Greek and Roman Painting and the Digital Humanities

This volume is a groundbreaking discussion of the role of digital media in research on ancient painting, and a deep reflection on the effectiveness of digital media in opening the field to new audiences.

The study of classical art always oscillates between archaeology and classics, between the study of ancient texts and archaeological material. For this reason, it is often difficult to collect all the data, to have access to both types of information on an equal basis. The increasing development of digital collections and databases dedicated to both archaeological material and ancient texts is a direct response to this problem. The book's central theme is the role of the digital humanities, especially digital collection,s such as the Digital Milliet, in the study of ancient Greek and Roman painting. Part 1 focuses on the transition between the original print version of the Recueil Milliet and its digital incarnation. Part 2 addresses the application of digital tools to the analysis of ancient art. Part 3 focuses on ancient wall painting.

The book will be of interest to scholars working in art history, classics, archaeology, and digital humanities.

Greek and Roman Painting and the Digital Humanities features in the following genres: Paintings and painting, History of art, Research methods: general, History: theory and methods, Ancient history, The arts: general topics

Greek and Roman Painting and the Digital Humanities is available in Paperback, Hardback

Greek and Roman Painting and the Digital Humanities was written by MarieClaire Beaulieu, Valérie Toillon and published by Routledge an imprint of Taylor & Francis

Greek and Roman Painting and the Digital Humanities has 192 pages

Yes it is part of Routledge Research in Art History series

£39.59