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LoveReading is thrilled to announce the launch of The Very Short Story Award 2019! If you think you have a story we'll love, click here to find out more and how to enter:
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LoveReading is thrilled to announce the launch of The Very Short Story Award 2019! If you think you have a story we'll love, click here to find out more and how to enter:
Find out more
Hilary Mantel is the first woman and the first British author to win the Man Booker prize twice and the first author ever to win the Man Booker Prize and Costa Book Award in the same year. At 60, she is only the third double winner alongside J.M. Coetzee and Peter Carey. She is also the first person to win the prize for two novels in a trilogy, following her success in 2009 with Wolf Hall.
Hilary Mantel was born in northern Derbyshire in 1952. She was educated at a convent school in Cheshire and went on to the LSE and Sheffield University, where she studied law. After university she was briefly a social worker in a geriatric hospital, and much later used her experiences in her novels Every Day is Mother's Day and Vacant Possession. In 1977 she went to live in Botswana with her husband, then a geologist. In 1982 they moved on to Jeddah in Saudi Arabia, where she would set her third novel, Eight Months on Ghazzah Street.
Her first novel was published in 1985, and she returned to the UK the following year. In 1987 she was awarded the Shiva Naipaul Memorial Prize for travel writing, and became the film critic of the Spectator. Her fourth novel, Fludd, was awarded the Cheltenham Festival Prize, the Southern Arts Literature Prize, and the Winifred Holtby Prize. Her fifth novel, A Place of Greater Safety, won the Sunday Express Book of the Year Award.
A Change of Climate, published in 1993, is the story of an East Anglian family, former missionaries, torn apart by conflicts generated in Southern Africa in the early years of Apartheid. An Experiment in Love published in 1995, is a story about childhood and university life, set in London in 1970. It was awarded the Hawthornden Prize.
Photograph © Jane Bown
A brilliant - and rather transgressive - collection of short stories from the double Man Booker Prize-winning author of 'Wolf Hall' and 'Bring Up the Bodies'. Hilary Mantel is one of Britain's most accomplished and acclaimed writers. In these ten bracingly subversive tales, all her gifts of characterisation and observation are fully engaged, summoning forth the horrors so often concealed behind everyday facades. Childhood cruelty is played out behind the bushes in 'Comma'; nurses clash in 'Harley Street' over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game. Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road in Greece, these stories share an insight into the darkest recesses of the spirit. Displaying all of Mantel's unmistakable style and wit, they reveal a great writer at the peak of her powers.
The greatest literary sensation of recent times - and now the inspiration for a major BBC series, starring Mark Rylance and Damian Lewis and directed by Peter Kosminsky. In this staggeringly brilliant novel, Hilary Mantel brings the opulent, brutal world of the Tudors to bloody, glittering life. It is the backdrop to the rise and rise of Thomas Cromwell: lowborn boy, charmer, bully, master of deadly intrigue and, finally, most powerful of Henry VIII's courtiers. Both winners of the Man Booker Prize and already hugely successful stage plays, WOLF HALL and its sequel BRING UP THE BODIES have now been transformed into a BBC television series starring Mark Rylance and Damian Lewis, bringing history to life for a whole new audience.
A brilliant - and rather transgressive - collection of short stories from the double Man Booker Prize-winning author of 'Wolf Hall' and 'Bring Up the Bodies'. Hilary Mantel is one of Britain's most accomplished and acclaimed writers. In these ten bracingly subversive tales, all her gifts of characterisation and observation are fully engaged, summoning forth the horrors so often concealed behind everyday facades. Childhood cruelty is played out behind the bushes in 'Comma'; nurses clash in 'Harley Street' over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game. Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road in Greece, these stories share an insight into the darkest recesses of the spirit. Displaying all of Mantel's unmistakable style and wit, they reveal a great writer at the peak of her powers.
Shortlisted for the Women's Prize for Fiction 2013. Shortlisted for the Walter Scott Prize for Historical Fiction 2013. With her dazzling, utterly absorbing style of writing Bring Up the Bodies focuses on the downfall and destruction of the charismatic Anne Boleyn. This is the sequel to the 2009 Man Booker-winning Wolf Hall the second in what will be a Tudor trilogy. The final book will be called The Mirror & the Light, and will continue Thomas Cromwell's story until his execution in 1540. Winner of the Man Booker Prize 2012. Winner of the Costa Novel Award 2012. Winner of the Specsavers National Book Awards 'UK Author of the Year' 2012. May 2012 MEGA Book of the Month. Sir Peter Stothard, Chair of Man Booker Prize 2012 judging panel, on Bring Up the Bodies... ‘This double accolade is uniquely deserved. Hilary Mantel has rewritten the rules for historical fiction. In Bring up the Bodies, our greatest modern writer retells the origins of modern England.’' Featured on The Book Show on Sky Arts at the Hay Festival on 2 June 2012.
Shortlisted for the Women's Prize for Fiction 2013. Winner of the Costa Book of the Year 2012. With her dazzling, utterly absorbing style of writing Bring Up the Bodies focuses on the downfall and destruction of the charismatic Anne Boleyn. This is the sequel to the 2009 Man Booker-winning Wolf Hall the second in what will be a Tudor trilogy. The final book will be called The Mirror & the Light, and will continue Thomas Cromwell's story until his execution in 1540. Winner of the Man Booker Prize 2012. Winner of the Costa Novel Award 2012. Winner of the Specsavers National Book Awards 'UK Author of the Year' 2012. May 2012 MEGA Book of the Month. Sir Peter Stothard, Chair of Man Booker Prize 2012 judging panel, on Bring Up the Bodies... ‘This double accolade is uniquely deserved. Hilary Mantel has rewritten the rules for historical fiction. In Bring up the Bodies, our greatest modern writer retells the origins of modern England.’' Featured on The Book Show on Sky Arts at the Hay Festival on 2 June 2012.
