No catches, no fine print just unadulterated book loving, with your favourite books saved to your own digital bookshelf.
New members get entered into our monthly draw to win £100 to spend in your local bookshop Plus lots lots more…
Find out more
Hilary Mantel is the first woman and the first British author to win the Man Booker prize twice and the first author ever to win the Man Booker Prize and Costa Book Award in the same year. At 60, she is only the third double winner alongside J.M. Coetzee and Peter Carey. She is also the first person to win the prize for two novels in a trilogy, following her success in 2009 with Wolf Hall.
Hilary Mantel was born in northern Derbyshire in 1952. She was educated at a convent school in Cheshire and went on to the LSE and Sheffield University, where she studied law. After university she was briefly a social worker in a geriatric hospital, and much later used her experiences in her novels Every Day is Mother's Day and Vacant Possession. In 1977 she went to live in Botswana with her husband, then a geologist. In 1982 they moved on to Jeddah in Saudi Arabia, where she would set her third novel, Eight Months on Ghazzah Street.
Her first novel was published in 1985, and she returned to the UK the following year. In 1987 she was awarded the Shiva Naipaul Memorial Prize for travel writing, and became the film critic of the Spectator. Her fourth novel, Fludd, was awarded the Cheltenham Festival Prize, the Southern Arts Literature Prize, and the Winifred Holtby Prize. Her fifth novel, A Place of Greater Safety, won the Sunday Express Book of the Year Award.
A Change of Climate, published in 1993, is the story of an East Anglian family, former missionaries, torn apart by conflicts generated in Southern Africa in the early years of Apartheid. An Experiment in Love published in 1995, is a story about childhood and university life, set in London in 1970. It was awarded the Hawthornden Prize.
Photograph © Jane Bown
A brilliant - and rather transgressive - collection of short stories from the double Man Booker Prize-winning author of 'Wolf Hall' and 'Bring Up the Bodies'. Hilary Mantel is one of Britain's most accomplished and acclaimed writers. In these ten bracingly subversive tales, all her gifts of characterisation and observation are fully engaged, summoning forth the horrors so often concealed behind everyday facades. Childhood cruelty is played out behind the bushes in 'Comma'; nurses clash in 'Harley Street' over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game. Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road in Greece, these stories share an insight into the darkest recesses of the spirit. Displaying all of Mantel's unmistakable style and wit, they reveal a great writer at the peak of her powers.
The greatest literary sensation of recent times - and now the inspiration for a major BBC series, starring Mark Rylance and Damian Lewis and directed by Peter Kosminsky. In this staggeringly brilliant novel, Hilary Mantel brings the opulent, brutal world of the Tudors to bloody, glittering life. It is the backdrop to the rise and rise of Thomas Cromwell: lowborn boy, charmer, bully, master of deadly intrigue and, finally, most powerful of Henry VIII's courtiers. Both winners of the Man Booker Prize and already hugely successful stage plays, WOLF HALL and its sequel BRING UP THE BODIES have now been transformed into a BBC television series starring Mark Rylance and Damian Lewis, bringing history to life for a whole new audience.
A brilliant - and rather transgressive - collection of short stories from the double Man Booker Prize-winning author of 'Wolf Hall' and 'Bring Up the Bodies'. Hilary Mantel is one of Britain's most accomplished and acclaimed writers. In these ten bracingly subversive tales, all her gifts of characterisation and observation are fully engaged, summoning forth the horrors so often concealed behind everyday facades. Childhood cruelty is played out behind the bushes in 'Comma'; nurses clash in 'Harley Street' over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game. Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road in Greece, these stories share an insight into the darkest recesses of the spirit. Displaying all of Mantel's unmistakable style and wit, they reveal a great writer at the peak of her powers.
Shortlisted for the Women's Prize for Fiction 2013. Shortlisted for the Walter Scott Prize for Historical Fiction 2013. With her dazzling, utterly absorbing style of writing Bring Up the Bodies focuses on the downfall and destruction of the charismatic Anne Boleyn. This is the sequel to the 2009 Man Booker-winning Wolf Hall the second in what will be a Tudor trilogy. The final book will be called The Mirror & the Light, and will continue Thomas Cromwell's story until his execution in 1540. Winner of the Man Booker Prize 2012. Winner of the Costa Novel Award 2012. Winner of the Specsavers National Book Awards 'UK Author of the Year' 2012. May 2012 MEGA Book of the Month. Sir Peter Stothard, Chair of Man Booker Prize 2012 judging panel, on Bring Up the Bodies... ‘This double accolade is uniquely deserved. Hilary Mantel has rewritten the rules for historical fiction. In Bring up the Bodies, our greatest modern writer retells the origins of modern England.’' Featured on The Book Show on Sky Arts at the Hay Festival on 2 June 2012.
