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Poems of Emily Dickinson – Series 2
"Few of Emily Dickinson’s poems were published in her lifetime. Her posthumous fame is largely due to the efforts of her editors and supporters Thomas W. Higginson and Mabel Loomis Todd. In the foreword to this second collection, published in 1891, Mabel Loomis Todd wrote: “The eagerness with which the first volume of Emily Dickinson’s poems has been read shows very clearly that all our alleged modern artificiality does not prevent a prompt appreciation of the qualities of directness and simplicity in approaching the greatest themes—life and love and death. That ‘irresistible needle-touch,’ as one of her best critics has called it, piercing at once the very core of a thought, has found a response as wide and sympathetic as it has been unexpected even to those who knew best her compelling power. This second volume, while open to the same criticism as to form with its predecessor, shows also the same shining beauties.”"
Emily Dickinson (Author), Amy Soakes, Charlie Albers, Denis Daly, Gary MacFadden, Gregory Dwyer, JaeAudio, Kylie Elliott, Larry Wilson, Lee Ann Howlett, Linda Barrans, Lyndal Curran Doolan, Margaret Wakeley, Martha H. Weller, Nancy Beard, Ron Altman, Terah Tucker (Narrator)
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"Jane Austen commenced writing in her adolescence and continued right up to her untimely death in 1817. Her novels are reflections of the socially constricted world in which she lived, and the plots are built around the search of one or more young women for a suitable spouse. Austen’s works are noted for the perceptive elegance of her prose and for vigor and detail of characterization. Celebrated critic F. R. Leavis considered Austen as one of the four great English novelists, along with George Eliot, Henry James, and Joseph Conrad. This collection contains the following titles:Sense and Sensibility (1811)Pride and Prejudice (1813)Mansfield Park and Lovers’ Vows (1814)Emma (1816) Works published posthumously: Northanger Abbey (1818)Persuasion (1818)Lady Susan (1871) Unfinished works:The Watsons (1871); completed by L. Oulton (1923)Sanditon: Fragment of a Novel (1925)"
Jane Austen (Author), Catherine Bilson, Denis Daly, Graham Scott, Linda Barrans, Sarah Jane Rose, Terah Tucker, a full cast (Narrator)
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"Shakespeare’s history plays fall into two categories: political dramas and propagandistic pageants. The second category is comprised of the two plays in this presentation, Henry V and Henry VIII. These two plays have many elements in common. An underlying theme is the necessity and glory of government by sovereign royalty. Each play is presented by a chorus, who defines the action and intent of the drama. Rather than a continuous narrative the action is depicted in a series of tableaux, each of which seeks to illustrate a positive aspect of the monarch’s character. In each play an early part of the action involves the detection of treason and the punishment of the malefactors, presented as examples of the king’s shrewdness and rigorous sense of justice. Henry V, originally titled The Life of Henry the Fifth, tells the story of the king’s successful incursion into France to regain control of the territories claimed by the English crown, and his consolidation of his position by marrying the daughter of the King of France. Despite its references to the horror of military conflict, the mood of the play is generally bright and upbeat, although in the final speech the Chorus warns that much of this glory will be lost under the rule of Henry VI. Henry VIII, first published as The Famous History of the Life of King Henry the Eighth, was a joint production by Shakespeare and John Fletcher. It appears to have been written in 1612–1613. During a production of the play at the Globe Theatre in 1613, a cannon was discharged, resulting in a fire which burned the building to the ground. The action of Henry VIII focuses on three major events: The allegation of treason against the Duke of Buckingham, and his subsequent conviction and execution; Henry’s concern over the failure of his wife Katharine of Aragon to produce a male heir, his desire to divorce her and to marry the much younger Anne Bullen (Boleyn); and the birth of Anne’s child, the future Queen Elizabeth I. All references to Anne Bullen’s fall from grace and execution and to Henry’s subsequent marriages are strictly avoided. Henry is presented as a thoughtful and capable sovereign, somewhat overbearing, but genuinely troubled by the thought that his marriage to Katharine may have been canonically improper. Featuring Blaise Doran as Henry V and Josh Innerst as Henry VIII. Audio edited by Denis Daly"