February 2012 Guest Editor Joanna Trollope on Hilary Mantel... I loved her writing, long before the mega success of Wolf Hall. She wrote the best novel (bad title – A Place of Greater Safety) I ever read about the French Revolution, and some great modern ones – like Fludd and Eight Days on Gazzah Street. She isn’t just clever and original, she is also seriously funny, and I love that. Winner of the inaugural Walter Scott Prize for historical fiction 2010. Winner of the Man Booker Prize 2009. Shortlisted for the Costa Novel Award 2009. Costa Book Awards 2009 Judges' comment: "One of the outstanding books of the year - historical fiction at its best." Featured on The Book Show on Sky Arts on 26 November 2009. The subject of Henry VIII will always provide a rich source of historical, political and scandalous fodder and here Hilary Mantel concentrates on one of the most interesting times in his reign – the divorce of Catherine of Aragon and his split from the Church of Rome. Mantel breathes life in to every character and even if you feel you have heard this story a million times she brings an original and tantalising voice to the period.
This is an unabridged audiobook title. Winner of the inaugural Walter Scott Prize for historical fiction 2010. Winner of the Man Booker Prize 2009. The subject of Henry VIII will always provide a rich source of historical, political and scandalous fodder and here Hilary Mantel concentrates on one of the most interesting times in his reign – the divorce of Catherine of Aragon and his split from the Church of Rome. Mantel breathes life in to every character and even if you feel you have heard this story a million times she brings an original and tantalising voice to the period. This is an Unabridged audiobook title, which includes every word that you would otherwise find in the printed edition. Don’t forget, if the story was meant to be shorter the author would have written less! Click here to take a peek at our selection of Unabridged audiobooks. You might be interested to know the abridged audiobook version runs to only 29% of the full length.
Winner of the inaugural Walter Scott Prize for historical fiction 2010. Winner of the Man Booker Prize 2009. Shortlisted for the Costa Novel Award 2009. Costa Book Awards 2009 Judges' comment: "One of the outstanding books of the year - historical fiction at its best." Featured on The Book Show on Sky Arts on 26 November 2009. The subject of Henry VIII will always provide a rich source of historical, political and scandalous fodder and here Hilary Mantel concentrates on one of the most interesting times in his reign – the divorce of Catherine of Aragon and his split from the Church of Rome. Mantel breathes life in to every character and even if you feel you have heard this story a million times she brings an original and tantalising voice to the period.
This review is provided by bookgroup.info.As the title suggests, this is very dark indeed. A middle-aged psychic medium is in crisis. Tormented by cruel spirits from the other side, her life becomes intolerable. As the book progresses we discover the appalling abuse she suffered as a child and the suffering she is now forced to live with begins to take on quite another interpretation. Alison has, since adolescence struggled with her gift as a psychic. Now in middle age she takes stock of her life as a successful medium and takes on an assistant Colette to help with running her life. This oddly matched pair take on the various problems of bookings in nameless village halls, conference rooms in motorway hotels and a grueling schedule of appearances and meetings. Ever present is Alison’s loathsome spirit guide a man who was base and cruel in life and even more so in death. He torments and corrupts Alison at every opportunity, and his gang of like-minded fiends exert an enormous and sinister power over her, demanding all her strength to repel them. These rebellious, sadistic spirits are as real as Alison, Colette and the rag bag community of psychics and mediums. Here lies the real subject of the book – the spirits she endures on a daily basis are very similar to the men who tormented her throughout her childhood. As Alison assesses her extraordinarily abusive upbringing, and her mother’s role in permitting the abuse to occur, so the vile voices take on quite another interpretation – as a manifestation of her trauma and possibly the signs of schizophrenia. The book poses many questions about how one is to survive childhood abuse. Alison has a dual struggle – firstly to try to make sense of the past piecing together the half-remembered narratives and forgiving her atrocious mother. Secondly she must subdue the terrible voices and protect herself against the harm they may do her. To the reader it becomes clear that the two activities are interdependent, but it is only with cognitive ability that this heroic task can be achieved and we are unsure how much Alison is prepared to accept. The novel is set against a backdrop of unbelievably grim landscapes, forgotten hinterlands beyond the M25 motorway. Mantel makes some astonishing descriptions of these wastelands – the first page is a wonderful piece of descriptive writing. This book is so powerful, so beyond black that it cannot help but make meaningful discussions for any group. However, as a word of warning, it is very adult and deals with terrible sadness and struggle. Mantel’s light touch seduces the reader into a world of ghosts and mediums, but what lies beneath is very dark and bleak, a very human struggle against the damage done by a truly dreadful past.Sarah Broadhurst's view...A rich and vibrant, emotive and evocative tale of a medium with a weight problem and a control freak with a husband problem. An unlikely pair who find solace and purpose with each other until the final crisis drives them apart. Throughout we are given a very different view of ‘spirit guides’ and loved-ones from ‘the other side’ than the normal portrayal of beneficent and happy ‘departed’ with messages of encouragement and love. The ghosts here are uninvited and unpleasant, malicious, wicked and jealous. The characters are brilliant, the whole work a great read which deserves to be read a second time.Comparison: Julie Myerson, Rachel Cusk, A M Homes.Similar this month: Sabina Murray, Ian McEwan.
We are very sorry but we have yet to review this book ourselves. However, as it has been selected for the Man Booker 2005 long list, we wanted to give you the opportunity to download an extract and let you make up your own mind. Please watch this space for our view of this potential prize winner.
Hans Holbein's famous portrayal of Sir Thomas More is one of the artist's greatest and most popular portraits. In the opening piece of this appealing new volume, A Letter to Thomas More, Knight , award-winning author Hilary Mantel vividly imagines the background to the creation of this extraordinary portrait, giving it both historical perspective and immediacy. An insightful, concise, scholarly essay by Xavier Salomon grounds it in the art-historical world. Hans Holbein (1497/98-1543) painted Sir Thomas More in 1527, having been a guest in More's house when he first arrived in England. He brilliantly renders his sitter's rich fabrics and unshaven face with sympathy and perception. Frick Diptychs, a new series of small books to be co-published by GILES with The Frick Collection, New York, pairs masterworks from the Frick with critical and literary essays. The novelist Hilary Mantel will be followed by the filmmaker James Ivory on Vermeer's Mistress and Maid and the artist and author Edmund de Waal on a pair of porcelain and bronze candlesticks by the 18th-century French metalworker Pierre Gouthiere.
