Audiobooks by Samuel Beckett

Radio Beckett: Five Full Cast BBC Audio Plays by Nobel Prize winning writer Samuel Beckett

"Broadcaster Matthew Sweet presents a sequence of radio plays by Samuel Beckett, with star casts including Stephen Rea and Ian McKellen Samuel Beckett captured the pathos and irony of modern life like no other dramatist. In the decade following the success of Waiting for Godot (1952), he wrote some of his most absorbing work for radio, among them this sequence of short pieces. Suffused with the same musicality as his stage plays, they are increasingly different in tone and conception, giving us insight into the development of Beckett’s style and his approach to sound. With the exception of From an Abandoned Work, they can be heard in binaural surround sound through headphones or earbuds, creating an intimate, immersive audio experience. Matthew Sweet introduces the plays, providing context to the productions. From an Abandoned Work – Developed from the fragments of an unfinished novel, this radio monologue stars Stephen Rea as the unnamed elderly protagonist, who looks back on three days of his youth spent wandering the rural roads in all weather. As he recalls his mother waving him goodbye, the sight of a white horse and a murderous tribe of stoats, he ponders questions of life and death… Rough for Radio 1 – Monica Dolan and Ron Cook star in this debut BBC production of Beckett’s two-hander centred on a taciturn man, his curious female visitor who has ‘come to listen’ and his subsequent frantic phone calls… Abstract and experimental, Rough for Radio 1 utilises music and voices, silence and pauses, to explore themes of isolation, the impossibility of communication and the disconcerting nature of audio technology. Rough for Radio 2 – In this companion piece to Rough for Radio 1, starring Stephen Dillane, Louise Brealey, Brian Protheroe and Nick Underwood, we find ourselves in an interrogation room, where an animator is trying to force his victim, Fox to speak. With them are the stenographer, whose transcription shows that something is fundamentally amiss, and Dick, who has nothing to say… Words and Music – Commanded by the irascible Croak, unwilling collaborators Words and Music (aka Joe and Bob).are forced to improvise on the themes of ‘Love’, ‘Age’ and ‘The Face’ in an attempt to create art. Ian McKellen and Carl Prekopp star in Beckett’s absurdist meditation on the limitations of language. featuring a specially-written score by Roger Goula. Cascando – Story and sound work together once more in Cascando, controlled and conducted by the Opener who turns them on and off like a radio. In tandem, they try to tell the tale of Woburn, struggling to perfect it so they can finish and sleep… Starring Stanley Townsend and David Seddon, with music by Roger Goula, Beckett’s 1961 drama delineates the challenges of composition and the writer’s desperate search for inspiration. Production credits Written by Samuel Beckett From an Abandoned Work Performed by Stephen Rea Rough for Radio 1 He – Ron Cook She – Monica Dolan Rough for Radio 2 Animator – Stephen Dillane Stenographer – Louise Brealey Fox – Brian Protheroe Dick – Nick Underwood Words and Music Croak – Ian McKellen Words – Carl Prekopp Cascando Voice – Stanley Townsend Opener – David Seddon Directed by Gaynor Macfarlane Music composed and directed by Roger Goula Composer's assistant: Jessica Jones Music performed by Kit Downes (piano), Georgia Hannant (violin), Oli Langford (viola), Nicola Baigent (bass clarinet), Michael Liu (flute), Raphael Lang (cello), Jessica Jones (synth) First broadcast BBC Radio 3, 2 October 2016 © 2026 BBC Studios Distribution Ltd. (P) 2026 BBC Studios Distribution Ltd"

Samuel Beckett (Author), Brian Protheroe, Carl Prekopp, Ian Mckellen, Louise Brealey, Monica Dolan, Nick Underwood, Ron Cook, Stanley Townsend, Stephen Dillane, Stephen Rea (Narrator)

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How It Is

"How It Is, a landmark in 20th century literature, is one of the most challenging of Samuel Beckett's early novels. He published it first in French in 1961 and then in his own translation in 1964. He explained in a letter that it was the outpouring of a ''man' lying panting in the mud and dark murmuring his 'life' as he hears it obscurely uttered by a voice inside him.... The noise of his panting fills his ears and it is only when this abates that he can catch and murmur forth a fragment of what is being stated within....' It is written in short paragraphs without punctuation. Fragments of expression pour out, of memories, intentions, emotions. It is testing to read on the page, but in this extraordinary recording by Dermot Crowley, How It Is becomes more accessible and comprehensible than ever before. It is, from the start, mesmerizing, and as the character of the protagonist emerges through his words, moments of aggression, of tenderness, of loss and hopelessness become increasingly affecting. The novel is divided into three parts, as the opening paragraph indicates: 'How it was I quote before Pim with Pim after Pim how it is three parts I say it as I hear it [Paragraph] voice once without quaqua on all sides then in me when the panting stops tell me again finish telling me/invocation.'"

