Ghost Bird

LoveReading Says

A raw and lyrical power surges through Lisa Fuller’s Ghost Bird debut as it tells the gripping story of a First Nations teenager who’s gone missing from her rural Queensland town. This is YA fiction at its most thrilling and enthralling.

Stacey and Laney might be mirror twins, but they have vastly different personalities. While Stacey is keen to get her head down at school, Laney skips lessons and sneaks out to see her boyfriend, until the night she doesn’t come home. While the white townsfolk and white authorities assume this is just another of her rebellions (as Stacey remarks, “all the positions of power are held by property owners, all white, and all with memories of when they ‘owned’ us”), Stacey knows different. She can see and feel this is different too, through the vivid dreams that haunt her. If only her Nan were still alive. She’d know what to do, she could guide Stacey to harness her dreams: “I’d spent the most time with her listening to the old stories, learning the things that Nan always said would keep me safe. There were things she’d promised to tell me when I was older that I’d never get to hear now.”

The sense of kinship, community, spirituality and ancestral bonds is tremendously powerful, and the writing uniquely beautiful. “I’ve always seen the golden core of her”, Stacey says of her twin. “The soft melting heart that the hard shell protects.” Driven by desperate love for Laney, and by the terrifying urgency of her dreams, Stacey seeks advice from “Mad May Miller”, the elder of a family her own family has long feuded with, but a woman who can help Stacey use her dreams to find her sister. At once brutal and rivetingly lyrical, this is a multi-layered contemporary YA masterwork.

Joanne Owen

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