Alison Hart, a medium by trade, tours the dormitory towns of London's orbital ring road with her flint-hearted sidekick, Colette, passing on messages from beloved dead ancestors. But behind her plump, smiling persona hides a desperate woman: she knows the terrors the next life holds but must conceal them from her wide-eyed clients. At the same time she is plagued by spirits from her own past, who infiltrate her body and home, becoming stronger and nastier the more she resists...
Terminus: A "e;The Assassination of Margaret Thatcher"e; Essay by Hilary MantelThe Assassination of Margaret Thatcher is The New York Times bestselling collection, from the Man Booker prize-winner for Wolf Hall and Bring Up the Bodies, that has been called "e;scintillating"e; (New York Times Books Review), "e;breathtaking"e; (NPR), "e;exquisite"e; (The Chicago Tribune) and "e;otherworldly"e; (Washington Post).
A brilliant - and rather transgressive - collection of short stories from the double Man Booker Prize-winning author of 'Wolf Hall' and 'Bring Up the Bodies'. Hilary Mantel is one of Britain's most accomplished and acclaimed writers. In these ten bracingly subversive tales, all her gifts of characterisation and observation are fully engaged, summoning forth the horrors so often concealed behind everyday facades. Childhood cruelty is played out behind the bushes in 'Comma'; nurses clash in 'Harley Street' over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game. Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road in Greece, these stories share an insight into the darkest recesses of the spirit. Displaying all of Mantel's unmistakable style and wit, they reveal a great writer at the peak of her powers.
A new story from Hilary Mantel, author of Wolf Hall and The Assassination of Margaret Thatcher and twice winner of the Man Booker Prize.This story is also available in the paperback and eBook edition of The Assassination of Margaret Thatcher.'Lastly,' Mr Maddox said, 'and to conclude our tour, we come to a very special part of the house.' He paused, to impress on her that she was going to have a treat. 'Perhaps, Miss Marcella, it may be that in your last situation, the house did not have a panic room?''The School of English' invites us behind the stucco facade of a Notting Hill mansion where fear and cruelty grip a household.
A brilliant - and rather transgressive - collection of short stories from the double Man Booker Prize-winning author of Wolf Hall and Bring Up the Bodies. Including a new story The School of English. Hilary Mantel is one of Britain's most accomplished and acclaimed writers. In these ten bracingly subversive tales, all her gifts of characterisation and observation are fully engaged, summoning forth the horrors so often concealed behind everyday facades. Childhood cruelty is played out behind the bushes in `Comma'; nurses clash in `Harley Street' over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game. Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road in Greece, these stories share an insight into the darkest recesses of the spirit. Displaying all of Mantel's unmistakable style and wit, they reveal a great writer at the peak of her powers.
Winners of the Man Booker Prize and hugely successful stage plays in London's West End and on Broadway, Wolf Hall and Bring Up the Bodies bring history to life for a whole new audience having now been adapted into a six-part television series by the BBC and PBS Masterpiece.Hilary Mantel's Thomas Cromwell novels are the most formidable literary achievements of recent times. Wolf Hall begins in England in 1527. England is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years and marry Anne Boleyn. The pope and most of Europe oppose him. Into this impasse steps Thomas Cromwell: a wholly original man, a charmer and a bully, both idealist and opportunist, master of deadly intrigue, and implacable in his ambition.Bring Up the Bodies unlocks the darkly glittering court of Henry VIII, where Thomas Cromwell is now chief minister. Henry is disenchanted with Anne Boleyn and has fixed his eye on the demure Jane Seymour. Anne has failed to give England an heir and rumors of her infidelity creep through the court. Over a few terrifying weeks, to dislodge her from her throne, Cromwell ensnares Anne in a web of conspiracy-acting to save his life, serve his king and secure his position. But from the bloody theater of the queen's final days, no one will emerge unscathed.
The greatest literary sensation of recent times - and now the inspiration for a major BBC series, starring Mark Rylance and Damian Lewis and directed by Peter Kosminsky. In this staggeringly brilliant novel, Hilary Mantel brings the opulent, brutal world of the Tudors to bloody, glittering life. It is the backdrop to the rise and rise of Thomas Cromwell: lowborn boy, charmer, bully, master of deadly intrigue and, finally, most powerful of Henry VIII's courtiers. Both winners of the Man Booker Prize and already hugely successful stage plays, WOLF HALL and its sequel BRING UP THE BODIES have now been transformed into a BBC television series starring Mark Rylance and Damian Lewis, bringing history to life for a whole new audience.
The greatest literary sensation of recent times - and now the inspiration for a major BBC series, starring Mark Rylance and Damian Lewis and directed by Peter Kosminsky. With this historic win for `Bring Up the Bodies', Hilary Mantel becomes the first British author and the first woman to be awarded two Man Booker Prizes (her first was for `Wolf Hall' in 2009). By 1535 Thomas Cromwell is Chief Minister to Henry VIII, his fortunes having risen with those of Anne Boleyn, the king's new wife. But Anne has failed to give the king an heir, and Cromwell watches as Henry falls for plain Jane Seymour. Cromwell must find a solution that will satisfy Henry, safeguard the nation and secure his own career. But neither minister nor king will emerge unscathed from the bloody theatre of Anne's final days. An astounding literary accomplishment, `Bring Up the Bodies' is the story of this most terrifying moment of history, by one of our greatest living novelists.
One of the most accomplished, acclaimed, and garlanded writers, Hilary Mantel delivers a brilliant collection of contemporary storiesIn The Assassination of Margaret Thatcher, Hilary Mantel's trademark gifts of penetrating characterization, unsparing eye, and rascally intelligence are once again fully on display.Stories of dislocation and family fracture, of whimsical infidelities and sudden deaths with sinister causes, brilliantly unsettle the reader in that unmistakably Mantel way.Cutting to the core of human experience, Mantel brutally and acutely writes about marriage, class, family, and sex. Unpredictable, diverse, and sometimes shocking, The Assassination of Margaret Thatcher displays a magnificent writer at the peak of her powers.
A brilliant collection of short stories from the double Man Booker Prize-winning author of Wolf Hall and Bring Up the Bodies. Hilary Mantel is one of Britain's most accomplished and acclaimed writers. In these ten bracingly subversive tales, all her gifts of characterisation and observation are fully engaged, summoning forth the horrors so often concealed behind everyday facades. Childhood cruelty is played out behind the bushes in 'Comma'; nurses clash in 'Harley Street' over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game. Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road in Greece, these stories share an insight into the darkest recesses of the spirit. Displaying all of Mantel's unmistakable style and wit, they reveal a great writer at the peak of her powers.