Shortlisted for the Women's Prize for Fiction 2013. Winner of the Costa Book of the Year 2012. With her dazzling, utterly absorbing style of writing Bring Up the Bodies focuses on the downfall and destruction of the charismatic Anne Boleyn. This is the sequel to the 2009 Man Booker-winning Wolf Hall the second in what will be a Tudor trilogy. The final book will be called The Mirror & the Light, and will continue Thomas Cromwell's story until his execution in 1540. Winner of the Man Booker Prize 2012. Winner of the Costa Novel Award 2012. Winner of the Specsavers National Book Awards 'UK Author of the Year' 2012. May 2012 MEGA Book of the Month. Sir Peter Stothard, Chair of Man Booker Prize 2012 judging panel, on Bring Up the Bodies... ‘This double accolade is uniquely deserved. Hilary Mantel has rewritten the rules for historical fiction. In Bring up the Bodies, our greatest modern writer retells the origins of modern England.’' Featured on The Book Show on Sky Arts at the Hay Festival on 2 June 2012.
February 2012 Guest Editor Joanna Trollope on Hilary Mantel... I loved her writing, long before the mega success of Wolf Hall. She wrote the best novel (bad title – A Place of Greater Safety) I ever read about the French Revolution, and some great modern ones – like Fludd and Eight Days on Gazzah Street. She isn’t just clever and original, she is also seriously funny, and I love that. Winner of the inaugural Walter Scott Prize for historical fiction 2010. Winner of the Man Booker Prize 2009. Shortlisted for the Costa Novel Award 2009. Costa Book Awards 2009 Judges' comment: "One of the outstanding books of the year - historical fiction at its best." Featured on The Book Show on Sky Arts on 26 November 2009. The subject of Henry VIII will always provide a rich source of historical, political and scandalous fodder and here Hilary Mantel concentrates on one of the most interesting times in his reign – the divorce of Catherine of Aragon and his split from the Church of Rome. Mantel breathes life in to every character and even if you feel you have heard this story a million times she brings an original and tantalising voice to the period.
This is an unabridged audiobook title. Winner of the inaugural Walter Scott Prize for historical fiction 2010. Winner of the Man Booker Prize 2009. The subject of Henry VIII will always provide a rich source of historical, political and scandalous fodder and here Hilary Mantel concentrates on one of the most interesting times in his reign – the divorce of Catherine of Aragon and his split from the Church of Rome. Mantel breathes life in to every character and even if you feel you have heard this story a million times she brings an original and tantalising voice to the period. This is an Unabridged audiobook title, which includes every word that you would otherwise find in the printed edition. Don’t forget, if the story was meant to be shorter the author would have written less! Click here to take a peek at our selection of Unabridged audiobooks. You might be interested to know the abridged audiobook version runs to only 29% of the full length.
Winner of the inaugural Walter Scott Prize for historical fiction 2010. Winner of the Man Booker Prize 2009. Shortlisted for the Costa Novel Award 2009. Costa Book Awards 2009 Judges' comment: "One of the outstanding books of the year - historical fiction at its best." Featured on The Book Show on Sky Arts on 26 November 2009. The subject of Henry VIII will always provide a rich source of historical, political and scandalous fodder and here Hilary Mantel concentrates on one of the most interesting times in his reign – the divorce of Catherine of Aragon and his split from the Church of Rome. Mantel breathes life in to every character and even if you feel you have heard this story a million times she brings an original and tantalising voice to the period.
