"Cash Blackbear, a young Ojibwe woman and occasional sleuth, is back on the case after a man is found dead on a rural Minnesota farm in the next installment of the acclaimed Native crime series.
Minnesota, 1970s: It’s spring in the Red River Valley and Cash Blackbear is doing fieldwork for a local farmer—until she finds him dead on the kitchen floor of the property’s rented farmhouse. The tenant, a Native field laborer, and his wife are nowhere to be found, but Cash discovers their young daughter, Shawnee, cowering under a bed. The girl, a possible witness to the killing, is too terrified to speak.
In the wake of the murder, Cash can’t deny her intuitive abilities: she is suspicious of the farmer’s grieving widow, who offers to take in Shawnee temporarily. While Cash is scouring White Earth Reservation for Shawnee’s missing mother—whom Cash wants to find before the girl is put in the foster system—another body turns up. Concerned by the escalating threat, Cash races against the clock to figure out the truth of what happened in the farmhouse.
Broken Fields is a compelling, atmospheric read woven with details of American Indian life in northern Minnesota, abusive farm labor practices and women’s liberation."
"NATIONAL BESTSELLER • From the award-winning author of the Cash Blackbear series comes a compelling mystery of a Native American woman who learns of the disappearance of one of her own and decides enough is enough.
"Rendon shows how harm done to a marginalized community can reverberate through generations [as] the novel hurtles toward a breath-robbing conclusion."-The New York Times Book Review
WINNER OF THE MINNESOTA BOOK AWARD • A WASHINGTON POST AND BOOK RIOT BEST BOOK OF THE YEAR
All they heard was her scream.
Quill has lived on the Red Pine reservation in Minnesota her whole life. She knows what happens to women who look like her. Just a girl when Jimmy Sky jumped off the railway bridge and she ran for help, Quill realizes now that she's never stopped running. As she trains for the Boston Marathon early one morning in the woods, she hears a scream. When she returns to search the area, all she finds are tire tracks and a single beaded earring.
Things are different now for Quill than when she was a lonely girl. Her friends Punk and Gaylyn are two women who don't know what it means to quit; her loving husband, Crow, and their two beautiful children challenge her to be better every day. So when she hears a second woman has been stolen, she is determined to do something about it-starting with investigating the group of men working the pipeline construction just north of their homes.
As Quill closes in on the truth about the missing women, someone else disappears. In her quest to find justice for all of the women of the reservation, she is confronted with the hard truths of their home and the people who purport to serve them. When will she stop losing neighbors, friends, family? As Quill puts everything on the line to make a difference, the novel asks searing questions about bystander culture, the reverberations of even one act of crime, and the long-lasting trauma of being considered invisible."
"Minnesota, 1970s: A snowmelt has sent floodwaters down to the fields of the Red River Valley, dragging the body of an unidentified Native woman into the town of Ada. The only evidence the medical examiner recovers is a torn piece of paper inside her bra: a hymn written in English and Ojibwe.
Cash Blackbear, a 19-year-old, tough-as-nails Ojibwe woman, sometimes uses her special abilities to help Sheriff Wheaton, her guardian, with his investigations.
When Cash sees the hymn, she knows her search for justice for this anonymous victim will lead her somewhere she hasn’t been in over a decade: the White Earth Reservation, a place she once called home.
When Cash happens upon two small graves in the yard of a rural, “speak-intongues kinda church,” she is pulled into the lives of the pastor and his wife while yet another Native woman turns up dead and her newborn is nowhere to be found."
"Her name is Renee Blackbear, but what most people call the nineteen-year-old Ojibwe woman is Cash.
She lived all her life in Fargo, sister city to Minnesota’s Moorhead, just downriver from the Cities. She has one friend, the sheriff Wheaton. He pulled her from her mother’s wrecked car when she was three. Since then, Cash navigated through foster homes, and at thirteen was working farms, driving truck. Wheaton wants her to take hold of her life, signs her up for college. She gets an education there at Moorhead State all right: sees that people talk a lot but mostly about nothing, not like the men in the fields she’s known all her life who hold the rich topsoil in their hands, talk fertilizer and weather and prices on the Grain Exchange. In between classes and hauling beets, drinking beer, and shooting pool, a man who claims he’s her brother shows up, and she begins to dream the Cities and blonde Scandinavian girls calling for help."
"A murdered man in a field. The sheriff needs Cash—a twenty-something tough, smart Indian woman with special seeing powers.
Cash and Sheriff Wheaton make for a strange partnership. He pulled her from her mother’s wrecked car when she was three. He’s kept an eye out for her ever since. It’s a tough place to live—northern Minnesota along the Red River. Cash navigated through foster homes, and at thirteen was working farms. She’s tough as nails, five feet two inches, blue jeans, blue jean jacket, smokes Marlboros, drinks Bud Longnecks. Makes her living driving truck. Playing pool on the side. Wheaton is big lawman type. Maybe Scandinavian stock, but darker skin than most. He wants her to take hold of her life. Get into junior college. So there they are, staring at the dead Indian lying in the field. Soon Cash was dreaming the dead man’s cheap house on the Red Lake Reservation, mother and kids waiting. She has that kind of power. That’s the place to start looking. There’s a long and dangerous way to go to find the men who killed him. Plus there’s Jim, the married white guy. And Long Braids, the Indian guy headed for Minneapolis to join the American Indian Movement."
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