A brilliant collection of short stories from the double Man Booker Prize-winning author of Wolf Hall and Bring Up the Bodies. Hilary Mantel is one of Britain's most accomplished and acclaimed writers. In these ten bracingly subversive tales, all her gifts of characterisation and observation are fully engaged, summoning forth the horrors so often concealed behind everyday facades. Childhood cruelty is played out behind the bushes in `Comma'; nurses clash in `Harley Street' over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game. Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road in Greece, these stories share an insight into the darkest recesses of the spirit. Displaying all of Mantel's unmistakable style and wit, they reveal a great writer at the peak of her powers.
A brilliant - and rather transgressive - collection of short stories from the double Man Booker Prize-winning author of 'Wolf Hall' and 'Bring Up the Bodies'. Hilary Mantel is one of Britain's most accomplished and acclaimed writers. In these ten bracingly subversive tales, all her gifts of characterisation and observation are fully engaged, summoning forth the horrors so often concealed behind everyday facades. Childhood cruelty is played out behind the bushes in 'Comma'; nurses clash in 'Harley Street' over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game. Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road in Greece, these stories share an insight into the darkest recesses of the spirit. Displaying all of Mantel's unmistakable style and wit, they reveal a great writer at the peak of her powers.
An unforgettable, unnerving short story about a writers life from one of todays greatest writersextracted from her upcoming collection, THE ASSASSINATION OF MARGARET THATCHEROne summer at the fag-end of the nineties, I had to go out of London to talk to a literary society, of the sort that must have been old-fashioned when the previous century closed. When the day came, I wondered why Id agreed to it; but yes is easier than no, and of course when you make a promise you think the time will never arrive . . .How Shall I Know You? is as unsettling and hauntingly written as we have come to expect from Hilary Mantel, one of the worlds most accomplished, acclaimed and garlanded writers. It invites us into the usually hidden recesses of a writers life, into her hotel rooms, handbags, frustrations, desires and darkest imaginings.
"e;She looked up and smiled. She had a face of feral sweetness, its color yellow; her eyes were long and dark, her mouth a taut bow, her nostrils upturned as if she were scenting the wind."e;In "e;How Shall I Know You?,"e; a melancholic and ailing writer reluctantly travels east of London to give a lecture before a literary society. Mr. Simister, the organization's secretary, lures the world-weary novelist turned biographer with promises of a modest stipend and lodging at a charming bed-and-breakfast for her trouble. Nevertheless, on that rainy day she meets Mr. Simister at the train station, she wonders why she ever agreed to come in the first place. Driving past steel-shuttered windows and Day-Glo banners, Mr. Simister takes the writer to her hotel for the evening, which turns out to be crumbling and isolated rather than picturesque. As she crosses the threshold into the dank stench of Eccles House she is faced with the feral porter, Louise, and suffers through an evening that may be more than she bargained for.From Hilary Mantel's brilliant and darkly comic collection of contemporary stories, The Assassination of Margaret Thatcher, comes a tale told with her distinctive blend of subversive wit and gimlet-eyed characterization. "e;How Shall I Know You?"e; showcases the extraordinary genius of Hilary Mantel, called one of our "e;greatest living novelists"e; (NPR).
A new, revised edition for the London transfer of Mike Poulton's expertly adapted two-part adaptation of Hilary Mantel's hugely acclaimed novels, featuring a substantial set of character notes by Hilary Mantel. Mike Poulton's `expertly adapted' (Evening Standard) two-part adaptation of Hilary Mantel's acclaimed novels `Wolf Hall' and `Bring Up the Bodies' is a gripping piece of narrative theatre ... history made manifest' (Guardian). The plays were premiered to great acclaim by the Royal Shakespeare Company in Stratford-upon-Avon in 2013, before transferring to the Aldwych Theatre in London's West End in May 2014. `Wolf Hall' begins in England in 1527. Henry has been King for almost twenty years and is desperate for a male heir; but Cardinal Wolsey is unable to deliver the divorce he craves. Yet for a man with the right talents this crisis could be an opportunity. Thomas Cromwell is a commoner who has risen in Wolsey's household - and he will stop at nothing to secure the King's desires and advance his own ambitions. In `Bring Up the Bodies', the volatile Anne Boleyn is now Queen, her career seemingly entwined with that of Cromwell. But when the King begins to fall in love with self-effacing Jane Seymour, the ever-pragmatic Cromwell must negotiate within an increasingly perilous Court to satisfy Henry, defend the nation and, above all, to secure his own rise in the world. Hilary Mantel's novels are the most formidable literary achievements of recent times, both recipients of the Man Booker Prize. This volume contains both plays and a substantial set of notes by Hilary Mantel on each of the principal characters, offering a unique insight into the adaptations and an invaluable resource to any theatre companies wishing to stage them.
Shortlisted for the Women's Prize for Fiction 2013. Shortlisted for the Walter Scott Prize for Historical Fiction 2013. With her dazzling, utterly absorbing style of writing Bring Up the Bodies focuses on the downfall and destruction of the charismatic Anne Boleyn. This is the sequel to the 2009 Man Booker-winning Wolf Hall the second in what will be a Tudor trilogy. The final book will be called The Mirror & the Light, and will continue Thomas Cromwell's story until his execution in 1540. Winner of the Man Booker Prize 2012. Winner of the Costa Novel Award 2012. Winner of the Specsavers National Book Awards 'UK Author of the Year' 2012. May 2012 MEGA Book of the Month. Sir Peter Stothard, Chair of Man Booker Prize 2012 judging panel, on Bring Up the Bodies... ‘This double accolade is uniquely deserved. Hilary Mantel has rewritten the rules for historical fiction. In Bring up the Bodies, our greatest modern writer retells the origins of modern England.’' Featured on The Book Show on Sky Arts at the Hay Festival on 2 June 2012.