This review is provided by bookgroup.info.As the title suggests, this is very dark indeed. A middle-aged psychic medium is in crisis. Tormented by cruel spirits from the other side, her life becomes intolerable. As the book progresses we discover the appalling abuse she suffered as a child and the suffering she is now forced to live with begins to take on quite another interpretation. Alison has, since adolescence struggled with her gift as a psychic. Now in middle age she takes stock of her life as a successful medium and takes on an assistant Colette to help with running her life. This oddly matched pair take on the various problems of bookings in nameless village halls, conference rooms in motorway hotels and a grueling schedule of appearances and meetings. Ever present is Alison’s loathsome spirit guide a man who was base and cruel in life and even more so in death. He torments and corrupts Alison at every opportunity, and his gang of like-minded fiends exert an enormous and sinister power over her, demanding all her strength to repel them. These rebellious, sadistic spirits are as real as Alison, Colette and the rag bag community of psychics and mediums. Here lies the real subject of the book – the spirits she endures on a daily basis are very similar to the men who tormented her throughout her childhood. As Alison assesses her extraordinarily abusive upbringing, and her mother’s role in permitting the abuse to occur, so the vile voices take on quite another interpretation – as a manifestation of her trauma and possibly the signs of schizophrenia. The book poses many questions about how one is to survive childhood abuse. Alison has a dual struggle – firstly to try to make sense of the past piecing together the half-remembered narratives and forgiving her atrocious mother. Secondly she must subdue the terrible voices and protect herself against the harm they may do her. To the reader it becomes clear that the two activities are interdependent, but it is only with cognitive ability that this heroic task can be achieved and we are unsure how much Alison is prepared to accept. The novel is set against a backdrop of unbelievably grim landscapes, forgotten hinterlands beyond the M25 motorway. Mantel makes some astonishing descriptions of these wastelands – the first page is a wonderful piece of descriptive writing. This book is so powerful, so beyond black that it cannot help but make meaningful discussions for any group. However, as a word of warning, it is very adult and deals with terrible sadness and struggle. Mantel’s light touch seduces the reader into a world of ghosts and mediums, but what lies beneath is very dark and bleak, a very human struggle against the damage done by a truly dreadful past.Sarah Broadhurst's view...A rich and vibrant, emotive and evocative tale of a medium with a weight problem and a control freak with a husband problem. An unlikely pair who find solace and purpose with each other until the final crisis drives them apart. Throughout we are given a very different view of ‘spirit guides’ and loved-ones from ‘the other side’ than the normal portrayal of beneficent and happy ‘departed’ with messages of encouragement and love. The ghosts here are uninvited and unpleasant, malicious, wicked and jealous. The characters are brilliant, the whole work a great read which deserves to be read a second time.Comparison: Julie Myerson, Rachel Cusk, A M Homes.Similar this month: Sabina Murray, Ian McEwan.
We are very sorry but we have yet to review this book ourselves. However, as it has been selected for the Man Booker 2005 long list, we wanted to give you the opportunity to download an extract and let you make up your own mind. Please watch this space for our view of this potential prize winner.
Preorder the long-awaited sequel to Wolf Hall and Bring Up the Bodies, the stunning conclusion to Hilary Mantel's Man Booker Prize-winning Wolf Hall trilogy. 'If you cannot speak truth at a beheading, when can you speak it?' England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith's son from Putney emerges from the spring's bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry's regime to breaking point, Cromwell's robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him? With The Mirror and the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man's vision: of a modern nation making itself through conflict, passion and courage.
Pre-order the long-awaited sequel to Wolf Hall, and Bring Up the Bodies. This exclusive unabridged audiobook is narrated by Ben Miles, personally cast by Hilary Mantel to bring to life the stunning conclusion to her Booker Prize-winning Thomas Cromwell trilogy. If you cannot speak truth at a beheading, when can you speak it? England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith's son from Putney emerges from the spring's bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad, and the threat of invasion testing Henry's regime to breaking point, Cromwell's robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him?
Preorder the long-awaited sequel to Wolf Hall and Bring Up the Bodies, the stunning conclusion to Hilary Mantel's Man Booker Prize-winning Wolf Hall trilogy. 'If you cannot speak truth at a beheading, when can you speak it?' England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith's son from Putney emerges from the spring's bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry's regime to breaking point, Cromwell's robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him? With The Mirror and the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man's vision: of a modern nation making itself through conflict, passion and courage.
Preorder the long-awaited sequel to Wolf Hall and Bring Up the Bodies, the stunning conclusion to Hilary Mantel's Man Booker Prize-winning Wolf Hall trilogy. 'If you cannot speak truth at a beheading, when can you speak it?' England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith's son from Putney emerges from the spring's bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry's regime to breaking point, Cromwell's robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him? With The Mirror and the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man's vision: of a modern nation making itself through conflict, passion and courage.
