Jessie Burton’s fiery feminist re-telling of the Greek myth of Medusa blazes with intrigue and beauty courtesy of author’s elegant style and Olivia Lomenech Gill’s fabulously evocative colour illustrations. It’s an incredible feat of intellect and imagination that takes down toxic masculinity and victim-blaming culture through an ingenious reframing, reclaiming of Medusa. The gods have exiled Medusa to a remote island, with no one for company but the snakes she has for hair. That is, until impossibly beautiful Perseus arrives and transfixes her: “I know a lot about beauty. Too much in fact. But I’d never seen anything like him…I wanted to eat him up like honey cake.” Desires awoken, Medusa won’t reveal her name, or let him see her: “I was just going to sit on the other side of this entrance rock and pretend that boys like him washed up on desert islands all the time.” This excerpt encapsulates one of the many marvellous things about this book. The writing - cleverly, and compellingly - feels both timeless and modern. Medusa’s narrative, and the dialogue, is laced with wit, and infused with tremendous detail. But betrayal swoops in the wake of desire, and all-too familiar mechanisms of patriarchy come into play with ferocity. Ultimately, though, and with a magnificent sense of sisterhood, Medusa comes to a new state of being: “Self-awareness is a great banisher of loneliness. And my sisters, the immortals, are with me.” This is terrifically inspiring and empowering in the ways of timeless myths, but also in ways that are very, very real - “you will find me when you need me, when the wind hears a woman’s cry and fills my sails forward. And I will whisper on the water that one must never fear the raised shield, the reflection caught in an office window, or the mirror in a bathroom.”
* Instant New York Times No.1 Bestseller * Science fiction and East Asian myth combine in this dazzling retelling of the rise of Wu Zetian, the only female emperor in Chinese history. I have no faith in love. Love cannot save me. I choose vengeance. The boys of Huaxia dream of the celebrity status that comes with piloting Chrysalises - giant transforming robots that battle the aliens beyond the Great Wall. Their female co-pilots are expected to serve as concubines and sacrifice their lives. When 18-year-old Zetian offers herself up as a concubine-pilot, her plan is to assassinate the ace male pilot responsible for her sister's death. But on miraculously emerging from the cockpit unscathed after her first battle, she is declared an Iron Widow - the most feared pilot of all. Now that Zetian has had a taste of power, she sets her sights on bigger things. The time has come to stop more girls from being sacrificed.
Sarai is a first-generation Puerto Rican eighth grader who can see with clarity the truth, pain, and beauty of the world both inside and outside her Bushwick apartment. Together with her older sister Estrella, she navigates the strain of family traumas and the systemic pressures of toxic masculinity and housing insecurity in a rapidly gentrifying Brooklyn. Sarai questions the society around her, her Boricua identity, and the life she lives with determination and an open heart, learning to celebrate herself in a way that she has been denied. When We Make It is a love letter to anyone who was taught to believe that they would not make it. To those who feel their emotions before they can name them. To those who still may not have all the language but they have their story. Velasquez' debut novel is sure to leave an indelible mark on all who read it.
Refreshing, funny and packed with essential feminist themes, not to mention an authentic, engaging protagonist in Eliza Quan (a no-nonsense teenager who doesn’t give two hoots about what people think of her), Michelle Quach’s Not Here To Be Liked is at once deliciously entertaining and empowering. With pithy observations like “Girls get judged for their past; guys get judged for their potential”, it’s also a thought-provoking reminder (if one were needed) that there’s some way to go before patriarchal structures are disassembled - thanks goodness, then, that Eliza is on hand to speed up the process. Oh, and the novel features a whole lot of cute kissing to boot. Eliza is set to be the new editor-in-chief of her high school newspaper. Firstly, she’s the most qualified candidate. Secondly, she’s the only candidate…until former baseball player Len joins the paper for want of something better to do and winds up winning the vote. Justifiably angry that he - male, handsome, popular and utterly inexperienced - was picked over her - Eliza’s venting inspires a feminist movement that exposes the gulf between those who want - and recognise the need for - gender equality, and those who think she’s just annoyed about being overlooked. Alongside exploring such pertinent themes in slick style, the novel also sees Eliza face the ultimate conflict when she finds herself falling for Len. Fast and furious, Not Here To Be Liked flies in the face of anyone dumb enough to think that books about feminism (and feminists themselves) can’t be smart and funny.
A Reese Witherspoon Book Club YA Pick! A hilarious and heartfelt novel perfect for fans of To All the Boys I've Loved Before and The Princess Diaries Izumi Tanaka has lived an uneventful seventeen years in her small town, keenly aware of all the ways in which her family is different from most of her classmates'. But then Izumi discovers a clue to her previously unknown father's identity . . . and he's none other than the Crown Prince of Japan. Soon she's traveling overseas to meet the father she never knew and discover the country she's only dreamed of. But being a princess isn't all ball gowns and tiaras. There are conniving cousins, a hungry press, a scowling but handsome bodyguard who just might be her soulmate, and thousands of years of tradition and customs to learn practically overnight. Izzy soon finds herself caught between worlds, and between versions of herself-back home, she was never American enough, and in Japan, she must prove she's Japanese enough. Will Izumi crumble under the weight of the crown, or will she live out her fairytale, happily ever after?
Following the four March sisters for a year, and narrated by candid, clumsy Jo, the story begins at a time of great upheaval for the March family. Dad is working away as a humanist minister in war-torn Syria, Mum has recently lost her job as a social worker and, consequently, they’ve had to move house. Sensitive, shy Beth just wants “Daddy to come home”. Fashion mad Meg is frustrated by not being able to buy new clothes, while trying to figure out what to do with her future. Sharp-tongued, artistic Amy constantly bickers with Jo, who’s doggedly determined to become a novelist. Despite their own troubles, the family volunteer at a centre for Middle Eastern refugees on Christmas Day. It’s here Jo meets Lateef, a refugee who’s been adopted by a wealthy lawyer, and she immediately senses that he’s “going to be my best friend in the whole world”. In fact, he becomes close to the entire family as they ride a rollercoaster of worries and coming-of-age revelations alongside a whole lot of love and friendship. Written in a highly accessible style, this affectionate update re-maps the personalities, aspirations and uncertainties of the original March sisters to create a new landscape of their lives, one that’s suffused in the spirit of the original and a contemporary freshness as it explores the timeless themes of sibling strains and solidarity, and feeling a sense of home.