LoveReading Says
LoveReading Says
American prize-winning author, Elizabeth Hand debuts in the UK with a mesmerising literary thriller, starring a punk photographer Cass Neary described as Patricia Highsmith meets Patti Smith.
30 years ago Cass Neary was at the cutting edge of cool, now she is practically forgotten. A last ditch lifeline, interviewing a reclusive photographer, looks to offer a way out but soon turns into something a lot more dangerous.
It’s edgy, intense, atmospheric and is definitely something new in crime fiction.

Reviewed by Sarah BroadhurstSarah Broadhurst spent her early working life in the book trade in both retail and wholesale until the arrival of children forced her to look for freelance work she could do from…
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About Generation Loss
"e;Startling, unclassifiable. . .Full of mysteries all originating in its characters' troubled psyches and full of terrors that can't be explained."e;New York TimesShirley Jackson Award winner.Praise for Elizabeth Hand's previous novels:
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Generation Loss Synopsis
"e;Startling, unclassifiable. . .Full of mysteries all originating in its characters' troubled psyches and full of terrors that can't be explained."e;New York TimesShirley Jackson Award winner.Praise for Elizabeth Hand's previous novels:
- '
- Inhabits a world between reason and insanityit's a delightful waking dream.'People'
- One of the most sheerly impressive, not to mention overwhelmingly beautiful books I have read in a long time.'Peter StraubCass Neary made her name in the 1970s as a photographer embedded in the burgeoning punk movement in New York City. Her pictures of the musicians and hangers on, the infamous, the damned, and the dead, got her into art galleries and a book deal. But thirty years later she is adrift, on her way down, and almost out. Then an old acquaintance sends her on a mercy gig to interview a famously reclusive photographer who lives on an island in Maine. When she arrives Downeast, Cass stumbles across a decades-old mystery that is still claiming victims, and into one final shot at redemption.Elizabeth Hand grew up in New York State. In 1975 she moved to Washington, DC, to study playwriting at Catholic University. After seeing Patti Smith perform, Hand flunked out and became involved in the DC and New York City nascent punk scenes. From 1979 to 1986 she worked at the Smithsonian National Air and Space Museum
- she returned to university to study cultural anthropology, and received her BA in 1985. The author of seven previous novels and the recipient of a Maine Arts Commission and an NEA Fellowship, she is a regular contributor to The Washington Post Book World. Hand lives with her family on the Maine coast
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Press Reviews
Elizabeth Hand Press Reviews
'Fiercely frightening yet hauntingly beautiful.' -- Tess Gerritsen
'Intense and atmospheric, Generation Loss is an inventive brew of postpunk attitude and dark mystery. Elizabeth Hand writes with craftsmanship and passion.' -- George Pelecanos
'A skin blistering crime novel as edgy and black as dried blood on a moonlit night.' -- Robert Crais
'Ferocious, aching with compassion and cruelly brilliant.' -- Katherine Dunn
'Although Generation Loss moves like a thriller, it detonates with greater resound. It's a dark and beautiful novel.' The Washington Post Book Review
Author
About Elizabeth Hand
Elizabeth Hand has written eight novels and several short-story collections. She has won the Shirley Jackson Award, the James Tiptree Award, the Nebula Award (twice), the World Fantasy Award (three times), and many others. Her novella, The Maiden Flight of McCauley's Bellerophon, was recently nominated for a Hugo Award. Hand is a longtime contributor to numerous publications, including the Washington Post Book World and the Village Voice Literary Supplement. She divides her time between the coast of Maine and North London.
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