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Siri Hustvedt's first novel, THE BLINDFOLD, was published by Sceptre in 1993 and her second, THE ENCHANTMENT OF LILY DAHL, followed in 1997. Both were highly acclaimed and translated around the world, while part of THE BLINDFOLD was made into a film (Of Women and Magic, directed by Claude Miller). Her third novel, WHAT I LOVED, was published in 2003 to even greater acclaim and has been an international success. Her work has been published in The Paris Review, Fiction, and The Best American Short Stories, and she is also the author of READING TO YOU, a poetry collection, and three collections of essays, YONDER, MSYTERIES OF THE RECTANGLE: Essays on Painting, and A PLEA FOR EROS. She lives in Brooklyn, New York.
Photograph Â© Sigrid Estrada
Longlisted for The Man Booker Prize 2014. Artist Harriet Burden, consumed by fury at the lack of recognition she has received from the New York art establishment, embarks on an experiment: she hides her identity behind three male fronts who exhibit her work as their own. And yet, even after she has unmasked herself, there are those who refuse to believe she is the woman behind the men. Presented as a collection of texts compiled by a scholar years after Burden's death, the story unfolds through extracts from her notebooks, reviews and articles, as well as testimonies from her children, her lover, a dear friend, and others more distantly connected to her. Each account is different, however, and the mysteries multiply. One thing is clear: Burden's involvement with the last of her 'masks' turned into a dangerous psychological game that ended with the man's bizarre death. This is a polyphonic tour de force from the internationally acclaimed author of What I Loved, an intricately conceived, diabolical puzzle that explores the way prejudice, fame, money and desire influence our perceptions of one another. Emotionally intense, intellectually rigorous, ironic and playful, The Blazing World is as gripping as it is thought-provoking.
A book you will either love or hate, find long and tedious or be captivated and charmed. It is the story of two families involved in New York’s artistic life and reflected upon by a half-blind, elderly Jewish professor who has memories of pre-war Germany and relatives exterminated by the Nazis. His American life is full of tragedy too. This is a powerful, highly intelligent book.Comparison: Donna Tartt, Matthew Kneale, Paul Auster.
Wie denkt der Korper?Was ist der Verstand? Wie unterscheidet er sich vom Krper? Kann der Verstand auf Neuronen im Gehirn reduziert werden oder nicht? In ihrem Essay nimmt sich Siri Hustvedt das uralte, noch immer nicht gelste Geist-Krper-Problem vor und macht deutlich, wie sehr die unterschiedlichen Antworten auf diese Frage tiefgreifende Bedeutung fr unser Verstndnis von uns selbst haben. Mit ihrem multidisziplinren Zugang zeigt Hustvedt, wie sehr ungerechtfertigte Annahmen ber Krper und Geist das Denken der Neurowissenschaftler, Genetiker, Psychiater, Evolutionspsychologen und der Forscher zur Knstlichen Intelligenz verzerrt und verwirrt hat. In diesem gelehrsamen Essay fhrt Hustvedt den Leser in verschiedene krperintegrierende Theorien von Bewusstsein ein, die die aktuelle Debatte ber Verstand und Krper verndern. Gleichzeitig betont sie, dass keine Idee unantastbar ist. "e;Zweifel"e;, schreibt sie, "e;ist nicht nur ein Ausdruck von Intelligenz; es ist eine Notwendigkeit."e;
Prizewinning novelist, feminist, and scholar Siri Hustvedt turns her brilliant and critical eye toward the metaphysical issues of neuropsychology in this lauded, standalone volume. Originally published in her collection A Woman Looking at Men Looking at Women, The Delusions of Certainty exposes how the age-old, unresolved mind-body problem has shaped - and often distorted and confused - contemporary thought in neuroscience, psychiatry, genetics, artificial intelligence, and evolutionary psychology.