Preorder the long-awaited sequel to Wolf Hall and Bring Up the Bodies, the stunning conclusion to Hilary Mantel's Man Booker Prize-winning Wolf Hall trilogy. 'If you cannot speak truth at a beheading, when can you speak it?' England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith's son from Putney emerges from the spring's bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry's regime to breaking point, Cromwell's robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him? With The Mirror and the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man's vision: of a modern nation making itself through conflict, passion and courage.
Winner of the Man Booker Prize 2012 Winner of the 2012 Costa Book of the Year Shortlisted for the 2013 Women's Prize for Fiction 'Simply exceptional...I envy anyone who hasn't yet read it' Daily Mail 'A gripping story of tumbling fury and terror' Independent on Sunday With this historic win for Bring Up the Bodies, Hilary Mantel becomes the first British author and the first woman to be awarded two Man Booker Prizes. By 1535 Thomas Cromwell is Chief Minister to Henry VIII, his fortunes having risen with those of Anne Boleyn, the king's new wife. But Anne has failed to give the king an heir, and Cromwell watches as Henry falls for plain Jane Seymour. Cromwell must find a solution that will satisfy Henry, safeguard the nation and secure his own career. But neither minister nor king will emerge unscathed from the bloody theatre of Anne's final days. An astounding literary accomplishment, Bring Up the Bodies is the story of this most terrifying moment of history, by one of our greatest living novelists.
Winner of the Man Booker Prize Shortlisted for the the Orange Prize Shortlisted for the Costa Novel Award `Dizzyingly, dazzlingly good' Daily Mail 'Our most brilliant English writer' Guardian England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk, and later his successor. Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with a delicate and deadly expertise in manipulating people and events. Ruthless in pursuit of his own interests, he is as ambitious in his wider politics as he is for himself. His reforming agenda is carried out in the grip of a self-interested parliament and a king who fluctuates between romantic passions and murderous rages. From one of our finest living writers, Wolf Hall is that very rare thing: a truly great English novel, one that explores the intersection of individual psychology and wider politics. With a vast array of characters, and richly overflowing with incident, it peels back history to show us Tudor England as a half-made society, moulding itself with great passion and suffering and courage.
Winner of the Man Booker Prize The second book in Hilary Mantel's award-winning Wolf Hall trilogy, with a stunning new cover design to celebrate the publication of the much anticipated The Mirror and the Light An astounding literary accomplishment, Bring Up the Bodies is the story of this most terrifying moment of history, by one of our greatest living novelists. 'Our most brilliant English writer' Guardian Bring Up the Bodies unlocks the darkly glittering court of Henry VIII, where Thomas Cromwell is now chief minister. With Henry captivated by plain Jane Seymour and rumours of Anne Boleyn's faithlessness whispered by all, Cromwell knows what he must do to secure his position. But the bloody theatre of the queen's final days will leave no one unscathed. 'A great novel of dark and dirty passions, public and private. A truly great story' Financial Times 'In another league. This ongoing story of Henry VIII's right-hand man is the finest piece of historical fiction I have ever read' Sunday Telegraph
Winner of the Man Booker Prize The first book in Hilary Mantel's award-winning Wolf Hall trilogy, with a new cover design to celebrate the publication of the much anticipated The Mirror and the Light From one of our finest living writers, Wolf Hall is that very rare thing: a truly great English novel. 'Every bit as good as they said it was' Observer 'Terrific' Margaret Atwood 'As soon as I opened this book I was gripped. I read it almost non-stop' The Times In Wolf Hall, one of our very best writers brings the opulent, brutal world of the Tudors to bloody, glittering life. It is the backdrop to the rise and rise of Thomas Cromwell: lowborn boy, charmer, bully, master of deadly intrigue, and , finally, most powerful of Henry VIII's coutiers. 'Dizzyingly, dazzlingly good' Daily Mail 'Terrifying. It is a world of marvels. But it is also a world of horrors, where screams are commonplace. A feast' Daily Telegraph
An extraordinary work of historical imagination - this is Hilary Mantel's epic novel of the French Revolution. One of the ten books - novels, memoirs and one very unusual biography - that make up the 4th Estate Matchbook Classics' series, a stunningly redesigned collection of some of the best loved titles on our backlist. 1789: as Revolution sweeps through France, three obscure young men step into the harsh light of history. Georges Jacques Danton has a prize fighter's build, a sharp lawyer's brain, a consuming ambition. Camille Desmoulins, charming and erratic, is a writer of genius with a taste for violence. Maximilien Robespierre is a slight, meek idealist who recoils from power, but who will lead his country into the darkness of the Terror. For these men, the Revolution is a blood rite: the forces they have helped unleash will remake the world, but destroy their lives. From the two-time winner of the Man Booker Prize, A Place of Greater Safety announced Hilary Mantel as one of our greatest living novelists.