Samuel Beckett (Author), Dermot Crowley (Narrator)

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Watt

"Written in Roussillon during World War Two, while Samuel Beckett was hiding from the Gestapo, Watt was first published in 1953. Beckett acknowledged that this comic novel unlike any other 'has its place in the series' - those masterpieces running from Murphy to the Trilogy, Waiting for Godot and beyond. It shares their sense of a world in crisis, their profound awareness of the paradoxes of being, and their distrust of the rational universe. Watt tells the tale of Mr Knott's servant and his attempts to get to know his master. Watt's mistake is to derive the essence of his master from the accidentals of his being, and his painstakingly logical attempts to 'know' ultimately consign him to the asylum. Itself a critique of error, Watt has previously appeared in editions that are littered with mistakes, both major and minor. The new Faber edition offers for the first time a corrected text based on a scholarly appraisal of the manuscripts and textual history. Watt is at times extremely funny, bizarre, allusive and richly poetic. Though 'early' Beckett, the novel shows the author to be a remarkable virtuoso, investing plot and pace with classical, intellectual and earthy content style. Dermot Crowley proves himself a towering Beckett performer, matching clarity with flair; and with its musical surprises (arranged and conducted by Roger Marsh), the recording shows that, once again, a key Becket novel comes to life unforgettably in the audiobook medium."

Samuel Beckett (Author), Dermot Crowley (Narrator)

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Krapp's Last Tape

"Samuel Beckett, one of the great avant-garde Irish dramatists and writers of the second half of the twentieth century, was born on 13 April 1906. His centenary will be celebrated throughout 2006 with performances of his major plays, including Waiting for Godot. Here are the two most famous plays for solo voice. Krapp's Last Tape finds an old man, with his tape recorder, musing over the past and future. Not I is a remarkable tour de force for a single actress, as a woman emits memories and fears. Also included are two other singular short dramas for single voice, That Time read by John Moffatt and A Piece of Monologue read by Peter Marinker. It follows the highly acclaimed recordings of Beckett's Trilogy, Molloy, Malone Dies, and The Unnamable published by Naxos AudioBooks."

Samuel Beckett (Author), Jim Norton, John Moffatt, Juliet Stevenson, Peter Marinker (Narrator)

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Waiting for Godot

"Samuel Beckett, one of the great avant-garde Irish dramatists and writers of the second half of the twentieth century, was born on 13 April 1906. He died in 1989. He won the Nobel Prize for Literature in 1969. His centenary will be celebrated throughout 2006 with performances of his major plays, but the most popular of them all will be, without doubt, the play with which he first made his name, Waiting for Godot. It opened the gates to the theatre of the absurd as four men appear on the stage, apparently with purpose but (perhaps) waiting for someone called Godot. It is stark, funny, bemusing and still deeply affecting half a century since its first production. In this new recording for audiobook, John Tydeman, for many years head of BBC Radio Drama, takes a fresh look at one of the milestones in Western drama. It follows the highly acclaimed recordings of Beckett's Trilogy, Molloy, Malone Dies and The Unnamable published by Naxos AudioBooks."

Samuel Beckett (Author), Various (Narrator)

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The Unnamable

"The Unnamable is the third novel in Becket's trilogy, three remarkable prose works in which men of increasingly debilitating physical circumstances act, ponder, consider and rage against impermanence and the human condition. The Unnamable is without doubt the most uncompromising text and it is read here in startling fashion by Sean Barrett."

Samuel Beckett (Author), Sean Barrett (Narrator)

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Malone Dies

"This is the second in the famous trilogy of novels written by Samuel Beckett in the late 1940s. An old man is dying in a room. His bowl of soup comes, his pots are emptied. He waits to die. And while he waits, he constructs stories, mainly to pass the time. Saposcat, the Lambert family, Macmann and his nurse Moll. Other figures weave in and out of his vision and his imagination. This remarkable soliloquy, so intrinsically Beckettian, is as important as Waiting for Godot or Endgame, the famous plays that made his name. Sean Barrett gives a masterly performance."

Samuel Beckett (Author), Sean Barrett (Narrator)

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Molloy

"Molloy was written by Samuel Beckett initially in French, only later translating it into English. It was published shortly after World War II and marked a new, mature writing style which was to dominate the remainder of his working life. Molloy is divided into two sections. In the first section, Molloy goes in search of his mother. In the second, he is pursued by Moran, an agent. Within this simple outline, spoken in the first person, is a remarkable novel, raising questions of being and aloneness that marks so much of Beckett's work, but richly comic as well. Beautifully written, it is one of the masterpieces of Irish literature. This is the world premiere recording. Written by a master dramatist, it is ideally suited to the audiobook medium."

Samuel Beckett (Author), Dermot Crowley, Sean Barrett (Narrator)

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