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Snobs

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LoveReading Says

LoveReading Says

There is something inherently fascinating about the upper classes, that privileged race that most of us secretly envy. Edith Lavery, through a chance meeting, is suddenly given the opportunity to infiltrate it and purposely enslaves the Marquess of Uckfield. This is bittersweet romantic comedy, highly informative social history and a charming escapist yarn.

It is a must for fans of the film Gosford Park, of which Fellowes wrote the screenplay, and essential for all social climbers. It is also fun, addictive and immensely satisfying. I loved it.

Comparisons: Jane Austen, Evelyn Waugh, Victoria Clayton.
Similar this month: Katie Fforde, Jojo Moyes.

Sarah Broadhurst
Reviewed by Sarah Broadhurst
Sarah Broadhurst spent her early working life in the book trade in both retail and wholesale until the arrival of children forced her to look for freelance work she could do from…
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About Snobs

Julian Fellowes, creator of the Emmy-Award winning TV series Downton Abbey, established himself as an irresistible storyteller and a deliciously witty chronicler of modern manners in his first novel, Snobs, a wickedly astute portrait of the intersecting worlds of aristocrats and actors. "The English, of all classes as it happens, are addicted to exclusivity. Leave three Englishmen in a room and they will invent a rule that prevents a fourth joining them." The best comedies of manners are often deceptively simple, seamlessly blending social critique with character and story. In his superbly observed first novel, Julian Fellowes, winner of an Academy Award for his original screenplay of Gosford Park, brings us an insider's look at a contemporary England that is still not as classless as is popularly supposed. Edith Lavery, an English blonde with large eyes and nice manners, is the daughter of a moderately successful accountant and his social-climbing wife. While visiting his parents' stately home as a paying guest, Edith meets Charles, Earl of Broughton, and heir to the Marquess of Uckfield, who runs the family estates in East Sussex and Norfolk. To the gossip columns he is one of the most eligible young aristocrats around. When he proposes. Edith accepts. But is she really in love with Charles? Or with his title, his position, and all that goes with it? One inescapable part of life at Broughton Hall is Charles's mother, the shrewd Lady Uckfield, known to her friends as "Googie" and described by the narrator---an actor who moves comfortably among the upper classes while chronicling their foibles---"as the most socially expert individual I have ever known at all well. She combined a watchmaker's eye for detail with a madam's knowledge of the world." Lady Uckfield is convinced that Edith is more interested in becoming a countess than in being a good wife to her son. And when a television company, complete with a gorgeous leading man, descends on Broughton Hall to film a period drama, "Googie's" worst fears seem fully justified.

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