Hans Holbein's famous portrayal of Sir Thomas More is one of the artist's greatest and most popular portraits. In the opening piece of this appealing new volume, A Letter to Thomas More, Knight , award-winning author Hilary Mantel vividly imagines the background to the creation of this extraordinary portrait, giving it both historical perspective and immediacy. An insightful, concise, scholarly essay by Xavier Salomon grounds it in the art-historical world. Hans Holbein (1497/98-1543) painted Sir Thomas More in 1527, having been a guest in More's house when he first arrived in England. He brilliantly renders his sitter's rich fabrics and unshaven face with sympathy and perception. Frick Diptychs, a new series of small books to be co-published by GILES with The Frick Collection, New York, pairs masterworks from the Frick with critical and literary essays. The novelist Hilary Mantel will be followed by the filmmaker James Ivory on Vermeer's Mistress and Maid and the artist and author Edmund de Waal on a pair of porcelain and bronze candlesticks by the 18th-century French metalworker Pierre Gouthiere.
Alison Hart, a medium by trade, tours the dormitory towns of London's orbital ring road with her flint-hearted sidekick, Colette, passing on messages from beloved dead ancestors. But behind her plump, smiling persona hides a desperate woman: she knows the terrors the next life holds but must conceal them from her wide-eyed clients. At the same time she is plagued by spirits from her own past, who infiltrate her body and home, becoming stronger and nastier the more she resists...
Terminus: A "e;The Assassination of Margaret Thatcher"e; Essay by Hilary MantelThe Assassination of Margaret Thatcher is The New York Times bestselling collection, from the Man Booker prize-winner for Wolf Hall and Bring Up the Bodies, that has been called "e;scintillating"e; (New York Times Books Review), "e;breathtaking"e; (NPR), "e;exquisite"e; (The Chicago Tribune) and "e;otherworldly"e; (Washington Post).
A new story from Hilary Mantel, author of Wolf Hall and The Assassination of Margaret Thatcher and twice winner of the Man Booker Prize.This story is also available in the paperback and eBook edition of The Assassination of Margaret Thatcher.'Lastly,' Mr Maddox said, 'and to conclude our tour, we come to a very special part of the house.' He paused, to impress on her that she was going to have a treat. 'Perhaps, Miss Marcella, it may be that in your last situation, the house did not have a panic room?''The School of English' invites us behind the stucco facade of a Notting Hill mansion where fear and cruelty grip a household.
A brilliant - and rather transgressive - collection of short stories from the double Man Booker Prize-winning author of Wolf Hall and Bring Up the Bodies. Including a new story The School of English. Hilary Mantel is one of Britain's most accomplished and acclaimed writers. In these ten bracingly subversive tales, all her gifts of characterisation and observation are fully engaged, summoning forth the horrors so often concealed behind everyday facades. Childhood cruelty is played out behind the bushes in 'Comma'; nurses clash in 'Harley Street' over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game. Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road in Greece, these stories share an insight into the darkest recesses of the spirit. Displaying all of Mantel's unmistakable style and wit, they reveal a great writer at the peak of her powers.
Winners of the Man Booker Prize and hugely successful stage plays in London's West End and on Broadway, Wolf Hall and Bring Up the Bodies bring history to life for a whole new audience having now been adapted into a six-part television series by the BBC and PBS Masterpiece.Hilary Mantel's Thomas Cromwell novels are the most formidable literary achievements of recent times. Wolf Hall begins in England in 1527. England is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years and marry Anne Boleyn. The pope and most of Europe oppose him. Into this impasse steps Thomas Cromwell: a wholly original man, a charmer and a bully, both idealist and opportunist, master of deadly intrigue, and implacable in his ambition.Bring Up the Bodies unlocks the darkly glittering court of Henry VIII, where Thomas Cromwell is now chief minister. Henry is disenchanted with Anne Boleyn and has fixed his eye on the demure Jane Seymour. Anne has failed to give England an heir and rumors of her infidelity creep through the court. Over a few terrifying weeks, to dislodge her from her throne, Cromwell ensnares Anne in a web of conspiracy-acting to save his life, serve his king and secure his position. But from the bloody theater of the queen's final days, no one will emerge unscathed.