';The Delusions of Certainty is a unique book by an extraordinary author. Siri Hustvedt is a notable novelist, art scholar, and a philosopher of science. In this memorable and immensely enjoyable volume, Hustvedt rises above the exhausted debate over the two cultures, to demonstrate not just the possibility but also the advantages of combining the approaches of the arts, humanities, and sciences to illuminate a key aspect of the human condition: the mind-body problem.' Antonio Damasio, bestselling author of Descartes' Error and Self Comes to Mind ';Siri Hustvedt proves her membership in the highest rank of neuroscientists and philosophers who probe the nature of thought and the workings of consciousness. A novelist and a student of psychoanalysis and neuroscience, Hustvedt can ask questions others cannot ask about imagination, identity, epistemology, gendered power, and mortality. Her authoritative knowledge and her courage to challenge the status quo guide the reader to fresh epiphanies about what counts as human nature. The work is, in the end, a work of freedom.' Rita Charon, Columbia University ';The Delusions of Certainty is the best book on the mind-body problem I have ever read. Perhaps only a great novelist and essayist can address what neuroscientists and philosophers fail to question. Siri Hustvedt takes the reader on an inspiring journey into highly relevant and often unanswered questions about what it means to be human.' Vittorio Gallese, University of Parma Prizewinning novelist, feminist, and scholar Siri Hustvedt turns her brilliant and critical eye toward the metaphysical issues of neuropsychology in this lauded, standalone volume. Originally published in her ';canonical' (Publishers Weekly) and ';absorbing' (Kirkus Reviews) collection A Woman Looking at Men Looking at Women, The Delusions of Certainty exposes how the age-old, unresolved mind-body problem has shapedand often distorted and confusedcontemporary thought in neuroscience, psychiatry, genetics, artificial intelligence, and evolutionary psychology.
Internationally acclaimed as a novelist, Siri Hustvedt is also highly regarded as a writer of non-fiction whose insights are drawn from her broad knowledge in the arts, humanities, and sciences. In this trilogy of works collected in a single volume, Hustvedt brings a feminist, interdisciplinary perspective to a range of subjects. Louise Bourgeois, Pablo Picasso, Susan Sontag and Knut Ove Knausgaard are among those who come under her scrutiny. In the book's central essay, she explores the intractable mind-body problem and in the third section, reflects on the mysteries of hysteria, synesthesia, memory, perception, and the philosophy of Soren Kierkegaard. With clarity, wit, and passion, she exposes gender bias, upends received ideas, and challenges her reader to think again.
As well as being a prize-winning, bestselling novelist, Siri Hustvedt is widely regarded as a leading thinker in the fields of neurology, feminism, art criticism and philosophy. She believes passionately that art and science are too often kept separate and that conversations across disciplines are vital to increasing our knowledge of the human mind and body, how they connect and how we think, feel and see. The essays in this volume - all written between 2011 and 2015 - are in three parts. A Woman Looking at Men Looking at Women brings together penetrating pieces on particular artists and writers such as Picasso, Kiefer and Susan Sontag as well as essays investigating the biases that affect how we judge art, literature, and the world in general. The Delusions of Certainty is an essay about the mind/body problem, showing how this age-old philosophical puzzle has shaped contemporary debates on many subjects and how every discipline is coloured by what lies beyond argument-desire, belief, and the imagination. The essays in the final section, What Are We? Lectures on the Human Condition, tackle such elusive neurological disorders as synesthesia and hysteria. Drawing on research in sociology, neurobiology, history, genetics, statistics, psychology and psychiatry, this section also contains a profound consideration of suicide and a towering reconsideration of Kierkegaard. Together they form an extremely stimulating, thoughtful, wide-ranging exploration of some of the fundamental questions about human beings and the human condition, delivered with Siri Hustvedt's customary lucidity, vivacity and infectiously questioning intelligence.
Scrisa la persoana intai cu un rafinament si o finete remarcabile O vara fara barbati este o carte despre descoperirea sinelui feminin despre diferentele dintre sexe despre maturizare si recuperare o remarcabila cufundare in universul profund al feminitatii.Mia Fredricksen personajul principal din O vara fara barbati pare o femeie implinita. Ajunsa la cincizeci si cinci de ani are o cariera universitara este o poeta cu un oarecare renume si are o fiica fermecatoare care e actrita. Insa romanul debuteaza cu naruirea universului stabil al eroinei: dupa treizeci de ani de casnicie sotul ei Boris Izcovich o paraseste spunandu-i ca vrea sa ia o pauza. Numai ca Mia afla ca pauza este o colega a acestuia cu douazeci de ani mai tinara. Dupa o cadere nervoasa Mia se intoarce peste vara in Bonden orasul copilariei ei unde se integreaza intr-un univers exclusiv feminin in care idiosincraziile si obsesiile batranelor dintr-un azil alterneaza cu vitalitatea si cruzimea copilareasca ale unui grup de fetite carora le preda un curs de poezie.
REISSUED AS A SCEPTRE 30TH CLASSIC, with a new afterword by the author In 1975 art historian Leo Hertzberg discovers an extraordinary painting by an unknown artist in a New York gallery. He buys the work, tracks down its creator, Bill Weschler, and the two men embark on a life-long friendship. This is the story of their intense and troubled relationship, of the women in their lives and their work, of art and hysteria, love and seduction and their sons - born the same year but whose lives take very different paths.
