Winner of the 2019 Robert S. Liebert Award (established jointly by the Association for Psychoanalytic Medicine and the Columbia University Center for Psychoanalytic Training and Research) In the final years of the 19th century, Sigmund Freud began to construct evidence for the workings of an “unconscious.” On Dangerous Ground offers an innovative assessment of the complex role that his encounters with visual cultures—architecture, objects from earlier cultural epochs (“antiquities”), paintings, and illustrated books—played in that process. Diane O’Donoghue introduces, often using unpublished archival sources, the ways in which material phenomena profoundly informed Freud’s decisions about what would, and would not, constitute the workings of an inner life. By returning to view content that Freud treated as forgettable, as distinct from repressed, O’Donoghue shows us a realm of experiences that Freud wished to remove from psychical meaning. These erasures form an amnesic core within Freud’s psychoanalytic project, an absence that includes difficult aspects of his life narrative, beginning with the dislocations of his early childhood that he declared “not worth remembering.” What is made visible here is far from the inconsequential surface of experience; rather, we are shown a dangerous ground that exceeds the limits of what Freud wished to include within his early model of mind. In Freud’s relation to visual cultures we find clues to what he attempted, in crafting his unconscious, to remove from sight.
| ISBN: | 9781501363047 |
| Publication date: | 30th April 2020 |
| Author: | Dr Diane Tufts University, USA ODonoghue |
| Publisher: | Bloomsbury Academic USA an imprint of Bloomsbury Publishing Plc |
| Format: | Paperback |
| Pagination: | 400 pages |
| Series: | Psychoanalytic Horizons |
| Genres: |
Literary theory Psychoanalytical and Freudian psychology Theory of art |
Winner of the 2019 Robert S. Liebert Award (established jointly by the Association for Psychoanalytic Medicine and the Columbia University Center for Psychoanalytic Training and Research) In the final years of the 19th century, Sigmund Freud began to construct evidence for the workings of an “unconscious.” On Dangerous Ground offers an innovative assessment of the complex role that his encounters with visual cultures—architecture, objects from earlier cultural epochs (“antiquities”), paintings, and illustrated books—played in that process. Diane O’Donoghue introduces, often using unpublished archival sources, the ways in which material phenomena profoundly informed Freud’s decisions about what would, and would not, constitute the workings of an inner life. By returning to view content that Freud treated as forgettable, as distinct from repressed, O’Donoghue shows us a realm of experiences that Freud wished to remove from psychical meaning. These erasures form an amnesic core within Freud’s psychoanalytic project, an absence that includes difficult aspects of his life narrative, beginning with the dislocations of his early childhood that he declared “not worth remembering.” What is made visible here is far from the inconsequential surface of experience; rather, we are shown a dangerous ground that exceeds the limits of what Freud wished to include within his early model of mind. In Freud’s relation to visual cultures we find clues to what he attempted, in crafting his unconscious, to remove from sight.
On Dangerous Ground features in the following genres: Literary theory, Psychoanalytical and Freudian psychology, Theory of art
On Dangerous Ground is available in Paperback, Hardback
On Dangerous Ground was written by Dr Diane Tufts University, USA ODonoghue and published by Bloomsbury Academic USA an imprint of Bloomsbury Publishing Plc
On Dangerous Ground has 400 pages
Yes it is part of Psychoanalytic Horizons series