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The Last Tycoon

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LoveReading Says

LoveReading Says

The Last Tycoon is a sophisticated, gripping tale of love and intrigue in the Golden Age of Hollywood, containing what many critics have claimed are Fitzgerald's most modern and engaging characters.

Baz Luhrmann's film adaptation of The Great Gatsby, starring Leonardo DiCaprio, opened the 66th Cannes Film Festival.

A 'Piece of Passion' from Alessandro Gallenzi on the Alma Classics editions...
'F. Scott Fitzgerald has been long a favourite of mine. Since I discovered The Great Gatsby at university, I have been avidly reading all of his work. I am particularly fond of some of his short stories, from ‘The Rich Boy’ (in All the Sad Young Men) to ‘The Diamond as Big as the Ritz’ and ‘The Curious Case of Benjamin Button’ (in Tales of the Jazz Age).


 
I have poured all my passion and love for Fitzgerald’s work into these stylish editions, with front-cover illustrations by Art-Deco genius Georges Barbier, flaps, pictures and a wealth of extra material. These books are a publisher’s and a fan’s tribute to one of the greatest masters of world literature.'


A survey recently named The Great Gatsby as one of the greatest fictional playboys of all time … click to find out more

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About The Last Tycoon

*With a new introduction by bestselling and iconic novelist Haruki Murakami* This edition of F. Scott Fitzgerald's final unfinished novel is now restored to the original 1941 text, with updates by Fitzgerald scholar James L. W. West III. When F. Scott Fitzgerald died in 1940, he left behind an unfinished draft of this poignant novel, inspired by his own experience working in Hollywood as a screenwriter. Literary critic Edmund Wilson edited Fitzgerald's notes and material to publish this text of The Last Tycoon in 1941. Now, this edition restores Wilson's editorial work and includes an introduction from celebrated author Haruki Murakami. Set in Hollywood in the 1930s, The Last Tycoon tells the tragic story of a young film producer named Monroe Stahr. Exploring themes of ambition, power, and corruption, The Last Tycoon depicts Stahr's struggle to balance his personal life and professional goals with the challenges of running a successful movie studio. Based on the career of real-life producer Irving Thalberg, the head of MGM who was known as Hollywood's "boy wonder", The Last Tycoon is a sharply observed and bittersweet exposé of the glittering excess of the Hollywood film industry in its prime.

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