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The Gilda Stories

"This Sapphic reworking of vampire mythology explores female love, Blackness and community with exhilarating originality as a young woman escapes enslavement to forge a path to power and freedom."

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LoveReading Says

LoveReading Says

As author Jewelle Gomez says in her Foreword, The Gilda Stories is a lesbian-feminist interpretation of vampirism. It’s also a remarkable novel that dances with life and ideas — dazzling, radical and alive with exquisite story-telling.

In Louisiana in 1850, mysterious Gilda takes in a young girl who’s escaped enslavement. Gilda’s Woodards house is a place of mystery to the girl — she’d “never seen white women such as these before, and it was frightening to not know where she fit in.” What’s more, the women here “freely expressed their views on politics and economics: what slavery was doing to the South, who was dominating politics.” They also dress in men’s clothing, travel at night, are reputed to be witches, and can hear people’s deepest thoughts. In addition, they offer the girl a glimpse of another life, of freedom, and free will, and so she chooses the life Gilda offers her: “In choosing you must pledge yourself to choose only life, never bitterness or cruelty.” On making her choice, the girl drinks blood from Gilda’s breast, and inherits her name when Gilda exchanges her life for the girl’s.

Feeling nothing but “excitement about the unknown that lay ahead, and comfort with her new life”, the new Gilda spends the next 200 years searching for ways to exist, desiring women and thirsting for blood as she slips through brothels, jazz clubs, gold rush bars, and Black women’s suffrage meetings. Wildly inventive, sensuously written, and rich with ideas and energy, The Gilda Stories world is remarkable.

Joanne Owen

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Primary Genre Horror and Supernatural Fiction
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