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Spies of the Balkans by Alan Furst
  

Spies of the Balkans

Action Adventure / Spy   Crime / Mystery   Historical Fiction   Thriller / Suspense   eBook Favourites   eBook Favourites   

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Barry Forshaw on Alan Furst and Anthony Price...

Today, the espionage genre is firmly back in the limelight – and Alan Furst (author of Spies of the Balkans) is one of the genre’s most highly regarded authors, with the kind of solidity of characterisation and narrative reach that distinguished the best writers of the past. Such writers, in fact, as the British giant Anthony Price, who many consider is comparable to more famous spy novelists such as John le Carré. If you haven't tried Price’s cleverly written, complex and sophisticated espionage thrillers (for example Our Man in Camelot), you owe it to yourself to do so.

Featured on The TV Book Club on More4 on 20 Mar 2011.

With a remarkable cast of operatives, SPIES OF THE BALKANS is a brilliant new espionage novel from Alan Furst featuring Salonika's dashing chief detective, Costa Zannis. It's 1940 and Germany are determined to get their hands on the region just as Zannis becomes involved in an audacious plot with the Resitance to smuggle Jews to Istanbul. All is fine until a reckless love affair jeopardises just about everything.

If you like Alan Furst you might also like to read books by Dan Fesperman, Martin Cruz Smith and Robert Wilson.

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Synopsis

Spies of the Balkans by Alan Furst

Salonika, 1940. To the bustle of tavernas and the smell of hashish, a secret war is taking shape. In the backrooms of barbers, envelopes change hands, and in the Club de Salonique the air is thick with whispers. Costa Zannis is the city's dashing chief detective - a man with contacts high and low, in the Balkans and beyond. And as unknown ships and British 'travel writers' trickle through the port, he is a man very much in demand. Having helped defeat Italy in the highlands of Macedonia, Zannis returns to a city holding its breath. Mussolini's forces have retreated - for now - but German sights are fixed firmly on the region. And as the situation in Germany worsens, Zannis becomes involved in a plot - smuggling Jews to Istanbul, through the back door of Europe.

Reviews

The spy writer Alan Furst's mastery of the passions and politics of the Second World War is again in thrilling evidence here. SUNDAY TELEGRAPH A wonderfully atmospheric and satisfying book CATHOLIC HERALD This is a brilliant book and highly recommended. Furst's novel set in 1940s Salonika is a wonderful, captivating, spy thriller with a keen sense of place and history. TELEGRAPH & ARGUS Furst is surely a unique voice and talent in the mystery field -- Mike Ripley DEADLY PLEASURES


About the Author

Alan Furst

Alan Furst is widely recognised as the master of the historical spy novel. Now translated into eighteen languages, he is the author of fourteen novels including MIDNIGHT IN EUROPE, SPIES OF THE BALKANS - a TV Book Club choice - THE SPIES OF WARSAW, which became a BBC mini-series starring David Tennant and THE FOREIGN CORRESPONDENT. Born in New York, he lived for many years in Paris, and now lives on Long Island.

Below is a Q & A with this author.

Who's your favourite author?
I've got a lot of favourites, but my favourite favourite is Anthony Powell – his insight and technical magic are just beyond good. He is for me a real pleasure. I grew up with John Steinbeck and especially Bernard Malamud, I also like Von Rezzori (not all of it, but most), Joseph Roth, Primo Levi, Eric Ambler, of course, some Graham Greene, Mary Renault as a historical novelist, and I must include George MacDonald Fraser.

What's the first book you remember reading?
I can't remember whether it was The Wind in the Willows, Babar or something else. I remember Ratty and Moley, and Celeste – I can also remember reading "boys' books" which were hand-me-downs from the 1940s.

Where do you live? And why?
Sag Harbor, New York, six miles from the ocean, where the beaches are deserted for most of the year and the dog can run. It's beautiful here, but my heart's in Paris, so I go there when I'm able.

Where do you write?
I write in a converted 1930s garage with French doors and an old brick floor, looking out onto a garden.

Typewriter, word processor or pen?
Typewriter, a Lexmark personal wheelwriter, descendant of the mighty IBM Selectric.

Where were you born and raised?
I was born and raised on the Upper West Side of Manhattan, then refugee country (see Isaac Bashevis Singer and Bernard Malamud), now celebrated.

How many brothers and sisters do you have? Is anyone else in your family a writer?
No brothers and no sisters, I was a very late-in-life kid. We have no writers in the family; we were not well educated. It was pretty much high school and that was it.

Did you enjoy school? What is your most vivid memory of your school years?
I didn't like school much. I liked a few teachers and liked my friends, who taught me what I needed to know and told me what to read.

Did you always want to be an author? If not, what did you originally want to be and when and why did you change your mind? I've been a writer since the age of nine, never anything else, really. I changed my mind with a thunderclap about what to write after four books. I started as a poet – very serious about that; wrote a novel which I thought was a potboiler but wasn't. It didn't boil the pot and was estimably, to my astonishment, published.

What were the first pieces of writing that you produced? e.g. short stories, school magazine etc. My first writing was for school newspapers, then for a literary magazine in college, although actually I wrote stuff for myself earlier. I wrote non-fiction to survive, for Esquire and for International Herald Tribune amongst others. I also wrote ad copy to survive in my twenties and that was really good for me – it had to be right – and fast.

What jobs did you have before you started writing?
All the dust-jacket jobs: factory worker (summers in high school and college), fruit-picker, hay-bale bucker, taxi driver in New York, like that.

How do you write each novel, i.e. do you block out the narrative first, take each page at a time, create the central character, build a cast of characters?
I try to block out the novels, although I'm never successful. My outlines last 60 pages if I'm lucky, and after that it's up to my characters. Thank God for them, they know what needs to be done, and how to have a good time when they're not doing it.

What is a typical writing day?
Up at 5.30, work till noon or I've reached 500 words, two pages, whichever is first. Just like Ernest Hemingway said to do.

Have you started your next book? Can you tell us a little bit about it?
The new book is well under way: The Foreign Correspondent, about Italian anti-fascist émigrés in Paris in 1939 and the clandestine press.

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Book Info

Publication date

6th January 2011

Author

Alan Furst

More books by Alan Furst
Author 'Like for Like'
    recommendations

Author's Website

alanfurst.net/index.htm

Publisher

Phoenix (an Imprint of The Orion Publishing Group Ltd ) an imprint of Orion Publishing Co

Format

Paperback
304 pages

Categories

Action Adventure / Spy
Crime / Mystery
Historical Fiction
Thriller / Suspense
eBook Favourites
eBook Favourites

Espionage & spy thriller

ISBN

9780753827260

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