Angelo’s hypocrisy publicly, as she fears her accusations will lack credence. Fortunately, the Duke, who has not left Vienna, befriends Isabella in his assumed role of friar, and hatches a plan to both save Claudio and to unmask Angelo. Featuring the voices of Denis Daly, Gary D. MacFadden, David Shears, Graham Scott, Josh Innerst, Kendra Murray, Blaise Doran, Simon Paxton, Roberta Jackson, Alexandra Lee Smith, and Alan Weyman. Audio edited by Denis Daly Tunes for songs provided by Alan Weyman. The text used for this performance was kindly provided by playshakespeare.com."
William Shakespeare (Author), Alan Weyman, Alexandra Lee Smith, Blaise Doran, David Shears, Denis Daly, Gary MacFadden, Graham Scott, Josh Innerst, Kendra Murray, Roberta Jackson, Simon Paxton, a full cast (Narrator)
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"Antonio, a wealthy and popular merchant, is in financial difficulty. He approaches a Jewish money lender, Shylock, who agrees to provide 3000 ducats, with a very curious bond – a pound of the merchant’s flesh, to be levied if Antonio fails to make a timely repayment. Feeling confident that his argosies will arrive in time to cover the debt, Antonio agrees to this bizarre transaction. Meanwhile, a wealthy gentlewoman, Portia, must choose a suitor using a curious ritual mandated by her father’s will. Applicants must choose from three locked caskets, one of which contains a picture of Portia. He who chooses the casket with the picture will wed Portia immediately; the unsuccessful applicants will cease courting not only Portia, but all prospective partners. Portia’s preferred suitor is a young Venetian, Bassanio, who is a close friend of Antonio. Antonio’s ships fail to arrive in time to satisfy his debt to Shylock and Antonio is hauled into court. In a male disguise, Portia appears in court to represent Antonio. Will her skillful representation free Antonio from Shylock’s demands? Written between 1596 and 1598 and published in 1600, The Merchant of Venice most notably touches on the troubling subject of antisemitism. While critical debate rages about Shakespeare’s actual attitudes toward Jewish culture, it is difficult to deny that the eventual fate of Shylock is not in accord with today’s view of social justice. Featuring the voices of Denis Daly, Catherina Bilson, Alexandra Lee Smith, Gary D. Macfadden, Blaise Doran, Graham Scott, Roberta Jackson, Josh Innerst, Simon Paxton, Alan Weyman, Emma Faye and Marty Krz."
William Shakespeare (Author), Alan Weyman, Alexandra Lee Smith, Blaise Doran, Catherine Bilson, Denis Daly, Emma Faye, Gary MacFadden, Graham Scott, Josh Innerst, Marty Krz, Roberta Jackson, Simon Paxton, a full cast (Narrator)
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"The lure of staying in a real-life castle, the chance to step back in time to experience knights and medieval feasts, the opportunity for her children to meet their estranged grandfather… It all seems to good to be true when widow Marie Trennan and her children are invited to visit the medieval themed-village of Tintagel — where the residents take their roles very seriously and things aren’t quite what they seem, despite the happy picturesque scene. With Tintagel's deep dark past, Trennan family secrets and something far more sinister at play, can Marie and her children escape the fate that awaits them? Or are they trapped in an ancient dangerous cycle all because of their birthright? Find out in Birthright, a novel by Christine Morgan, Narrated by Roberta Jackson"
Christine Morgan (Author), Roberta Jackson (Narrator)
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Better Now Than Forever: A Sapphic Fiction Romance
" Char thought she had a perfect life. She was married to a successful surgeon who was kind, committed, and willing to provide Char with anything that made her happy. What made her happy, besides her perfect marriage, was her dressage horse, Mystic, (never mind the cost). And now that a new trainer was moving to Blue Ribbon from Hamburg, Germany, she would have the ability to take her dressage riding to the highest level possible. With everything going so perfectly, Char shouldn’t have had any reason not to be happy. But something had been missing in her relationship with Dr. Kelley, (otherwise known around the hospital as “Dr. Dreamy”), and she couldn’t figure out what it was. When Char finally met Petra, the new dressage trainer, Char became more than just a little star-struck. She was, quite frankly, infatuated, and wanted to spend every waking second at the barn…and with her. What was going on? At first, Char thought it was her fascination with the foreign trainer from Germany who was riding at the Olympic level. But when Petra gave Char a goodbye kiss that was more reminiscent of a French kiss than a platonic one, Char was forced to take a look at what was really going on inside her. Char may not have wanted to take a hard look at herself and risk screwing up her near-perfect life, but having Petra so close ultimately forced the issue if Char ever wanted to move forward and find true happiness. Char was afraid of the answer. What would happen to her and her perfect life? How would she be able to afford her privileged lifestyle and her horse (including the dressage lessons,) that she had grown so accustomed to enjoying? Perhaps she was simply going through a mid-life crisis or was in awe of the new trainer from Germany. Ultimately, Char knew she must find out. She became more afraid of not knowing, than of what the truth might reveal. "
Shelley Tan (Author), Roberta Jackson (Narrator)
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Better Late Than Forever: A Sapphic Romance
"Sofia Clark was newly divorced and looking to restart her life. Having spent summers on beautiful Balboa Island as a young girl and teenager, the magic that she felt as a child about Balboa Island had never left her, even after all these years. Now that her kids were grown and she found herself unexpectedly single, it dawned on her that she was free to move back to the place she had loved as a child, an opportunity that she never imagined she’d have. She quit her job as a principal in northern California and moved to Balboa Island to restart her life in the most magical and happiest place she had ever known. Once on the island, things went very smoothly for her until her heart led her to somewhere new, to a place she’d never even considered, until now. Katrina Anderson was the superintendent, and Sofia’s boss in her new position as the principal of Harbor Street Elementary. At 50 years old, Sofia had never been attracted to women. So what was it about Kat that suddenly drew Sofia to her? What were these unprecedented thoughts that she found herself pondering about Kat? Her children thought it was some sort of midlife crisis. Sofia wasn’t sure. The only thing that she knew was that life was too short. Sofia felt compelled to risk everything in order to find out. "
Shelley Tan (Author), Roberta Jackson (Narrator)
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