LoveReading Says
We loved the first in this post WW2 series, Brighton Belle, and the second adventure is even better with a satisfyingly complex plot bubbling over with period detail. Mirabelle and Vesta go up the line to London to solve the case of a missing debutante after a childhood friend of Vesta’s is held by the police. Nostalgic, atmospheric, well written, crime fiction with a fantastic central character - ex Secret Service office girl Mirabelle Bevan. Highly recommended.
A 'Piece of Passion' from the publisher...
'I read the script for London Calling in one sitting at my kitchen table over the course of a single evening. Sara just pulled me into the world of wintry post-war London, seedy jazz clubs and a missing heiress. During editing Sara and I had many conversations about everything from car models and radio shows to rail travel, pies and shoes.
No detail is too small for Sara, she really is obsessed with getting things absolutely right for the period of London Calling. As a result her writing evokes the early 1950s impeccably, creating wonderful atmosphere and the perfect background to Mirabelle Bevan, a deeply engaging woman with a past.'
Alison Rae, Managing Editor, Polygon
LoveReading
About London Calling
In 1950s England, a debutante disappears from a Soho jazz club, pulling a pair of sleuths into a seedy underworld, in this ';series that deserves a long run' (Booklist). In the years following World War II, former Secret Service employee Mirabelle Bevan can't seem to resist an attraction to danger and a thirst for justice... The mysterious disappearance of eighteen-year-old debutante Rose Bellamy Gore, last seen outside a Soho jazz club in the company of a saxophone player named Lindon Claremont, has the London tabloids in a frenzy.
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About Sara Sheridan
Sara Sheridan is an historical novelist who writes two different kinds of books. One is a series of cosy crime noir mysteries set in Brighton in the 1950s – Brighton Belle - and the other is a set of novels based on the real-life stories of late Georgian and early Victorian explorers and adventurers (1820 - 1845) – The Secret Mandarin and Secret of the Sands. Tipped in Company and GQ magazines, she has been nominated for a Young Achiever Award. She received a Scottish Library Award for Truth or Dare, her first novel, and was shortlisted for the Saltire Book Prize. An occasional journalist and blogger, Sara appears on BBC Radio 4's From Our Own Correspondent and blogs for the Guardian and the London Review of Books. She is a twitter evangelist and a self-confessed swot. Sara sits on the Committee of the Society of Authors in Scotland where she lives and also on the board of the UK-wide writers' collective '26' and took part in the acclaimed 26 Treasures project in 2010 at the V&A, in 2011 at National Museum of Scotland and in 2012 at the Children's Museum, Bethnal Green. She is a member of the Historical Writers Association and the Crime Writers Association. Sara also mentors for the Scottish Book Trust. More information can be found at www.sarasheridan.com and she can be found on Twitter at @sarasheridan. She lives in Edinburgh with her family.
Author photo © Martin Melecis
Below is a Q&A with this author
1. What inspired you to become a writer?
I never intended to be a writer though as it turns out I think I'd been gearing myself towards writing for years. It wasn't until I had to find something that I could work from at home that I thought I might try to write a book and lo, I had an English degree and was inspired by history and had all these stories that just flowed out of me. My parents were a huge inspiration and my History and English teachers from school too.
2. What keeps you motivated as a writer?
I love story – it's word-heroin. It's the same thing, really, that keeps me motivated as a reader. That feeling of being caught up in the middle of a narrative and nothing outside of that fiction existing. You can multiply that by ten if you're writing rather than reading it.
3. Do you have a routine when you’re writing (i.e. silence, a particular genre of music, only working in the morning, only working in your underpants?)
I often work in bed but that is more about just getting on with it as soon as I open my eyes! These days I write wherever I am and that might be at a book festival or on a plane or in a library – I switch my brain into the story and I just go. I also like the café up the road – coffee on tap is a great resource for a writer!
4. What advice would you give to anyone who wants to be a writer?
Eyes down, specs on, sleeves up and Go!
5. What’s the best experience you’ve had while writing a book?
When I dream about it. I don't write magical realism but that's what all my stories become when I dream about them. It's like being a stick of rock – the words go all the way through.
6. Where would you like to be right now, anywhere in the world?
Well as I am writing this in bed I can't say In Bed Writing, so I suppose I'll say somewhere sunny, reading (which is my other love).
7. If you could swop lives with one of your characters, who would you choose and why?
That's difficult because most characters don't have happy lives and that's what makes them interesting. I wouldn't want to be my heartbroken 1950s detective, Mirabelle Bevan or one of the slave girls, Farida and Zena from Secret of the Sands but if I could be a bloke (why not?) I'd love to be John Murray (who is a real-life character – a pre-eminent Scottish publisher from the early 1800s) because he ran an amazing literary salon. Strangely I'd also like to be one of my recent crime victims – Rose Bellamy Gore. She goes missing in London Calling in the most fantastic frock!
8. If you weren't a writer, what would your 'dream' occupation be?
I'd probably be an antiques dealer. I'm obsessed by history and I love objects – I always research part of a period through its artefacts whether they're in a museum or a car boot sale. I'd love to do that for a living or maybe (if I was indulging my swotty side) I'd work in a museum – which is almost the same thing.
9. If your book was a film, who would you cast for the lead character?
I always hoped Hermione Norris would want to be Mirabelle if there was a TV adaptation of the Mysteries (fingers crossed)
10. Which authors do you particularly admire?
I have wide-ranging admirations. Agatha Christie for her sense of drama, the American writer TC Boyle whose historical descriptions are so vivid you can taste the era off the pages, Bill Bryson for his narrative voice, Susannah Clarke for her sense of magic, Joseph O'Connor for his ability to communicate story, William Goldman because he's quirky and yet accessible. Gosh, I'm getting quite excited just making this list.
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