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Agnes Ravatn (b. 1983) is an author and columnist. She made her literary debut with the novel Week 53 (Veke 53) in 2007. Since then she has written three critically acclaimed and award-winning essay collections: Standing still (Stillstand), 2011, Popular reading (Folkelesnad), 2011, and Operation self-discipline (Operasjon sjoldisiplin), 2014. In these works Ravatn shows her unique, witty voice and sharp eye for human fallibility. Her second novel, The Bird Tribunal (Fugletribuanlet), 2013, is a strange and captivating story about shame, guilt and atonement. Ravatn received The cultural radio P2's listener's prize for this novel, a popular and important prize in Norway, in addition to The Youth's Critic's Prize. The Bird Tribunal was also made into a successful play, which premiered in Oslo in 2015.
A Maxim Jakubowski selected title. Some books are claustrophobic as they isolate their characters in a constricted setting, but Norwegian crime author Ravatn achieves the curious exploit of making a novel mostly set in the vast open air of the fjords claustrophobic as its two sole characters (aside from just a couple of outside 'extras') stew, fight, love and so much more in a cabin by a lake under the wide open sky. Allis, a journalist in disgrace, seeks a new life as a cook, gardener and helper with Sigurd, a taciturn older man who owns a cabin in a remote region of Norway, and whose wife is mysteriously absent. The psychological cat and mouse game is gripping as they clash, repel and attract and questions soon are raised about their previous lives and how past events will affect their future together or apart. Intense, lapidary, dream-like and streaked with anxiety, this is not a comfortable book, with not always likeable obsessive characters, but it proves rewarding as an investigation into the blank darkness of lost souls. ~ Maxim Jakubowski One of our Books of the Year 2016. The Lovereading view... A subtle, quietly sinister tale, where the tension slowly creeps and coils around the edge of your understanding. Allis removes herself from her previous life to become a housekeeper for Sigurd. On the edge of a fjord in a lonely existence, can Allis make sense of her life and reveal the secrets that cloak the house? Agnes Ravatn hasn't used quotation marks, this creates an intimacy with the words, yet they somehow echo with desolate intensity. The translation by Rosie Hedger is perfectly and completely in tune with the story. Gradually, slowly and almost silently, information is revealed, which kept me on the edge of my seat. ‘The Bird Tribunal’ unsettles, agitates and unnerves before a fierce concentrated rush of drama filled pages… and yet at the end, I detected a whisper of uncertainty floating in my mind, which actually left me feeling very satisfied indeed with this enthralling read. ~ Liz Robinson A 'Piece of Passion' from the Publisher...I had my eye on The Bird Tribunal for quite some time before I was in a position to acquire rights to publish in English, and I watched it win countless awards in its native Norway and go on to be made into a stage play. When a reader’s report and then the fabulous translation came in, I was not disappointed. It is one of the most captivating, tense, dramatic thrillers I have read in years. With only two characters and a Rebecca-esque plotline, it is beautifully written, with the isolated Norwegian fjord and the gardens of the solitary house situated there exquisitely described, and the sense of foreboding, the slow building of tension, the trickle of insights into the characters and the secrets they are hiding, make it an exceptional read. It’s already won an English PEN Translation Award, and been chosen for WHSmith’s Fresh Talent for the Autumn, and I could not be prouder to publish a book that takes Nordic Noir to fabulous new heights and marks the arrival of a major new talent in the genre. ~ Karen Sullivan, Publisher, Orenda Books Click here to read a Q&A with this author.