William Shakespeare (Author), Alan Weyman, Blaise Doran, Christopher Dukes, David Shears, Denis Daly, Geraint Pickard, Gregory Dwyer, Josh Innerst, Laura E. Richcreek, Linda Barrans, P. J. Morgan, Shane Emmett, Tim Dehn, a full cast (Narrator)
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"This collection contains eight of Shakespeare’s best loved comedies. Each exhibits the vigour, humour, and optimism of the young master before he turned to the gloom and bitterness of the great tragedies. Contents A Midsummer Night’s Dream All’s Well That Ends Well Twelfth Night Much Ado About Nothing The Comedy of Errors As You Like It Measure for Measure The Merchant of Venice Featuring the voices of:Aisling Gray, Alan Weyman, Alexandra Lee Smith, Blaise Doran, Cate Barratt, Catherine Bilson, Claudia Anglade, Dara Brown, David Shears, Denis Daly, Emma Faye, Gary D. MacFadden, Graham Scott, John Burlinson, Josh Innerst, Kendra Murray, Laura Richcreek, Lillian Rachel, Linda Barrans, Mark Crowle-Groves, Marty Krz, PJ Morgan, Roberta Jackson, Ron Altman, Simon Paxton, Susan Iannucci, Tom Saer, and Trisha Rose. Texts kindly provided by playshakespeare.com Songs created and arranged by Alan Weyman and Marty Krz Audio edited by Denis Daly"
William Shakespeare (Author), Aisling Gray, Alan Weyman, Alexandra Lee Smith, Blaise Doran, Cate Barratt, Catherine Bilson, Claudia Anglade, Dara Brown, David Shears, Denis Daly, Emma Faye, Gary MacFadden, Graham Scott, John Burlinson, Josh Innerst, Kendra Murray, Laura E. Richcreek, Lillian Rachel, Linda Barrans, Mark Crowle-Groves, Marty Krz, P. J. Morgan, Roberta Jackson, Ron Altman, Simon Paxton, Susan Iannucci, Tom Saer, Trisha Rose, a full cast (Narrator)
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"In January 1817, Jane Austen commenced work on a new novel, to which she never assigned a name. By mid-March, she had completed twelve chapters, at which time she ceased working due to illness. The unfinished work was eventually published in 1925 under its working title: Fragment of a Novel Written by Jane Austen, January–March 1817. It has since become known simply as Sanditon, and a number of completions by other authors have since been published. Mr. and Mrs. Parker are visiting Sanditon, a village on the coast of Sussex. Unfortunately, Mr. Parker suffers an injury but he receives assistance from a local farmer, Mr Heywood. The latter’s daughter, Charlotte, is of marriageable age and has three eligible suitors, including the son of local patron, Lady Denham. Lady Denham is very keen to find a suitable match for her son Sir Edward—one of Charlotte’s suitors. Accordingly, she seeks an introduction with a Miss Lambe, a wealthy young heiress from the West Indies who is to take lodgings at Sanditon. Meanwhile, Charlotte finds herself attracted to the witty and debonair Sydney. The narrative ceases at this point, with little indication about the final results of the various romantic encounters. However, it appears clear that Charlotte is intended to be the heroine of the story."
Jane Austen (Author), Catherine Bilson, Denis Daly, Graham Scott, Linda Barrans, Sarah Jane Rose, a full cast (Narrator)
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"Many of the stories in this book seem at the same time both familiar and strange. Their authors valued family, duty, patience and heroism. They longed for children in their old age, and rejoiced when they saw cruelty and envy punished, wrongs righted, and kindness and bravery rewarded. These ideas are recognized the world over. What makes the stories different is partly the characters: the brave samurai, the evil wizards; the fantastical creatures – goblins, dragons, demons, fairies; the cunning talking animals – not only sparrows, badgers and rabbits, but crocodiles and jellyfish too. You may feel you know what is coming when the hero is told not, under any circumstance, to open the box – or when the doting father takes a second wife, a wicked stepmother. There is even one tale where the new wife sends a servant to take the daughter into the woods and dispose of her (sound familiar?). Though the ideas are tried and trusted, the journey is fresh and new. Not only because the heroes ride on paper cranes or tortoises that swim under the sea – but because the destination may not be what you expect. There is even more than one story where the wicked woman repents her evil ways and goes on to live a good and kind life."
