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Audiobooks Narrated by Ray Childs
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"Berkeley uses the Socratic mode of inquiry in Three Dialogues between Hylas and Philonous to question fundamental beliefs about knowledge and reality. These dialogues are between Hylas (whose name is derived from the ancient Greek word for matter) and Philonous, whose name means “lover of mind.” The new physical sciences developed in the seventeenth century supported the materialism proposed by Thomas Hobbes and several other philosophers.
This worldview proclaimed that all of reality consists of nothing but matter in motion, thus promoting atheism and ethical skepticism. The implications for politics, ethics, and religion caused concern among leading intellectuals in the eighteenth century. Whatever the value of the positive claims presented in this work, Berkeley foreshadows the philosophical impact of twentieth century physics, which challenges the foundations of such materialism and calls for a better understanding of both the physical and the mental aspects of reality"
"Hippias of Elis travels throughout the Greek world practicing and teaching the art of making beautiful speeches. On a rare visit to Athens, he meets Socrates who questions him about the nature of his art. Socrates is especially curious about how Hippias would define beauty. They agree that 'beauty makes all beautiful things beautiful,' but when Socrates presses him to say precisely what he means, Hippias is unable to deliver such a definition. The more Socrates probes, the more absurd the responses from Hippias become. This is one of Plato’s best comedies and one of his finest efforts at posing the philosophical problem of the difference between particular things and universal qualities.
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Plato lived in Athens, Greece. He wrote approximately two-dozen dialogues that explore core topics that are essential to all human beings. Although the historical Socrates was a strong influence on Plato, the character by that name that appears in many of his dialogues is a product of Plato’s fertile imagination. All of Plato’s dialogues are written in a poetic form that his student Aristotle called 'Socratic dialogue.' In the twentieth century, the British philosopher and logician Alfred North Whitehead characterized the entire European philosophical tradition as 'a series of footnotes to Plato.' Philosophy for Plato was not a set of doctrines but a goal — not the possession of wisdom but the love of wisdom. Agora Publications offers these performances based on the assumption that Plato wrote these works to be performed by actors in order to stimulate additional dialogue among those who listen to them. "
"The dramatic nature of Plato’s dialogues is delightfully evident in the 'Symposium.' The marriage between character and thought bursts forth as the guests gather at Agathon’s house to celebrate the success of his first tragedy. With wit and insight, they each present their ideas about love — from Erixymachus’s scientific naturalism to Aristophanes’ comic fantasy. The unexpected arrival of Alcibiades breaks the spell cast by Diotima’s ethereal climb up the staircase of love to beauty itself. Ecstasy and intoxication clash as Plato concludes with one of his most skillful displays of dialectic.
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Plato lived in Athens, Greece. He wrote approximately two-dozen dialogues that explore core topics that are essential to all human beings. Although the historical Socrates was a strong influence on Plato, the character by that name that appears in many of his dialogues is a product of Plato’s fertile imagination. All of Plato’s dialogues are written in a poetic form that his student Aristotle called 'Socratic dialogue.' In the twentieth century, the British philosopher and logician Alfred North Whitehead characterized the entire European philosophical tradition as 'a series of footnotes to Plato.' Philosophy for Plato was not a set of doctrines but a goal — not the possession of wisdom but the love of wisdom. Agora Publications offers these performances based on the assumption that Plato wrote these works to be performed by actors in order to stimulate additional dialogue among those who listen to them. "
"Socrates is in prison, sentenced to die when the sun sets. In this final conversation, he asks what will become of him once he drinks the poison prescribed for his execution. Socrates and his friends examine several arguments designed to prove that the soul is immortal. This quest leads him to the broader topic of the nature of mind and its connection not only to human existence but also to the cosmos itself. What could be a better way to pass the time between now and the sunset?
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Plato lived in Athens, Greece. He wrote approximately two-dozen dialogues that explore core topics that are essential to all human beings. Although the historical Socrates was a strong influence on Plato, the character by that name that appears in many of his dialogues is a product of Plato’s fertile imagination. All of Plato’s dialogues are written in a poetic form that his student Aristotle called 'Socratic dialogue.' In the twentieth century, the British philosopher and logician Alfred North Whitehead characterized the entire European philosophical tradition as 'a series of footnotes to Plato.' Philosophy for Plato was not a set of doctrines but a goal — not the possession of wisdom but the love of wisdom. Agora Publications offers these performances based on the assumption that Plato wrote these works to be performed by actors in order to stimulate additional dialogue among those who listen to them. "
"David Hume’s Dialogues Concerning Natural Religion had not yet been published when he died in 1776. Even though the manuscript was mostly written during the 1750s, it did not appear until 1779. The subject itself was too delicate and controversial, and Hume’s dialectical examination of religious knowledge was especially provocative. What should we teach young people about religion? The characters Demea, Cleanthes, and Philo passionately present and defend three sharply different answers to that question. Demea opens the dialogue with a position derived from René Descartes and Father Malebranche — God’s nature is a mystery, but God’s existence can be proved logically. Cleanthes attacks that view, both because it leads to mysticism and because it attempts the impossible task of trying to establish existence on the basis of pure reason, without appeal to sense experience. As an alternative, he offers a proof of both God’s existence and God’s nature based on the same kind of scientific reasoning established by Copernicus, Galileo, and Newton. Taking a skeptical approach, Philo presents a series of arguments that question any attempt to use reason as a basis for religious faith. He suggests that human beings might be better off without religion. The dialogue ends without agreement among the characters, justifying Hume’s choice of dialogue as the literary style for this topic.
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Born in Scotland, Hume challenges much of the philosophy that prevailed in Europe and England in the 17th and 18th century. He was especially critical of the rationalism developed by René Descartes and his followers. Although he wrote a number of influential essays (including 'A Treatise of Human Nature' and 'Inquiry Concerning Human Understanding'), his dialogues are especially well suited for the topic of religion. As his character Pamphilus says: 'Any philosophical question that is so obscure and uncertain that human reason can reach no agreement about it, if it is treated at all, seems to lead us naturally to the style of dialogue.'"