Siri Hustvedt kehrt in diesem Roman in die New Yorker Kunstwelt aus ihrem beruhmtesten Buch "e;Was ich liebte"e; zuruck. "e;Die gleiende Welt"e; ist der Titel eines utopischen Romans von Margaret Cavendish, die im 17. Jahrhundert als eine der ersten Frauen berhaupt unter ihrem eigenen Namen publizierte. Als frhe Universalgelehrte ist sie Vorbild und Idol von Harriett Burden, der Witwe eines einflussreichen New Yorker Galeristen. Nach dessen vorzeitigem Tod in den siebziger Jahren beginnt Harriett - in der ffentlichen Wahrnehmung nichts als die Frau an der Seite des berhmten Mannes, aber in Wahrheit hochtalentiert - ein heimliches Experiment: eine Karriere als Installationsknstlerin, die sich hinter dem angeblichen Werk dreier mnnlicher "e;Masken"e; verbirgt, das in Wahrheit sie selbst erschaffen hat. Doch der faustische Handel schlgt fehl - einer dieser Maskenmnner, selbst ein bekannter Knstler, durchkreuzt ihr Rollenspiel und setzt sein eigenes dagegen, und es kommt zum Kampf zweier groer Geister. Das Buch ist ein Konzert widerstreitender Stimmen, eine polyphone Tour de Force ber die Macht von Vorurteilen, Begierde, Geld und Ruhm. Es versammelt alle groen Themen Siri Hustvedts aus Literatur, Kunst, Psychologie und Naturwissenschaften. Ein mutiges, schillerndes Meisterstck.
LONGLISTED FOR THE MAN BOOKER PRIZE 2014 The artist Harriet Burden, furious at the lack of attention paid her by the New York art world, conducts an experiment: she hides her identity behind three male fronts in a series of exhibitions. Their success seems to prove her point, but there's a sting in the tail - when she unmasks herself, not everyone believes her. Then her last collaborator meets a bizarre end. In this mesmerising tour de force, Burden's story emerges after her death through a variety of sources, including her (not entirely reliable) journals and the testimonies of her children, lover and a dear friend. Each account is different, however, and the mysteries multiply.
Sparkling essays on a variety of subjects--literature, art, popular culture, autobiography--by a renowned young American novelist.In her brilliant and daring novels The Blindfold and The Enchantment of Lily Dahl, Siri Hustvedt has won critical acclaim and a rapidly expanding international audience. But she is also a wide-ranging essayist and critic, frequently reexamining in her fascinating nonfiction many of the central leitmotifs of her fiction.The six pieces in Yonder, Hustvedt's first book of essays, are all meditations on the complex relationship between art and the world. They include a personal essay on memory and place, which investigates the images we retain from our lives, the lives of others in the world, and the lives of characters in books. In "e;Vermeer's Annunciation,"e; Hustvedt gives an entirely original interpretation of the Vermeer painting Woman with a Pearl Necklace. In "e;Ghosts at the Table,"e; she examines the essence of still life as a genre in painting from Cotan and Chardin to Philip Guston. Other essays include a profound piece about Dickens, a reassessment of The Great Gatsby, and a witty and provocative assault on contemporary pieties entitled "e;A Plea for Eros."e;
From the internationally bestselling author of What I Loved and The Summer Without Men, a dazzling collection of essays written with Siri Hustvedt's customary intelligence, wit and ability to convey complex ideas in a clear and lively way. Divided into three sections - Living, which draws on Siri's own life; Thinking, on memory, emotion and the imagination; and Looking, on art and artists - the essays range across the humanities and science as Siri explores how we see, remember, feel and interact with others, what it means to sleep, dream and speak, and what we mean by 'self'. The combination offers a profound and fascinating insight into ourselves as thinking, feeling beings.
It is a stunning selection of images from Robert Mapplethorpe, as selected by renowned film director Pedro Almodovar. Robert Mapplethorpe and Pedro Almodovar first met in Madrid in 1984, during the photographer's first Madrid-based exhibition at the Fernando Vijande Gallery. At the time, Mapplethorpe was already an accomplished artist, with solo exhibitions in New York and London to his name, whilst Almodovar was a highly regarded underground filmmaker. This superbly illustrated volume brings together a collection of 31 Mapplethorpe images spanning 1976 to 1989, as selected by Almodovar himself for an exhibition at the Galeria Elvira Gonzalez in 2011. Almodovar's gaze has focused primarily on the human body and the geometry of the space surrounding it. Like Mapplethorpe himself, the film director views flower compositions, nudes and still life as the ultimate expression of the concept of beauty.
