Disguise devices figure in many early modern English plays, and an examination of them clearly affords an important reflection on the growth of early theatre as well as on important aspects of the developing nation. In this study Peter Hyland considers a range of practical issues related to the performance of disguise. He goes on to examine various conceptual issues that provide a background to theatrical disguise (the relation of self and "other", the meaning of mask and performance). He looks at many disguise plays under three broad headings. He considers moral issues (the almost universal association of disguise with "evil"); social issues (sumptuary legislation, clothing, and the theatre, and constructions of class, gender and national or racial identity); and aesthetic issues (disguise as an emblem of theatre, and the significance of disguise for the dramatic artist). The study serves to examine the significant ways in which disguise devices have been used in early modern drama in England.
| ISBN: | 9781138257931 |
| Publication date: | 11th November 2016 |
| Author: | Peter Hyland |
| Publisher: | Routledge an imprint of Taylor & Francis Ltd |
| Format: | Paperback |
| Pagination: | 180 pages |
| Series: | Studies in Performance and Early Modern Drama |
| Genres: |
Theatre: technical and background skills Literary studies: general Theatre studies |
Disguise devices figure in many early modern English plays, and an examination of them clearly affords an important reflection on the growth of early theatre as well as on important aspects of the developing nation. In this study Peter Hyland considers a range of practical issues related to the performance of disguise. He goes on to examine various conceptual issues that provide a background to theatrical disguise (the relation of self and "other", the meaning of mask and performance). He looks at many disguise plays under three broad headings. He considers moral issues (the almost universal association of disguise with "evil"); social issues (sumptuary legislation, clothing, and the theatre, and constructions of class, gender and national or racial identity); and aesthetic issues (disguise as an emblem of theatre, and the significance of disguise for the dramatic artist). The study serves to examine the significant ways in which disguise devices have been used in early modern drama in England.
Disguise on the Early Modern English Stage features in the following genres: Theatre: technical and background skills, Literary studies: general, Theatre studies
Disguise on the Early Modern English Stage is available in Paperback, Ebook, Hardback
Disguise on the Early Modern English Stage was written by Peter Hyland and published by Routledge an imprint of Taylor & Francis Ltd
Disguise on the Early Modern English Stage has 180 pages
Yes it is part of Studies in Performance and Early Modern Drama series
£53.09