Yei Theodora Ozaki (Author), Linda Barrans (Narrator)
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Poems of Emily Dickinson – Series 1
"Emily Dickinson was one of the most reclusive of all poets. She spent much of her life in seclusion in her father’s house in Amherst, and only a handful of her 1800 poems were published in her lifetime. Credit for the posthumous publication of her work must be given to her editor and friend Thomas W. Higginson, who reported that, in spite of the voluminous correspondence which passed between himself and Dickinson, he only met her twice in person. Dickinson’s poems are all short; few of them exceed twenty lines. Within her writing, the most mundane events of domestic life appear as events of momentous significance. The original editors of this collection write that, “The main quality of these poems is that of extraordinary grasp and insight, uttered with an uneven vigor, sometimes exasperating, seemingly wayward, but really unsought and inevitable.”"
Emily Dickinson (Author), Amy Soakes, Anthony St. Pierre, Brandon Keener, Caroline Mclaughlin, Charlie Albers, Denis Daly, Erin Bateman, Erin Grassie, Ginger White, Gregory Dwyer, Jennifer Fournier, Kendra Murray, Kylie Elliott, Larry Wilson, Lee Ann Howlett, Lillian Warkentin, Linda Barrans, Lisa Negrón, Lyndal Curran Doolan, Marie Hoffman, Melissa Green, Nancy Beard, Peter Sardi, Roberta Jackson, Ron Altman, Sara Sheckells, Stephanie Németh-Parker, Susan Iannucci, Tim Dehn (Narrator)
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"When the tale begins, a strange and sudden malady is claiming the lives of the local peasants in Styria. Laura, an innocent girl of eighteen, lives a lonely life there with her loving father and two governesses. Then a dramatic coach crash on Laura’s doorstep brings a mysterious, beautiful, but languorous young woman to stay with them. This is Carmilla. Carmilla becomes deeply attached to Laura, and embarrasses her with her wild outbursts of affection. Laura is deeply drawn to her, but also repulsed. When Laura falls gradually ill, exhausted and melancholic, she is unaccountably loathe to tell anyone. She has vivid dreams—one of a huge black cat prowling her bedroom, another of being kissed and caressed. Eventually her mother’s voice warns her to beware the assassin, revealing Carmilla in a blood-stained nightgown. Innocently, Laura interprets this as a sign that Carmilla is being murdered. She rouses the household, but when they break down the door to her room, Carmilla is gone."
Sheridan Le Fanu (Author), Linda Barrans (Narrator)
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"This epistolary novel was probably written in 1794, but was not published until 1871. Lady Susan Vernon, middle-aged and recently widowed, has retained her looks and appealing vivacity. She makes use of her bereavement and her loss of wealth by imposing herself on the hospitality of relatives, and by amusing herself in flirtation with the various men who fall under her spell. Lady Susan has a daughter, Frederica, who is bashful and innocent—in stark contrast to her unfeeling and manipulative mother. Her mother is anxious to marry Frederica off to a spouse of appropriate wealth and social standing, and also, perhaps, to capture a new mate for herself. The forty-one letters between the various parties in this tale of twisted courtship describe Lady Susan’s path to marital satisfaction for her daughter and herself."
Jane Austen (Author), Catherine Bilson, Denis Daly, Linda Barrans (Narrator)
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Songs of Innocence and of Experience
"This collection arguably contains some of the most charming lyrics ever written in English. The childlike simplicity and trust of these artless verses are unique. Blake’s poems can be enjoyed, not only for their historical importance in an age which was fiercely proud of its genius and its traditions, but also for their simple and beautiful expression of “two contrary states of the human soul.” Songs of Innocence was originally a complete collection of twenty-three poems, first printed in 1789. In 1794, a composite collection entitled Songs of Innocence and of Experience, containing forty-seven poems, was published."
