From the thrilling imagination of bestselling, award-winning Colm Tóibín comes a retelling of the story of Clytemnestra-a spectacularly audacious, violent, vengeful, lustful, and instantly compelling queen of Greek mythology-and her children.
"I have been acquainted with the smell of death." So begins Clytemnestra's tale of her own life in ancient Mycenae, the legendary Greek city from which her husband King Agamemnon left when he set sail with his army for Troy. Clytemnestra rules Mycenae now, along with her new lover Aegisthus, and together they plot the bloody murder of Agamemnon on the day of his return after nine years at war.
Judged, despised, cursed by gods she has long since lost faith in, Clytemnestra reveals the tragic saga that led to these bloody actions: how her husband deceived her eldest daughter Iphigeneia with a promise of marriage to Achilles, only to sacrifice her because that is what he was told would make the winds blow in his favor and take him to Troy; how she seduced and collaborated with the prisoner Aegisthus, who shared her bed in the dark and could kill; how Agamemnon came back with a lover himself; and how Clytemnestra finally achieved her vengeance for his stunning betrayal-his quest for victory, greater than his love for his child.
In House of Names, Colm Tóibín brings a modern sensibility and language to an ancient classic, and gives this extraordinary character new life, so that we not only believe Clytemnestra's thirst for revenge, but applaud it. He brilliantly inhabits the mind of one of Greek myth's most powerful villains to reveal the love, lust, and pain she feels. Told in fours parts, this is a fiercely dramatic portrait of a murderess, who will herself be murdered by her own son, Orestes. It is Orestes' story, too: his capture by the forces of his mother's lover Aegisthus, his escape and his exile. And it is the story of the vengeful Electra, who watches over her mother and Aegisthus with cold anger and slow calculation, until, on the return of her brother, she has the fates of both of them in her hands.
Colm Tóibín’s New York Times bestselling novel—now an acclaimed film starring Saoirse Ronan and Jim Broadbent nominated for four Academy Awards including Best Picture—is “a moving, deeply satisfying read” (Entertainment Weekly) about a young Irish immigrant in Brooklyn in the early 1950s.
“One of the most unforgettable characters in contemporary literature” (Pittsburgh Post-Gazette), Eilis Lacey has come of age in small-town Ireland in the hard years following World War Two. When an Irish priest from Brooklyn offers to sponsor Eilis in America, she decides she must go, leaving her fragile mother and her charismatic sister behind.
Eilis finds work in a department store on Fulton Street, and when she least expects it, finds love. Tony, who loves the Dodgers and his big Italian family, slowly wins her over with patient charm. But just as Eilis begins to fall in love, devastating news from Ireland threatens the promise of her future.
Author “Colm Tóibín…is his generation’s most gifted writer of love’s complicated, contradictory power” (Los Angeles Times). “Written with mesmerizing power and skill” (The Boston Globe), Brooklyn is a “triumph…One of those magically quiet novels that sneak up on readers and capture their imaginations” (USA TODAY).
Colm Tóibín, beloved Irish author of Brooklyn in conversation about his newest novel, with Siri Hustvedt (The Blazing World). With a reading by an actor to be announced. Terry Donnelly (The Irish Repertory Theatre) will read an excerpt.
From one of contemporary literature's bestselling, critically acclaimed and beloved authors, a magnificent new novel set in Ireland, about a fiercely compelling young widow and mother of four, navigating grief and fear, struggling for hope. Set in Wexford, Ireland, Colm Tóibín's superb seventh novel introduces the formidable, memorable and deeply moving Nora Webster. Widowed at forty, with four children and not enough money, Nora has lost the love of her life, Maurice, the man who rescued her from the stifling world to which she was born. And now she fears she may be drawn back into it. Wounded, strong-willed, clinging to secrecy in a tiny community where everyone knows your business, Nora is drowning in her own sorrow and blind to the suffering of her young sons, who have lost their father. Yet she has moments of stunning empathy and kindness, and when she begins to sing again, after decades, she finds solace, engagement, a haven-herself. Nora Webster is a masterpiece in character study by a writer at the zenith of his career, "beautiful and daring" (The New York Times Book Review) and able to "sneak up on readers and capture their imaginations" (USA TODAY). In Nora Webster, Tóibín has created a character as iconic, engaging and memorable as Madame Bovary or Hedda Gabler.
