Chris Baugh explores how developments and changes in technology have been reflected in scenography throughout history. Taking into account the latest research, his new edition examines moving light technologies, the internet as a platform of performance, urban scenography and how scenography has developed as a collaborative practice.
Chris Baugh explores how developments and changes in technology have been reflected in scenography throughout history. Taking into account the latest research, his new edition examines moving light technologies, the internet as a platform of performance, urban scenography and how scenography has developed as a collaborative practice.
| ISBN: | 9781137005847 |
| Publication date: | 6th December 2013 |
| Author: | Christopher Baugh |
| Publisher: | Red Globe Press an imprint of Bloomsbury Publishing (UK) |
| Format: | Paperback |
| Pagination: | 308 pages |
| Series: | Theatre and Performance Practices |
| Genres: |
Theatre: technical and background skills |
Chris Baugh explores how developments and changes in technology have been reflected in scenography throughout history. Taking into account the latest research, his new edition examines moving light technologies, the internet as a platform of performance, urban scenography and how scenography has developed as a collaborative practice.
Chris Baugh explores how developments and changes in technology have been reflected in scenography throughout history. Taking into account the latest research, his new edition examines moving light technologies, the internet as a platform of performance, urban scenography and how scenography has developed as a collaborative practice.
Theatre, Performance and Technology features in the following genres: Theatre: technical and background skills
Theatre, Performance and Technology is available in Paperback
Theatre, Performance and Technology was written by Christopher Baugh and published by Red Globe Press an imprint of Bloomsbury Publishing (UK)
Theatre, Performance and Technology has 308 pages
Yes it is part of Theatre and Performance Practices series