The collection begins in the 1950s in an insular northern village 'scoured by bitter winds and rough gossip tongues.' For the child narrator, the only way to survive is to get up, get on, get out. The title story sees our narrator ironing out her northern vowels with the help of an ex-actress with one lung and a Manchester accent. In Third Floor Rising, she watches, dazzled, as her mother carves out a stylish new identity. With a deceptively light touch, Mantel locates the transforming moments of a haunted childhood.
Winners of the Man Booker Prize in 2009 and 2012. This elegantly presented double-hardback slipcased set is available for a limited time only. The perfect gift for any book lover. `Wolf Hall' and `Bring Up the Bodies', both winners of The Man Booker Prize, in 2009 and 2012 respectively, are the first two instalments in Hilary Mantel's Tudor trilogy. They have gathered readers and praise in equal and enormous measure. They have been credited with elevating historical fiction to new heights and animating a period of history many thought too well known to be made fresh. Through the eyes and ears of Thomas Cromwell, the books' narrative prism, we are shown Tudor England, the court of King Henry VIII. Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with a delicate and deadly expertise in manipulating people and events. In `Wolf Hall' we witness Cromwell's rise, beginning as clerk to Cardinal Wolsey, Henry's chief advisor, charged with securing the divorce the pope refuses to grant. He is soon to become his successor. By 1535, when the action of `Bring Up the Bodies' begins, Cromwell is Chief Minister to Henry, his fortunes having risen with those of Anne Boleyn, Henry's second wife. Anne's days, though, are marked. Cromwell watches as the king falls in love with silent, plain Jane Seymour, sensing what Henry's affection will mean for his queen, for England, and for himself.
A two-ebook edition of Hilary Mantels bestselling novels: Wolf Hall, winner of the Man Booker Prize 2009, and Bring Up the Bodies, winner of the Man Booker Prize 2012. Wolf Hall and Bring Up the Bodies, the first two instalments in Hilary Mantels Tudor trilogy, have gathered readers and praise in equal and enormous measure. They have been credited with elevating historical fiction to new heights and animating a period of history many thought too well known to be made fresh. Through the eyes and ears of Thomas Cromwell, the books narrative prism, we are shown Tudor England, the court of King Henry VIII. Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with a delicate and deadly expertise in manipulating people and events. In Wolf Hall we witness Cromwells rise, beginning as clerk to Cardinal Wolsey, Henrys chief advisor, charged with securing the divorce the pope refuses to grant. He is soon to become his successor. By 1535, when the action of Bring Up the Bodies begins, Cromwell is Chief Minister to Henry, his fortunes having risen with those of Anne Boleyn, Henrys second wife. Annes days, though, are marked. Cromwell watches as the king falls in love with silent, plain Jane Seymour, sensing what Henrys affection will mean for his queen, for England, and for himself.
Longlisted for the 2012 Man Booker Prize. By 1535 Thomas Cromwell, the blacksmith's son, is far from his humble origins. Chief Minister to Henry VIII, his fortunes have risen with those of Anne Boleyn, Henry's second wife, for whose sake Henry has broken with Rome and created his own church. But Henry's actions have forced England into dangerous isolation, and Anne has failed to do what she promised: bear a son to secure the Tudor line. In Bring up the Bodies Hilary Mantel explores one of the most mystifying and frightening episodes in English history: the destruction of Anne Boleyn. This new novel is an audacious vision of Tudor England that sheds its light on the modern world. This recording is unabridged. Typically abridged audiobooks are not more than 60% of the author's work and as low as 30% with characters and plotlines removed.
Shortlisted for the Women's Prize for Fiction 2013. Winner of the Costa Book of the Year 2012. With her dazzling, utterly absorbing style of writing Bring Up the Bodies focuses on the downfall and destruction of the charismatic Anne Boleyn. This is the sequel to the 2009 Man Booker-winning Wolf Hall the second in what will be a Tudor trilogy. The final book will be called The Mirror & the Light, and will continue Thomas Cromwell's story until his execution in 1540. Winner of the Man Booker Prize 2012. Winner of the Costa Novel Award 2012. Winner of the Specsavers National Book Awards 'UK Author of the Year' 2012. May 2012 MEGA Book of the Month. Sir Peter Stothard, Chair of Man Booker Prize 2012 judging panel, on Bring Up the Bodies... ‘This double accolade is uniquely deserved. Hilary Mantel has rewritten the rules for historical fiction. In Bring up the Bodies, our greatest modern writer retells the origins of modern England.’' Featured on The Book Show on Sky Arts at the Hay Festival on 2 June 2012.
Winner of the Man Booker Prize 2012With this historic win for BRING UP THE BODIES, Hilary Mantel becomes the first British author and the first woman to be awarded two Man Booker Prizes, as well as being the first to win with two consecutive novels. Continuing what began in the Man Booker Prize-winning WOLF HALL, we return to the court of Henry VIII, to witness the irresistible rise of Thomas Cromwell as he contrives the destruction of Anne Boleyn.By 1535 Cromwell is Chief Minister to Henry, his fortunes having risen with those of Anne Boleyn. But the split from the Catholic Church has left England dangerously isolated, and Anne has failed to give the king an heir. Cromwell watches as Henry falls for plain Jane Seymour. Negotiating the politics of the court, Cromwell must find a solution that will satisfy Henry, safeguard the nation and secure his own career. But neither minister nor king will emerge unscathed from the bloody theatre of Anne's final days.An astounding literary accomplishment, BRING UP THE BODIES is the story of this most terrifying moment of history, by one of our greatest living novelists.
Winner of the Man Booker Prize 2012With this historic win for BRING UP THE BODIES, Hilary Mantel becomes the first British author and the first woman to be awarded two Man Booker Prizes, as well as being the first to win with two consecutive novels. Continuing what began in the Man Booker Prize-winning WOLF HALL, we return to the court of Henry VIII, to witness the irresistible rise of Thomas Cromwell as he contrives the destruction of Anne Boleyn. By 1535 Cromwell is Chief Minister to Henry, his fortunes having risen with those of Anne Boleyn. But the split from the Catholic Church has left England dangerously isolated, and Anne has failed to give the king an heir. Cromwell watches as Henry falls for plain Jane Seymour. Negotiating the politics of the court, Cromwell must find a solution that will satisfy Henry, safeguard the nation and secure his own career. But neither minister nor king will emerge unscathed from the bloody theatre of Anne's final days. An astounding literary accomplishment, BRING UP THE BODIES is the story of this most terrifying moment of history, by one of our greatest living novelists.