William Blake (Author), Adam Skousen, Aisling Gray, Alan Weyman, Ben Stevens, Blaise Doran, Bria Sterling, Charlie Albers, Christianne Lupher, Denis Daly, Emma Faye, Erin Grassie, Gary Mcfadden, Ginger White, Graham Scott, Gregory Dwyer, John Burlinson, Kendra Murray, Kris Keppeler, Laura E. Richcreek, Lee Ann Howlett, Linda Barrans, Lisa Negrón, Lyndal Curran Doolan, Nancy Beard, Rhonda Federman, Roberta Jackson, Ron Altman, Rosalind Murphy, Sarah Bacaller, Shane Emmett, Stephanie Németh-Parker, Stephen Gage, Terah Tucker, Tim Dehn, Trisha Rose (Narrator)
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The Watsons: A fragment by Jane Austen and concluded by L. Oulton
"Jane Austen probably commenced writing The Watsons in 1803 and discontinued it after her father’s death in 1805. The original text contains no chapter divisions. It was first published in 1871 as an appendix to A Memoir of Jane Austen, by the novelist’s nephew, James Edward Austen-Leigh. The story concerns the young and vivacious Emma Watson, one of six children of a widowed clergyman. Emma has spent most of her life under the care of a wealthy aunt of liberal views, and has received a good education. However, when her aunt enters into a second marriage, Emma is forced to return to the family home, where she is affronted by the crass hunting for husbands undertaken her sisters, Penelope and Margaret. Emma herself attracts the notice of local nobleman, Lord Osborne, and also of Mr. Howard, vicar of the nearby parish church. The sisters are invited to visit the home of their brother, Robert, an attorney in Croydon, but Emma refuses to join them. The original text concludes at this point. Several completions of the novel have been composed after the author’s death. The first appeared in 1850, and was written by her niece, Catherine Hubback, who expanded the story into a three volume novel entitled, The Younger Sister. In 1923, the completion by L. Oulton was published. And in 1928, another completion appeared, this time written the granddaughter of Catherine Hubback, Emily Brown, and her husband Francis Brown. In the version completed by Oulton, the narrative concludes with a resolution fairly typical of an Austen novel. However, the full text is considerably shorter than any of the novels completed by the Austen. There has been much speculation as to why Austen discontinued writing the novel. One surmise is that the author may have felt the narrative was uncomfortably close to the events of her own life."
Jane Austen, L. Oulton (Author), Catherine Bilson, Denis Daly, Graham Scott, Linda Barrans, Sarah Jane Rose, a full cast (Narrator)
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"Much Ado About Nothing, Twelfth Night, and As You Like It are usually regarded as Shakespeare’s crowning achievements in the world of mirth and humor. In this group of plays, written during the playwright’s Second Period (1595–1600), the author depicts chiefly the cheerful, energetic side of life. In As You Like It, a wicked Duke expels his virtuous brother, the lawful ruler, from his domains. The banished Duke takes refuge with his followers in the Forest of Arden, where they live as free a life as did Robin Hood and his merry men. They are presently sought out by the Duke’s daughter Rosalind and her cousin Celia, who have been banished by the usurper. Also among the banished is Orlando, a virtuous young man, who is being pursued by his wicked brother Oliver, pursuant to the orders of the usurping duke. Orlando and Rosalind immediately fall in love, and she, disguised as a boy under the name of Ganymede, makes sport with him throughout the play. Eventually all ends happily – with conversions, repentance and revelations of love. Featuring the voices of Linda Barrans, Blaise Doran, Laura Richcreek, Emma Faye, Claudia Anglade, P J Morgan, Gary MacFadden, Denis Daly, Marty Krz, Dara Brown, Trisha Rose, John Burlinson, and Kendra Murray. Audio edited by Denis Daly Tunes for songs provided by Alan Weyman. The text used for this performance was kindly provided by playshakespeare.com. Production copyright 2024 is held by Voices of Today."
William Shakespeare (Author), Blaise Doran, Claudia Anglade, Dara Brown, Denis Daly, Emma Faye, Gary MacFadden, John Burlinson, Kendra Murray, Laura E. Richcreek, Linda Barrans, Marty Krz, P. J. Morgan, Trisha Rose, a full cast (Narrator)
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