'NBC University Theater' initially started in Chicago with a remit to bring adaptations of classic novels, usually Anglo-American, to a radio audience. Additionally, if listeners signed up they received college credit to a radio-assisted correspondence course. A study guide, The Handbook of the World's Great Novels, was available for 25 cents. In its later years it also included short stories and plays and went on to win the distinguished Peabody award.Unlike many other radio shows University Theatre did not pursue the glamourous stars for its productions but instead relied on excellent distillations of the novels and first class acting alongside high production values.But now its time to enjoy these timeless novels. Let's begin.
Beginning with the assassination of McKinley and ending with the defeat of the League of Nations by the United States Senate, the twenty-year period covered by John Dos Passos in this lucid and fascinating narrative changed the whole destiny of America. This is the story of the war we won and the peace we lost, told with a clear historical perspective and a warm interest in the remarkable people who guided the United States through one of the most crucial periods.
Foremost in the cast of characters is Woodrow Wilson, the shy, brilliant, revered, and misunderstood 'schoolmaster,' whose administration was a complex of apparent contradictions. Wilson had almost no interest in foreign affairs when he was first elected, yet later, in proposing the League of Nations, he was to play a major role in international politics. During his first summer in office, without any previous experience in banking, he pushed through the Federal Reserve Bank Act, perhaps his most lasting contribution. Reelected in 1916 on the rallying cry, 'He kept us out of war,' he shortly found himself and his country inextricably involved in the European conflict.
Considered by many to be John Dos Passos's greatest work, Manhattan Transfer is an 'expressionistic picture of New York' (New York Times) in the 1920s that reveals the lives of wealthy power brokers and struggling immigrants alike. From Fourteenth Street to the Bowery, Delmonico's to the underbelly of the city waterfront, Dos Passos chronicles the lives of characters struggling to become a part of modernity before they are destroyed by it.
More than ninety years after its first publication, Manhattan Transfer still stands as 'a novel of the very first importance' (Sinclair Lewis). It is a masterpiece of modern fiction and a lasting tribute to the dual-edged nature of the American dream.
Book 3 in the U.S.A. series.
The final chapter in John Dos Passos's celebrated U.S.A. trilogy showcases a surging postwar America heading inexorably toward economic disaster.
The Big Money completes John Dos Passos's three-volume "fable of America's materialistic success and moral decline" (American Heritage) and marks the end of "one of the most ambitious projects that an American novelist has ever undertaken" (Time). Here we come back to America after the war and find a nation on the upswing. Industrialism booms. The stock market surges. Lindbergh takes his solo flight. Henry Ford makes automobiles. From New York to Hollywood, love affairs to business deals, it is a country taking the turns too fast, speeding toward the crash of 1929.
Ultimately, the novels of the U.S.A. trilogy—both individually and as a whole—paint a sweeping portrait of collective America and showcase the brilliance and bravery of one of its most enduring and admired writers.
Book 2 in the U.S.A. series.
In this second volume of his widely acclaimed U.S.A. trilogy, John Dos Passos's characters try to cope as the world engages in war.
With 1919, the second volume of his U.S.A. trilogy, John Dos Passos continues his "vigorous and sweeping panorama of twentieth-century America" (Forum), lauded on publication of the first volume not only for its scope but also for its groundbreaking style. Again, employing a host of experimental devices that would inspire a whole new generation of writers to follow, Dos Passos captures the many textures, flavors, and background noises of modern life with a cinematic touch and unparalleled nerve.
1919 opens to find America and the world at war, and Dos Passos's characters, many of whom we met in the first volume, are thrown into the snarl. We follow the daughter of a Chicago minister, a wide-eyed Texas girl, a young poet, and a radical Jew, and we glimpse Woodrow Wilson, Theodore Roosevelt, and the Unknown Soldier.
Book 1 in the U.S.A. series
This first entry in John Dos Passos's celebrated U.S.A. trilogy paints a grand picture of the United States at the dawn of the twentieth century.
With his U.S.A. trilogy, comprising The 42nd Parallel, 1919, and The Big Money, John Dos Passos is said by many to have written the great American novel. While Fitzgerald and Hemingway were cultivating what Edmund Wilson once called their "own little corners," Dos Passos was taking on the world. Counted as one of the best novels of the twentieth century by the Modern Library and by some of the finest writers working today, U.S.A. is a grand, kaleidoscopic portrait of a nation, buzzing with history and life.
The trilogy opens with The 42nd Parallel, where we find a young country at the dawn of the twentieth century. Slowly, in stories artfully spliced together, the lives and fortunes of five characters unfold. Mac, Janey, Eleanor, Ward, and Charley are caught on the storm track of this parallel and blown New Yorkward. As their lives cross and double back again, the likes of Eugene Debs, Thomas Edison, and Andrew Carnegie make cameo appearances.
When John Dos Passos published this book in 1921, its explosive portrait of World War I shocked America. Instead of glorifying the Great War, he shows three men caught in a military machine that is as dangerous for them as the foreign terrain and the enemies they fight. Fuselli leaves San Francisco for the front lines in France, anxious to move up the military ladder of success. Chrisfield, a farm boy from Indiana, feels himself swept along as he marches in a sea of other soldiers. And Andrews, a classical musician, searches for a sense of direction and meaning as he joins the ranks.
Each will be swallowed up and changed forever by a vast, faceless automaton-the Army. Based on Dos Passos' own experiences as an ambulance driver in Europe during World War I, Three Soldiers is honored as a classic antiwar novel. Sweeping in its scope and drama, it is riveting historical fiction. Veteran narrator George Guidall's reading conveys all the conflicts and emotions that bombard the three recruits.