The sequel to Hilary Mantel's 2009 Man Booker Prize winner and New York Times bestseller, Wolf Hall delves into the heart of Tudor history with the downfall of Anne Boleyn Though he battled for seven years to marry her, Henry is disenchanted with Anne Boleyn. She has failed to give him a son and her sharp intelligence and audacious will alienate his old friends and the noble families of England. When the discarded Katherine dies in exile from the court, Anne stands starkly exposed, the focus of gossip and malice. At a word from Henry, Thomas Cromwell is ready to bring her down. Over three terrifying weeks, Anne is ensnared in a web of conspiracy, while the demure Jane Seymour stands waiting her turn for the poisoned wedding ring. But Anne and her powerful family will not yield without a ferocious struggle. Hilary Mantel's Bring Up the Bodies follows the dramatic trial of the queen and her suitors for adultery and treason. To defeat the Boleyns, Cromwell must ally with his natural enemies, the papist aristocracy. What price will he pay for Anne's head?Bring Up the Bodies is the winner of the 2012 Man Booker Prize Bring Up the Bodies is one of Publishers Weekly's Top 10 Best Books of 2012 and one of The Washington Post's 10 Best Books of 2012
Ralph and Anna Eldred live in the big Red House in Norfolk, raising their four children and devoting their lives to charity. But the constant flood of 'good souls and sad cases' welcomed into their home hides the growing crises in their own family. From the violent townships of South Africa to the windswept countryside of Norfolk, this is an epic yet subtle family saga about what happens when trust is broken - This recording is unabridged. Typically abridged audiobooks are not more than 60% of the author's work and as low as 30% with characters and plotlines removed.
First published in Hilary Mantel's collection of short stories Learning to Talk, in King Billy is a Gentleman a child must come to terms with the loss of a father and the puzzle of a fading Irish heritage.First published in Hilary Mantel's collection of short stories Learning to Talk, in King Billy is a Gentleman a child must come to terms with the loss of a father and the puzzle of a fading Irish heritage.
A teenage girl sees a new side to her mother when she starts to work with her in a department store..Fast Fiction: A selection of masterful short stories from 4th Estate short story collections, and the best talent from The Sunday Times authors, available to purchase as single story ebooks.
After moving from Derbyshire to Cheshire, a girl is sent to elocution lessons.Fast Fiction: A selection of masterful short stories from 4th Estate short story collections, and the best talent from The Sunday Times authors, available to purchase as single story ebooks.
A little girl visits a stranger's family, and makes a new friend.Fast Fiction: A selection of masterful short stories from 4th Estate short story collections, and the best talent from The Sunday Times authors, available to purchase as single story ebooks.
Just after 'Bring Up the Bodies' author Hilary Mantel won the Man Booker for 'Wolf Hall', she fell gravely ill. This is her remarkable hospital diary.Originally published in the London Review of Books, this diary by the acclaimed author Hilary Mantel explores in forensic detail her loss of dignity, her determination, the concentration of the senses into an animalistic struggle to get through, and the attendant hallucinations she was plagued by during her stay in hospital.With her health now improved, and the acknowledgement of the Man Booker prize-winning follow-up to 'Wolf Hall', 'Bring Up the Bodies' as one of our greatest works of fiction, 'Ink in the Blood' remains a significant testament to the traumas of illness, and one of the most incredible and haunting essays published in a very long time.
February 2012 Guest Editor Joanna Trollope on Hilary Mantel... I loved her writing, long before the mega success of Wolf Hall. She wrote the best novel (bad title – A Place of Greater Safety) I ever read about the French Revolution, and some great modern ones – like Fludd and Eight Days on Gazzah Street. She isn’t just clever and original, she is also seriously funny, and I love that. Winner of the inaugural Walter Scott Prize for historical fiction 2010. Winner of the Man Booker Prize 2009. Shortlisted for the Costa Novel Award 2009. Costa Book Awards 2009 Judges' comment: "One of the outstanding books of the year - historical fiction at its best." Featured on The Book Show on Sky Arts on 26 November 2009. The subject of Henry VIII will always provide a rich source of historical, political and scandalous fodder and here Hilary Mantel concentrates on one of the most interesting times in his reign – the divorce of Catherine of Aragon and his split from the Church of Rome. Mantel breathes life in to every character and even if you feel you have heard this story a million times she brings an original and tantalising voice to the period.
Winner of the Man Booker Prize 2009 'Lock Cromwell in a deep dungeon in the morning,' says Thomas More, 'and when you come back that night he'll be sitting on a plush cushion eating larks' tongues, and all the gaolers will owe him money.' England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk, and later his successor. Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with a delicate and deadly expertise in manipulating people and events. Ruthless in pursuit of his own interests, he is as ambitious in his wider politics as he is for himself. His reforming agenda is carried out in the grip of a self-interested parliament and a king who fluctuates between romantic passions and murderous rages. From one of our finest living writers, `Wolf Hall' is that very rare thing: a truly great English novel, one that explores the intersection of individual psychology and wider politics. With a vast array of characters, and richly overflowing with incident, it peels back history to show us Tudor England as a half-made society, moulding itself with great passion, suffering and courage.
Winner of the Man Booker Prize 2009 and read by Dan Stevens, star of TV's Downton Abbey. 'Lock Cromwell in a deep dungeon in the morning,' says Thomas More, 'and when you come back that night he'll be sitting on a plush cushion eating larks' tongues, and all the gaolers will owe him money.' England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk, and later his successor. Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with a delicate and deadly expertise in manipulating people and events. Ruthless in pursuit of his own interests, he is as ambitious in his wider politics as he is for himself. His reforming agenda is carried out in the grip of a self-interested parliament and a king who fluctuates between romantic passions and murderous rages. From one of our finest living writers, Wolf Hall is that very rare thing: a truly great English novel, one that explores the intersection of individual psychology and wider politics. With a vast array of characters, and richly overflowing with incident, it peels back history to show us Tudor England as a half-made society, moulding itself with great passion and suffering and courage.
