Paul Thomas Anderson's evolution from a brash, self-anointed "Indiewood" auteur to one of his generation's most distinctive voices has been one of the most remarkable career trajectories in recent film history. From early efforts to emulate his cinematic heroes to his increasingly singular late films, Anderson has created a body of work that balances the familiar and the strange, history and myth: viewers feel perpetually off balance, unsure of whether to expect a pitch-black joke or a moment of piercing emotional resonance.
This book provides the most complete account of Anderson's career to date, encompassing his varied side projects and unproduced material; his personal and professional relationships with directors such as Jonathan Demme, Robert Altman, and Robert Downey Sr.; and his work as a director of music videos for Fiona Apple, Joanna Newsom, and Haim. Ethan Warren explores Anderson's recurring thematic preoccupations-the fraught dynamics of gender and religious faith, biological and found families, and his native San Fernando Valley-as well as his screenwriting methods and his relationship to his influences. Warren argues that Anderson's films conjure up an alternate American history that exaggerates and elides verifiable facts in search of a heightened truth marked by a deeper level of emotional hyperrealism. This book is at once an unconventional primer on Anderson's films and a provocative reframing of what makes his work so essential.
| ISBN: | 9780231204590 |
| Publication date: | 25th April 2023 |
| Author: | Ethan Warren |
| Publisher: | Wallflower Press an imprint of Columbia University Press |
| Format: | Paperback |
| Pagination: | 256 pages |
| Series: | Directors' Cuts |
| Genres: |
Film history, theory or criticism Filmmaking and production: technical and background skills |
Paul Thomas Anderson's evolution from a brash, self-anointed "Indiewood" auteur to one of his generation's most distinctive voices has been one of the most remarkable career trajectories in recent film history. From early efforts to emulate his cinematic heroes to his increasingly singular late films, Anderson has created a body of work that balances the familiar and the strange, history and myth: viewers feel perpetually off balance, unsure of whether to expect a pitch-black joke or a moment of piercing emotional resonance.
This book provides the most complete account of Anderson's career to date, encompassing his varied side projects and unproduced material; his personal and professional relationships with directors such as Jonathan Demme, Robert Altman, and Robert Downey Sr.; and his work as a director of music videos for Fiona Apple, Joanna Newsom, and Haim. Ethan Warren explores Anderson's recurring thematic preoccupations-the fraught dynamics of gender and religious faith, biological and found families, and his native San Fernando Valley-as well as his screenwriting methods and his relationship to his influences. Warren argues that Anderson's films conjure up an alternate American history that exaggerates and elides verifiable facts in search of a heightened truth marked by a deeper level of emotional hyperrealism. This book is at once an unconventional primer on Anderson's films and a provocative reframing of what makes his work so essential.
The Cinema of Paul Thomas Anderson features in the following genres: Film history, theory or criticism, Filmmaking and production: technical and background skills
The Cinema of Paul Thomas Anderson is available in Paperback, Hardback
The Cinema of Paul Thomas Anderson was written by Ethan Warren and published by Wallflower Press an imprint of Columbia University Press
The Cinema of Paul Thomas Anderson has 256 pages
Yes it is part of Directors' Cuts series
£22.50