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Barry Forshaw is a writer and journalist specialising in crime fiction and cinema. His books include The Man Who Left Too Soon: The Life and Works of Stieg Larsson (2010), British Crime Writing: An Encyclopedia (2008), The Rough Guide to Crime Fiction (2007), Italian Cinema: Arthouse to Exploitation (2006) and the forthcoming British Crime Film (2012), and he has contributed to the Directory of World Cinema. He has also written for a variety of national newspapers as well as for Movie Mail, Waterstone's Books Quarterly and Good Book Guide and is editor of the online Crime Time magazine. He is also a talking head for the ITV Crime Thriller author profiles and BBC TV documentaries, and has been Vice Chair of the Crime Writers' Association.
Author photo © A Karim
Death in a Cold Climate is a celebration and analysis of Scandinavian crime fiction which has become, almost out of the blue, one of the hottest areas of writing today. With forensic dissection and analysis of books, films and TV adaptations Barry Forshaw, the UK's principal expert on crime fiction, looks to explain the appeal. From Sjowall and Wahloo's influential Martin Beck series through Henning Mankell's Wallander to Stieg Larsson's publishing phenomenon The Girl with the Dragon Tattoo this is a must have for any fan of Scandinavian Crime Fiction... Click here to view 'Where to start with Scandinavian crime fiction' - an online booklet by Barry Forshaw.
The perfect book, and present for any crime fiction lovers out there. Packed with information, this was first published ten years ago, and has just been updated. The foreword by Ian Rankin delves into the reputation of the crime novel and what he thinks makes it so popular. Barry Forshaw is a leading crime fiction and film expert, he edits Crime Time, writes for newspapers, broadcasts, chairs events, and has written a number of books about crime fiction. He begins with his thoughts on the direction crime fiction will take, the origins of the crime novel, and a few chosen classics before moving on to his selection ‘of the best in crime writing from the last century or so, organised by subject (or subgenre)’. From amateur investigators, to cops, private eyes, crime and society, cosy crime, and psychopaths and serial killers, the different categories in crime is simply huge. How on earth did Barry Forshaw manage it, it must have turned his brain inside out! The first thing I did was to turn to some of my much loved crime authors in the indexes to see where they were. Screen adaptations are also included, along with notes, thoughts, profiles, and favourite books or best introductions to the work of an author. At the end you will find an index of titles, authors and directors. Crime Fiction A Reader’s Guide can be summed up as a must-read for crime fiction lovers.
For most of the twentieth century, the private eye dominated crime fiction and film, a lone figure fighting for justice, often in opposition to the official representatives of law and order. More recently, however, the police have begun to take center stage as exemplified by the runaway success of TV police procedurals like Law and Order. In Crime Uncovered: Detective, Barry Forshaw offers an exploration of some of the most influential and popular fictional police detectives in the history of the genre. Taking readers into the worlds of such beloved authors as P. D. James, Henning Mankell, Jo Nesb o, Ian Rankin, and Hakan Nesser, this book zeroes in on the characteristics that define the iconic characters they created, discussing how they relate to their national and social settings, questions of class, and to the criminals they relentlessly pursue. Showing how the role of the authority figure has changed and how each of these writers creates characters who work both within and against the strictures of official investigations the book shows how creators cleverly subvert expectations of both police procedure and the crime genre itself. Written by a leading expert in the field and drawn from interviews with the featured authors, Crime Uncovered: Detective will thrill the countless fans of Inspector Rebus, Harry Hole, Adam Dalgliesh, and the other enduring police detectives who define the genre.
Sex and Film is a frank, comprehensive analysis of the cinema's love affair with the erotic. Forshaw's lively study moves from the sexual abandon of the 1930s to filmmakers' circumvention of censorship, the demolition of taboos by arthouse directors and pornographic films, and an examination of how explicit imagery invaded modern mainstream cinema.
Sex and Film is a frank, comprehensive analysis of the cinema's love affair with the erotic. Forshaw's lively study moves from the sexual abandon of the 1930s to filmmakers' circumvention of censorship, the demolition of taboos by arthouse directors and pornographic films, and an examination of how explicit imagery invaded modern mainstream cinema.
The War of the Worlds was one of a handful of high-prestige science fiction productions in a low-budget era, and initiated modern cinema's reliance on screen-filling special effects. Barry Forshaw analyses and celebrates this key science fiction film of the 1950s, exploring its literary origins and numerous film progeny.
Barry Forshaw celebrates with enthusiasm the British horror film and its fascination for macabre cinema. A definitive study of the genre, British Gothic Cinema discusses the flowering of the field, with every key film discussed from its beginnings in the 1940s through to the 21st century.
Barry Forshaw celebrates with enthusiasm the British horror film and its fascination for macabre cinema. A definitive study of the genre, British Gothic Cinema discusses the flowering of the field, with every key film discussed from its beginnings in the 1940s through to the 21st century.
Presenting a social history of British crime film, this book focuses on the strategies used in order to address more radical notions surrounding class, politics, sex, delinquency, violence and censorship. Spanning post-war crime cinema to present-day Mockney productions, it contextualizes the films and identifies important and neglected works.
Presenting a social history of British crime film, this book focuses on the strategies used in order to address more radical notions surrounding class, politics, sex, delinquency, violence and censorship. Spanning post-war crime cinema to present-day Mockney productions, it contextualizes the films and identifies important and neglected works.
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