Winner of the Man Booker Prize 2009 and read by Dan Stevens.'Lock Cromwell in a deep dungeon in the morning,' says Thomas More, 'and when you come back that night he'll be sitting on a plush cushion eating larks' tongues, and all the gaolers will owe him money.'England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk, and later his successor.Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with a delicate and deadly expertise in manipulating people and events. Ruthless in pursuit of his own interests, he is as ambitious in his wider politics as he is for himself. His reforming agenda is carried out in the grip of a self-interested parliament and a king who fluctuates between romantic passions and murderous rages.From one of our finest living writers, Wolf Hall is that very rare thing: a truly great English novel, one that explores the intersection of individual psychology and wider politics. With a vast array of characters, and richly overflowing with incident, it peels back history to show us Tudor England as a half-made society, moulding itself with great passion and suffering and courage.
This is an unabridged audiobook title. Winner of the inaugural Walter Scott Prize for historical fiction 2010. Winner of the Man Booker Prize 2009. The subject of Henry VIII will always provide a rich source of historical, political and scandalous fodder and here Hilary Mantel concentrates on one of the most interesting times in his reign – the divorce of Catherine of Aragon and his split from the Church of Rome. Mantel breathes life in to every character and even if you feel you have heard this story a million times she brings an original and tantalising voice to the period. This is an Unabridged audiobook title, which includes every word that you would otherwise find in the printed edition. Don’t forget, if the story was meant to be shorter the author would have written less! Click here to take a peek at our selection of Unabridged audiobooks. You might be interested to know the abridged audiobook version runs to only 29% of the full length.
In the ruthless arena of King Henry VIII's court, only one man dares to gamble his life to win the king's favor and ascend to the heights of political powerEngland in the 1520s is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years, and marry Anne Boleyn. The pope and most of Europe opposes him. The quest for the king's freedom destroys his adviser, the brilliant Cardinal Wolsey, and leaves a power vacuum. Into this impasse steps Thomas Cromwell. Cromwell is a wholly original man, a charmer and a bully, both idealist and opportunist, astute in reading people and a demon of energy: he is also a consummate politician, hardened by his personal losses, implacable in his ambition. But Henry is volatile: one day tender, one day murderous. Cromwell helps him break the opposition, but what will be the price of his triumph? In inimitable style, Hilary Mantel presents a picture of a half-made society on the cusp of change, where individuals fight or embrace their fate with passion and courage. With a vast array of characters, overflowing with incident, the novel re-creates an era when the personal and political are separated by a hairbreadth, where success brings unlimited power but a single failure means death.
From the double Man Booker prize-winner comes an extraordinary work of historical imagination - this is Hilary Mantel's epic novel of the French Revolution. Georges-Jacques Danton: zealous, energetic and debt-ridden. Maximilien Robespierre: small, diligent and terrified of violence. And Camille Desmoulins: a genius of rhetoric, charming and handsome, yet also erratic and untrustworthy. As these young men, key figures of the French Revolution, taste the addictive delights of power, the darker side of the period's political ideals is unleashed - and all must face the horror that follows.
From the author of the Man Booker prize-winners `Wolf Hall' and `Bring Up the Bodies' comes a story of suburban mayhem and merciless, hilarious revenge. Barricaded inside their house filled with festering rubbish, unhealthy smells and their secrets, the Axon family baffle Isabel Field, the latest in a long line of social workers. Isabel has other problems too: a randy, untrustworthy father and a slackly romantic lover, Colin Sidney, history teacher to unresponsive yobs and father of a parcel of horrible children. With all this to worry about, how can Isabel begin to understand what is going on in the Axon household?
From the Man Booker Prize-winning author of `Wolf Hall', a savagely funny tale that revisits the characters from the much-loved `Every Day is Mother's Day'. Muriel Axon is about to re-enter the lives of Colin Sidney, hapless husband, father and schoolmaster, and Isabel Field, failed social worker and practising neurotic. It is ten years since her last tangle with them, but for Muriel this is not time enough. There are still scores to be settled, truths to be faced and rather a lot of vengeance to be wreaked.
This review is provided by bookgroup.info.As the title suggests, this is very dark indeed. A middle-aged psychic medium is in crisis. Tormented by cruel spirits from the other side, her life becomes intolerable. As the book progresses we discover the appalling abuse she suffered as a child and the suffering she is now forced to live with begins to take on quite another interpretation. Alison has, since adolescence struggled with her gift as a psychic. Now in middle age she takes stock of her life as a successful medium and takes on an assistant Colette to help with running her life. This oddly matched pair take on the various problems of bookings in nameless village halls, conference rooms in motorway hotels and a grueling schedule of appearances and meetings. Ever present is Alison’s loathsome spirit guide a man who was base and cruel in life and even more so in death. He torments and corrupts Alison at every opportunity, and his gang of like-minded fiends exert an enormous and sinister power over her, demanding all her strength to repel them. These rebellious, sadistic spirits are as real as Alison, Colette and the rag bag community of psychics and mediums. Here lies the real subject of the book – the spirits she endures on a daily basis are very similar to the men who tormented her throughout her childhood. As Alison assesses her extraordinarily abusive upbringing, and her mother’s role in permitting the abuse to occur, so the vile voices take on quite another interpretation – as a manifestation of her trauma and possibly the signs of schizophrenia. The book poses many questions about how one is to survive childhood abuse. Alison has a dual struggle – firstly to try to make sense of the past piecing together the half-remembered narratives and forgiving her atrocious mother. Secondly she must subdue the terrible voices and protect herself against the harm they may do her. To the reader it becomes clear that the two activities are interdependent, but it is only with cognitive ability that this heroic task can be achieved and we are unsure how much Alison is prepared to accept. The novel is set against a backdrop of unbelievably grim landscapes, forgotten hinterlands beyond the M25 motorway. Mantel makes some astonishing descriptions of these wastelands – the first page is a wonderful piece of descriptive writing. This book is so powerful, so beyond black that it cannot help but make meaningful discussions for any group. However, as a word of warning, it is very adult and deals with terrible sadness and struggle. Mantel’s light touch seduces the reader into a world of ghosts and mediums, but what lies beneath is very dark and bleak, a very human struggle against the damage done by a truly dreadful past.Sarah Broadhurst's view...A rich and vibrant, emotive and evocative tale of a medium with a weight problem and a control freak with a husband problem. An unlikely pair who find solace and purpose with each other until the final crisis drives them apart. Throughout we are given a very different view of ‘spirit guides’ and loved-ones from ‘the other side’ than the normal portrayal of beneficent and happy ‘departed’ with messages of encouragement and love. The ghosts here are uninvited and unpleasant, malicious, wicked and jealous. The characters are brilliant, the whole work a great read which deserves to be read a second time.Comparison: Julie Myerson, Rachel Cusk, A M Homes.Similar this month: Sabina Murray, Ian McEwan.