Die New Yorker Dichterin Mia und der Neurowissenschaftler Boris haben eine Ehekrise. Boris mochte eine "e;Pause"e;. Mia stellt fest, dass die Pause viel junger als sie und uberdies Boris' Laborassistentin ist. Nach einer klinischen Depression braucht sie eine Pause, fhrt allein in ihre Geburtsstadt in Minnesota und verbringt den Sommer in der Nhe ihrer Mutter, die, mit neunzig noch ziemlich munter, im Heim lebt. Ansonsten brtet Mia ber den untreuen Boris und die Mnner im Allgemeinen. Mit Wut im Bauch und dem Herzen auf der Zunge notiert sie zum Thema Liebe, Ehe und Sex, was ihr einfllt. Und das ist, neben Gedichten und einem erotischen Tagebuch, eine Menge!Die Kur schlgt an, und siehe da, langsam entdeckt sie sich und das Leben neu. Was fr ein Genuss, was fr eine Befreiung! Selbst Boris merkt das in der Ferne und schickt zerknirschte Mails. Siri Hustvedts neuer Roman ist ein hinreiendes, blitzgescheites Buch ber das Leben von Frauen heute. Von der Geburt ber den Sexus bis zum Tod, die scharfzngige Mia nimmt kein Blatt vor den Mund. So erfrischend, so komisch kann Beziehungsanalyse sein - und das ganz ohne Mnner!
After Mia Fredricksen's husband of thirty years asks for a pause - so he can indulge his infatuation with a young French colleague - she cracks up (briefly), rages (deeply), then decamps to her prairie childhood home. There, gradually, she is drawn into the lives of those around her: her mother's circle of feisty widows; the young woman next door; and the diabolical teenage girls in her poetry class. By the end of the summer without men, Mia knows what's worth fighting for - and on whose terms. Provocative, mordant, and fiercely intelligent, this is a gloriously vivacious tragi-comedy about women and girls, love and marriage, and the age-old war between the sexes.
While speaking at a memorial event for her father, the novelist Siri Hustvedt suffered a violent seizure from the neck down. Was it triggered by nerves, emotion - or something else entirely? In this profoundly thought-provoking and revealing book, Hustvedt takes the reader on her journey through psychiatry, philosophy, neuroscience and medical history in search of a diagnosis. Conveying the often frightening mysteries of illness, she illuminates the perenially mysterious connection between mind and body and what we mean by 'I'.
After their father's funeral, Erik and Inga Davidsen find a cryptic letter from an unknown woman among his papers, dating from his adolescence in rural Minnesota during the Depression. Returning to his psychiatric practice in New York, Erik sets about reading his father's memoir, hoping to discover the man he never fully understood. At the same time, another woman enters Erik's lonely, divorced life - a beautiful Jamaican who moves into his garden flat with her small daughter. As Erik gets drawn into the cat-and-mouse tactics of someone who appears to be stalking her, he finds out that his sister Inga is also being threatened, by a journalist in possession of a wounding secret from her past. A multi-layered novel that probes the mysteries of the heart and mind, THE SORROWS OF AN AMERICAN is compulsive, thought-provoking and profoundly affecting.
A stunning collection of essays by the author of WHAT I LOVED, in which she addresses many of the themes explored in her novels - identity, sexual attraction, relationships, family, mental illness, the power of the imagination, a sense of belonging and mortality. In three cases, she focuses on the novels of other writers - Dickens, James and Fitzgerald. She also refers to her own novels, affording an unusual insight into their creation. Whatever her topic, her approach is unaffected, intimate and conversational, inviting us both to share her thoughts and reflect on our own views and ideas.
Lily Dahl is a heroine of the old school: tough, beautiful and brave. A nineteen-year-old waitress and aspiring actress living in Webster, Minnesota, she becomes enchanted by an exotic outsider - an artist from New York. Drawn into a world of erotic adventure, she finds herself the target of mysterious acts of madness as she strains against the confines of small town life.
Iris Vegan, a graduate student living alone and impoverished in New York, encounters four strong characters who fascinate and in different ways subordinate her: an inscrutable urban recluse who employs her to record the possessions of a murdered woman; a photographer whose eerie portrait of Iris takes on a life of its own; an old woman in hospital who tries to claim a remnant of the ailing Iris; and a professor she has an affair with. An exploration of female identity in an age when the old definitions - as some man's daughter/wife/mother - no longer apply, fuelled with eroticism and a sense of menace.