Meryl Streep's performance of Colm Tóibín's acclaimed portrait of Mary is hailed by the New York Times Book Review as "an ideal audiobook," presenting the three-time Academy Award-winner in "yet another great role." Shortlisted for the Man Booker Prize, Colm Tóibín's The Testament of Mary presents Mary as a solitary older woman still seeking to understand the events that become the narrative of the New Testament and the foundation of Christianity. In the ancient town of Ephesus, Mary lives alone, years after her son's crucifixion. She has no interest in collaborating with the authors of the Gospel. They are her keepers, providing her with food and shelter and visiting her regularly. She does not agree that her son is the Son of God; nor that his death was "worth it"; nor that the "group of misfits he gathered around him, men who could not look a woman in the eye," were holy disciples. This woman who we know from centuries of paintings and scripture as the docile, loving, silent, long-suffering, obedient, worshipful mother of Christ becomes a tragic heroine with the relentless eloquence of Electra or Medea or Antigone, in a portrait so vivid and convincing that our image of Mary will be forever transformed. Now Meryl Streep brings Tóibín's tour de force of imagination and language to unforgettable life with "simplicity, honesty, [and] a clarity that draws us into the emotional landscape of the book through the beauty of the writing," writes Charles Isherwood in the New York Times Book Review. "Streep has an impressive ability to crest the structurally intricate sentences Tóibín has fashioned, which sometimes have the flowing, rhythmic cadences of certain passages in the Bible itself," Isherwood writes of her performance. "Streep's voice is familiar to generations of moviegoers, but its beauty as an instrument can be appreciated in this context as it often cannot be in films....Tóibín's exquisite book [is] rendered by Streep with all its detached, quiet, consoling humanity intact."
Eamon Redmond is a judge in Ireland's high court, a completely legal creature who is just beginning to discover how painfully unconnected he is from other human beings. With effortless fluency, Colm Tóibín reconstructs the history of Eamon's relationships-with his father, his first "girl," his wife, and the children who barely know him-and he writes about Eamon's affection for the Irish coast with such painterly skill that the land itself becomes a character. The result is a novel of stunning power, "seductive and absorbing" (USA Today).
In 1950, Katherine Proctor leaves Ireland for Barcelona, determined to escape her family and become a painter. There she meets Miguel, an anarchist veteran of the Spanish Civil War, and begins to build a life with him. But Katherine cannot escape her past, as Michael Graves, a fellow Irish émigré in Spain, forces her to reexamine all her relationships: to her lover, her art, and the homeland she only thought she knew.
The South is a novel of classic themes-of art and exile, and of the seemingly irreconcilable yearnings for love and freedom-to which Colm Tóibín brings a new, passionate sensitivity.
In a brilliant, nuanced, and wholly original collection of essays, the bestselling and award-winning author of Brooklyn and The Empty Family offers a fascinating exploration of famous writers' relationships to their families and their work. From Jane Austen's aunts to Tennessee Williams's mentally ill sister, the impact of intimate family dynamics can be seen in many of literature's greatest works. In New Ways to Kill Your Mother, Colm Tóibín-celebrated both for his award-winning fiction and his provocative book reviews and essays, and currently the prestigious Mellon Professor in the Humanities at Columbia-traces and interprets those intriguing, eccentric, often twisted family ties. Through the relationship between W.B. Yeats and his father, Thomas Mann and his children, and J.M. Synge and his mother, Tóibín examines a world of relations, richly comic or savage in its implications. In Roddy Doyle's writing on his parents, Tóibín perceives an Ireland reinvented. From the dreams and nightmares of John Cheever's journals, Tóibín illuminates this darkly comic misanthrope and his relationship to his wife and his children. "Educating an intellectual woman," Cheever remarked, "is like letting a rattlesnake into the house." Acutely perceptive and imbued with rare tenderness and wit, New Ways to Kill Your Mother is a thought-provoking look at writers' most influential bonds and a secret key to reading and enjoying their work.
Like Michael Cunningham in The Hours, Colm Tóibín captures the extraordinary mind and heart of a great writer. Beautiful and profoundly moving, The Master tells the story of a man born into one of America's first intellectual families who leaves his country in the late nineteenth century to live in Paris, Rome, Venice, and London among privileged artists and writers.
In stunningly resonant prose, Tóibín captures the loneliness and the hope of a master of psychological subtlety whose forays into intimacy inevitably failed those he tried to love. The emotional intensity of this portrait is riveting.
*** Due to Extended track length, it may not be possible to transfer this title to regular audio Cd.
Each of the nine stories in this beautifully written, intensely intimate collection centers on a transformative moment that alters the delicate balance of power between mother and son, or changes the way they perceive one another.
"Wistful, touching and complex, these stories form a panoramic portrait of loss."-Publishers Weekly
The Master tells the story of Henry James, the famous novelist who left America to live in Europe among privileged artists and writers. Tóibín captures the loneliness and longing, the hope and despair of a man whose forays into intimacy inevitably failed him.
"It's an audacious examination, a look at everything that really matters: at family, friends, the rituals of daily and yearly existence, about what keeps people going."-Publishers Weekly