From the double Man Booker prize-winning author of `Wolf Hall', this is a dark fable of lost faith and awakening love amidst the moors. Fetherhoughton is a drab, dreary town somewhere in a magical, half-real 1950s north England, a preserve of ignorance and superstition protected against the advance of reason by its impenetrable moor-fogs. Father Angwin, the town's cynical priest, has lost his faith, and wants nothing more than to be left alone. Sister Philomena strains against the monotony of convent life and the pettiness of her fellow nuns. The rest of the town goes about their lives in a haze, a never-ending procession of grim, grey days stretching ahead of them. Yet all of that is about to change. A strange visitor appears one stormy night, bringing with him the hint, the taste of something entirely new, something unknown. But who is Fludd? An angel come to shake the Fetherhoughtonians from their stupor, to reawaken Father Angwin's faith, to show Philomena the nature of love? Or is he the devil himself, a shadowy wanderer of the darkest places in the human heart? Full of dry wit, compassionate characterisations and cutting insight, Fludd is a brilliant gem of a book, and one of Hilary Mantel's most original works.
From the double Man Booker prize-winning author of `Wolf Hall' and `Bring Up the Bodies', this is an epic yet subtle family saga about broken trusts and buried secrets. Ralph and Anna Eldred live in the big Red House in Norfolk, raising their four children and devoting their lives to charity. The constant flood of `good souls and sad cases', children plucked from the squalor of the East London streets for a breath of fresh countryside air, hides the growing crises in their own family, the disillusionment of their children, the fissures in their marriage. Memories of their time as missionaries in South Africa and Botswana, of the terrible African tragedies that have shaped the rest of their lives, refuse to be put to rest and threaten to destroy the fragile peace they have built for themselves and their children. This is a breathtakingly intelligent novel that asks the most difficult questions. Is there anything one can never forgive? Is tragedy ever deserved? Can you ever escape your own past? A literary family saga written with the skill and subtlety of a true master, this is Hilary Mantel at her best.
From the double Man Booker Prize-winning author of `Wolf Hall', a wry, shocking and beautiful memoir of childhood, ghosts, hauntings, illness and family. `Giving up the Ghost' is award-winning novelist Hilary Mantel's uniquely unusual five-part autobiography. Opening in 1995 with 'A Second Home', Mantel describes the death of her stepfather which leaves her deeply troubled by the unresolved events of her childhood. In 'Now Geoffrey Don't Torment Her' Mantel takes the reader into the muffled consciousness of her early childhood, culminating in the birth of a younger brother and the strange candlelight ceremony of her mother's 'churching'. In 'Smile', an account of teenage perplexity, Mantel describes a household where the keeping of secrets has become a way of life. Finally, at the memoir's conclusion, Mantel explains how through a series of medical misunderstandings and neglect she came to be childless and how the ghosts of the unborn like chances missed or pages unturned, have come to haunt her life as a writer.
Following `A Change in Climate', this brilliant novel from the double Man Booker prize-winning author of `Wolf Hall' is a coming-of-age tale set in Seventies London. It is London, 1970. Carmel McBain, in her first term at university, has cut free of her childhood roots in the north. Among the gossiping, flirtatious girls of Tonbridge Hall, she begins her experiments in life and love. But the year turns. The mini-skirt falls out of style and an era of concealment begins. Carmel's world darkens, and tragedy waits in the wings.
From the two-time Man Booker Prize winner, a prescient and haunting novel of life in Saudi Arabia. Frances Shore is a cartographer by trade, a maker of maps, but when her husband's work takes her to Saudi Arabia she finds herself unable to map the Kingdom's areas of internal darkness. The regime is corrupt and harsh, the expatriates are hard-drinking money-grubbers, and her Muslim neighbours are secretive, watchful. The streets are not a woman's territory; confined in her flat, she finds her sense of self begin to dissolve. She hears whispers, sounds of distress from the 'empty' flat above her head. She has only rumours, no facts to hang on to, and no one with whom to share her creeping unease. As her days empty of certainty and purpose, her life becomes a blank - waiting to be filled by violence and disaster.
A companion piece to the captivating memoir GIVING UP THE GHOST by the Man Booker-winning author, this collection of loosely autobiographical stories locates the transforming moments of a haunted childhood. This sharp, funny collection of stories drawn from life begins in the 1950s in an insular northern village 'scoured by bitter winds and rough gossip tongues.' For the child narrator, the only way to survive is to get up, get on, get out. In 'King Billy is a Gentleman', the child must come to terms with the loss of a father and the puzzle of a fading Irish heritage. 'Curved Is the Line of Beauty' is a story of friendship, faith and a near-disaster in a scrap-yard. The title story sees our narrator ironing out her northern vowels with the help of an ex-actress with one lung and a Manchester accent. In 'Third Floor Rising', she watches, dazzled, as her mother carves out a stylish new identity. With a deceptively light touch, Mantel locates the transforming moments of a haunted childhood.
From the two-time Man Booker winner, the story of the 18th Century Irish giant, Charles O'Brien. Charles O'Brien, bard and giant. The cynical are moved by his flights of romance; the craven stirred by his tales of epic deeds. But what of his own story as he is led from Ireland to seek his fortune beyond the seas in England? The Surprising Irish Giant may be the sensation of the season but only his compatriots seem to attend to his mythic powers of invention. John Hunter, celebrated surgeon and anatomist, buys dead men from the gallows and babies' corpses by the inch. Where is a man as unique as The Giant to hide his bones when he is yet alive? The Giant, O' Brien is an unforgettable novel; lyrical, shocking and spliced with black comedy.