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Grown Ups

"Voiced by a forty-year-old architect, this vignette of modern life presents a witty window into dysfunctional family dynamics and the pressure on women to have children."

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LoveReading Says

LoveReading Says

Short and brilliantly bittersweet, Marie Aubert’s Grown Ups packs plenty of existential trials into its 160 pages. Honest, entertaining, and poignant with it, Grown Ups shows how many of us never quite grow up through its nuanced, droll portrayal of family dynamics.

Single architect Ida isn’t terribly keen on children - “other people’s children, always, everywhere” - but, at forty, as her family gather at their country cabin to celebrate her mother’s 65th birthday, she’s considering freezing her eggs for the future. Sibling tension and rivalry is succinctly and potently evoked from the outset, delivered through Ida’s engaging first-person narrative that often drifts into introspective monologues.

Her younger sister Marthe is insecure, desperate to conceive, and envious of Ida. At the same time, Ida competes with Marthe (“She can’t overtake me”), sick of Tinder, and desperate for physical closeness, “to have someone come up behind me, hold me, their breath at my neck.” The cracks that come in the wake of Marthe’s big announcement widen further during their mother’s birthday meal, leaving both sisters forever changed.

Joanne Owen
Reviewed by Joanne Owen
Joanne Owen’s lifelong love of reading and writing began when she was growing up in Pembrokeshire, and very much wished that witches (and Mrs Pepperpot) were real.
More reviews by Joanne Owen
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About Grown Ups

Ida is a forty-year-old architect, single and struggling with the feeling of panic as she realises her chances of motherhood are rapidly falling away from her. She's navigating Tinder and contemplating freezing her eggs - but tries to put a pause on these worries as she heads out to the family country cabin for her mother's 65th birthday.

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Primary Genre Family Drama
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